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  • FID-SKA-Lizenzen  (18)
  • French  (10)
  • Sino-Tibetan (Other)  (8)
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Language
  • 1
    Online Resource
    Online Resource
    [Place of publication not identified] :Privately Published,
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (52 minutes) , 005119
    Keywords: Exorcism. ; Rites and ceremonies ; Shamanism. ; India. ; Asia ; Documentary films.
    Abstract: This video, filmed by Barrie Machin, shows a Ladakhi oracle performing an exorcism.
    Note: Title from resource description page (viewed November 11, 2015). , In Ladakhi.
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  • 2
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: Hindi , Sino-Tibetan (Other)
    Pages: 1 online resource (49 minutes) , 004803
    Keywords: Buddhist monks ; Rain and rainfall ; Sikkim (India) ; Bhutan ; Ethnographic films. ; Documentary films.
    Abstract: Dorji Bhutia, a Buddhist monk and a reputed mask-maker with supernatural powers of bringing or stopping rain chose a self-determined death at the age of eighty-six. Dorji leaves his mystic image behind but not the mantras to control rain. His son, Duduk, a mask-maker and a compulsive lottery player believes that Sonam, his ten-year-old-son will get the power by the time he grows up. Sonam himself also aspires for this. Set in Sikkim in the eastern Himalayas of India, shot over nine years, Rain in the Mirror follows Sonam's journey to manhood through the conflicting milieus of tradition and modernity.
    Note: Title from resource description page (viewed June 24, 2016). , In Hindi and Bhutia with English subtitles.
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  • 3
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (75 min.). , 011441
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Healing. ; Lepcha (South Asian people) ; Lepcha (South Asian people) Rites and ceremonies. ; Shamans ; Bhutan ; Nonfiction films.
    Abstract: The film is an intimate portrait of Merayk, an 80 years old Lepcha shaman or Padim. Merayk lives with his family in Dzongu, a Lepcha reserve in North Sikkim. He performs healing rituals for individuals as well as rituals for the well-being of the household, the clan and his village community. Cameraman Dawa Lepcha followed Meyrak and recorded his daily life and rituals between 2003 and 2007.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Lepcha with English subtitles.
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  • 4
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: French
    Pages: 1 online resource (54 minutes) , 005317
    Keywords: Industrial buildings ; Industrial buildings Maintenance and repair ; Art ; Bhutan ; Documentary films.
    Abstract: Five years ago, one of the oldest industrial buildings of Charleroi- 'les Forges de la Providence'- was saved from demolition being brought by two citizens: Thierry Camuy and Mika Hell. Together with some close friends and artists, they turned it into a place of alternative creation which became a symbol of renaissance and image rehabilitation for the whole region.
    Note: Title from resource description page (viewed June 24, 2016). , In French with English subtitles.
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  • 5
    Language: French
    Pages: 1 online resource (53 minutes) , 005255
    Keywords: Norway. ; Canada ; Documentary films.
    Abstract: This French-language documentary, directed by Jean-Marie Barrere, features Celine Hue in Norway.
    Note: Title from resource description page (viewed October 06, 2015). , In French.
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  • 6
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: French
    Pages: 1 online resource (71 min.). , 011103
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Animism ; Akan (African people) Rites and ceremonies. ; Côte d'Ivoire Social life and customs. ; Bhutan ; Documentary films.
    Abstract: In the 21st century, many ancestral beliefs are struggling to survive in a hostile, fast-changing world. In southeast Côte d'Ivoire, some Akan communities still make contact with the spirits through Komians or animistic priests who go into a trance and are possessed by the spirits of the Forest and the Waters. In Return to the Land of Souls, Yéo Douley, a disciple of Jean Marie Addiaffi, will set out on a journey to visit his master's grave and carry out a ritual libation. On his travel, he will attend the initiation rites of three people chosen by the spirits and witness one of them proclaimed as the new Komian, or high animistic priest.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Cote d'Ivore in 2010. , Previously released as DVD. , This edition in French with English subtitles.
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  • 7
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (30 min.). , 003027
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Lisu (Southeast Asian people) ; Lisu (Southeast Asian people) Social life and customs. ; Lisu (Southeast Asian people) Music. ; Folk musicians. ; Folk musicians ; Folk music. ; Folk music ; China ; France ; Documentary films.
    Abstract: Treasure of the Lisu takes us into the world of Ah-Cheng, a master musician and tradition bearer of the Lisu minority people in southwest China. Originating in eastern Tibet, the Lisu people now live among the mountainous Nu (Salween) River canyon, an area caught between the ancient and the modern world. As a skilled craftsman, Ah-Cheng is the only person in his village who can still make the Chiben, an emblematic four-string lute, which alongside the knife and the crossbow, are the three most important objects to the Lisu People. The British Protestants brought Christianity to the Lisu at the beginning of the 1900s. The Chiben, used widely in traditional religious gatherings, was considered a threat to the newly introduced religion and as a result, was banned from the church system. The Communist revolution from 1967 brought an end to the missionary work. When China exited the repressive cultural revolution era in 1980, Christianity, which had always been practiced by many Lisu people in secrecy, returned to the public and spread even further. As China develops further into the modern world, TV, cell phones, and new ideologies gradually penetrate into the idyllic lives of these mountain people. Being one of the last remaining tradition bearers of the Lisu people in his village, Ah-Cheng holds a vital role in the survival of his ethnic culture. Even though he is illiterate, he is able to keep a clear mind regarding what is important to Lisu cultural identity. Practicing all the essential traditions of the Lisus while still accepting Christianity, Ah-Cheng embodies the human capacity to embrace differences in the face of changes. Through intimate access to the daily life of three generations of Lisu people in Ah-Cheng's family, this documentary shows, with heart-felt compassion and humor, the effect of modernization and its implication on ethnic traditions. Treasure of the Lisu, observational in style with no scripted narration, paints an intimate portrait of one family of an ethnic minority living in modern day China. It presents a world rarely seen by Westerners, a world that seems so faraway yet we will find the unexpected similarities striking. Inspiring a deeper observation, the film provokes viewers to contemplate the value of simple living and traditions that are worth preserving.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2010 in Nu (Salween) River Canyon, Yunnan Province, China. , Previously released as DVD. , This edition in Lisu with English subtitles.
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  • 8
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: French
    Pages: 1 online resource (51 min.). , 005103
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Antiques business ; Antiques business ; Forgery of antiquities ; Cameroon Antiquities ; Collectors and collecting. ; France ; Nonfiction films.
    Abstract: Shot in Cameroon and Brussels, Je ne suis pas moi-même examines the complex network surrounding the international market of African antiquities, and the contradictions in a European art market hungry for new tribal objects. Where do the African masks come from? What journey do these masks make before their unveiling in the windows of the biggest galleries or art collections in Europe? Who determines the economic and aesthetic value of these objects now that colonialism is supposedly dead? And then there's a continent called Africa, in need of economic resources and therefore willing to sell its cultural heritage or, if need be, to fake it. The authenticity of the objects becomes blurred when the people that once adored them start to sell them.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French and English with English subtitles.
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  • 9
    Online Resource
    Online Resource
    Nepal :Indigenous Film Archive,
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (11 minutes) , 001046
    Series Statement: Ethnographic video online, volume 2
    Keywords: Basket making ; Nepal. ; Canada ; Documentary films.
    Abstract: This film is directed by Laxmi Sunwar.
    Note: Title from resource description page (viewed Februrary 25, 2015). , Previously released as DVD. , This edition in Sunwari with English subtitles.
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  • 10
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: French , Bislama
    Pages: 1 online resource (60 minutes) , 005923
    Parallel Title: Original version:
    Keywords: Francois, Alexandre. ; Stern, Monica. ; Ethnologists ; Vanuatu Social life and customs. ; Bhutan ; Ethnographic films. ; Documentary films.
    Abstract: For the first time in many years, on the little island of Motalava in Vanuatu, a new song will be composed in the island's ancestors' language, the language of god Quat, and become part of the island's repertoire. The Poet's Salary tells of the daily life of ethnographers while doing fieldwork, through a vivid and colourful account of the mutual exchanges between the people of Motalava and ethnolinguist Alexandre Francois and ethnomusicologist Monika Stern.
    Note: Title from resource description page (viewed June 24, 2016). , In French, Mwotlap, and Bislama, with subtitles in English.
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  • 11
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (50 min.). , 005022
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Buddhism ; Cham (Dance) ; Documentary films. ; Lepcha (South Asian people) Religion. ; Religious dance ; South Africa ; Nonfiction films.
    Abstract: Every winter, over a period of six days, the lamas of Lingthem's village monastery hold their annual cham. These dramatic ritual masked dances impart elementary Buddhist teachings while providing entertainment to villagers. Their main purpose is to remove obstacles and ward off misfortune for the village, its inhabitants and the monastery. However, for lamas and more serious Buddhist practitioners, these cham and their rituals hold deep philosophical meanings. The dances were beautifully filmed by Dawa Tsering Lepcha in his own village monastery in the Lepcha reserve of Dzongu, North Sikkim. In the course of this village event, the deities who emerge in the period between death and rebirth make their rhythmic appearances followed by the Lord of Death who judges one's good and bad deeds in the after life. This film is the second produced by the Namgyal Institute of Tibetology as part of its visual anthropology project. This training program for indigenous filmmakers aims to produce a documented video record of Sikkim's vanishing indigenous and Buddhist cultures. Its primary purpose is to record and preserve the meaning and proper performance of Sikkim's rituals within their social and economic context.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in Lepcha with English subtitles.
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  • 12
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (59 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Slate industry ; Alampu (Nepal) Social life and customs. ; South Africa ; Nonfiction films.
    Abstract: "Alampu is a beautiful and exceedingly remote village in Nepal. The majority of the settlers there are Thami people, one of the indigenous groups of Nepal. More than 90 percent of them are involved in the slate production at Alampu. This film includes technical details about the slate production in the mountainside mine, and how the slate is worked prior to distribution. In the film we see the social relationships, co-operation between the miners, and the intimacy of the mining families. Strong women perform the tough and arduous work alongside the men. They have to carry heavy slate loads far to sell them. The film also describes the socio-cultural life of the village and its interaction with the environment. The activities of the men and women in the mine, as well as in the village, have an almost poetic dimension."--RAI.
    Note: Previously released as DVD. , This edition in Thami with English subtitles.
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  • 13
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: French
    Pages: 1 online resource (76 min.). , 011613
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Brass bands ; Popular music ; Music ; Jacqueville (Côte d'Ivoire) Music. ; France ; Documentary films.
    Abstract: This is the story of that brass band, a brass band that isn't at all like a military band. It's a dancing brass band, an African brass band, that accompanies all the big and little moments of life: national festivals, religious ceremonies, funerals, fetes and celebrations, a musical game involving a football, tunes from the famous Mapuka dance, or the experimental use of sacred drums together with the brass band. A lively debate between the musicians, in which a sense of humor is clearly present, as they examine fundamental questions about their tradition and its transformations in the context of the life of people today. This film was shot in July and August 2002, a few weeks before the outbreak of civil war in the Côte d'Ivoire.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 2002 in Jacqueville, Côte d'Ivore. , Previously released as DVD. , This edition in French with English subtitles.
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  • 14
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: Sino-Tibetan (Other)
    Pages: 1 online resource (61 min.).
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    DDC: 306.0954167
    Keywords: Lepcha (South Asian people) ; Social change ; Social structure ; Sikkim (India) Social life and customs. ; Ireland ; Nonfiction films. ; Nonfiction films
    Abstract: "This film illustrates the changes the Lepcha of the Dzongu reserve, North Sikkim, have been through in the last 60 years. From the 1940's, the Lepcha of Tingvong village gradually abandoned hunting, gathering and the slash and burn cultivation of dry rice, and became settled agriculturalists. Entire mountains sides were converted to cardamom and terraced for the cultivation of irrigated paddy. The irrigated rice and the cardamom cash crop not only brought the Lepcha within Sikkim's market economy but helped create a surplus which could among other things be invested in religion. In the 1940's, the Lepcha of Tingvong embraced Buddhism and all its complex rituals without however abandoning their strong shamanic traditions. Today, both forms of rituals amiably co-exist in the village. This film is part of a long-term visual anthropology training project for the tribal communities of Sikkim."--Original container.
    Note: "For educational use only."--Original container. , "Produced by Director, Namgyal Institute of Tibetology, Gangtok, Sikkim." , Previously released as DVD. , This edition in Lepcha with English subtitles.
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  • 15
    AV-Medium
    AV-Medium
    London, England :Royal Anthropological Institute,
    Language: French , Arabic
    Pages: 1 online resource (30 minutes) , 002957
    Keywords: Hijab (Islamic clothing) ; Muslim women Clothing ; Muslim women ; Yemen Social life and customs. ; Bhutan ; Documentary films.
    Abstract: In Yemen, the land of Queen Saba, a wide variety of veils can be found. In the capital Sanaa, the women, although at first sight appearing to all be wearing but black, distinguish themselves one from the other through this diversity. Each veil not only carries its own symbolism, but the variety of ways of wearing each becomes a form of expression. It becomes a game of what one hides and what one unveils. Approaching the veil from a fashion standpoint, this film offers a different perspective on this highly and debated topic.
    Note: Title from resource description page (viewed June 24, 2016). , In French and Arabic with English subtitles.
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  • 16
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: French
    Pages: 1 online resource (53 min.). , 005254
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cultural psychiatry Case studies. ; Islamic demonology. ; Jinn ; Jinn ; France ; Nonfiction films.
    Abstract: When they emigrated to Europe in the 60's and 70's, Moroccans brought with them their culture and their "diseases" ( caused by the the jinn that inhabit some of them). In Europe, most North African families will include someone who is undergoing this kind of disorder, with diverse manifestations (asthma, paralysis, epilepsy, "crises", sterility etc.) which, if left untreated, may be extremely serious and destructive, causing suffering and delinquent behaviour. In the film we follow two Moroccan women: Hind and Fatima who are looking to solve their problems caused by invisibles. They are visiting healers in Europe and Morocco. The healers "negotiate" with invisible forces and are using therapeutic rituals.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French with English subtitles.
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  • 17
    Online Resource
    Online Resource
    London, UK :Royal Anthropological Institute,
    Language: French
    Pages: 1 online resource (48 min.). , 004824
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Griaule, Marcel, ; Dogon (African people) ; Ethnology History. ; Ireland ; Nonfiction films.
    Abstract: This film tells with verve and a touch of self-irony the history of research on the Dogon since the famous 1931 expedition of Marcel Griaule. The film establishes the original expedition in the context of French anthropology at the time. Jean Rouch, celebrated filmmaker and less known as an anthropologist on the Dogon, narrates part of the story, and interviews Dogon elders and veteran expedition-member, Germaine Dieterlen.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in French and English.
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  • 18
    Online Resource
    Online Resource
    Watertown, MA :Documentary Educational Resources (DER),
    Language: French
    Pages: 1 online resource (176 min.). , 025601
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Areare (Solomon Islands people) Songs and music. ; Panpipes ; Panpipes Construction ; Musical instruments ; Musical instruments Construction ; Folk songs, Areare ; Panpipes ensembles. ; Music ; France ; Documentary films.
    Abstract: Part 1: A fascinating documentation of the traditional musical culture of the 'Are'are people of the Solomon Islands, in the South-Western Pacific. The three LP records published after a first one-year field-research in 1969-70 were a phenomenal surprise (Garfias) as they revealed a completely unknown music (outside of the Solomon Islands) of an exceptional beauty and complexity in its instrumental and vocal polyphonies. It seemed to the researcher an absolute necessity to document visually what had been published on sound recordings, showing in detail all the playing techniques, body movements of performers, and spatial coordination of music ensembles and dancers. The documentary consists of a comprehensive inventory of all the twenty musical genres of the 'Are'are people and is structured according to native classification, along with explanations by master musician 'Irisipau.
    Abstract: Parts 2 & 3: For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is bamboo ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale—seven equidistant degrees in an octave—are practically tuned.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1979 in Solomon Islands. , Previously released as DVD. , This edition in French with English subtitles.
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