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  • Undetermined  (3)
  • Sennefelder, Anna Karina  (3)
  • [Erscheinungsort nicht ermittelbar] : Taylor & Francis  (3)
  • General & world history  (3)
  • Ethnic studies
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  • Undetermined  (3)
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  • [Erscheinungsort nicht ermittelbar] : Taylor & Francis  (3)
  • 1
    ISBN: 9780367520441 , 9780367520458
    Language: Undetermined
    Pages: 1 Online-Ressource (30 p.)
    Keywords: Humanities ; General & world history ; Social & cultural history
    Abstract: writing; media; history
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    ISBN: 9780367520441 , 9780367520458
    Language: Undetermined
    Pages: 1 Online-Ressource (14 p.)
    Keywords: Humanities ; General & world history ; Social & cultural history
    Abstract: This chapter introduces the idea of a postformalist aesthetic theory of reconstructing remote artefacts aesthetic statuses. The case is immune to the misgivings about aesthetic enquiry prevalent in the humanities and social sciences, since it does not assume that recovering such statuses involves experiencing the artefacts potential to provide an intrinsically rewarding gratification of the senses, of the intellect, or of both together. Postformalist aesthetics sees itself as part of a broad investigation into the nature of evaluative attitudes towards visually conspicuous artefacts. Such a broad investigation represents a necessary step towards establishing whether an object was meant to merit aesthetic attention
    Note: English
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  • 3
    ISBN: 9781003056133 , 9780367520441 , 9780367520458
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Humanities ; General & world history ; Social & cultural history ; History ; General and world history ; Social and cultural history ; writing; media; history
    Abstract: Is the celebrated elegance of Cycladic marble figurines an effect their Early Bronze Age producers intended? Can one adequately appreciate an Assyrian regal statue described by a cuneiform inscription as beautiful? What to make of the apparent aesthetic richness of the traditional cultures of Melanesia, which, however, engage in virtually no recognizable aesthetic discourse? Questions such as these have been formulated and discussed by scholars of remote cultures against the backdrop of a general scepticism about the prospects of escaping the conditioning of one's own aesthetic culture and attuning to the norms of a remote one. This book makes a radical move: it treats the remote observers lack of aesthetic insight not as a hindrance to aesthetic analysis, but as a condition requiring an aesthetic theory that would make room for an aesthetic analysis independent of the model of competent aesthetic judgement or appreciation. Objects of Authority represents a rare effort at bringing together methods and concepts that are often addressed by separate disciplines. It will appeal to scholars and advanced students working on philosophical, art-historical, and anthropological theories of visual art and material culture
    Note: English
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