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  • Undetermined  (3)
  • Smith, Martyn David  (3)
  • [Erscheinungsort nicht ermittelbar] : Taylor & Francis  (3)
  • Regional studies  (3)
  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9780367698911 , 9780367698973
    Language: Undetermined
    Pages: 1 Online-Ressource (24 p.)
    Keywords: Music ; Theory of music & musicology ; Regional studies
    Abstract: Contemporary Japan is loud. Many scholars have argued that the Japanese have a cultural propensity to embrace urban noise. Yet little research has been done on the history of urban noise in Japan. Far from passively accepting or culturally embracing noisy cities, the Japanese have long struggled with the definition, measurement, and control of unwanted sound. Urban noise and the idea of the 'modern' soundscape has often worked within a feedback loop that amplifies politically driven debates about the nature of 'modernity', the meaning of 'civilisation' and the nature of the Japanese people. Since the late nineteenth century, authorities' concern for urban noise stemmed from a fear of embarrassment because of the low-level of 'civilisation' amongst the people. Yet rapid industrial development and urban population growth soon posed the problem of urban noise as one of technological expertise-the people were too backward to understand and the issue was best solved by the experts. As groups of scientists, engineers and acousticians began to come together to debate solutions, they foregrounded urban noise as a problem of traffic, transport, and civic construction, not individual everyday life. Noisy neighbours, street noise, or people going about their daily business came to be heard as 'urban music' in contrast to 'urban noise'. After 1945, better technological possibilities for sound proofing and an increasing focus on individual responsibility refocused urban noise as a problem of everyday life. With the end of the period of rapid economic growth in the 1970s, and the growing awareness of wider environmental problems, the noise of everyday life in the cities was gradually recast as one element of 'urban noise'
    Note: English
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9780367698911 , 9780367698973
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Keywords: Music ; Theory of music & musicology ; Regional studies
    Abstract: In this brief introduction we highlight the importance of broadening the cartography of sound studies beyond the West. Over the last decade or so, the geographical range of sound studies has rapidly broadened at the same time as keywords and approaches to sound in the humanities and social sciences have become increasingly standardised theoretical and conceptual tools. The need to explore ways of thinking about sound articulated by experiences outside the West is becoming essential to ensuring the field remains as open to interpretation and as diffuse in nature and geography as the object of study itself. In this introduction we outline the contributions to this project made by the chapters gathered in this volume. We argue that mixing historical perspectives with ethnography, literary studies, film studies, technology, language and music and listening for the inflections driven by sonic regimes imposed by a global process of change in Asia can help us to better understand the shared experience and construction of modern sound. We also argue for an 'international localism' that, whilst accepting that the sound of modernity is inseparable from the process of modernity, amplifies the ambiguity of modern understandings of sound and mobilises the diverse historical experiences and rich social practices of Asia to provide alternative horizons for the exciting and vibrant field of sound studies
    Note: English
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  • 3
    ISBN: 9781003143772 , 9780367698911 , 9780367698973
    Language: Undetermined
    Pages: 1 Online-Ressource
    Series Statement: Routledge Contemporary Asia Series
    Keywords: Music ; Theory of music & musicology ; Regional studies ; Asian; Christin; Cultures; Haukamp; Hoene; Iris; Matyn; Noise; Smith; Sound; Technology; Voice; Ethnomusicology; Performance
    Abstract: This book examines the meanings, uses, and agency of voice, noise, sound, and sound technologies across Asia. Including a series of wide-ranging and interdisciplinary case studies, the book reveals sound as central to the experience of modernity in Asia and as essential to the understanding of the historical processes of cultural, social, political, and economic transformation throughout the long twentieth century. Presenting a broad range of topics - from the changing sounds of the Kyoto kimono making industry to radio in late colonial India - the book explores how the study of Asian sound cultures offers greater insight into historical accounts of local and global transformation. Challenging us to rethink and reassemble important categories in sound studies, this book will be a vital resource for students and scholars of sound studies, Asian studies, history, postcolonial studies, and media studies
    Note: English
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