Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Online Resource
    Online Resource
    Music, sound, and architecture in Islam (2018)
    Austin : The University of Texas Press
    Details
    ISBN: 9781477312476 , 9781477312483
    Language: English
    Pages: 1 Online-Ressource (xix, 440 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als Music, sound, and architecture in Islam
    DDC: 700.91767
    RVK:
    LS 34000
    RVK:
    LO 87143
    Keywords: Music and architecture-Islamic countries ; Art and architecture-Islamic countries ; Music-Social aspects-Islamic countries ; Music-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Art and architecture-Islamic countries ; Music and architecture-Islamic countries ; Music-Islamic countries-History and criticism ; Music-Social aspects-Islamic countries ; Electronic books ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik ; Islam ; Architektur ; Musik ; Akustik
    Abstract: Intro -- List of Figures, Plates, Charts, and Tables -- Foreword by Ali S. Asani -- Acknowledgments -- Part One: Transregional -- 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles -- Part Two: The Ottoman Empire and Turkey -- 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin -- 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan OâConnell -- 4. Articulating Otherness in the Construction of Alevi-BektaÅi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff -- Part Three: The Arab World -- 5. Venerating Cairoâs Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf -- 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon -- 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach -- Part Four: Andalusia and Europe -- 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson -- 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson -- 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein -- Part Five: Central and South Asia -- 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz -- 12. The Social and Sacred Microcosm of the Kiiz Ãi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva -- Part Six: Iran -- 13. Listening to Pictures in Iran, by Anthony Welch -- 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian ZÅ«rkhÄneh, by Federico Spinetti -- References
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BSZ
    GBV
  • 2
    Online Resource
    Online Resource
    Music, sound, and architecture in islam (2017)
    Austin : University of Texas press
    Details
    ISBN: 9781477312469 , 9781477312452
    Language: English
    Pages: 1 Online-Ressource (477 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LO 87143
    RVK:
    LS 34000
    Keywords: Akustik ; Islam ; Musik ; Architektur ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik
    Abstract: Tracing the connections between music making and built space in both historical and contemporary times, this book brings together domains of intellectual reflection that have rarely been in dialogue to promote a greater understanding of the centrality of sound production in constructed environments in Muslim religious and cultural expression. Representing the fields of ethnomusicology, anthropology, art history, architecture, history of architecture, religious studies, and Islamic studies, the volume's contributors consider sonic performances ranging from poetry recitation to art, folk, popular, and ritual musics as well as religious expressions that are not usually labeled as "music" from an Islamic perspective in relation to monumental, vernacular, ephemeral, and landscape architectures; interior design; decoration and furniture; urban planning; and geography. Underscoring the intimate relationship between traditional Muslim sonic performances, such as the recitation of the Qur'an or devotional songs, and conventional Muslim architectural spaces, from mosques and Sufi shrines to historic aristocratic villas, gardens, and gymnasiums, the book reveals Islam as an ideal site for investigating the relationship between sound and architecture, which in turn proves to be an innovative and significant angle from which to explore Muslim cultures
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    BVB
  • 3
    Online Resource
    Online Resource
    Im Dienste einer Staatsidee : Künste und Künstler am Wiener Hof um 1740 (2013)
    Wien; München : Böhlau
    Details
    ISBN: 9783205789277
    Language: German
    Pages: 1 Online-Ressource (250 p.)
    Parallel Title: Erscheint auch als Im Dienste einer Staatsidee
    RVK:
    LR 57724
    RVK:
    LL 10150
    RVK:
    GH 1486
    RVK:
    NN 5165
    RVK:
    LQ 81104
    Keywords: The arts ; Aufsatzsammlung ; Wien ; Höfische Kunst ; Geschichte 1730-1750
    Abstract: Until today, the death of Charles VI and Maria Theresia’s ascending the throne 1740 is seen as a major turning point in Austrian history. But now is the question of whether in different “layers” and “rooms” without doubt fundamental change between 1720 and 1780 not differentiated must be seen against the background of the concept of interface (“Sattelzeit”/Reinhart Koselleck). On the basis of the space “Viennese court”, where the change of rulers in its effects most likely can be documented, attempts from the perspective of different disciplines (the so called “Hofkünste” – literature/poetry, arts, theatre/dance, music) point out continuities and discontinuities
    Abstract: Bis heute wird der Tod Karls VI. und der Regierungsantritt Maria Theresias 1740 als eine einschneidende Zäsur in der österreichischen Geschichte gesehen. Doch nun stellt sich vor dem Hintergrund eines weitergefassten Schnittstellenbegriffes (Reinhart Koselleck) die Frage, ob der zweifellos grundlegende Wandel zwischen 1720 und 1780 nicht differenzierter gesehen werden muss. Ausgehend vom Raum des Wiener Hofes, an dem der Herrscherwechsel in seinen Auswirkungen am ehesten dokumentiert werden kann, wird aus der Sicht sogenannten Hofkünste versucht, Kontinuitäten und Diskontinuitäten aufzuzeigen
    Note: German
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 4
    Online Resource
    Online Resource
    Im Dienste einer Staatsidee : Künste und Künstler am Wiener Hof um 1740 (2013)
    Wien [u.a.] : Böhlau
    Details
    ISBN: 320578927X , 9783205789277
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Wiener Musikwissenschaftliche Beiträge 24
    Series Statement: Forschungsschwerpunkt Musik - Identität - Raum 1
    Series Statement: Wiener musikwissenschaftliche Beiträge
    Series Statement: Forschungsschwerpunkt Musik - Identität - Raum
    RVK:
    GH 1486
    RVK:
    LL 10150
    RVK:
    LQ 81104
    RVK:
    NN 5165
    Keywords: Geschichte 1730-1750 ; Höfische Kunst ; The arts ; Wien ; Aufsatzsammlung ; Aufsatzsammlung ; Wien ; Höfische Kunst ; Geschichte 1730-1750
    Abstract: Bis heute wird der Tod Karls VI. und der Regierungsantritt Maria Theresias 1740 als eine einschneidende Zäsur in der österreichischen Geschichte gesehen. Doch nun stellt sich vor dem Hintergrund eines weitergefassten Schnittstellenbegriffes (Reinhart Koselleck) die Frage, ob der zweifellos grundlegende Wandel zwischen 1720 und 1780 nicht differenzierter gesehen werden muss. Ausgehend vom Raum des Wiener Hofes, an dem der Herrscherwechsel in seinen Auswirkungen am ehesten dokumentiert werden kann, wird aus der Sicht sogenannten Hofkünste versucht, Kontinuitäten und Diskontinuitäten aufzuzeigen
    Abstract: Until today, the death of Charles VI and Maria Theresia’s ascending the throne 1740 is seen as a major turning point in Austrian history. But now is the question of whether in different “layers” and “rooms” without doubt fundamental change between 1720 and 1780 not differentiated must be seen against the background of the concept of interface (“Sattelzeit”/Reinhart Koselleck). On the basis of the space “Viennese court”, where the change of rulers in its effects most likely can be documented, attempts from the perspective of different disciplines (the so called “Hofkünste” – literature/poetry, arts, theatre/dance, music) point out continuities and discontinuities
    Note: de , de
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    URL: Inhaltstext
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...