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  • Online Resource  (16)
  • 2010-2014  (12)
  • 1995-1999  (4)
  • Geschichte  (12)
  • Humanities  (4)
  • Art History
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  • 1
    ISBN: 9783658029173
    Language: German
    Pages: 1 Online-Ressource (281 Seiten)
    Series Statement: Kunst und Gesellschaft
    DDC: 201.7
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    Keywords: Geschichte ; Geschichte 1945- ; Kunst ; Kunstbetrieb ; Gesellschaft ; Künstler ; Ausstellung ; Deutschland ; Westdeutschland ; Konferenzschrift ; Aufsatzsammlung
    Abstract: ​Ab den fünfziger Jahren entstand in Westdeutschland mit der neu geschaffenen „documenta" allmählich das Bild einer eigenständigen „Westkunst". Unter neuen politischen Rahmenbedingungen bewegte sich die Kunstwelt zwischen Versuchen, an Vorkriegstraditionen anzuknüpfen und sich zu modernisieren. Es kanonisierten sich abstrakte Gegenwartstendenzen, welche in der Gegensatzspannung zum Osten zunehmend politisch instrumentalisiert wurden. Von den Zeitgenossen schon kontrovers diskutiert, wird diese Phase der Kunstentwicklung bis heute unterschiedlich bewertet. Der vorliegende Band versammelt histor...
    Note: Description based upon print version of record
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  • 2
    ISBN: 9783839426838
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Edition Kulturwissenschaft 24
    Parallel Title: Erscheint auch als
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    Keywords: Beuys, Joseph ; Morrison, Jim ; Geschichte ; Ethnologie ; Religiosität ; Spiritualität ; Culture ; Kultur ; Kulturanthropologie ; Kunst ; Ethnology ; Arts ; Cultural Anthropology ; Jim Morrison ; Joseph Beuys ; Kulturelle Aneignung ; Künstlertum ; Künstlerfigur ; Kunstgeschichte ; Kunstsoziologie ; Art History ; Sociology of Art ; Rezeption ; Schamanismus ; Künstler ; Hochschulschrift ; Hochschulschrift ; Morrison, Jim 1943-1971 ; Beuys, Joseph 1921-1986 ; Schamanismus ; Rezeption ; Künstler ; Schamanismus ; Geschichte
    Abstract: »Shaman as superstar« - Jim Morrison und Joseph Beuys entwarfen sich selbst als indigene religiöse Spezialisten. Wie kam es dazu? Mit dieser Frage beginnt eine spannende historische Reise entlang der auf erstaunliche Weise diskursiv verknüpften Entstehungswege der Konzepte »Künstler« und »Schamane«. Sie mündet in eine detailreiche Analyse der höchst individuellen und kreativen Weisen, auf die die beiden Künstler sich die Figur des Schamanen und ihren semantischen Kontext aneigneten und in ihre Werke integrierten - und eröffnet eine ungewohnte Perspektive auf zentrale erkenntnistheoretische Fragen der Ethnologie
    Abstract: Shaman as superstar: Jim Morrison and Joseph Beuys styled themselves as indigenous religious specialists. How did it come to this? This question marks the start of a thrilling historic journey along the formative paths of the concepts »artist« and »shaman«, these being discursively intertwined in astonishing ways. It leads to a detail-rich analysis of the highly individual and creative manner in which both artists appropriated the figure of the shaman along with its semantic context and integrated it into their works, introducing an unfamiliar perspective on central epistemological questions of ethnology
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  • 3
    ISBN: 9783839426838 , 3839426839 , 9783837626834 , 3837626830
    Language: German
    Pages: 1 online resource (244 pages)
    Series Statement: Edition Kulturwissenschaft 24
    Parallel Title: Erscheint auch als Riedl, Karin Künstlerschamanen
    DDC: 390
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    Keywords: Beuys, Joseph ; Morrison, Jim / 1943-1971 ; Morrison, Jim ; Beuys, Joseph ; Beuys, Joseph ; Morrison, Jim ; Geschichte ; SOCIAL SCIENCE / Customs & Traditions ; Artists ; Shamans ; Shamans ; Artists ; Schamanismus ; Rezeption ; Künstler ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Morrison, Jim 1943-1971 ; Beuys, Joseph 1921-1986 ; Schamanismus ; Rezeption ; Künstler ; Schamanismus ; Geschichte
    Note: Print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Pittsburgh, Pa. :Univ. of Pittsburgh Press,
    ISBN: 978-0-8229-6302-8 , 978-0-8229-7957-9
    Language: English
    Pages: 1 Online-Ressource (XII, 440 S.) : , Ill., Kt.
    Series Statement: Culture, politics, and the built environment
    Parallel Title: Erscheint auch als Architecture, politics, & identity in divided Berlin
    DDC: 720.943/15509045
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    Keywords: Geschichte 1900-2000 ; Geschichte 1961-1989 ; ARCHITECTURE / Criticism ; HISTORY / Europe / Germany ; ARCHITECTURE / Urban & Land Use Planning ; Architektur ; Geschichte ; Politik ; Stadtplanung ; Architecture History 20th century ; Architecture Political aspects 20th century ; History ; Architecture and society History 20th century ; City planning History 20th century ; Group identity History 20th century ; Berlin Wall, Berlin, Germany, 1961-1989 ; ARCHITECTURE / Criticism ; HISTORY / Europe / Germany ; ARCHITECTURE / Urban & Land Use Planning ; Architektur. ; Deutschland ; Europa ; Germany (West) Relations ; Germany (East) Relations ; Berlin (Germany) Social conditions 20th century ; Berlin (Germany) Politics and government 1945-1990 ; Berlin ; Berlin ; Architektur ; Geschichte 1961-1989
    Abstract: "Emily Pugh provides an original comparative analysis of selected works of architecture and urban planning in East and West Berlin during the 'Wall era,' to reveal the importance of these structures to the formation of political, cultural, and social identities"..
    Note: Includes bibliographical references and index
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  • 5
    Online Resource
    Online Resource
    Darmstadt : Primus Verlag
    ISBN: 9783534714193 , 9783863126506
    Language: German
    Pages: Online-Ressource (270 Seiten)
    Edition: 6. Auflage
    Parallel Title: Erscheint auch als Hotz, Walter, 1912 - 1996 Kleine Kunstgeschichte der deutschen Burg
    DDC: 306.07477311
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    Keywords: Germany ; Pictorial works ; Germany ; Social life and customs ; Exhibitions ; Electronic books ; Electronic books ; Deutschland ; Burg ; Geschichte ; Burg ; Geschichte
    Abstract: Das praktische Handbuch zur Burgenforschung ist endlich wieder lieferbar. Walter Hotz beschreibt anschaulich die verschiedenen Bauformen der deutschen Burg und vollzieht ihre Entstehung, Entwicklung und Ausbreitung nach. Ein ausführlicher historischer Überblick macht zunächst mit den antiken Grundlagen bekannt und behandelt dann ausführlich den Burgenbau von der Salierzeit bis zum 15. Jahrhundert. Die übersichtliche Systematik schafft Ordnung in der beeindruckenden Fülle der Objekte und führt den Leser zugleich in die gängige Terminologie ein. Aus der großen Zahl erhaltener Burgen hat Walter H
    Description / Table of Contents: Hotz_000V
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401792400
    Language: English
    Pages: Online-Ressource (XII, 736 p. 1332 illus., 1135 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 6
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 6: Rembrandt's paintings revisited
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    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists - including the majority of members of the original RRP (up to 1989) - were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own i ...
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 7
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783899427592 , 3899427599 , 9783839407592
    Language: German
    Pages: 1 Online-Ressource (197 Seiten) , Illustrationen
    Edition: 2. Auflage
    Series Statement: Urban studies
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    Keywords: Geschichte ; Streetart ; Streetart ; Geschichte
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  • 8
    Online Resource
    Online Resource
    Vienna : Springer
    ISBN: 9783709110621 , 9781299337848
    Language: English
    Pages: Online-Ressource (416 p. 150 illus. in color, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Susanna Fritscher - blanc de titre
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    Keywords: Humanities ; Arts ; Humanities / Arts ; Humanities ; Arts ; Bildband ; Fritscher, Susanna 1960- ; Installation ; Fritscher, Susanna 1960- ; Installation
    Abstract: Susanna Fritscher’s installation works cannot be separated from their environment. On the basis of core elements such as space and movement, they directly address our visual perceptions.This book documents sixteen of her completed works, including: the new Vienna Airport (with Baumschlager Eberle) and the Centre des Archives Nationales in Pierrefitte-sur-Seine (with Massimiliano Fuksas).In the first section of the book, the artist explains its guiding concept of artistic space. Together with the book designer Ruedi Baur, she develops a symbiosis of her own art with ink and the printed page.With texts by Philippe Alain Michaud (Curator of the film collection of the Musée d'Art Moderne,Centre Georges Pompidou), Sabine Folie (Director of the Generali Foundation), Hugues Fontenas (architect, lecturer at the École nationale supérieure d'architecture, Paris, Val de Seine) and Jean-Luc Nancy (Prof. emeritus, philosopher)
    Note: Includes bibliographical references
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 9
    Online Resource
    Online Resource
    In:  Neues Archiv für sächsische Geschichte 82(2011), Seite 401-403 | volume:82 | year:2011 | pages:401-403
    Language: German
    Additional Information: Rezension von Magirius, Heinrich, 1934 - 2021 Die Geschichte der Denkmalpflege Sachsens 1945 - 1989 1. Aufl. Dresden : Landesamt für Denkmalpflege Sachsen, 2010 9783942422093
    Parallel Title: Erscheint auch als Donath, Matthias, 1975 - Heinrich Magirius, Die Geschichte der Denkmalpflege Sachsens 1945–1989. Hans Nadler zum 100. Geburtstag [Rezension]
    Titel der Quelle: Neues Archiv für sächsische Geschichte
    Publ. der Quelle: Neustadt an der Aisch : Verlag Ph. C.W. Schmidt, 2000
    Angaben zur Quelle: 82(2011), Seite 401-403
    Angaben zur Quelle: volume:82
    Angaben zur Quelle: year:2011
    Angaben zur Quelle: pages:401-403
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    Keywords: Rezension ; Sachsen ; Denkmalpflege ; Geschichte
    Note: gesehen am 13.03.2023
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  • 10
    ISBN: 9780472071043 , 9780472051045
    Language: English
    Pages: 1 Online-Ressource
    DDC: 305.4209182/109034
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    Keywords: Geschichte 1870-1970 ; Women / History ; Photography of women / History ; Feminism / History ; Women. Feminism ; Frau ; Geschichte ; Women History ; Photography of women History ; Feminism History ; Fotografie ; Frau ; Film ; Fotografie ; Film ; Frau ; Geschichte 1870-1970
    Note: English
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 11
    ISBN: 9780822393764 , 082239376X
    Language: English
    Pages: 1 Online-Ressource (x, 216 Seiten) , ill
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Architecture, Mogul / History / India ; Monuments / History / India ; Islamic architecture / History / India ; Architektur ; Mogulreich ; Indien ; Indien ; Mogulreich ; Architektur ; Geschichte
    Abstract: Breathing new life into old stones : the poets and artists of the Mughal monument in the eighteenth century -- From Cunningham to Curzon : producing the Mughal monument in the era of high imperialism -- Between fantasy and phantasmagoria : the Mughal monument and the structure of touristic desire -- Rebuilding Indian Muslim space from the ruins of the Mughal "moral city" -- Tryst with destiny : Nehru's and Gandhi's Mughal monuments -- The ethics of monumentality in postindependence India
    Note: Description based on print version record. - Includes bibliographical references and index
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  • 12
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9781402057861
    Language: English
    Pages: Online-Ressource (XVIII, 674 p. 898 illus., 629 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 5
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 5: Small-scale history paintings
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    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Malerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandts own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandts self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called histories (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills known in Rembrandts time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandts own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandts own work with that of his pupils has furthermore provided a detailed access to Rembrandts own criteria regarding artistic quality
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandt’s self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called ‘histories’ (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills - known in Rembrandt’s time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt’s own work with that of his pupils has furthermore provided a detailed access to Rembrandt’s own criteria regarding artistic quality
    Description / Table of Contents: PrefaceBibliographical and other Abbreviations -- Essays: -- I. Towards a Reconstruction of Rembrandt’s Art Theory -- II. An Illustrated Chronological Survey of Rembrandt’s Small-Scale ‘Histories’: Paintings, Etchings and a Selection of Drawings, with Remarks on Art-Theoretical Aspects, Function and Questions of Authenticity -- III. Rembrandt’s Prototypes and Pupils’ Production of Variants -- IV. On Quality: Comparative Remarks on the Functioning of Rembrandt’s Pictorial Mind -- V. More than One Hand in Paintings by Rembrandt -- Catalogue of the Small-Scale History and Genre Paintings 1642-1669 by Rembrandt and his Pupils -- Corrigenda et Addenda -- Indexes.
    Note: At head of title: Stichting Foundation Rembrandt Research Project , Accompanied by folded leaf of small history paintings , Includes bibliographical references and indexes
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 13
    ISBN: 9781847888662 , 9781845208950
    Language: English
    Pages: 1 Online-Ressource (vi, 208 Seiten) , Illustrationen, Karten
    Series Statement: Dress, body, culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 391.0096
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    Keywords: Geschichte ; Art patronage Africa, Sub-Saharan ; Clothing and dress Nigeria ; Kleidung ; Tradition ; Volkskunst ; Textilkunst ; Westafrika ; Westafrika ; Textilkunst ; Volkskunst ; Geschichte ; Westafrika ; Kleidung ; Tradition ; Geschichte
    Abstract: Drawing examples from a wide range of African cultures, this ground-breaking book expands the continuing discourse on the aesthetic and cultural significance of cloth, body and dress in Africa and moves beyond contextual analysis to consider the broader application of cloth and dress to art forms in other media. In blending the concerns of Art History and Anthropology, the authors focus on the art patronage systems that stimulate production, consumption, commodification and cultural meaning, and emphasize the overriding importance of cloth to aesthetic and cultural expression in African societies. Through this approach they reveal complex processes that involve a series of actors, including textile artists, commissioning-patrons and consumer-patrons, all of whom shape cloth and dress traditions. These individuals not only influence production, but are a key to understanding the cultural meaning of cloth and dress and, by extension, the body in Africa
    Note: Online-Ausgabe erschienen bei Bloomsbury Fashion Central: 2021
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  • 14
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511586088
    Language: English
    Pages: 1 online resource (x, 204 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 759.994
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    Keywords: Geschichte 1788-1998 ; Aboriginal Australians in art ; Painting, Australian ; Identity (Psychology) in art ; Malerei ; Weiße ; Aborigines ; Kunst ; Geschichte ; Australien ; Australien ; Kunst ; Weiße ; Aborigines ; Geschichte ; Australien ; Kunst ; Geschichte ; Geschichte 1788-1998 ; Australien ; Malerei ; Geschichte 1788-1998
    Abstract: This book investigates how identities have been constructed in Australian art from 1788 onwards. Ian McLean shows that Australian art, and the writing of its history, has, since settlement, been in a dialogue (although often submerged) with Aboriginal art and culture; and that this dialogue is inextricably interwoven with the struggle to find an identity in the antipodes. Beginning with a discussion of how Australia was imagined by Europeans before colonisation, McLean traces the representation of indigeneity through the history of Australian art, and the concomitant invention of an Australian subjectivity. He argues that the colonising culture invested far more in indigenous aspects of the country and its inhabitants than it has been willing to admit. McLean considers artists and their work within a cultural context, and also provides a contemporary theoretical and critical context for his claims
    Description / Table of Contents: 1. Ocean and the Antipodes -- 2. Artful Killings -- 3. The Art of Settlement -- 4. The Bad Conscience of Impressionism -- 5. Aboriginalism and Australian Nationalism -- 6. The Aboriginal Renaissance -- 7. Aboriginality and Contemporary Australian Painting -- 8. Painting for a New Republic -- Postscript: The Wandering Islands
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Online Resource
    Online Resource
    Dresden : Dresdner Geschichtsverein
    ISBN: 3910055400
    Language: German
    Pages: 104 S. , Ill., Kt.
    Edition: Online-Ausg. Dresden SLUB 2011 Online-Ressource Digitale Sammlungen / Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden. Saxonica
    Series Statement: Dresdner Hefte 1997,2 = 50
    Series Statement: Dresdner Hefte
    Parallel Title: Digitale Sammlungen. Saxonica
    Parallel Title: Druckausg. Polen und Sachsen
    DDC: 303.48/243210438
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    Keywords: Aufsatzsammlung ; Polen ; Sachsen ; Geschichte
    Note: SLUB Dresden
    URL: Volltext  (kostenfrei)
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  • 16
    Online Resource
    Online Resource
    Leiden : KITLV Press
    ISBN: 9789004260429 , 9004260420 , 9789067181051 , 9067181056
    Language: English
    Pages: 1 Online-Ressource (xii, 259 pages)
    Edition: [S.l.] HathiTrust Digital Library 2011 Electronic reproduction
    Series Statement: Translation series / Koninklijk Instituut voor Taal-, Land- en Volkenkunde 26
    Parallel Title: Erscheint auch als
    Parallel Title: Print version In praise of Prambanan
    DDC: 726.14509598
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    Keywords: Lara Jonggrang (Temple : Prambanan, Indonesia) ; Lara Jonggrang (Temple : Prambanan, Indonesia) ; Hindu temples ; Hindu temples ; Lara Jonggrang (Temple : Prambanan, Indonesia) ; Humanities ; Hindu temples ; Tempels ; Reliëfs ; Temples hindous ; Indonésie ; Prambanan ; Temples bouddhiques ; Indonésie ; Architecture ; Java ; Java (Indonésie) ; Art, Architecture & Applied Arts ; Architecture ; Prambanan (Indonésie) ; Prambanan ; Indonesia ; Prambanan ; Electronic books
    Abstract: In praise of Prambanan is devoted to the Hindu-Javanese temple complex of Candi Prambanan, also known by its locally more popular name of Candi Loro Jonggrang. The book has two parts. Part One is a general introduction to the temple complex based on an examination of the existing scholarly literature. It offers a detailed state-of-the-art survey of publications on Candi Prambanan as well as of the religious conditions which made its creation possible. Part Two contains a selection of important articles - in English translation - about the temple complex by prominent Dutch scholars all of whom had first-hand knowledge of it: J.W. IJzerman, J. Ph. Vogel, N.J. Krom, F.D.K. Bosch, B. de Haan, W.F. Stutterheim, V.R. van Romondt and A.J. Bernet Kempers. The book is richly illustrated with photographs, drawings and maps. Roy E. Jordaan, currently a private scholar, obtained his PhD in anthropology from Leiden University
    Note: Includes bibliographical references (pages 231-252) and index , Use copy Restrictions unspecified star MiAaHDL , Part One ; Candi Prambanan; An updated introduction , Preliminary description ; Name and legend ; Discovery, excavation, and restoration ; The location from a culture-historical perspective ; Dating the temple complex: retracing its history ; About the founders, art styles, and archaeological theories ; The mythical Mount Meru and the churning of the ocean ; Design, meaning, and sectarian sensibilities ; The statues ; The reliefs ; General conclusions ; Part Two ; The Prambanan temple pits , The first Prambanan Rāma relief , The Prambanan statues , The god Brahmā surrounded by mahaṛṣi , Candi A and candi B , The arrangement of the Rāma reliefs of Candi Loro Jonggrang and the course of the sun , The reconstruction of the Śiva temple at Prambanan , Prambanan 1954 , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
    URL: Volltext  (kostenfrei)
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