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  • Online Resource  (22)
  • Undetermined  (22)
  • Hungarian
  • Madrid : Casa de Velázquez  (12)
  • Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk  (10)
  • Literary studies: general  (22)
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  • Online Resource  (22)
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  • Undetermined  (22)
  • Hungarian
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  • 1
    ISBN: 9788490963944 , 9788490963937
    Language: Undetermined
    Pages: 1 Online-Ressource (XVI-358 p.)
    Series Statement: Bibliothèque de la Casa de Velázquez
    Parallel Title: Erscheint auch als Bouvier, Claire, 1985 - Être écrivain et religieux au Siècle d'or
    Keywords: Literary studies: general ; European history ; Ribadeneyra, Pedro de 1526-1611 ; Jesuiten ; Literaturproduktion ; Religiöse Literatur
    Abstract: Based on the particular trajectory of the Jesuit author Pedro de Ribadeneyra (1526-1611), both a central figure in the Society of Jesus and a renowned writer of his time, this book examines the complex relationship between writing, religious institution, and literary practices in order to interrogate the figure of the religious writer in the Golden Age. This research, which aims to revisit religious history through the prism of cultural and social history, illustrates how the Society of Jesus, a multipolar institution whose mode of articulation was based on the written word —both a means of negotiation and constant adjustment— was able to adapt continuously to become a key player in early modernity
    Note: French
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  • 2
    ISBN: 9788490963753 , 9788490963746
    Language: Undetermined
    Pages: 1 Online-Ressource (XII-376 p.)
    Series Statement: Bibliothèque de la Casa de Velázquez
    Keywords: Literary studies: general
    Abstract: In 1966, seven years after the advent of the Cuban revolution, a new poetic group was born around the magazine El caimán barbudo, affiliated to the Communist Party of Cuba. Their writing is turbulent, original, combining adherence to the regime and playful distance. The evolution of freedom of expression in Cuba and the national and international repercussions of their works, will push some of them on the path of exile and dissidence, others to find a singular way on the island. In 1996, a final attempt to reunite the group through the pages of the Madrid-based journal Encuentro de la cultura cubana redraws their ties. Combining literary studies and social sciences, this book traces the untold history of this group during the second half of the twentieth century and analyzes the way in which literature reinvents itself according to the political upheavals
    Note: French
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  • 3
    ISBN: 9788490964040 , 9788490964033
    Language: Undetermined
    Pages: 1 Online-Ressource (XII-543 p.)
    Series Statement: Collection de la Casa de Velázquez
    Parallel Title: Erscheint auch als Serio ludere
    Keywords: Literary studies: general ; Festschrift ; Bibliografie ; Étienvre, Jean-Pierre 1945- ; Hispanistik ; Siglo de oro ; Spanisch ; Literatur
    Abstract: Jean-Pierre Étienvre, author of now classic studies on the Spanish Golden Age, has trained several generations of Hispanists since the prestigious Chair of Golden Age Literature at the Sorbonne, where he is now Professor Emeritus. This tribute volume traces his concerns and interests during his long scientific career through the contributions of numerous colleagues, major figures in French and international Hispanism, and his former students and doctoral candidates
    Note: Spanish
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  • 4
    Online Resource
    Online Resource
    Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk
    ISBN: 9788367637558 , 9788366076471
    Language: Undetermined
    Pages: 1 Online-Ressource (271 p.)
    Series Statement: Nowa Humanistyka
    Keywords: Literary studies: general
    Abstract: This book is the first monograph concerned with a feminist reading of Polish contemporary poetry to utilise tools of affective methodologies. It seeks to establish the extent to which affects contribute to the process of collective forms of existence. The book’s main thesis assumes affects to be the triggers of action, particularly of critically modifying established narratives about emotive histories of societies which include the allotment of the capacity to feel in order to coercively classify the actors and actresses of collective life. Poetry, as a very particular instance of those various affective machineries, becomes yet another version of collective memory. Poetical representations, acting in synergy with transformations of the contemporary subject, operate on three levels: firstly, by reproducing normative images of womanhood in its relations with surroundings, secondly, by disturbing the said images through an, often critical, reformulating of them, or thirdly, by becoming postulated variants of those transformations. The semantic dominants one can find in recent women’s poetry that, at the same time, constitute a portion of the broader symbolic feminine capital being a unified construct edifying the social discourses, pertain to the category of disease/illness, seeing, trauma and shame, the affective work, love, migration, and community
    Note: Polish
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  • 5
    Online Resource
    Online Resource
    Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk
    ISBN: 9788367637527 , 9788365832924
    Language: Undetermined
    Pages: 1 Online-Ressource (340 p.)
    Series Statement: Nowa Humanistyka
    Keywords: Literary studies: general
    Abstract: Alongside Bentham the guardian of the weak and the subordinate, sensitive to other’s suffering and deeply engaged in the fight for a better future and a more just legal system, there also exists a Bentham the unmitigated demiurge, with uncontrollable ambitions, incessantly creating soulless and authoritarian worlds of control and discipline. There is much that would suggest the English philosopher was pushed towards authoritarianism by the striving to provide a sense of security to the landed classes, and by fear of phenomena such as panic and social unrest. At the same time, as work on specific projects progressed, the noble impulses which often underpin them became weak, and they were replaced, under the influence of perfectionist fears and passions, by the thirst for complete control and total discipline. (excerpt from the book)
    Note: Polish
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  • 6
    Online Resource
    Online Resource
    Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk
    ISBN: 9788367637244 , 9788361757474
    Language: Undetermined
    Pages: 1 Online-Ressource (333 p.)
    Series Statement: Nowa Humanistyka
    Keywords: Literary studies: general
    Abstract: The monograph by Grzegorz Grochowski documents insightful reflection on the current state of the field of the genre order of discourse, especially literary taxonomies. These orders are seen from the perspective of various methodological orders of the last few decades, developed in the area of postmodern literary studies. The conclusions emerging from these are examined from the angle of analytical utility of selected solutions. The study is successful at depicting the current state of the debates on the theory of literature and the dynamics of phenomena observed in the field of contemporary literature. It combines an in-depth theoretical analysis with sophisticated interpretations of the texts. Therefore, it skilfully transports theoretical discussions on to a concrete level. (excerpt from a review by Prof. Teresa Dobrzyńska) The fascinating book by Grzegorz Grochowski on the postmodern literary games is also a game the researcher plays with traditional genology and the aim of creating categories other than genre and text for this literary play: those of description and understanding. Discourse analysis leads theory of literature out of the narrow backwater of literary theories. It also demonstrates that literature has a meaning not only against the backdrop of language and genological norm, that its dynamics require a return into the chaos of social life (rejected by structuralism). (excerpt of a review by Prof. Zofia Mitosek)
    Note: Polish
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  • 7
    Online Resource
    Online Resource
    Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk
    ISBN: 9788367637435 , 9788365573629
    Language: Undetermined
    Pages: 1 Online-Ressource (312 p.)
    Series Statement: Nowa Humanistyka
    Keywords: Literary studies: general
    Abstract: The book addresses the problem of the influence of copyright law on modern modes of functioning and understanding of literature. This problem is situated in a context of Law and Literature studies and in particular within the cultural studies of copyright, which are summarised in chapter one. The history of copyright law and related literary discussions is recapitulated in chapter two. In the next chapters, the analysis is focused on literary discussions in which copyright law is a directly posed problem, or it is indicated only as context. Particular attention is paid to: philological genealogical research (and texts by Wacław Borowy and John Livingstone Lowes); discussion surrounding T.S. Eliot’s poem ‘The Waste Land’; the debate provoked by Karol Irzykowski’s article ‘Plagiatowy charakter przełomów literackich w Polsce’ [‘The Plagiarising Character of Literary Breakthroughs in Poland’]; analysis of copyright law in the writings of Jacques Derrida and in the novel Muza dalekich podróży [The Muse of Long-Distance Travels] by Teodor Parnicki; finally, anthologies Future of Copyright published at the beginning of the twenty-first century in Poland. In the last chapter, the analysed problems are situated in the context of the debate on the commodification of literature in capitalist societies
    Note: Polish
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  • 8
    Online Resource
    Online Resource
    Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk
    ISBN: 9788367637466 , 9788365832177
    Language: Undetermined
    Pages: 1 Online-Ressource (234 p.)
    Series Statement: Nowa Humanistyka
    Keywords: Literary studies: general
    Abstract: Culture as a Verb is a book on what I call new humanities of a wide and vastly varied orientation, direction, turns, and simply interests, interconnecting in opposition to the principles of contemporary theory of humanistic cognition. For, if contemporary knowledge is presented as bodiless, impersonal, static, external and neutral (unengaged), then the new humanities inquiries are led on the basis of different principles: embodied knowledge, personalised (participating), actively-acting (intervening cognitively), penetrating the research field and situated (engaged). This is a very significant change . . . With it, we go from a culture of disinterested observation, founded on the myth of the contemplative view of the whole external world, to a real culture of participative action, reconciled with perspectivity and the fragmentary nature of cognitive actions of a subject, who forges a path to reality, from within and by their own actions
    Note: Polish
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  • 9
    Online Resource
    Online Resource
    Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk
    ISBN: 9788367637404 , 9788365573261
    Language: Undetermined
    Pages: 1 Online-Ressource (237 p.)
    Series Statement: Nowa Humanistyka
    Keywords: Literary studies: general
    Abstract: In her book, Katarzyna Liszka provides the reader with a clearly outlined map of the main sides of the debate on the ‘division of labour of memory’ after the Holocaust, examines the arguments, which are used in this dispute, together with an analysis of ethical implications, which, according to the author, have a fundamental significance for the majority of Jewish thinkers taking a stance in this debate. This angle, with the focus on the plural ‘ethics of memory’ in the beginning of the work, allows the author to connect various idioms of philosophy, theology and sociology of the twentieth century, as complementary elements of reflection framed as a way of remembering. In this perspective, the subsequent notional mediations, corrections of approaches taken by Hannah Arendt, Avishai Margalit, or Zygmunt Bauman, become an indirect proof of the crystallisation, not only of the aforementioned community of memory work, but also of the transformation of ethical and legal categories related to the issue of the community of universal ethics, which the author writes about in the conclusion of her work, with reference to the reflections of Natan Sznaider and Daniel Levi. (excerpt from a review by Dr hab. Tomasz Majewski)
    Note: Polish
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  • 10
    Online Resource
    Online Resource
    Madrid : Casa de Velázquez
    ISBN: 9788490962947 , 9788490960370
    Language: Undetermined
    Pages: 1 Online-Ressource (VI-435 p.)
    Series Statement: Bibliothèque de la Casa de Velázquez
    Keywords: Literary studies: general ; European history
    Abstract: Cet ouvrage présente l'analyse formelle et structurelle de la presse culturelle espagnole au cours de son premier siècle d'existence. Il retrace l'évolution que connaît celle-ci de 1737 à 1808 et établit la part d'originalité dont elle fait preuve, à la fois comme pratique sociale et comme genre littéraire. Sont ainsi considérés le rapport de la presse au temps et à l'objet journal : la manière qu'ont les périodiques d'appréhender les événements qui ponctuent le quotidien de leur ville de parution, les caractéristiques graphiques des numéros dont ils sont composés ; son système énonciatif : les voix qui apparaissent au fil des pages, leur mise en relation et la manière dont elles s'affirment ; les modalités d'écriture à travers lesquelles se donnent à voir articles historiques et réflexions morales, journaux critiques et de vulgarisation ; les objectifs que prétendent remplir les journalistes, enfin, et la logique interne qui en découle
    Note: French
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  • 11
    Online Resource
    Online Resource
    Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk
    ISBN: 9788367637350 , 9788364703416
    Language: Undetermined
    Pages: 1 Online-Ressource (367 p.)
    Series Statement: Nowa Humanistyka
    Keywords: Literary studies: general
    Abstract: We will be following the departure of cinema ‘towards virtuality’ (towards new ways of creating, understanding and existence of cinema in the times of transformations of media technology) primarily from the perspective of selected artistic practices of three artists: Peter Greenaway (who often repeats the argument about the ‘death’ of traditional cinema and the birth of new ways of depiction), Lynn Hershman Leeson (American artist of the ‘wider cinema’) and Mike Figgis, who reflected on various types of cinematic image and the cinema of the digital age in his autothematic films. The authors will also discuss cinema in the wider context of cultural reflection. Questions on the ‘virtualisation’ of culture will require an attempt at defining the notion of ‘virtuality’, and a tracing of its journey through different levels of cultural discourses, as well as linking it back to the analysed works. Towards Virtuality… is a book about cinema (its creators, works and characters), steeped in technological, philosophical, scientific and, more generally, cultural transformations of modernity
    Note: Polish
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  • 12
    ISBN: 9788490962664 , 9788415636809
    Language: Undetermined
    Pages: 1 Online-Ressource (VIII-191 p.)
    Series Statement: Essais de la Casa de Velázquez
    Keywords: Literary studies: general
    Abstract: La historiografía tradicional ha sostenido que España padeció una imagen pésima en la Francia del siglo XVIII, donde el mundo de los philosophes habría alimentado la mitología antiespañola de la llamada «leyenda negra» con su desprecio, desinterés y desconocimiento del país vecino. La historiografía, sin embargo, nunca ha profundizado en la búsqueda de una imagen positiva de España en la Francia ilustrada. Este ensayo desvela la existencia de destacados intelectuales y medios periodísticos franceses interesados en abrir canales de comunicación y estrechar contactos con España. Reconocedores del valor del legado histórico español y críticos con sus compatriotas philosophes, los componentes de esa corriente francesa proespañola —que pertenecieron en su mayoría al ámbito del reformismo moderado y valoraron positivamente los progresos de la España borbónica— admitieron el carácter arquetípico de algunas manifestaciones culturales españolas, sobre todo el teatro y la novela, géneros en los que España —sostuvieron— fue prototipo y modelo de los mejores autores franceses y europeos de los siglos XVI y XVII, e incluso podría seguir siéndolo durante el XVIII
    Note: Spanish
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  • 13
    Online Resource
    Online Resource
    Madrid : Casa de Velázquez
    ISBN: 9788490962640 , 9788415636540
    Language: Undetermined
    Pages: 1 Online-Ressource (XV-162 p.)
    Series Statement: Essais de la Casa de Velázquez
    Keywords: Literary studies: general
    Abstract: La poésie d’Ausiàs March est un univers poétique sombre. Écrite à la première personne, elle est habitée par un moi qui, tel un nouvel Adam, s’est révolté contre son Créateur en lui préférant sa dame et l’amour tout charnel qu’il lui porte. Par ce nouveau péché originel, le moi devient « amador » : son être en est profondément modifié, et il mérite le châtiment de ceux qui osent contre- venir à l’ordre divin. Déchu de son humanité, il se sait condamné. Pourtant, chez lui, dans un mouvement d’orgueil stupéfiant, le châtiment sera auto-dispensé et auto-imposé : l’être marchien sera exclu du monde des hommes et ne trouvera plus d’existence que par sa parole, douloureusement lucide et puissante, obsessionnelle et exclusive. La poésie marchienne se révèle ainsi comme le seul lieu d’existence possible pour un moi à l’orgueil hyperbolique, capable par son cri poétique de dresser à travers les siècles, pour l’éternité, son être d’« amador »
    Note: French
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  • 14
    Online Resource
    Online Resource
    Madrid : Casa de Velázquez
    ISBN: 9788490962688 , 9788496820999
    Language: Undetermined
    Pages: 1 Online-Ressource (VIII-205 p.)
    Series Statement: Collection de la Casa de Velázquez
    Keywords: Literary studies: general
    Abstract: Los lectores contemporáneos intentan asociar un nombre de autor a cada texto, en una concordancia ideal entre la obra y su creador. Sin embargo, son numerosos los casos de autores que se sustraen a la mirada del lector. La autorialidad no constituye necesariamente el atributo de un sujeto; puede estratificarse involucrando a otros actores de la producción de lo escrito. Las modalidades de presencia del autor también son múltiples: mientras unos tienden a difuminarse mediante el anonimato o el apócrifo, otros se manifiestan. Este libro se propone renunciar al creador como instancia unívoca para considerar los casos límite en que éste se esquiva y definir las relaciones entre el autor y las diferentes figuras que reviste en la obra. Dicha exploración de la ocultación autorial se realiza a partir de textos españoles, desde la Edad Media hasta el siglo xviii, antes de que el estatuto del autor sea plenamente reconocido
    Note: Spanish
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  • 15
    Online Resource
    Online Resource
    Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk
    ISBN: 9788367637213 , 9788361552802
    Language: Undetermined
    Pages: 1 Online-Ressource (367 p.)
    Series Statement: Nowa Humanistyka
    Keywords: Literary studies: general
    Abstract: This volume comprises texts created on the basis of three-fold meetings: the first kind were constituted by lectures led by invited guests, representing various fields and areas of research, which, in some necessary simplification, can be divided into historiography (Ewa Domańska), philosophy (Agata Bielik-Robson), literary and memory studies (Michael Rothberg), and philosophy of literature (Michał Paweł Markowski). The lectures were accompanied by workshops, whose leaders present their texts in the second part of the work, and the third part is made up of notes from panel talks. As per the nature of these types of sessions, they present themselves as highly intense (various meetings from morning until evening), as well as showing the unavoidable variety in outlooks, which is one of the major advantages of such events. Another advantage is a slightly more ‘personalist’ encounter, not so much with text, but with the figure of an author, and thus also with the personality of a researcher. What became the idea bringing all these activities together was memory, understood and treated in very different ways. The variety of starting points and views on the forms and places of the functioning of memory then transformed itself into an abundance of experiences of the ‘originators’ and the richness of feelings (also of those imprinting themselves in memory) of the ‘receivers’
    Note: Polish
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  • 16
    Online Resource
    Online Resource
    Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk
    ISBN: 9788367637237 , 9788361757443
    Language: Undetermined
    Pages: 1 Online-Ressource (293 p.)
    Series Statement: Nowa Humanistyka
    Keywords: Literary studies: general
    Abstract: The author identifies selected aspects of the history of attention and exposes the peculiar relation between philosophy and literature against this background. The task of describing the world, not finished by phenomenology, is taken up by attentive poetry: it can complete the project of portraying the visible world, while keeping the rules of perceptive faith, but also being mindful of the constraints of language at the same time. After breaking contact between word and object, the poet becomes the one who brings the spirit of mankind closer to the world. In the context of twentieth-century dilemmas and projections, attention turns out to be not only a simple consequence of a certain aesthetic choice, but instead, choosing attention gains a crucial importance, rendering it a tool of re-vindicating the lost reality. Attentive poetry, that is such poetry, which does not allow itself to get carried away with language in whichever direction, but tames its anarchy, and does not accept a finished world, rejecting the temptation of relying on easy knowledge, is complemented by attentive reflection in this study: a reflection which is not prone to putting too much faith in the exclusivity of its own accomplishments. (excerpt from a review by Prof. Piotr Śliwiński)
    Note: Polish
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  • 17
    Online Resource
    Online Resource
    Warszawa : Instytut Badań Literackich Polskiej Akademii Nauk
    ISBN: 9788367637183 , 9788361552642
    Language: Undetermined
    Pages: 1 Online-Ressource (356 p.)
    Series Statement: Nowa Humanistyka
    Keywords: Literary studies: general
    Abstract: In Part I, Ryszard Nycz formulates an opinion on the topical specifics of the humanities’ studies; the opinion is rooted in the traditions of the discipline (literary studies), the ability of its influential orientation (intertextual poetics), as well as the writings of T. W. Adorno, one of the most astute philosophers and researchers of modern culture. In Part II, the author drafts a modified formula for carrying out the theory of literature, the aim of which is to avoid not merely its marginalisation, but its breaking-up (and the assigning of it to anthropology and/or cultural studies in particular). In Part III, the author endeavours to delineate the tasks of literary criticism, exposed to challenges generated by the changes in the function and status of national literature, models of identity, and in the relationships between the global and local dimension of contemporary culture. In Part IV, case studies are used to critically test the traditional view of the solely-applied character of interpretation against theory. The last part, ‘Literature: A Reading of a Letter’, acts as a summary. In it, the author depicts a concept of literature precisely as poetics of experience, as well as drafting a sketch of the theory of its understanding. As part of this theory, in the entirety of the practices and procedures of getting to know it, the author distinguishes three separate (in some aspects) tasks: spontaneous understanding, intellectually rigorous interpretation, and the experience of reading
    Note: Polish
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  • 18
    ISBN: 9788490962756 , 9788496820760
    Language: Undetermined
    Pages: 1 Online-Ressource (XI-460 p.)
    Series Statement: Bibliothèque de la Casa de Velázquez
    Keywords: Literary studies: general
    Abstract: La fabrique de l’écrivain retrace la formation littéraire de Ramón Gómez de la Serna, auteur réputé inclassable précisément parce que les origines de son oeuvre sont méconnues. Contrairement à l’idée reçue selon laquelle Ramón serait devenu écrivain par génération spontanée, cet ouvrage s’intéresse à la façon dont il devint le centre d’un réseau, à l’enjeu des rencontres qui l’amenèrent à occuper cette position, aux admirations et aux modèles qu’il n’a pas toujours reconnus, préférant diffuser de lui une image unique de créateur visionnaire et précurseur des avant-gardes en Espagne. La formule du succès ramonien, la greguería, naît dans le cadre des années dix, une décennie longtemps plongée dans l’oubli historiographique, qui est pourtant un creuset où les héritages du siècle passé se décantent et où naissent de nouvelles formes littéraires. La prose ramonienne s’inscrit dans cette modernité lato sensu, offrant à un public de plus en plus large son écriture singulière
    Note: French
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  • 19
    ISBN: 9788490962862 , 9788496820586
    Language: Undetermined
    Pages: 1 Online-Ressource (VIII-266 p.)
    Series Statement: Collection de la Casa de Velázquez
    Keywords: Literary studies: general
    Abstract: L’ironie et l’humour, ces frères ennemis si familiers mais si insaisissables, sont depuis trop longtemps associés à des clichés consacrés par la littérature et par la critique littéraire. Afin de dépasser la taxinomie et le confort intellectuel des étiquettes, il est nécessaire de délier les deux notions de leur immédiateté référentielle ainsi que de leurs implications morales. Partant de l’intuition qu’il existe entre elles une dynamique esthétique, le présent ouvrage analyse leur fonctionnement stylistique. Il étudie la question des relations esthétiques entre l’ironie et l’humour en les envisageant à partir du regard du créateur sur l’œuvre d’art et sur le langage comme manifestation de sa subjectivité - et en considérant le rôle actif du lecteur
    Note: French
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  • 20
    Online Resource
    Online Resource
    Madrid : Casa de Velázquez
    ISBN: 9788490962954 , 9788496820630
    Language: Undetermined
    Pages: 1 Online-Ressource (VIII-406 p.)
    Series Statement: Bibliothèque de la Casa de Velázquez
    Keywords: Literary studies: general ; Literary studies: poetry & poets
    Abstract: La valeur esthétique et éthique reconnue au trait d’esprit dans l’Espagne du Siècle d’or modifia en profondeur les formes de la facétie littéraire ainsi que son statut artistique. Poésie savante et souvent érudite, poésie où l’on rencontre les personnages les plus ridicules mais aussi les héros de la mythologie, poésie où la facétie paraît parfois le disputer à la réflexion contenue, le burlesque doit surprendre un lecteur invité à relever le défi interprétatif lancé par le poète. Les mille détours empruntés pour formuler le bon mot sont autant d’énigmes offertes à la sagacité du lecteur et à sa complicité. Laisser entendre sans tout à fait dire, laisser entrevoir sans montrer directement, surprendre par l’obscénité du trait ou sa profondeur constituent autant d’objectifs assignés aux poètes burlesques du xviie siècle. Il existe dans leurs oeuvres un ensemble cohérent de procédés qui constituent une véritable poétique, que cet ouvrage entreprend d’établir et d’interpréter
    Note: French
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  • 21
    Online Resource
    Online Resource
    Madrid : Casa de Velázquez
    ISBN: 9788490962817 , 9788496820746
    Language: Undetermined
    Pages: 1 Online-Ressource (X-183 p.)
    Series Statement: Essais de la Casa de Velázquez
    Keywords: Literary studies: general
    Abstract: L'Espagne doit-elle rester à jamais exclue des nations prisées pour leur littérature fantastique ? Issu du roman gothique anglais du xviiie siècle, le genre place au centre de la fiction l'apparition surnaturelle, point d'équilibre instable entre figure et spectre. Cette hésitation s'exprime déjà au Siècle d'or, vivier exceptionnel de textes fantastiques annonciateurs du genre. Plusieurs champs et auteurs sont ici abordés : les maîtres de l'étrange, Cervantès et Lope de Vega, mais aussi le roman picaresque, le grotesque allant souvent de pair avec le merveilleux. Comme les autres écritures, celle du théâtre baroque sait garder intacte la part de frayeur, d'incrédulité ou de « suspension » du sujet traversant le miroir de l'au-delà
    Note: French
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  • 22
    ISBN: 9788490962749 , 9788496820456
    Language: Undetermined
    Pages: 1 Online-Ressource (XXIV-138 p.)
    Series Statement: Essais de la Casa de Velázquez
    Keywords: Literary studies: general
    Abstract: « Les quatre conférences rassemblées sous ce titre partagent la volonté de recréer les conditions d’usage de l’écrit dans le Siècle d’or espagnol, à partir de perspectives qui n’ont pas toujours été considérées comme centrales par l’histoire classique du livre et de la lecture. Pour cela, elles s’attachent plus aux manuscrits qu’aux imprimés ; elles privilégient l’analyse de la relation sensorielle avec la matérialité des textes avant sa lecture rationnelle ; elles placent le travail des traducteurs par-dessus celui des auteurs et, en somme, elles s’intéressent à quelques propositions qui visent à abolir la paternité littéraire de l’imprimé et à modifier la forme même de la présentation des livres. » Lettre du Collège de France, 24, 2008
    Note: French
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