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  • English  (57)
  • Frankreich
  • Musicology  (57)
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  • 1
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press
    ISBN: 9781580467230
    Language: English
    Pages: 1 Online-Ressource (xix, 260 Seiten) , Illustrationen
    Series Statement: Eastman studies in music
    Parallel Title: Erscheint auch als
    DDC: 306.4842094409034
    RVK:
    Keywords: Geschichte 1870-1939 ; Music / Political aspects / France / History / 20th century ; Music / Political aspects / France / History / 19th century ; Nationalism in music ; Musik ; Nation ; Kultur ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic
    Note: Previously issued in print: 2008. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780197511541
    Language: English
    Pages: 1 Online-Ressource (xvii, 313 pages) , Illustrations (black and white).
    Series Statement: Oxford scholarship online
    DDC: 306.48420944
    RVK:
    RVK:
    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Music Social aspects 18th century ; History ; Musicians Social conditions 18th century ; Musicians Economic conditions 18th century ; Frankreich ; France History First Republic, 1792-1804 ; Hochschulschrift
    Abstract: 'From Servant to Savant' exposes the fundamental role that the French Revolution played in the emergence of modern professional musicianship. Geoffroy-Schwinden demonstrates how the French Revolution set the stage for the emergence of so-called musical 'Romanticism' among the likes of Beethoven and the legacies that continue to haunt musical institutions and industries.
    Note: Also issued in print: 2022 , Includes bibliographical references and index
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  • 3
    ISBN: 9781913231163
    Language: English
    Pages: XVIII, 318 Seiten
    DDC: 782.421640944
    RVK:
    Keywords: Geschichte 1990- ; Musik ; Techno ; Tanzmusik ; Frankreich
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  • 4
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago studies in ethnomusicology
    Series Statement: Chicago scholarship online
    RVK:
    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: 'Django Generations' shows how relationships between racial identities, jazz, and national belonging become entangled in France.
    Note: Previously issued in print: 2021 , Includes bibliographical references and index
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  • 5
    ISBN: 9780197511510
    Language: English
    Pages: xvii, 313 Seiten , Illustrationen, Notenbeispiele
    DDC: 306.48420944
    RVK:
    RVK:
    Keywords: Geschichte 1700-1800 ; Musik ; Musiker ; Soziale Situation ; Wirtschaftliche Lage ; Frankreich ; Hochschulschrift
    Note: Literaturverzeichnis Seite 277-295
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  • 6
    Book
    Book
    New York ; London : Routledge
    ISBN: 9781032011783 , 9781032011813
    Language: English
    Pages: xxviii, 145 Seiten , Illustrationen
    Series Statement: Transnational studies in jazz
    Uniform Title: Femmes du jazz
    Parallel Title: Erscheint auch als
    DDC: 782.42165092/2
    RVK:
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    Keywords: Geschichte 1980-2020 ; Jazzmusikerin ; Diskriminierung ; Frankreich ; Women jazz musicians / France ; Women jazz singers / France ; Jazz / Social aspects / France ; Sex role in music ; Musiciennes de jazz / France ; Chanteuses de jazz / France ; Rôle selon le sexe dans la musique ; Jazz / Social aspects ; Sex role in music ; Women jazz musicians ; Women jazz singers ; France ; Frankreich ; Jazzmusikerin ; Diskriminierung ; Geschichte 1980-2020
    Abstract: "Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men-even when musicians, critics, and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make, and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world"--
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  • 7
    Online Resource
    Online Resource
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226810959
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Karte
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Gypsy-Jazz ; Musikethnologie ; Frankreich ; Reinhardt, Django / 1910-1953 / Influence ; Jazz / Social aspects / France ; Romanies / Music / Social aspects / France ; Romanies / Music / Political aspects / France ; Romanies / France / Ethnic identity ; Music and race / France ; Musicians, Romani / France ; Jazz musicians / France ; Reinhardt, Django / 1910-1953 ; Influence (Literary, artistic, etc.) ; Jazz musicians ; Jazz / Social aspects ; Music and race ; Musicians, Romani ; Romanies / Ethnic identity ; France ; Frankreich ; Gypsy-Jazz ; Musikethnologie ; Geschichte
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful"--
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226810812 , 9780226811000
    Language: English
    Pages: xiii, 260 Seiten
    Series Statement: Chicago studies in ethnomusicology
    DDC: 781.650944
    RVK:
    Keywords: Reinhardt, Django Influence ; Gypsy-Jazz ; Musikethnologie ; Jazz Social aspects ; Romanies Music ; Social aspects ; Romanies Music ; Political aspects ; Romanies Ethnic identity ; Music and race ; Musicians, Romani ; Jazz musicians ; Frankreich
    Abstract: "The distinctive sound of the swing-driven guitar style of Django Reinhardt has become almost synonymous with a carefree, bohemian Frenchness to fans all over the world. However, we in the US refer to his music using a telling designation: Django is known here as the father of gypsy jazz. In France, the cultural significance of the musical style--called jazz manouche in reference to his origins in the Manouche subgroup of Romanies (known pejoratively as "Gypsies")--is fraught both for the Manouche and for the white French men and women eager to claim Django as a native son. In Django Generations, ethnomusicologist Siv B. Lie explores the complicated ways in which Django's legacy and jazz manouche express competing notions of what it means to be French. Though jazz manouche is overwhelmingly popular in France, Manouche people are more often treated as outsiders. However, some Manouche people turn to their musical heritage to gain acceptance in mainstream French society. Considering all of the characteristics and roles attributed to Django--as a world-renowned jazz musician, as an artistic pioneer, as a representative of French heritage, and as a Manouche--jazz manouche becomes a potent means for performers and listeners to articulate their relationships with French society, actual or hoped-for. Weaving together a history of jazz manouche and ethnographic fieldwork undertaken in the bars, festivals, family events, and cultural organizations where jazz manouche is performed and celebrated, Lie offers insight into how a musical genre can channel arguments about national and ethnoracial belonging. She argues that an uncomfortable cohabitation of Manouche identity and French identity lies at the heart of jazz manouche, which is what makes it so successful and powerful
    Note: Literaturverzeichnis Seite 229-252
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  • 9
    Online Resource
    Online Resource
    Woodbridge : The Boydell Press
    ISBN: 9781787449374
    Language: English
    Pages: 1 Online-Ressource (xvii, 265 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.48420944
    RVK:
    Keywords: Geschichte 1730-1789 ; Music / Political aspects / France / History / 18th century ; Pantomime / Political aspects / France / History / 18th century ; Aufklärung ; Freiheit ; Musik ; Pantomime ; Frankreich ; Frankreich ; Musik ; Pantomime ; Aufklärung ; Freiheit ; Geschichte 1730-1789
    Abstract: How did composers and performers use the lost art of pantomime to explore and promote the Enlightenment ideals of free expression?
    Note: Title from publisher's bibliographic system (viewed on 21 Sep 2020)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    ISBN: 9781138793040
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    DDC: 781.640944
    RVK:
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    Keywords: Popmusik ; Frankreich ; Popular music / France / History and criticism ; Popular music / Social aspects / France / History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Popmusik
    Abstract: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics.
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  • 11
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781138793040 , 9780367869779
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    RVK:
    Keywords: Popmusik ; Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Aufsatzsammlung
    Note: Literaturangaben , First issued in paperback 2019
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  • 12
    ISBN: 0367869772 , 9780367869779
    Language: English
    Pages: 271 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge global popular music series
    RVK:
    Keywords: Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Popmusik
    Note: First published by Routledge
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  • 13
    Online Resource
    Online Resource
    New York and London : Routledge, Taylor & Francis Group
    ISBN: 9781315761619 , 9781317645719
    Language: English
    Pages: 1 Online-Ressource (xxiv, 271 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640944
    RVK:
    Keywords: Popmusik ; Frankreich ; Aufsatzsammlung ; Frankreich ; Popmusik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 14
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    ISBN: 9781498528764
    Language: English
    Pages: xxi, 267 Seiten
    Parallel Title: Online version McGregor, Elizabeth Vihlen Jazz and postwar French identity
    DDC: 781.650944/09045
    RVK:
    Keywords: Jazz Social aspects 20th century ; History ; French Ethnic identity ; France Social conditions 20th century ; Frankreich ; Jazz ; Kulturelle Identität ; Geschichte 1940-1970
    Abstract: "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France&#x;s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music&#x;s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover
    Abstract: e Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation
    Note: Includes bibliographical references and index
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  • 16
    ISBN: 9781409461852 , 9781138248564
    Language: English
    Pages: xviii 225 Seiten
    Series Statement: An Ashgate book
    Uniform Title: Les mondes de l'harmonie
    DDC: 306.48420944
    RVK:
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    Keywords: Bläserensemble ; Frankreich
    Note: Translated from the French.
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  • 17
    ISBN: 9780199377091
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    DDC: 781.64094409045
    RVK:
    Keywords: Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben
    Abstract: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 20, 2015)
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  • 18
    ISBN: 9781409441731
    Language: English
    Pages: 201 Seiten
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421640944
    RVK:
    Keywords: Brel, Jacques Criticism and interpretation ; Brassens, Georges Criticism and interpretation ; Ferré, Léo Criticism and interpretation ; Geschichte 1960-1980 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Popular music History and criticism ; Chanson ; Schlager ; Frankreich ; Italien ; Frankreich ; Italien ; Chanson ; Schlager ; Geschichte 1960-1980
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 978-0-19-937706-0 , 0-19-937706-5
    Language: English
    Pages: XI, 226 S. , Ill. , 25 cm
    RVK:
    Keywords: Geschichte 1950-1980 ; Popular music / France / 1951-1960 / History and criticism ; Popular music / France / 1961-1970 / History and criticism ; Popular music / France / 1971-1980 / History and criticism ; Music and globalization ; Music and globalization ; Popular music ; Kulturleben ; Unterhaltungsmusik ; Globalisierung ; France ; Frankreich ; Frankreich ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Note: Includes bibliographical references and index , Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
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  • 20
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199377091
    Language: English
    Pages: 1 Online-Ressource (XI, 226 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1950-1980 ; Popular music / France / 1951-1960 / History and criticism ; Popular music / France / 1961-1970 / History and criticism ; Popular music / France / 1971-1980 / History and criticism ; Music and globalization ; Music and globalization ; Popular music ; Kulturleben ; Unterhaltungsmusik ; Globalisierung ; France ; Frankreich ; Frankreich ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Abstract: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Note: Includes bibliographical references and index , Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    ISBN: 9781138777996
    Language: English
    Pages: XII, 222 S. , Ill.
    Series Statement: Routledge studies in ethnomusicology 5
    Series Statement: Routledge studies in ethnomusicology
    DDC: 780.944/09034
    RVK:
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    Keywords: Music History and criticism 19th century ; Music Social aspects 19th century ; History ; Music History and criticism 19th century ; Travelers' writings, French History and criticism 19th century ; France Foreign relations 19th century ; Frankreich ; Reise ; Musik ; Geschichte 1800-1900
    Description / Table of Contents: Literaturverz. S. [201] - 211
    Note: Includes bibliographical references and index
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  • 22
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 1138777994 , 9781315772295 , 1315772299 , 9781322156781
    Language: English
    Pages: 1 online resource (xii, 222 pages) , illustrations
    Series Statement: Routledge studies in ethnomusicology 5
    Parallel Title: Erscheint auch als
    DDC: 780.944/09034
    RVK:
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    Keywords: Napoleon ; Geschichte 1800-1900 ; Geschichte 1800-1900 ; Außenpolitik ; Geschichte ; Gesellschaft ; Musik ; Music / France / 19th century / History and criticism ; Music / Social aspects / France / History / 19th century ; Music / France / Corsica / 19th century / History and criticism ; Travelers' writings, French / 19th century / History and criticism ; Musikethnologe ; Musik ; Reisebericht ; Ägyptische Expedition ; Frankreich ; France / Foreign relations / 19th century ; Außereuropäische Länder ; Frankreich ; Musik ; Reisebericht ; Frankreich ; Geschichte 1800-1900 ; Musikethnologe ; Frankreich ; Außereuropäische Länder ; Napoleon I. Frankreich, Kaiser 1769-1821 ; Ägyptische Expedition
    Note: Includes bibliographical references and index
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  • 23
    ISBN: 9781138777996
    Language: English
    Pages: xii, 222 Seiten , Illustrationen
    Edition: First published
    Series Statement: Routledge studies in ethnomusicology 5
    Series Statement: Routledge studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.944/09034
    RVK:
    RVK:
    Keywords: Napoleon ; Geschichte 1800-1900 ; Geschichte 1800-1900 ; Außenpolitik ; Geschichte ; Gesellschaft ; Musik ; Music / France / 19th century / History and criticism ; Music / Social aspects / France / History / 19th century ; Music / France / Corsica / 19th century / History and criticism ; Travelers' writings, French / 19th century / History and criticism ; Musikethnologe ; Musik ; Ägyptische Expedition ; Reisebericht ; Frankreich ; France / Foreign relations / 19th century ; Außereuropäische Länder ; Frankreich ; Musik ; Reisebericht ; Frankreich ; Geschichte 1800-1900 ; Musikethnologe ; Frankreich ; Außereuropäische Länder ; Napoleon I. Frankreich, Kaiser 1769-1821 ; Ägyptische Expedition
    Note: Includes bibliographical references and index
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  • 24
    Book
    Book
    Chicago [u.a.] : The Univ. of Chicago Press
    ISBN: 9780226138787 , 9780226138817
    Language: English
    Pages: VIII, 282 , Ill., Notenbeisp.
    DDC: 781.6508996073044
    RVK:
    Keywords: Baker, Josephine ; Reinhardt, Django ; Bechet, Sidney ; Geschichte 1900-2000 ; Afroamerikanische Musik ; Jazz ; Musiktheater ; Filmmusical ; Musikleben ; Frankreich ; Paris
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  • 25
    ISBN: 9781107037533
    Language: English
    Pages: XV, 304 Seiten , Notenbeispiele
    Edition: First published
    Series Statement: Music since 1900
    DDC: 780
    RVK:
    RVK:
    Keywords: Geschichte 1900-1965 ; Jazz ; Musik ; Frankreich ; Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    Abstract: French concert music and jazz often enjoyed a special creative exchange across the period 1900-1965. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck. - Deborah Mawer is Research Professor of Music at Birmingham Conservatoire, Birmingham City University. Her books include The Ballets of Maurice Ravel: Creation and Interpretation (2006), Darius Milhaud: Modality and Structure in Music of the 1920s (1997), Ravel Studies (Cambridge University Press, 2010) and The Cambridge Companion to Ravel (Cambridge University Press, 2000). Her articles and reviews, also encompassing jazz and dance, have appeared in a variety of books and journals, including the Journal of the Royal Musical Association, Twentieth-Century Music, Music and Letters, Opera Quarterly, Music Theory Online and Music Analysis. In 2008 she was awarded a prestigious National Teaching Fellowship. (Klappentext)
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  • 26
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
    RVK:
    RVK:
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 1107037530 , 9781107037533
    Language: English
    Pages: XV, 304 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music since 1900
    DDC: 781.681650944
    RVK:
    RVK:
    Keywords: Geschichte 1900-1965 ; Musik ; Jazz ; Frankreich
    Note: Literaturverzeichnis Seite 272 - 293
    URL: Cover
    URL: Cover
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  • 28
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139775359
    Language: English
    Pages: 1 Online-Ressource (xv, 304 Seiten)
    Series Statement: Music since 1900
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.68/1650944
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1965 ; Musik ; Music / France / 20th century / History and criticism ; Jazz / History and criticism ; Jazz ; Musik ; Frankreich ; Frankreich ; Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    Abstract: French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck73
    Description / Table of Contents: Introduction: French music and jazz: cultural exchange -- Part I. Locations and Relations: 1. A historical-cultural overview; 2. Critical-analytical perspectives: intertextuality and borrowing -- Part II. The Impact of Early Jazz upon French Music (1900-1935): 3. Debussy and Satie: early French explorations of cakewalk and ragtime; 4. Milhaud's understanding of jazz and blues: La Creation du monde; 5. Crossing borders: Ravel's theory and practice of jazz -- Part III. The Impact of French Music upon Jazz (1925-1965): 6. Hylton's interwar 'jazzed' arrangements of French classics; 7. (Re)moving boundaries? Russell's Lydian jazz theory and its rethinking of Debussy and Ravel; 8. Bill Evans's modal jazz and French music reconfigured; 9. Milhaud and Brubeck: French classical teacher and American jazz student
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 29
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199347353
    Language: English
    Pages: 1 Online-Ressource (xxxviii, 202 Seiten) , Illustrationen
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 793.3
    RVK:
    Keywords: Sozialgeschichte ; Alltag, Brauchtum ; Gesellschaft ; Politik ; Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; Hip-Hop ; Tanz ; Frankreich ; France Social life and customs ; Frankreich ; Frankreich ; Hip-Hop ; Tanz ; Sozialgeschichte
    Abstract: This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration
    Note: Enthält bibliographische Angaben und Index. - Includes bibliographical references and index
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  • 30
    ISBN: 9780472118816 , 9780472029228 , 0472118811 , 0472029223
    Language: English
    Pages: 226 S.
    Series Statement: Jazz perspectives
    DDC: 781.65094409041
    RVK:
    Keywords: Kulturgeschichte 1918-1945 ; Jazz ; Intellektueller ; Rassenfrage ; Frankreich
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  • 31
    ISBN: 9781409461852
    Language: English
    Pages: XVIII, 225 Seiten
    Series Statement: Ashgate popular and folk music series
    Uniform Title: Les mondes de l'harmonie
    DDC: 306.48420944
    RVK:
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    Keywords: Bläserensemble ; Frankreich
    Note: Translated from the French.
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  • 32
    Book
    Book
    New York : Oxford Univ. Press
    ISBN: 9780199939954 , 9780199939978
    Language: English
    Pages: XXXVIII, 202 S. , Ill.
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    DDC: 793.3
    RVK:
    Keywords: Sozialgeschichte ; Alltag, Brauchtum ; Gesellschaft ; Politik ; Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; Tanz ; Hip-Hop ; Frankreich ; France Social life and customs ; Frankreich ; Frankreich ; Hip-Hop ; Tanz ; Sozialgeschichte
    Note: Includes bibliographical references and index
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  • 33
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780472029228
    Language: English
    Pages: 1 Online-Ressource (237 pages)
    Series Statement: Jazz Perspectives
    DDC: 781.650944/09041
    RVK:
    Keywords: Kulturgeschichte 1918-1945 ; Jazz ; Intellektueller ; Rassenfrage ; Frankreich
    Abstract: A groundbreaking study of the reception of jazz among French-speaking black intellectuals between 1918 and 1945.
    Note: Description based on publisher supplied metadata and other sources
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  • 34
    Book
    Book
    Göttingen : V & R Unipress, Univ.-Verl. Osnabrück
    ISBN: 3847102060 , 9783847102069
    Language: German , English
    Pages: 470 S. , Ill., Notenbeisp.
    Edition: 1. Aufl.
    Series Statement: Krieg und Literatur [N.F.] 19.2013
    Series Statement: Krieg und Literatur
    DDC: 943
    RVK:
    RVK:
    Keywords: Geschichte ; Krieg ; Musik ; Lied ; Propaganda ; Beeinflussung ; Politisierung ; Zielgruppe ; Europa Geschichtlicher Überblick ; Krieg ; Weltkrieg 1. (1914-1918) ; Musik ; Lied ; Propaganda ; Manipulation von Meinung ; Politisierung ; Zielgruppe ; Europe Historical surveys ; War ; World War 1 (1914-1918) ; Music ; Songs ; Public opinion manipulation ; Politicization ; Target groups ; Indoktrinierung Feindbild ; Vorurteile ; Bedrohungsvorstellungen (Gesellschaft) ; Gewaltprinzip ; Kommunikationsinhalte ; Politisch-gesellschaftliches Verhalten ; Rollenverständnis gesellschaftlicher Gruppen ; Populismus ; Moral ; Mythos ; Militär ; Soldaten ; Internationaler Vergleich/Ländervergleich ; Frankreich ; Deutschland ; Vereinigtes Königreich ; Vereinigtes Königreich von Großbritannien und Nordirland ; Italien ; Rezeption ; Indoctrination Perceptions of enemy ; Prejudices ; Perceptions of threat (society) ; Violence principle ; Contents of communication ; Socio-political behaviour ; Social group identity ; Populism ; Morals ; Myths ; Military ; Military personnel ; International/country comparison ; France ; Germany ; United Kingdom ; Italy ; reception ; Europa ; Konferenzschrift 2012 ; Aufsatzsammlung ; Erster Weltkrieg ; Kriegslied ; Propaganda ; Erster Weltkrieg ; Musik
    Abstract: Auf den Schlachtfeldern der Weltgeschichte hat die Musik viele Funktionen. Propaganda missbraucht sie, um gegen den Feind zu hetzen. Kampflieder sollen die Angst vertreiben und den Gegner schmähen. Soldaten singen und musizieren, um im Wahnsinn des Krieges Trost zu finden und Mensch zu bleiben. Als erster moderner Krieg ist der Erste Weltkrieg auch für die Funktionalisierung der Musik richtungsweisend. Während alte Traditionen wie das Soldatenlied noch wichtig sind, werden für die Propaganda neue Medien erprobt, z.B. die Schallplatte. Schlager aus Operetten und Revuen beginnen jene Funktionen zu übernehmen, die vorher Volkslieder hatten. Diese vielfältigen Rollen der Musik im Ersten Weltkrieg untersuchen die Beiträge dieses Bandes. Dabei beleuchten die Autoren das Thema aus unterschiedlichen Blickwinkeln: Wie wurde in der Propaganda mit Musik gekämpft? Wie nutzten Soldaten im Feld die Musik, um zu überleben? Und schließlich: Wie wurde der Krieg in der Musik verarbeitet?
    Note: Beitr. teilw. dt., teilw. engl , Beitr. überw. dt., teilw. engl.
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  • 35
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199347353
    Language: English
    Pages: 1 online resource (xxxviii, 202 p.) , ill.
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als McCarren, Felicia French moves
    DDC: 793.3
    RVK:
    Keywords: Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; France Social life and customs ; Frankreich ; Tanz ; Hip-Hop ; Sozialgeschichte
    Abstract: This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 36
    ISBN: 978-1-409-40568-9 , 1-409-40568-0
    Language: English
    Pages: XII, 281 S. : , Ill.
    Series Statement: Ashgate popular and folk music series
    DDC: 306.4/84240941
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Popular music Social aspects ; Popular music Social aspects ; Unterhaltungsmusik. ; Musiksoziologie. ; Frankreich ; Großbritannien ; Großbritannien. ; Frankreich. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Musiksoziologie
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  • 37
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    ISBN: 9783035300222
    Language: English
    Pages: 1 Online-Ressource (203 Seiten)
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1962-1976 ; Jugendzeitschrift ; Soziokultureller Wandel ; Popmusik ; Frankreich ; Frankreich ; Popmusik ; Jugendzeitschrift ; Soziokultureller Wandel ; Geschichte 1962-1976
    Description / Table of Contents: While popular music and the mass media in France are firmly established areas of enquiry, there have been relatively few academic studies of the youth and popular music press. This book focuses on Salut les copains (Hi Buddies/Mates) (1962-76), which achieved a circulation of a million copies within its first year, at its peak sold around twice as many magazines as its nearest competitors, and has now become synonymous with the development of youth culture in 1960s France. In the few existing accounts of Salut les copains cultural commentators have tended to view the magazine as a neutral, apolitical vehicle for French yé-yé pop stars. However, this full-length study reveals how written texts in Salut les copains (editorial, letters and advertising) both supported and challenged dominant ideologies concerning culture, the nation, youth and gender during the turbulent 1960s and 1970s
    Note: Online resource; title from title screen (viewed June 10, 2019)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 38
    Book
    Book
    Urbana [u.a.] : Univ. of Illinois Press
    ISBN: 9780252035166 , 9780252077067
    Language: English
    Pages: X, 298 S. , Ill.
    DDC: 781.660944
    RVK:
    RVK:
    RVK:
    Keywords: Jazz History and criticism ; Jazz ; Frankreich ; Frankreich ; Frankreich ; Jazz
    Note: Includes bibliographical references and index
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  • 39
    Book
    Book
    Farnham, Surrey [u.a.] : Ashgate
    ISBN: 9780754664727
    Language: English
    Pages: [XI], 192 S. , Ill.
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64/15920944
    RVK:
    RVK:
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    Keywords: Geschichte 1980-2008 ; Gesellschaft ; Politik ; Popular music Political aspects ; Popular music Social aspects ; Protest songs History and criticism ; Popmusik ; Ethnische Identität ; Tonträgerproduktion ; Soziale Identität ; Protestsong ; Politischer Protest ; Frankreich ; Frankreich ; Frankreich ; Popmusik ; Politischer Protest ; Geschichte 1980-2008 ; Frankreich ; Protestsong ; Geschichte 1980-2008 ; Frankreich ; Soziale Identität ; Popmusik ; Frankreich ; Ethnische Identität ; Popmusik ; Geschichte 1980-2008 ; Frankreich ; Tonträgerproduktion
    Note: Includes bibliographical references and index
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  • 40
    Book
    Book
    Berkeley [u.a.] : Univ. of California Press
    ISBN: 9780520257405
    Language: English
    Pages: XXI, 789 S. , Ill.
    Additional Information: Rezensiert in Iglesias, Sara Jann Pasler, Composing the citizen [Rezension]
    DDC: 306.4842094409034
    RVK:
    Keywords: Sozialgeschichte 1871-1914 ; Geschichte 1871-1914 ; Gesellschaft ; Musik ; Frankreich
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  • 41
    Online Resource
    Online Resource
    Rochester : University of Rochester Press
    ISBN: 9781282894969 , 9781580467230 , 128289496X
    Language: English
    Pages: 1 Online-Ressource (XIX, 260 Seiten)
    Series Statement: Eastman studies in music
    Parallel Title: Print version French Music, Culture, and National Identity, 1870-1939
    Parallel Title: Erscheint auch als French music, culture, and national identity, 1870 - 1939
    DDC: 306.4842094409034
    RVK:
    Keywords: Nationalism in music ; Music Political aspects 19th century ; History ; Music Political aspects 20th century ; History ; Music -- Political aspects -- France -- History -- 19th century ; Music -- Political aspects -- France -- History -- 20th century ; Nationalism in music ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation
    Description / Table of Contents: ""Frontcover""; ""CONTENTS""; ""LIST OF ILLUSTRATIONS""; ""ACKNOWLEDGMENTS""; ""TIMELINE: Selective Chronology of Historical and Cultural Events,1870â€?1939""; ""INTRODUCTION: The Roles of Music and Culture in National Identity Formation""; ""Part One: Heroism, Art, and New Media: France and Identity Formation""; ""1 Unifying the French Nation: Savorgnan de Brazza and the Third Republic""; ""2 New Media, Source-Bonding, and Alienation: Listening at the 1889 Exposition Universelle""; ""3 Debussy and the Making of a musicien franÃais: Pelléas, the Press, and World War I""
    Description / Table of Contents: ""4 À bas Wagner!: The French Press Campaign against Wagner during World War I""""Part Two: Canon, Style, and Political Alignment""; ""5 D�Indy�s Beethoven""; ""6 Messidor: Republican Patriotism and the French Revolutionary Tradition in Third Republic Opera""; ""7 The Symphony and National Identity in Early Twentieth-Century France""; ""8 Transcending the Word?: Religion and Music in Gauguin�s Quest for Abstraction""; ""9 Jolivet�s Search for a New French Voice: Spiritual “Otherness� in Mana (1935)""; ""Part Three: Regionalism""
    Description / Table of Contents: ""10 Rameau in Late Nineteenth-Century Dijon: Memorial, Festival, Fiasco""""11 Becoming Alsatian: Anti-German and Pro-French Cultural Propaganda in Alsace, 1898�1914""; ""12 National Identity and the Double Border in Lorraine, 1870�1914""; ""LIST OF CONTRIBUTORS""; ""INDEX ""; ""Backcover""
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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  • 42
    Book
    Book
    Rochester, NY : Univ. of Rochester Press
    ISBN: 9781580462723
    Language: English
    Pages: XIX, 260 S. , Ill.
    Edition: 1. publ.
    Series Statement: Eastman studies in music 54
    Series Statement: Eastman studies in music
    DDC: 306.4/842094409034
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1870-1939 ; Geschichte ; Musik ; Politik ; Music Political aspects 20th century ; History ; Music Political aspects 19th century ; History ; Nationalism in music ; Musik ; Kultur ; Nation ; Frankreich ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musik ; Kultur ; Nation ; Geschichte 1870-1939
    Abstract: Here, essays from musicologists, historians, art historians and literary scholars reconsider the relationship of Debussy, Gaugin, Jolivet, Zola, and other great French creative artists to cultural and political trends (for example, the rise of the press, nationalism, etc.) during the Third Republic.
    Note: Includes bibliographical references and index
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  • 43
    ISBN: 9780810859388 , 9780810854390
    Language: English
    Pages: XLIII, 344 S., [8] Bl. , Ill., Kt., Notenbeisp.
    Series Statement: Europea 5
    Series Statement: Europea
    DDC: 782.42162/58
    RVK:
    Keywords: Geschichte 1920-2004 ; Folk music History and criticism ; Folk songs, Italian History and criticism ; Rezeption ; Volkslied ; Frankreich ; Korsika ; Korsika ; Volkslied ; Korsika ; Volkslied ; Rezeption ; Geschichte 1920-2004
    Note: Includes bibliographical references , discography, filmography, and index
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  • 44
    Online Resource
    Online Resource
    New York : Palgrave Macmillan US | Ann Arbor, Michigan : ProQuest
    ISBN: 9780230600928
    Language: English
    Pages: 1 Online-Ressource (208 pages)
    DDC: 301
    RVK:
    RVK:
    Keywords: Ludwig ; Geschichte 1650-1715 ; Theater ; Ballett ; Schauspielerin ; Hosenrolle ; Schauspieler ; Frauenrolle ; Geschlechterrolle ; Frankreich
    Abstract: This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre.
    Note: Description based on publisher supplied metadata and other sources
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  • 45
    Online Resource
    Online Resource
    Bloomington : Indiana University Press
    ISBN: 9780253346087
    Language: English
    Pages: 163 p
    Parallel Title: Erscheint auch als
    DDC: 781.6/8165
    RVK:
    RVK:
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1900-2000 ; Geschichte ; Musik ; Jazz History and criticism ; Music History and criticism 20th century ; Music History and criticism 20th century ; Piano music History and criticism ; Jazz ; Musik ; Klaviermusik ; Frankreich ; USA ; Frankreich ; USA ; Frankreich ; Musik ; USA ; Geschichte 1900-2000 ; Jazz ; Klaviermusik ; Geschichte
    Description / Table of Contents: Introduction -- The formation of a French style of composition -- The formation of an American style of composition -- A brief history of jazz in America -- American composers in the 1920s, part I -- American composers in the 1920s, part II -- The Harlem renaissance -- America in the 1930s -- Paris in the 1920s, part I -- Paris in the 1920s, part II -- Edgar Varèse and Igor Stravinsky -- Paris in the 1930s -- Epilogue-envoi
    Note: Includes bibliographical references (p. [151]-153) and index
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  • 46
    Book
    Book
    Basingstoke [u.a.] : Palgrave Macmillan
    ISBN: 1403960046 , 9781403960047
    Language: English
    Pages: XV, 231 S. , 24 cm
    Edition: 1. publ.
    DDC: 709.4409045
    RVK:
    Keywords: Africans France ; Paris ; Social life and customs ; Art, French African influences ; Art, French 20th century ; Music France ; African influences ; Music France ; 20th century ; History and criticism ; Frankreich ; Paris ; Afrikaner ; Musik ; Politik ; Geschichte 1980-2006
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  • 47
    Book
    Book
    Bloomington [u.a.] : Indiana Univ. Press
    ISBN: 0253346088
    Language: English
    Pages: 163 S.
    DDC: 781.6/8165
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
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    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-2000 ; Geschichte ; Musik ; Jazz History and criticism ; Music History and criticism 20th century ; Music History and criticism 20th century ; Piano music History and criticism ; Jazz ; Klaviermusik ; Musik ; Frankreich ; USA ; USA ; Frankreich ; Jazz ; Klaviermusik ; Geschichte ; Frankreich ; Musik ; USA ; Geschichte 1900-2000
    Abstract: Starting with a look at the formation of American and French styles of composition, this book discusses the jazz influence on American composers such as Ives, Copland, and Seeger, and their reception in France. It emphasises on the piano solo literature or other piano music - song accompaniments, piano duets, or internal orchestral piano parts.
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  • 48
    ISBN: 0810844303 , 0810844311
    Language: English
    Pages: XVII, 150 S. , Ill.
    Series Statement: World music. Popular culture
    DDC: 782.4216490944
    RVK:
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    Keywords: Rap ; Hip-Hop ; Französisches Sprachgebiet ; Frankreich ; Québec ; Gabun ; Aufsatzsammlung ; Bibliografie ; Aufsatzsammlung ; Bibliografie
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  • 49
    Book
    Book
    Carlton : Melbourne Univ. Press
    ISBN: 0522851134
    Language: English
    Pages: IX, 241 S. , Ill.
    DDC: 781.650944
    RVK:
    Keywords: Geschichte ; Jazz ; Frankreich ; Frankreich ; Jazz ; Geschichte
    Note: Literaturverz. S. 225 - 232
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  • 50
    Book
    Book
    University Park, Pa. : Pennsylvania State Univ. Press
    ISBN: 0271023392 , 0271017538
    Language: English
    Pages: VIII, 207 S. , zahlr. Ill.
    Edition: 1. Paperback pr.
    Dissertation note: Zugl.: Newark, Del., Univ., Diss., 1992
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    Keywords: Colin, Paul ; Geschichte 1900-1930 ; Avantgarde ; Kolonialismus ; Jazz ; Rezeption ; Popkultur ; Musik ; Tanz ; Modernismus ; Plastik ; Frankreich ; Afrika ; Paris ; Hochschulschrift ; Hochschulschrift ; Paris ; Modernismus ; Kolonialismus ; Geschichte 1900-1930 ; Paris ; Jazz ; Geschichte 1900-1930 ; Afrika ; Plastik ; Musik ; Tanz ; Rezeption ; Frankreich ; Popkultur ; Avantgarde ; Geschichte 1900-1930 ; Colin, Paul 1892-1985 Le tumulte noir
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  • 51
    Book
    Book
    Durham u.a. : Duke University Press
    ISBN: 0822331373 , 0822331241
    Language: English
    Pages: XI, 266 S.
    Series Statement: American encounters / Global interactions
    Dissertation note: Zugl.: Rochester, NY, Univ., Diss., 1999
    DDC: 781.65/0944
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1939 ; Français - Identité ethnique ; Jazz - Aspect social - France - Paris ; Jazz ; Sociale aspecten ; Gesellschaft ; French Ethnic identity ; Jazz Social aspects ; Jazz ; Paris (France) - Conditions sociales - 20e siècle ; Frankreich ; Paris (France) Social conditions 20th century ; Paris ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Paris ; Jazz ; Geschichte 1918-1939
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  • 52
    Book
    Book
    Rochester, NY :University of Rochester Press [u.a.],
    ISBN: 1-580-46133-6
    Language: English
    Pages: xxii, 547 p. : ill.
    Edition: 1. publ.
    Series Statement: Eastman studies in music 22
    Series Statement: Eastman studies in music
    DDC: 780.92
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    Keywords: Polignac, Winnaretta 〈princesse de, 1865-1943〉 ; Polignac, Winnaretta 〈princesse de, 1865-1943〉 ; Polignac, Winnaretta 〈〈de〉〉 ; Femmes mécènes de la musique - France - Biographies ; Mécènes de la musique - France - Biographies ; Music patrons Biography ; Frankreich ; Biografie ; 1865-1943 Polignac, Winnaretta 〈〈de〉〉
    Note: Hier auch später erschienene, unveränderte Nachdrucke. - Includes bibliographical references (p. [509]-525) and index
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  • 53
    ISBN: 0754608492
    Language: English
    Pages: XII, 282 S.
    Series Statement: Ashgate popular and folk music series
    DDC: 781.640944
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    Keywords: Geschichte 1960-2003 ; Unterhaltungsmusik ; Frankreich ; Bibliografie ; Frankreich ; Unterhaltungsmusik ; Geschichte 1960-2003
    Note: Includes bibliographical references
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  • 54
    ISBN: 0810844303 , 9780810844308 , 0810844311
    Language: English
    Pages: XVII, 150 S. , Ill.
    DDC: 782.4216490944
    RVK:
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    Keywords: Rap (Musique) - France - Histoire et critique ; Rap (Musique) - Gabon - Histoire et critique ; Rap (Musique) - Québec (Province) - Histoire et critique ; Rap (Music) History and criticism ; Rap (Music) History and criticism ; Rap (Music) History and criticism ; Rap ; Hip-Hop ; Frankreich ; Québec ; Frankreich ; Gabun ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Rap ; Hip-Hop ; Québec ; Rap ; Hip-Hop ; Gabun ; Rap ; Hip-Hop
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  • 55
    ISBN: 2735109143 , 9782735109142
    Language: French , English , German
    Pages: XVII, 493 S. , Ill.
    DDC: 780.7809409041
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    Keywords: Geschichte 1780-1914 ; Concerts ; Concerts ; Concerts ; Music audiences ; Music audiences ; Music audiences ; Konzert ; Deutschland ; Frankreich ; Europa ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift 1996 ; Aufsatzsammlung ; Konferenzschrift 1996 ; Europa ; Konzert ; Geschichte 1780-1914
    Note: Beitr. teilw. franz., teilw. dt., teilw. engl. - Zsfassung der Beitr. in franz., dt. bzw. engl. Sprache je nach Sprache des Beitr.
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  • 56
    Book
    Book
    Lanham, Md. [u.a.] : Scarecrow Press
    ISBN: 0810844303 , 0810844311
    Language: English
    Pages: XVII, 150 S. , Ill. , 22cm
    RVK:
    Keywords: Rap ; Hip-Hop ; Frankreich ; Québec ; Gabun ; Aufsatzsammlung ; Frankreich ; Rap ; Hip-Hop ; Québec ; Rap ; Hip-Hop ; Gabun ; Rap ; Hip-Hop
    Note: Includes bibliographies and index
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  • 57
    Language: English
    Pages: 1 T.taf.,XII,163 S.,5 Taf.,1 Farbtaf.
    Edition: 2.ed.
    DDC: 793.31
    RVK:
    Keywords: Geschichte 1450-1600 ; Dance ; Dance ; Gesellschaftstanz ; Tanz ; Frankreich ; England ; Frankreich ; Frankreich ; Gesellschaftstanz ; Geschichte 1450-1600 ; England ; Gesellschaftstanz ; Geschichte 1450-1600 ; Tanz ; Geschichte 1450-1600
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