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  • Online Resource  (7)
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  • Cham : Springer International Publishing  (7)
  • Fiction  (7)
  • English Studies  (7)
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  • Online Resource  (7)
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  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783030331368 , 3030331369
    Language: English
    Pages: 1 Online-Ressource (XVIII, 1253 Seiten) , 12 illus.
    Edition: 1st ed. 2020
    Parallel Title: Erscheint auch als The Palgrave Handbook of Contemporary Gothic
    DDC: 306
    RVK:
    RVK:
    Keywords: Horrorliteratur ; Horrorfilm ; Popular Culture ; Fiction ; Popular Culture ; Fiction Literature ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319328386
    Language: English
    Pages: 1 Online-Ressource (XII, 236 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Literature, Modern 19th century ; Poetry ; Fiction ; British literature ; British literature. ; Fiction. ; Poetry. ; Literature, Modern—19th century.
    Abstract: This book is about the resonance and implications of the idea of ‘eternal recurrence’, as expounded notably by Nietzsche, in relation to a range of nineteenth-century literature. It opens up the issue of repetition and cyclical time as a key feature of both poetic and prose texts in the Victorian/Edwardian period. The emphasis is upon the resonance of landscape as a vehicle of meaning, and upon the philosophical and aesthetic implications of the doctrine of ‘recurrence’ for the authors whose work is examined here, ranging from Tennyson and Hallam to Swinburne and Hardy. The book offers radically new light on a range of central nineteenth-century texts
    Abstract: Introduction -- 1. Introduction -- 2. Romantic Fragments: The Poetry of Arthur Hallam -- 3. Young Tennyson and the Orient -- 4. Morte’d’Arthur: The Landscape of Eternal Return -- 5. Friendship and Melancholia: In Memoriam LXXXV -- 6. Richard Jefferies: Seeking the Beyond -- 7. ‘Time’s Mindless Rote’: Evolution and Recurrence in Hardy -- 8. Tess’s Boots: Hardy and Van Gogh -- 9. The Isle of Slingers: Hardy and Portland Bill -- 10. ‘Before the Mirror’: Swinburne, Hardy, Kristeva -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 3
    ISBN: 9783319313887
    Language: English
    Pages: 1 Online-Ressource (XVI, 283 p. 1 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Ethnology Europe ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Ethnology—Europe.
    Abstract: This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain - whether endured or inflicted, witnessed or remediated - is culturally coded. Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland’s literary and cultural history
    Abstract: Introduction -- Introduction: The Body in Pain in Irish Literature and Culture; Fionnuala Dillane, Naomi McAreavey and Emilie Pine -- 1. Where Does It Hurt? How Pain Makes History in Early Modern Ireland; Patricia Palmer -- 2. 'Most barbarously and inhumaine maner butchered’: Masculinity, Trauma and Memory in Early Modern Ireland; Dianne Hall -- 3. ‘Those Savage Days of Memory’: John Temple and his Narrative of the 1641 Uprising; Sarah Covington -- 4. Severed Heads and Floggings: The Undermining of Oblivion in Ulster in the Aftermath of 1798; Guy Beiner -- 5. ‘Tá mé ag imeacht’: The Execution of Myles Joyce and its Afterlives; Margaret Kelleher -- 6. Pain, Trauma and Memory in the Irish War of Independence: Remembering and Contextualizing Irish Suffering; Ian Miller -- 7. Pain, Pleasure and Revolution: The Body in Roger Casement’s Writings; Michael G. Cronin -- 8. ‘Targets of Shame’: Negotiating the Irish Female Migrant Experience in Kathleen Nevin’s You’ll Never Go Back (1946) and Kate O’Brien’s Mary Lavelle (1936); Sinéad Wall -- 9. ‘Intertextual quotation’: Troubled Irish Bodies and Jewish Intertextual Memory in Colum McCann’s ‘Cathal’s Lake’ and ‘Hunger Strike’; Alison Garden -- 10. The Vulnerable Body on Stage: Reading Interpersonal Violence in Rape as Metaphor; Lisa Fitzpatrick -- 11. Recovery and Forgetting: Haunting Remains in Northern Irish Culture; Shane Alcobia Murphy -- 12. ‘That’s not so comfortable for you, is it?’: The Spectre of Misogyny in The Fall; Caroline Magennis -- 13. ‘The Art of Grief’: Irish Women’s Poetry of Loss and Healing; Catriona Clutterbuck -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319302881
    Language: English
    Pages: 1 Online-Ressource (237 Seiten)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    RVK:
    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Irland ; Kurzgeschichte ; Englisch ; Frauenliteratur
    Abstract: This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O’Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overall development of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form
    Abstract: Acknowledgments -- Introduction -- 1. Mothers of the Irish Short Story: George Egerton and Somerville and Ross -- 2. Houses and Homes in the Short Stories of Elizabeth Bowen and Maeve Brennan -- 3. Mary Lavin’s Relational Selves -- 4. Staging the Community in Irish Short Fiction: Choruses, Cycles and Crimes -- 5. The Rebellious Daughters of Edna O’Brien and Claire Keegan -- 6. Double Visions: The Metafictional Stories of Éilís Ní Dhuibhne, Enright and Donoghue -- Bibliography -- Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319291024
    Language: English
    Pages: 1 Online-Ressource (XII, 246 p)
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Literature ; Literature History and criticism ; Literature, Modern 19th century ; Fiction ; Technology in literature ; British literature ; Literature ; Literature History and criticism ; Literature, Modern 19th century ; Fiction ; Technology in literature ; British literature ; Hardy, Thomas 1840-1928 ; Kommunikation ; Post ; Telegramm
    Abstract: This book explores the relationship between Thomas Hardy’s works and Victorian media and technologies of communication - especially the penny post and the telegraph. Through its close analysis of letters, telegrams, and hand-delivered notes in Hardy’s novels, short stories, and poems, it ties together a wide range of subjects: technological and infrastructural developments; material culture; individual subjectivity and the construction of identity; the relationship between private experience and social conventions; and the new narrative possibilities suggested by modern modes of communication
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319289915
    Language: English
    Pages: 1 Online-Ressource (IX, 280 p)
    Series Statement: New Directions in Irish and Irish American Literature
    Series Statement: Springer eBook Collection
    Series Statement: Literature, Cultural and Media Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature
    Abstract: This book uncovers a new genre of ‘post-Agreement literature’, consisting of a body of texts - fiction, poetry and drama - by Northern Irish writers who were born during the Troubles but published their work in the aftermath of the Good Friday Agreement. In an attempt to demarcate the literary-aesthetic parameters of the genre, the book proposes a selective revision of postcolonial theories on ‘liminality’ through a subset of concepts such as ‘negative liminality’, ‘liminal suspension’ and ‘liminal permanence.’ These conceptual interventions, as the readings demonstrate, help articulate how the Agreement’s rhetorical negation of the sectarian past and its aggressive neoliberal campaign towards a ‘progressive’ future breed new forms of violence that produce liminally suspended subject positions
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319335339
    Language: English
    Pages: 1 Online-Ressource (VII, 304 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Crime Files
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Ethnology Europe ; Literature, Modern 20th century ; Sociology ; Gender identity ; Fiction ; British literature ; Sex (Psychology) ; Gender expression ; Fiction. ; British literature. ; Sex (Psychology). ; Gender expression. ; Literature, Modern—20th century. ; Ethnology—Europe. ; Christie, Agatha 1890-1976 ; Geschlechterforschung
    Abstract: This book is the first fully theorized queer reading of a Golden Age British crime writer. Agatha Christie was the most commercially successful novelist of the twentieth century, and her fiction remains popular. She created such memorable characters as Hercule Poirot and Jane Marple, and has become synonymous with a nostalgic, conservative tradition of crime fiction. J.C. Bernthal reads Christie through the lens of queer theory, uncovering a playful, alert, and subversive social commentary. After considering Christie’s emergence in a commercial market hostile to her sex, in Queering Agatha Christie Bernthal explores homophobic stereotypes, gender performativity, queer children, and masquerade in key texts published between 1920 and 1952. Christie engaged with debates around human identity in a unique historical period affected by two world wars. The final chapter considers twenty-first century Poirot and Marple adaptations, with visible LGBT characters, and poses the question: might the books be queerer?
    Abstract: Introduction -- Chapter 1. Constructing Agatha Christie -- Chapter 2. English Masculinity and its Others -- Chapter 3. Femininity and Masquerade -- Chapter 4. Queer Children, Crooked Houses -- Chapter 5. Queering Christie on Television -- Conclusion
    URL: Volltext  (lizenzpflichtig)
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