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  • Undetermined  (2)
  • (Produktform)Electronic book text
  • Electronic books
  • General works  (2)
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  • 1
    Online Resource
    Online Resource
    Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945 (2012)
    s.l. : Amsterdam University Press
    Details
    ISBN: 9789089644268
    Language: Undetermined
    Pages: 1 Online-Ressource (1 electronic resource (272 p.))
    DDC: 302.2
    RVK:
    AP 17340
    RVK:
    AP 19100
    RVK:
    NQ 2270
    Keywords: Communication. Mass media ; Political science (General) ; Political theory ; Social sciences (General) ; Propaganda History 20th century ; Mass media and propaganda History 20th century ; Social control History 20th century ; Communication Psychological aspects ; Communication. Mass media ; Political science (General) ; Political theory ; Social sciences (General) ; Online-Publikation ; Electronic books
    Abstract: Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history, Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s. Click "http://soundclips.humanities.uva.nl/"〉here for the sound clips discussed in the book.〈p〉Na de formatie van de NSDAP in de jaren '20 werden verschillende vormen van geluid (stem, ruis, stilte, populaire muziek) en mediatechnologieën (radio- en luidsprekersystemen) ingezet voor hun politieke programma. Vanuit de historisch invalshoek van het stedelijke 'soundscape' van Düsseldorf, onderzoekt de auteur de productie en receptie van deze geluiden en technologieën. Nazi Soundscapes brengt in kaart hoe het politieke bestel de stedelijke ruimte en identiteitsformatie van burgers door middel van geluid beïnvloedt. Het geeft een kritisch perspectief op zowel visuele als auditieve manieren van controle en discipline, in het bijzonder bij uitsluiting en geweld tijdens het nationaal-socialisme (1933-1945). Nazi Soundscapes geeft een fascinerende kijk op de culturele betekenis van geluid tussen de jaren twintig en veertig. Een essentieel boek voor lezers met een interesse in de Duitse politieke cultuur, moderne media en stedelijke geschiedenis. Luister "http://soundclips.humanities.uva.nl/"〉hier naar de geluidsfragmenten die in het boek worden besproken
    Note: English
    URL: Volltext
    URL: Volltext  (Description of rights in Directory of Open Access Books (DOAB): Attribution Non-commercial No Derivatives (CC by-nc-nd))
    URL: Rezension
    URL: kostenfrei
    URL: https://www.cambridge.org/core/product/identifier/9789048516322/type/BOOK
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9789048516322
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: lizenzpflichtig
    URL: kostenfrei
    URL: OAPEN Library: download the publication
    URL: OAPEN Library: description of the publication
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    MPI Ethno. Forsch.
  • 2
    Online Resource
    Online Resource
    Moving viewers : American film and the spectator's experience (2009)
    Berkeley [u.a.] : University of California Press
    Details
    ISBN: 9780520256958 , 9780520256965
    Language: Undetermined
    Pages: XII, 280 S.
    Edition: Online-Ausg. Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 302.2343
    RVK:
    AP 45600
    Keywords: Motion picture audiences - Psychology ; Electronic books ; Motion pictures ; United States ; Motion picture audiences ; Psychology
    Abstract: Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.
    Abstract: Cover -- Title -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Affect and the Movies -- The Significance of Affect -- A Theory of Affect at the Movies -- In Defense of Films -- Spectators and Roles: A Brief Note on Terminology -- 1. Pleasures, Desires, Fantasies -- Movie Pleasures -- Cognitive Play -- Visceral Experience -- Sympathy, Antipathy, and Parasocial Engagement -- Narrative Scenarios and Emotional Satisfactions -- Reflexive and Social Pleasures -- The Multiple Pleasures of the Spectator -- Movie Desires -- Movies as Fantasies -- Movies and Dreams -- 2. Movies and Emotions -- Automaticity and the Psychological Unconscious -- What Is Emotion? -- A Cognitive-Perceptual Approach -- Basic Concepts and Terms -- Emotions inside and outside the Movie Theater -- The Paradox of Fiction -- Play and the Regulation of Emotion -- Kinds of Emotions -- Direct, Sympathetic/Antipathetic, Artifact, and Meta-emotions -- Memory Traces and Associations -- Summary: Emotions at the Movies -- 3. Stories and Sympathies -- Affective Prefocusing -- Paradigm Scenarios -- Primary Emotions and the Movies -- Hollywood and the New Hollywood -- Narrative and Character -- Classical Narrative Structure and Emotion -- Character Engagement -- Character Goals and Engagement -- The Structure of Engagement -- Character Engagement and Spectator Difference -- What Character Engagement Is: A Summary -- 4. The Sensual Medium -- Seeing and Hearing Movies -- Film and the Body -- Direct Affect -- Representing Emotional Experience -- Affective Mimicry -- Mimicry and the Face -- Mimicry and the Body -- Music, Sound, and Affect -- Affect and Contemporary Hollywood Style -- 5. Affective Trajectories and Synesthesia -- Narrative Focus -- Character Goals and Narration -- Synesthetic Affect and Fittingness -- Narrative Scenarios and Synesthetic Affect.
    Note: Includes bibliographical references and index
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    BSZ
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