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  • Undetermined  (482)
  • Romanian  (1)
  • 2020-2024  (472)
  • 1990-1994  (5)
  • 1980-1984  (8)
  • 1975-1979  (7)
  • Milan : FrancoAngeli  (468)
  • Berlin : Akad.-Verl.
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Journal/Serial
    Journal/Serial
    Dogmatische Begriffsreihen im älteren Buddhismus (from 1956-)
    Berlin : Akad.-Verl. ; 1.1956/60; 1a.1962; 2.1968 -
    Details
    Language: Undetermined
    Dates of Publication: 1.1956/60; 1a.1962; 2.1968 -
    Additional Information: 2=65 von Institut für Orientforschung Veröffentlichung / Deutsche Akademie der Wissenschaften, Institut für Orientforschung Berlin : Akad.-Verl., 1950 0568-4196
    Additional Information: 2=9 von Sanskrittexte aus den Turfanfunden Göttingen : Vandenhoeck & Ruprecht, 1955
    DDC: 890
    Keywords: Monografische Reihe
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    GBV
  • 2
    Journal/Serial
    Journal/Serial
    Sanskrittexte aus den Turfanfunden (from 1955-)
    Berlin : Akad.-Verl. | Göttingen : Vandenhoeck & Ruprecht ; 1.1955 -
    Details
    Language: German , Undetermined
    Pages: 24 cm
    Dates of Publication: 1.1955 -
    Additional Information: 1=22; 2=27; 3=30; 4=34; 4a=57; 5=36; 6=51; 7=59; 7a=62; 8=56; 9=65 von Institut für Orientforschung Veröffentlichung Berlin : Akad.-Verl., 1950 0568-4196
    Additional Information: 9=2 von Dogmatische Begriffsreihen im älteren Buddhismus Berlin : Akad.-Verl., 1956
    Additional Information: 10=54; 11=155; 12=160; 13=171 von Akademie der Wissenschaften in Göttingen. Philologisch-Historische Klasse Abhandlungen der Akademie der Wissenschaften zu Göttingen, Philologisch-Historische Klasse Göttingen : Vandenhoeck & Ruprecht, 1942 0930-4304
    Additional Information: In Beziehung stehendes Werk 1 = 22; 2 = 27; 3 = 30; 4 = 34; 4a = 57; 5 = 36; 6 = 51; 7 = 59; 7a = 62; 8 = 56; 9 = 65 von: Institut für Orientforschung 〈Berlin, Ost〉: Veröffentlichung
    Additional Information: In Beziehung stehendes Werk 10 = 3.F., 54; 11 = 3.F., 155; 12 = 3.F., 160; 13 = 3.F., 171 von: Akademie der Wissenschaften 〈Göttingen〉 / Philologisch-Historische Klasse: Abhandlungen der Akademie der Wissenschaften zu Göttingen, Philologisch-Historische Klasse
    Additional Information: In Beziehung stehendes Werk 9 = 2 von: Dogmatische Begriffsreihen im älteren Buddhismus
    DDC: 290
    Keywords: Monografische Reihe
    Note: Ab 10. 1965 im Verl. Vandenhoeck & Ruprecht, Göttingen erschienen , Ersch. unregelmäßig
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    DNB
    BSZ
    GBV
    GRASSI Mus. Leipzig
  • 3
    Journal/Serial
    Journal/Serial
    Dogmatische Begriffsreihen im älteren Buddhismus (from 1956-)
    Berlin : Akad.-Verl. ; 1.1956/60; 1a.1962; 2.1968 -
    Details
    Language: Undetermined
    Dates of Publication: 1.1956/60; 1a.1962; 2.1968 -
    Additional Information: 2=65 von Institut für Orientforschung Veröffentlichung Berlin : Akad.-Verl., 1950 0568-4196
    Additional Information: 2=9 von Sanskrittexte aus den Turfanfunden Göttingen : Vandenhoeck & Ruprecht, 1955
    DDC: 890
    Keywords: Monografische Reihe
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Journal/Serial
    KOBV
  • 4
    Journal/Serial
    Journal/Serial
    Studien zur internationalen Geschichte (from 1996-)
    Berlin : Akad.-Verl. | München : Oldenbourg | München : De Gruyter Oldenbourg | Berlin : De Gruyter Oldenbourg ; 1.1996 -
    Details
    ISSN: 2190-149X , 2190-1805 , 2190-1805
    Language: German , Undetermined
    Dates of Publication: 1.1996 -
    Parallel Title: Erscheint auch als Studien zur internationalen Geschichte
    DDC: 900
    Keywords: Monografische Reihe
    Note: Springende Ersch.-Jahre; unregelmäßig
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    DNB
    MPI-MMG
  • 5
    Online Resource
    Online Resource
    Quarto rapporto dell’Osservatorio sui consumi delle famiglie : Crisi energetica e orientamenti di consumo tra resilienza e speranza (2023)
    Milan : FrancoAngeli
    Details
    Language: Undetermined
    Pages: 1 Online-Ressource (238 p.)
    Keywords: Sociology ; Social discrimination & inequality ; Consumption, energy crisis, resilience, economic conditions of households, personal networks of support and consumption, principles of social justice
    Abstract: Despite the pandemic is fortunately only a memory, and we hope it remains so, other clouds have meanwhile been gathering on the horizon of our households: war in Ukraine and resumption of inflation, to name but two. The Household consumption monitoring centre at the Department of Human Sciences at the University of Verona, in this new wave of its national survey on consumption in Italy, must once again come to terms with the general impoverishment and the daily difficulties of families. The group of people struggling to make ends meet has, in fact, widened, and strategies for increasingly careful comparison of both purchases and consumption have become a daily occurrence even for those least affected by economic hardship. In addition to the more usual topics of evolving household purchasing and consumption strategies and economic needs, and that of personal networks of support and consumption – with a focus on the resilience shown in the face of the energy crisis – the research investigates the topic of values and principles of social justice that shape consumption, and that of the pursuit of happiness. Although they daily have to struggle to defend their way of life, people are beginning to hope again
    Note: Italian
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
  • 6
    Online Resource
    Online Resource
    Chapter Las ciudades y el tiempo: Transiciones en torno a la Catedral de Burgos (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 7
    Online Resource
    Online Resource
    Chapter La dimensione visuale dei nativi digitali (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 8
    Online Resource
    Online Resource
    Chapter I sistemi impiantistici nel progetto. Un excursus storico dal disegno concettuale al modello digitale (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (13 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 9
    Online Resource
    Online Resource
    Chapter Itinerari della rappresentazione. Transizioni tra spazio scenico e pubblico nel teatro partecipativo (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 10
    Online Resource
    Online Resource
    Chapter Modulare (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (11 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 11
    Online Resource
    Online Resource
    Chapter L’invenzione dei percorsi pedonali meccanizzati. Dalla città delle automobili alla città dei pedoni (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 12
    Online Resource
    Online Resource
    Chapter Beyond Letarouilly (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (10 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 13
    Online Resource
    Online Resource
    Chapter Progetto di ridisegno urbano di Craco Peschiera: servizi e strategie di valorizzazione (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 14
    Online Resource
    Online Resource
    Chapter La digitalizzazione del patrimonio culturale: la collezione dei ‘lapidei’ del Museo delle Storie di Bergamo (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (18 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 15
    Online Resource
    Online Resource
    Le NbS-Nature-based Solutions per l’architettura e la città : L’approccio prestazionale alle tecnologie vegetate Atti della conferenza 2023 (2023)
    Milan : FrancoAngeli
    Details
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: City & town planning - architectural aspects ; Environmentally-friendly architecture & design ; Sustainability ; NbS-Nature-based Solutions, SuDS-Sustainable Drainage Systems, Ecosystem services, Performing oriented approach, Ecological transtion, Outdoor comfort, Programmed maintenance
    Abstract: This book collects the proceedings of the conference “NbS-Nature-based Solutions for the architecture and the city. Performance oriented approach to vegetative systems – 2023 Conference” which was held on 13th October 2023 at the Iuav University of Venice. The conference program was focused in the quantification of the NbS benefits, called ecosystem services, referring to the oriented performance approach typical of construction technologies applied to NbS (for this reason defined here as vegetated technologies). The conference was divided into four themes: (1) hydrological management urban, (2) biodiversity and eco-system services, (3) impacts on the microclimate urban and thermal benefits, (4) management, maintenance and water needs of vegetation. The speakers conveyed the complexity around the research and the implementation of NbS, thanks to the different disciplinary backgrounds (architects, engineers, agronomists, naturalists, biologists) and professionals (researchers, designers, managers of public heritage, producers). The essays have been rich in knowledge and experiences, highlighting inter-disciplinary as well as multi-scalar approaches. The results are collected in this open-access book in order to make the more disseminated the contributions presented by the speakers and the technical-scientific knowledge of Nature-based Solutions
    Note: Italian
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
  • 16
    Online Resource
    Online Resource
    Chapter Dinamiche di rappresentazione di un’architettura alla ricerca della sua identità (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (27 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Online Resource
    MPI Ethno. Forsch.
  • 17
    Online Resource
    Online Resource
    Chapter Ri-abitare patrimoni fragili: il caso studio di Pomarico (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 18
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    Chapter Dall’illustrazione alla realtà immersiva: l’evoluzione del visual journalism (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 19
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    Chapter Imaging the Cultural Landscapes of Remote Areas. Storytelling, Fragilities and Future Scenarios (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (10 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 20
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    Chapter Documentare e rappresentare bassorilievi e decorazioni per conoscere e valorizzare il patrimonio (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 21
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    Chapter Transizioni digitali e fisiche per i beni museali (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 22
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    Chapter Il fenomeno delle ferrovie dismesse. Il di-ségno per descrivere, ricostruire e comunicare (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 23
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    Chapter Geometrie programmate: AAD sperimentazioni di graphic design (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 24
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    Chapter I disegni di Francesco Paolo Labisi per il convento dei Padri Crociferi a Noto (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 25
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    Chapter Influenza della percezione visiva di Pompei nell’Europa del ‘700 (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (13 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 26
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    Chapter Dalla pianta al volume: transizioni e trasformazioni geometriche del cerchio nell’architettura di Mario Botta (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 27
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    Chapter Prefazione (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (5 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 28
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    Chapter Digital twin ed esperienza immersiva in VR: il caso studio dell’ex mattatoio di Testaccio, Roma (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 29
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    Chapter Attraversare (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (9 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 30
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    Chapter Digital Unrealities. Photo(Un)Realism and Alienation in Contemporary Postdigital Architecture (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (7 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 31
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    Chapter L’incanto nella cultura di un intreccio femminile. Tra ornamento e rappresentazione (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 32
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    Chapter Shapes and way of inhabiting the excavated architecture: knowledge and comparison of the cave dwellings in Bamyan and Matera (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (10 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 33
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    Chapter The Historical Transition of Human Body in Architecture (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (6 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 34
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    Chapter L’opera Elba di Pietro Consagra: nuovi paradigmi analitico-documentali per l’intervento di restauro (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 35
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    Chapter Grandezza: alcune considerazioni sul concetto di ‘Bigness’ in Rem Koolhaas (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 36
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    Anziani e diritto all’abitare : Bisogni, diritti e prospettive tra locale e universale (2023)
    Milan : FrancoAngeli
    Details
    Language: Undetermined
    Pages: 1 Online-Ressource (255 p.)
    Keywords: Care of the elderly ; EU & European institutions ; active ageing, age-friendly city, ageism, elderly, independent living, welfare
    Abstract: For the elderly, the right to choose where and with whom to live takes on special significance: it is related to the overcoming of ageism, of which both paternalism and a segregationist and institutionalizing approach to old age are part. Nevertheless, so far, the multilevel politics concerning active and healthy aging, the right to independent living, the ageing in place and the transition to ""new"" models of welfare have not really been able to remedy the exclusion experienced by many older people socially and in the urban context. For this reason, the elderly’s right to the (age-friendly) city is still, at least in part, not adequately guaranteed. The essays collected in this volume are the outcome of an interdisciplinary research focused primarily on the municipality of Ferrara (one of the Italian cities most affected by population aging) but have also a more general relevance. They aim at reflecting on the complex intertwining of the needs and rights of the elderly population and, in particular, on their right to lead a life of dignity and independence (also) within the urban context
    Note: Italian
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  • 37
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    Società e Università : Valutazione e Impatto Sociale (2023)
    Milan : FrancoAngeli
    Details
    Language: Undetermined
    Pages: 1 Online-Ressource (334 p.)
    Series Statement: Associazione Italiana di Valutazione
    Keywords: Societal impact, Research assessment, Third mission, Higher education evaluation, Knowledge exchange, Sustainability ; thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology ; thema EDItEUR::J Society and Social Sciences::JN Education::JNK Educational administration and organization ; thema EDItEUR::J Society and Social Sciences::JN Education::JNM Higher education, tertiary education
    Abstract: The book traces the main stages of third mission and social impact assessment, in the context of the (recent) history of higher education and research assessment in Italy, starting with a review of the transformation of the relationship between the University and the society. Several social drives are leading the university to a series of transformations, at the national, European and international level. The requirement to use transparency criteria and the associated returns of research spending (in accountability) has become a fundamental issue in informing government, business, citizens and society on the achieved results. The introduction of social impact assessment frameworks is also advancing research agendas towards socially relevant domains, to provide solutions in international competitiveness, social welfare, sustainability and other grand challenges. A terminological and conceptual shift is occurring from a traditional concept of technology transfer and third mission towards a broader meaning of knowledge exchange and co-creation between universities and extra-academic actors and the impact generated. However, this shift towards a transdisciplinary, trans-epistemic and inclusive evaluation framework poses new challenges to capture this complexity, requiring the adoption of new methods and tools presented in this book. The international literature and debate on practices are vital combined with trial-and-error approaches, community involvement, and targeted pilot studies. Beyond controversies, resistances, and easily contrived enthusiasms, this is what this volume tries to investigate
    Note: Italian
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  • 38
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    Chapter L’Intelligenza Artificiale sarà in grado di sostituirsi alla creatività umana? (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 39
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    Chapter Digital Transitions for a Comprehensive 3D Documentation: European Trends for Heritage Preservation (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (7 p.)
    Series Statement: diségno
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 40
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    Learning Analytics per lo sviluppo professionale : Un approccio metodologico allo studio delle comunità di pratica (2023)
    Milan : FrancoAngeli
    Details
    Language: Undetermined
    Pages: 1 Online-Ressource (190 p.)
    Series Statement: Media e tecnologie per la didattica
    Keywords: learning analytics, community of practice, teacher professional development, mixed methods ; thema EDItEUR::J Society and Social Sciences::JN Education::JNP Adult education, continuous learning ; thema EDItEUR::J Society and Social Sciences::JM Psychology::JMR Cognition and cognitive psychology
    Abstract: The book investigates the potential of using Learning Analytics techniques in a large digital community of teachers, not only defining the outcome of such experimentation but also concretizing a shared interpretation of the knowledge that emerged from automated extraction. Aimed at both researchers and teachers, the first section defines the preliminary and theoretical aspects of the emerging discipline of Learning Analytics, as well as the ways in which collaborative digital environments can encourage the development of teachers' professionalism, looking especially into the most recent empirical perspectives on the intersection of both fields of study. The volume's second section focuses on the methodological framework and the findings of a research undertaken in the context of the Italian eTwinning community, the digital learning network for teachers in Europe. The findings of the statistical and clustering analysis of the online community of practise membership patterns encouraged a data-mediated dialogue with expert users in order to provide insights relevant to its monitoring and development perspectives, using a participatory research approach. The novel technique described here may identify intervention lines in teacher education courses and contribute to the advancement of knowledge in this new research area
    Note: Italian
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  • 41
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    Chapter Transizioni d’immagini e architetture al tempo dell’IA. Modelli semantici in cerca di autore (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation ; thema EDItEUR::A The Arts::AM Architecture::AMC Architectural structure and design ; thema EDItEUR::T Technology, Engineering, Agriculture, Industrial processes::TB Technology: general issues::TBG Engineering graphics and draughting / technical drawing ; thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 42
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    Chapter Verso un’architettura… accessibile. Un’esperienza didattica: dai princìpi alle applicazioni (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (23 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 43
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    Chapter Verso la modellazione informativa per il progetto di restauro. Il Teatrino di Corte della Reggia di Portici (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 44
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    Chapter Lo spazio dell’Annuncio. Portici, abitazioni, palcoscenici nella pittura italiana tra Trecento e Cinquecento (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 45
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    Chapter Lygia Pape. A obra Tteia I na Bienal de Veneza e a transição sensível entre linhas e teias (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (13 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 46
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    Colour as a Sensible Property of Matter and as an Expressive Tool. Copying vs. Emulating (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (7 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 47
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    Chapter L’interazione visibile: transizioni tra modelli analogici e digitali per le ricostruzioni storiche (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 48
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    Transizioni = Transitions : Attraversare Modulare Procedere = Cross Modulate Develop (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions; Cross; Modulate; Develop; Drawing; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: English , Italian , Spanish
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  • 49
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    Chapter Colophon - Indice (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (10 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 50
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    Chapter Intelligenza artificiale tra scienza e creatività. Casi studio nelle arti visive (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (13 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 51
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    Chapter Discusión taxonómica del campo de las Extended Realities (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (16 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 52
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    Chapter Architecture Analysis by the Comparative Method (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (6 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 53
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    Chapter Transizioni virtuali: studio su un edificio non realizzato di Alberto Legnani a Castelfranco Emilia (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (25 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 54
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    Chapter Processi di transizione digitale per i musei: il Palazzo Ducale di Urbino nel progetto CIVITAS (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 55
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    Chapter Spazio a due dimensioni. Grafica assonometrica e ambiguità visiva nell’opera di El Lissitzky (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 56
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    Chapter La grotta degli asceti. Rilievo e analisi dell’eremo di Santa Maria della Stella (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (23 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 57
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    Chapter Transitabile/in-transitabile. Il Canale della Manica tra storia e rappresentazione (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 58
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    Chapter Il transitare della memoria. Quando il tempo trasforma gli oggetti per un nuovo spazio (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 59
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    Chapter Remote sensing e rilievo architettonico per il restauro della moschea Al Raabiya a Mosul (Iraq) (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (16 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 60
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    Chapter Messina ricostruita in pietra artificiale: la grafica di palazzo Mariani per il progetto di restauro (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (20 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 61
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    Chapter Geometric and Parametric Modeling to Identify the Characteristics of Niemeyer’s V Columns (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (8 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 62
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    Chapter Disegno in transizione e transizione nel disegno. Passato e futuro degli esercizi di Parquet Deformations (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (16 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 63
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    Chapter Transizioni al disegno artificiale (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 64
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    Chapter Euristica dell’errore. La ‘Stonehenge ricostruita’ di Inigo Jones (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 65
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    Chapter Oltre il visibile: dispositivi lenticolari per i beni culturali tra fotografia e diagnostica (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (20 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 66
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    Chapter Dall’archivio al modello: processi metodologici per valorizzare il patrimonio invisibile (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (25 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 67
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    Chapter Considerazioni sulla produzione teatrale di Gabriele D’Annunzio illustrata da caricature (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (11 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 68
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    Chapter Systematizing Virtual Reconstruction of Lost or Never Built Architectures (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (7 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 69
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    Chapter Architettura e Musica: le melodie ‘mistiche’ del chiostro benedettino dell’Abbazia di San Zeno a Verona (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 70
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    Chapter From Survey to Digital Reconstruction. Study of a Roman Fragment of an Ionic Volute (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (8 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 71
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    Chapter Le transizioni del progetto nei disegni degli archivi di architettura (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 72
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    Chapter Tabulae scalatae: ritratti anamorfici in transizione (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 73
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    Chapter Il disegno del ‘limite’. La chiesa della Madonna delle Vergini a Matera tra architettura e paesaggio (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 74
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    Chapter Modeling Historic Architecture: a Reflection on Representation in the BIM Environment (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (5 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 75
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    Chapter Il disegno delle transizioni e la rappresentazione della cosmografia dello scudo di Achille (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 76
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    Chapter Fotogrammetria a distanza ravvicinata: un campione di muro composto di anfore (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
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  • 77
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    Chapter Mapping Landscape Qualities in Inner Areas and UNESCO Sites in North Sicily by a GIS Multisource Geodatabase (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (7 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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    Genere e spazio urbano : Pratiche femministe per una geografia gioiosa (2023)
    Milan : FrancoAngeli
    Details
    Language: Undetermined
    Pages: 1 Online-Ressource (254 p.)
    Keywords: City & town planning - architectural aspects ; Gender studies: women ; Of specific Lesbian interest ; Feminist Geography; Urban Space; Filmmaking; Parody; Collaborative Research; Positionality
    Abstract: This book explores the link between gender and urban space, attempting to incorporate a joyful activism into geographical research and embracing forms of ""self-awareness and self-ignorance"" (Harding 1992) to reconsider established theoretical and methodological approaches and enact research practices informed by liberatory politics (Federici 2023). The author worked together with transfeminist activists in Cagliari and Brussels, socialised as white and cisgender women as her, to observe the urban space by considering the intersection between gender oppression and the privilege of whiteness and cisgenderness. The result is a deeply reflexive book, because the theory it contains is conceived out of the personal experiences and individual histories of the people involved and is marked by a constant questioning of the author's presence and limits; joyful, because it chooses the path of attention by focusing on the relationships between the people involved and embracing feminist practices of parody; political, because it offers both individual and collective representations that express how power relations work in urban space. Parody is the feminist practice for a joyful geography that the author and participants chose to critically imitate discrimination and create three collaborative short films, entitled: ""By Bike She Lives"", on the right to slowness from a feminist perspective; ""Urban Piss-Ups"", on the act of urinating in public space as a metaphor for the right to the city; and finally ""Freedom for Jeanneke-Pis"", on the symbolism associated with sexist public representations. While the individual cartographies contribute to a theoretical discourse on the city, the films are suitable for public debate, to be discussed, disseminated and used to exercise the right to critique, the right to ask questions and to imagine, think and share urban scenarios other than the existing ones
    Note: Italian
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    Chapter Tra metamorfosi e anamorfosi: gli spazi surreali nei dipinti di Rob Gonsalves (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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    Chapter Casa Romei, museo dei 5 sensi. Un focus sulla vista (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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    Chapter Exploring the Landscape of Virtual and Augmented Reality Laboratories in Top Universities Worldwide (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (8 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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    Chapter Geometrie e transizioni dal paesaggio all’architettura: l’abitare a Lignano per Marcello D’Olivo (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 83
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    Chapter Riflessioni sulla rappresentazione della tipologia architettonica. Transizioni tra epoche e arti (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (23 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 84
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    Chapter Modellazione parametrica delle gemme dall’Encyclopedie. Analisi geometrica e criticità morfologiche (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 85
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    Chapter Processo di digitalizzazione in HBIM per la gestione ampliata del patrimonio culturale. La Lonja de Zaragoza (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 86
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    Chapter Transizioni artistiche da preservare: street art tra realtà fisica e conservazione digitale (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (21 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 87
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    Chapter Spazi virtuali in luogo reale. Narrazioni tra storia e paesaggio del Faro di Capo Colonna (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 88
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    Chapter Le Fontane del Re: conoscenza e valorizzazione dei monumenti lungo la Strada Regia delle Puglie (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (13 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 89
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    Chapter Disegno di nuovi spazi urbani e percorrenze culturali nel patrimonio storico di Stigliano (MT) (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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    Chapter Digital Transition for Heritage Management and Dissemination: via Flaminia and Corduba-Emerita (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (9 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 91
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    Chapter I disegni del progetto di architettura del Novecento: dall’analogico storico alla transizione digitale (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (13 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
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  • 92
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    Chapter La carpenteria del legno. Alcune riflessioni sul rapporto tra modello e disegno (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 93
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    Chapter Il motel Agip di Mario Ridolfi: dall’analisi grafica alla rappresentazione parametrica e immersiva (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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  • 94
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    Chapter Progetto e ottimizzazione di processi image-based per acquisizioni a scala di dettaglio (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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  • 95
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    Chapter Punti di vista. Gli spazi virtuali tra analogico e digitale (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 96
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    Chapter La prospettiva solida come strumento di analisi delle transizioni tra lo spazio euclideo e lo spazio della rappresentazione (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (25 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    MPI Ethno. Forsch.
  • 97
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    Chapter Piattaforme digitali integrate per la gestione del patrimonio costruito esistente: il progetto InSPiRE (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (15 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
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    MPI Ethno. Forsch.
  • 98
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    Chapter Documentazione del patrimonio architettonico: il rilievo della chiesa di San Menna a Sant’Agata de’ Goti (BN) (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
  • 99
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    Chapter Uncertainty in Hypothetical 3D Reconstructions: Technical, Visual and Cultural ‘Transitions’ (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (10 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    MPI Ethno. Forsch.
  • 100
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    Chapter La Chiesa di Piedigrotta a Pizzo. Due modalità di rappresentazione per guardare attraverso (2023)
    Milan : FrancoAngeli
    Details
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (19 p.)
    Series Statement: diségno
    Keywords: Architectural structure & design ; Engineering graphics & technical drawing ; Art techniques & principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    MPI Ethno. Forsch.
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