ISBN:
9781509507764
,
9781509507757
Language:
English
Pages:
viii, 248 Seiten
,
23 cm
Edition:
first published
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
DDC:
302.231
Keywords:
Social media
;
Online social networks / Sociological aspects
;
Popular culture
;
Techniksoziologie
;
Social Media
;
Internet
;
Internet
;
Social Media
;
Techniksoziologie
Abstract:
Social Media Abyss plunges into the paradoxical condition of the new digital normal versus a lived state of emergency. There is a heightened, post-Snowden awareness ? we know we are under surveillance but we click, share, rank and remix with a perverse indifference to technologies of capture and cultures of fear. Despite the incursion into privacy by companies like Facebook, Google and Amazon, social media use continues to be a daily habit with shrinking gadgets now an integral part of our busy lives. We are thrown between addiction anxiety and subliminal, obsessive use. Where does art, culture and criticism venture when the digital vanishes into the background? Geert Lovink strides into the frenzied social media debate with Social Media Abyss ? the fifth volume of his ongoing investigation into critical internet culture. He examines the symbiotic yet problematic relation between networks and social movements, and further develops the notion of organized networks. Lovink doesn?t just submit to the empty soul of 24/7 communication but rather provides the reader with radical alternatives. Selfie culture is one of many Lovink?s topics, along with the internet obsession of American writer Jonathan Franzen, the internet in Uganda, the aesthetics of Anonymous and an anatomy of the Bitcoin religion. Will monetization through cybercurrencies and crowdfunding contribute to a redistribution of wealth or further widen the gap between rich and poor? In this age of the free, how a revenue model of the 99% be collectively designed? Welcome back to the Social Question. Geert Lovink is founder of the Institute of Network Cultures at the Amsterdam University of Applied Sciences and Professor of Media Theory at the European Graduate School.
Description / Table of Contents:
Includes bibliography (pages 243-248)
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