ISBN:
0870139991
,
9780870139994
Sprache:
Englisch
Seiten:
XXIV, 243 S.
,
Ill.
,
23 cm
Serie:
American Indian studies series
DDC:
700.89/97009051
Schlagwort(e):
Indian arts
;
Arts and society
;
Indians of North America Intellectual life
;
Indians of North America Ethnic identity
;
Visual communication
;
Indigenous films
;
Indians in motion pictures
;
Indian motion picture producers and directors Biography
;
Indian art
;
Indian artists Biography
;
Aufsatzsammlung
;
Aufsatzsammlung
;
USA
;
Indianer
;
Film
;
Kunst
;
Visuelle Kommunikation
Kurzfassung:
Introduction: Indigenous visualities -- pt. 1. Indigenous film practices -- Visual prophecies : Imprint and It starts with a whisper / Michelle H. Raheja -- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst -- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view / Joseph Bauerkemper -- pt. 2. Contemporary American Indian art -- Indigenous semiotics and shared modernity / Dean Rader -- Seeing memory, storying memory : Printup Hope, Rickard, Gansworth / Susan Bernardin -- Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects / Cynthia Fowler -- Text-messaging prayers : George Longfish and his art of communication / Molly McGlennen
Anmerkung:
Includes bibliographical references and index
,
Introduction: Indigenous visualities ; pt. 1. Indigenous film practices ; Visual prophecies : Imprint and It starts with a whisper
,
Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals
,
Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing
,
Elusive identities : representations of Native Latin America in the contemporary film industry
,
Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005)
,
Videographic sovereignty : Hulleah J. Tsinhnahjinnie's Aboriginal world view
,
pt. 2. Contemporary American Indian art ; Indigenous semiotics and shared modernity
,
Seeing memory, storying memory : Printup Hope, Rickard, Gansworth
,
Aboriginal beauty and self-determination : Hulleah Tsinhnahjinnie's photographic projects
,
Text-messaging prayers : George Longfish and his art of communication
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