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  • Online Resource  (17)
  • 2020-2022
  • 2010-2014  (17)
  • 1935-1939
  • Durham : Duke University Press  (17)
  • Musicology  (10)
  • Comparative Studies. Non-European Languages/Literatures  (7)
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Anti-crisis (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822377436
    Language: English
    Pages: 1 Online-Ressource (XIV, 157 Seiten)
    Parallel Title: Erscheint auch als Roitman, Janet L., 1964 - Anti-crisis
    RVK:
    LB 49000
    RVK:
    MS 4350
    RVK:
    EC 5410
    Keywords: SOCIAL SCIENCE / Anthropology / Cultural & Social ; Krise ; Begriff ; Krise ; Geschichtsphilosophie
    Abstract: Crisis is everywhere: in Iraq, Afghanistan, Syria, and the Congo; in housing markets, money markets, financial systems, state budgets, and sovereign currencies. In Anti-Crisis, Janet Roitman steps back from the cycle of crisis production to ask not just why we declare so many crises but also what sort of analytical work the concept of crisis enables. What, she asks, are the stakes of crisis? Taking responses to the so-called subprime mortgage crisis of 2007–2008 as her case in point, Roitman engages with the work of thinkers ranging from Reinhart Koselleck to Michael Lewis, and from Thomas Hobbes to Robert Shiller. In the process, she questions the bases for claims to crisis and shows how crisis functions as a narrative device, or how the invocation of crisis in contemporary accounts of the financial meltdown enables particular narratives, raising certain questions while foreclosing others
    Abstract: Frontmatter -- Contents -- Acknowledgments -- Introduction What Is at Stake? -- Chapter 1. Crisis Demands judgment day the moral demand the test -- Chapter 2. Crisis Narratives bubbles houses finance subjects -- Chapter 3. Crisis: Refrain! noncrisis narration the crisis that does not obtain -- Conclusion Dreams -- Notes -- References -- Index
    Note: Mode of access: Internet via World Wide Web.
    DOI: 10.1515/9780822377436
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 2
    Online Resource
    Online Resource
    Aurality : listening and knowledge in nineteenth-century Colombia (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    LQ 90304
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262?locatt=mode:legacy
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  • 3
    Online Resource
    Online Resource
    My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
    LS 21520
    RVK:
    LS 35340
    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
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    MPI Ethno. Forsch.
  • 4
    Online Resource
    Online Resource
    Cumbia! : scenes of a migrant Latin American music genre (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391929 , 9780822391920
    Language: English
    Pages: 1 Online-Ressource (302 pages) , map
    Parallel Title: Erscheint auch als
    DDC: 781.64098
    RVK:
    LS 26690
    Keywords: Cumbia (Music) / History and criticism / America ; Working class / Songs and music / History and criticism / America ; Musiksoziologie ; Cumbia ; Amerika ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Cumbia ; Musiksoziologie
    Abstract: Cumbia music in Colombia: origins, transformations, and evolution of a coastal music genre / Leonardo D'Amico -- ¿Pa' dónde vas Marioneta? ¿Pa' donde va la gaita? : la Cumbiamba Eneyé returns to San Jacinto / Jorge Arévalo Mateus with Martín Vejarano -- Cumbia in Mexico's northeastern region / José Juan Olvera Gudiño -- Rigo Tovar, cumbia, and the transnational grupero boom / Alejandro L. Madrid -- Communicating the collective imagination : the socio-spatial world of the Mexican sonidero in Puebla, New York and New Jersey / Cathy Ragland -- From the world of the poor to the beaches of Eisha : cumbia, and the search for a popular subject in Peru / Joshua Tucker -- Pandillar in the jungle : regionalism and tecno-cumbia in Amazonian Peru / Kathryn Metz -- Gender tensions in Cumbia villera's lyrics / Pablo Semán and Pablo Vila -- Feliz, feliz / Cristian Alarcón -- El "tú" tropical, el "vos" villero, and places in between : language ideology, music, and the spatialization of difference in Uruguay / Matthew J. Van Hoose -- On music and Colombianess : towards a critique of the history of cumbia / Héctor Fernández L'Hoeste
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822391920
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    Making samba : a new history of race and music in Brazil (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
    RVK:
    LS 48800
    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822391906
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822391906?locatt=mode:legacy
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  • 6
    Online Resource
    Online Resource
    Listening in detail : performances of Cuban music (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822378877 , 0822378876
    Language: English
    Pages: 1 Online-Ressource (xviii, 333 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 780.97291
    RVK:
    LS 48700
    Keywords: Music / History and criticism / Cuba ; Music / Performance / Cuba ; Unterhaltungsmusik ; Aufführung ; Kuba ; Aufsatzsammlung ; Electronic books ; Electronic books ; Kuba ; Unterhaltungsmusik ; Aufführung
    Abstract: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877?locatt=mode:legacy
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  • 7
    Online Resource
    Online Resource
    Contemporary Carioca : technologies of mixing in a Brazilian music scene (2012)
    Durham : Duke University Press
    Details
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48800
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    DOI: 10.1215/9780822394884
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 8
    Online Resource
    Online Resource
    Go-go live : the musical life and death of a chocolate city (2012)
    Durham : Duke University Press
    Details
    ISBN: 0822352117 , 0822395207 , 9780822352112 , 0822352001 , 9780822395201 , 9780822352006 , 9781280487163
    Language: English
    Pages: 1 online resource (xvi, 214 p.
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: e-Duke books scholarly collection
    Parallel Title: Print version Go-Go Live
    DDC: 306.4/84240975309045
    RVK:
    LS 48900
    Keywords: African Americans Social life and customs 20th century ; Go-go (Music) History and criticism ; African Americans Music 20th century ; Go-go (Music) Social aspects ; Go-go (Music) -- Washington (D.C.) -- History and criticism ; Go-go (Music) -- Social aspects -- Washington (D.C.) ; African Americans -- Washington (D.C.) -- Music -- 20th century ; African Americans -- Washington (D.C.) -- Social life and customs -- 20th century ; Electronic books ; Electronic books
    Abstract: Includes bibliographical references and index
    Abstract: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986
    Abstract: Go-go is an upbeat, funky Black popular music from Washington, D.C. with a history as long as that of house or hip-hop. Natalie Hopkinson is the Media and Culture Critic for The Root, with access to clubs, producers, and artists, and is therefore well-placed to tell the story of the music from the 70s to the present. With the regentrification of the District, more of the Black population and the go-go industry have moved to the Maryland suburbs. In Go-Go Live, Hopkinson gives a critical, inside account of the scene and how it survives in a changing city
    Description / Table of Contents: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986.
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822395201?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822395201
    URL: Cover
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  • 9
    Online Resource
    Online Resource
    Object Lessons (2012)
    Durham : Duke University Press
    Details
    ISBN: 9780822394945
    Language: English
    Pages: 1 online resource (416 pages)
    Series Statement: Next Wave: New Directions in Women's Studies
    DDC: 301.01
    RVK:
    EC 1876
    RVK:
    HU 1110
    RVK:
    MG 70968
    Keywords: LITERARY CRITICISM / Feminist ; Critical theory ; Feminist theory ; Queer theory ; Race ; Whites Race identity
    Abstract: No concept has been more central to the emergence and evolution of identity studies than social justice. In historical and theoretical accounts, it crystallizes the progressive politics that have shaped the academic study of race, gender, and sexuality. Yet few scholars have deliberated directly on the political agency that notions of justice confer on critical practice. In Object Lessons, Robyn Wiegman contemplates this lack of attention, offering the first sustained inquiry into the political desire that galvanizes identity fields. In each chapter, she examines a key debate by considering the political aspirations that shape it. Addressing Women's Studies, she traces the ways that "gender" promises to overcome the exclusions of "women." Turning to Ethnic Studies, she examines the deconstruction of "whiteness" as an antiracist methodology. As she explores American Studies, she links internationalization to the broader quest for noncomplicity in contemporary criticism. Her analysis of Queer Studies demonstrates how the commitment to antinormativity normalizes the field. In the penultimate chapter, Wiegman addresses intersectionality as the most coveted theoretical approach to political resolution in all of these fields
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) , In English
    DOI: 10.1515/9780822394945
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822394945?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822394945
    URL: Cover
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  • 10
    Online Resource
    Online Resource
    The queer art of failure (2011)
    Durham : Duke University Press
    Details
    ISBN: 9780822350286 , 9780822350453 , 9781283266116 (Sekundärausgabe)
    Language: English
    Pages: xii, 211 p. , Ill.
    Edition: Online-Ausg. Ann Arbor, Michigan Proquest Online-Ressource ISBN 9781283266116 MyiLibrary
    Edition: [Online-Ausg.]
    DDC: 121
    RVK:
    CP 3000
    RVK:
    MR 6100
    RVK:
    MS 2850
    RVK:
    EC 1876
    RVK:
    MS 1280
    RVK:
    MS 3250
    RVK:
    MS 2830
    Keywords: Erfolg ; Versagen ; Massenkultur ; Kulturwissenschaften ; Philosophie ; Kunst ; Queer-Theorie ; Soziale Erkenntnistheorie ; Pop-Kultur ; Scheitern ; Gesellschaft ; Geschlechterrolle ; Leistungsprinzip ; Wertkritik ; Online-Publikation
    Note: "A John Hope Franklin Center Book , Online-Ausg.:
    URL: Volltext  (URL des Erstveröffentlichers)
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    HU Berlin
    HeBIS
  • 11
    Online Resource
    Online Resource
    Rock and Roll Always Forgets : A Quarter Century of Music Criticism (2011)
    Durham : Duke University Press
    Details
    ISBN: 9780822394174
    Language: English
    Pages: 1 online resource (352 p.) , 32 illustrations
    DDC: 781.64
    RVK:
    LS 48000
    RVK:
    LS 48000
    Keywords: Popular music / History and criticism / 1981-1990 ; Popular music / History and criticism / 1991-2000 ; Popular music / History and criticism / 2001-2010 ; Rock music / History and criticism / 1981-1990 ; Rock music / History and criticism / 1991-2000 ; Rock music / History and criticism / 2001-2010 ; MUSIC / Genres & Styles / Rock ; Aufsatzsammlung
    Abstract: Chuck Eddy is one of the most entertaining, idiosyncratic, influential, and prolific music critics of the past three decades. His byline has appeared everywhere from the Village Voice and Rolling Stone to Creem, Spin, and Vibe. Eddy is a consistently incisive journalist, unafraid to explore and defend genres that other critics look down on or ignore. His interviews with subjects ranging from the Beastie Boys, the Pet Shop Boys, Robert Plant, and Teena Marie to the Flaming Lips, AC/DC, and Eminem’s grandmother are unforgettable. His review of a 1985 Aerosmith album reportedly inspired the producer Rick Rubin to pair the rockers with Run DMC. In the eighties, Eddy was one of the first critics to widely cover indie rock, and he has since brought his signature hyper-caffeinated, hyper-hyphenated style to bear on heavy metal, hip-hop, country—you name it. Rock and Roll Always Forgets features the best, most provocative reviews, interviews, columns, and essays written by this singular critic. Essential reading for music scholars and fans, it may well be the definitive time-capsule comment on pop music at the turn of the twenty-first century
    DOI: 10.1515/9780822394174
    URL: https://doi.org/10.1515/9780822394174
    URL: https://www.degruyter.com/isbn/9780822394174
    URL: Cover
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 12
    Online Resource
    Online Resource
    Buena Vista in the club : rap, reggaetón, and revolution in Havana (2011)
    Durham : Duke University Press
    Details
    ISBN: 9780822393931 , 082239393X
    Language: English
    Pages: 1 Online-Ressource (xii, 410 Seiten) , ill
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 782.421649097291
    RVK:
    LQ 90000
    RVK:
    LS 48650
    Keywords: Buena Vista Social Club (Musical group) ; Rap (Music) / Cuba / Havana ; Reggaetón / Cuba / Havana ; Music / Political aspects / Cuba ; Rap ; Hip-Hop ; Kuba ; Electronic books ; Electronic books ; Kuba ; Hip-Hop ; Rap
    Abstract: Hip hop, revolución! : nationalizing rap in Cuba -- The revolution of the body : reggaetón and the politics of dancing -- The Havana you don't know : urban music and the late socialist city -- Cuban hip hop all stars: transnationalism and the politics of representation -- Conclusion: the rise and fall of Havana hip hop
    Note: Description based on print version record. - Includes bibliographical references and index
    DOI: 10.1215/9780822393931
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393931
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393931?locatt=mode:legacy
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  • 13
    Online Resource
    Online Resource
    The fantasy of feminist history (2011)
    Durham : Duke University Press | Ann Arbor, Michigan : Proquest
    Details
    ISBN: 9781283321297 , 9780822394730
    Language: English
    Pages: 1 Online-Ressource (187 Seiten)
    Series Statement: Next wave provocations
    DDC: 305.4201
    RVK:
    EC 1874
    RVK:
    EC 6805
    RVK:
    MS 3155
    RVK:
    NB 2256
    RVK:
    NB 2266
    Keywords: Geschichte ; Feminismus ; Psychoanalyse
    Note: Literaturverzeichnis: Seite 169-179
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  • 14
    Online Resource
    Online Resource
    The Creolization of Theory (2011)
    Durham : Duke University Press
    Details
    ISBN: 9780822393320
    Language: English
    Pages: 1 online resource (318 pages)
    Parallel Title: Erscheint auch als
    DDC: 303.482
    RVK:
    EC 1878
    RVK:
    LB 53000
    RVK:
    LB 57000
    RVK:
    MR 3500
    RVK:
    MR 5700
    Keywords: Cultural fusion ; Creoles ; Postcolonialism ; Cultural fusion.. ; Creoles.. ; Postcolonialism ; Electronic books ; Electronic books
    Abstract: This bold intervention in debates about the role of theory in the humanities advocates the development of a reciprocal, relational, and intersectional critical methodology attentive to the legacies of colonialism.
    Abstract: Intro -- Contents -- Acknowledgments -- Introduction - The Creolization of Theory - Shu-mei Shih and Françoise Lionnet -- Part I | Creolizing Methodologies -- One - Symptomatically Black: A Creolization of the Political - Barnor Hesse -- Two - Postslavery and Postcolonial Representations: Comparative Approaches - Anne Donadey -- Three - Crises of Money - Pheng Cheah -- Four - Material Histories of Transcolonial Loss: Creolizing Psychoanalytic Theories of Melancholia? - Liz Constable -- Five - From Multicultural to Creole Subjects: David Henry Hwang's Collaborative Works with Philip Glass - Ping-huiLiao -- Part 2 | Epistemological Locations -- Six - I Am Where I Think: Remapping the Order of Knowing - Walter Mignolo -- Seven - Taiwan in Modernity/Coloniality: Orphan of Asia and the Colonial Difference - Leo Ching -- Eight - Toward a Diasporic Citizen? From Internationalism to Cosmopolitics - Étienne Balibar -- Nine - "The Forces of Creolization": Colorblindness and Visible Minorities in the New Europe - Fatima El-Tayeb -- Part 3 | Appendix -- A - Europe and the Antilles: An Interview with Édouard Glissant - Andrea Schwieger Hiepko, Translated by Julin Everett -- B - Creolization: Definition and Critique - Dominique Chancé, Translated by Julin Everett -- References -- Contributors -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9780822393320?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822393320
    URL: Cover
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  • 15
    Online Resource
    Online Resource
    African Rhythms : The Autobiography of Randy Weston (2010)
    Durham : Duke University Press
    Details
    ISBN: 9780822393108
    Language: English
    Pages: 1 online resource (352 p.) , 51 b&w photos
    Series Statement: A John Hope Franklin Center Book
    DDC: 781.65092
    RVK:
    LS 48040
    Keywords: Composers / United States / Biography ; Jazz musicians / United States / Biography ; MUSIC / Individual Composer & Musician ; Verzeichnis ; Autobiografie
    Abstract: African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa
    DOI: 10.1515/9780822393108
    URL: https://doi.org/10.1515/9780822393108
    URL: https://www.degruyter.com/isbn/9780822393108
    URL: Cover
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 16
    Online Resource
    Online Resource
    Vibrant matter : a political ecology of things (2010)
    Durham : Duke University Press
    Details
    ISBN: 0822391627 , 9780822391623
    Language: English
    Pages: 1 online resource (xxii, 176 p.)
    Parallel Title: Erscheint auch als
    DDC: 304.2
    RVK:
    CC 7260
    RVK:
    CC 7800
    RVK:
    EC 1879
    RVK:
    MB 3150
    RVK:
    MF 9150
    RVK:
    RB 10844
    Keywords: Human ecology Political aspects ; Human ecology Philosophy ; Environmentalism Philosophy ; Electronic books
    Abstract: The force of things -- The agency of assemblages -- Edible matter -- A life of metal -- Neither vitalism nor mechanism -- Stem cells and the culture of life -- Political ecologies -- Vitality and self-interest.
    Note: Description based on print version record. - Includes bibliographical references (p. [157]-170) and index
    DOI: 10.1215/9780822391623
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: kostenfrei
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822391623?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822391623
    URL: Cover
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  • 17
    Online Resource
    Online Resource
    Vibrant matter : a political ecology of things (2010)
    Durham : Duke University Press
    Details
    Language: English
    Pages: 1 Online-Ressource (xxii, 176 Seiten)
    Parallel Title: Erscheint auch als Bennett, Jane, 1957 - Vibrant matter
    DDC: 304.2
    RVK:
    CC 7260
    RVK:
    LC 51000
    RVK:
    RB 10844
    RVK:
    EC 1879
    RVK:
    CC 7800
    Keywords: Materialität ; Gegenstand ; Sozialökologie ; Humanökologie ; Politische Theorie ; Politische Philosophie ; Umweltschutz ; Politische Ökologie ; Electronic books ; Politische Philosophie ; Humanökologie ; Ding
    URL: kostenfrei
    URL: Volltext
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