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  • English  (2)
  • London ; Oxford ; New York ; New Delhi ; Sydney :Bloomsbury Academic,  (1)
  • New York : Fordham University Press
  • United States
  • Comparative Studies. Non-European Languages/Literatures  (2)
Datasource
Material
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  • English  (2)
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Author, Corporation
Subjects(RVK)
  • 1
    Book
    Book
    London ; Oxford ; New York ; New Delhi ; Sydney :Bloomsbury Academic,
    ISBN: 978-1-350-02624-7 , 978-1-350-02625-4
    Language: English
    Pages: xi, 149 Seiten : , Illustrationen.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: United States / Intellectual life / 20th century ; Europe / Intellectual life / 20th century ; Europe ; United States ; 1900-1999 ; Geschichte 1900-2000 ; Geschichte 1880-1945 ; Women and the arts / United States / History / 20th century ; Women and the arts / Europe / History / 20th century ; Arts, Modern / 20th century ; Arts, Modern / Philosophy ; Sex role / History / 20th century ; Social movements / History / 20th century ; Arts and society / History / 20th century ; HISTORY / Modern / 20th Century ; HISTORY / Social History ; SOCIAL SCIENCE / Gender Studies ; Arts and society ; Arts, Modern ; Intellectual life ; Sex role ; Social movements ; Women and the arts ; Geschichte ; Philosophie ; Frau. ; Künste. ; Moderne. ; Geschlechterrolle. ; Frau ; Kunst. ; Europa ; USA ; History ; Frau ; Künste ; Moderne ; Geschlechterrolle ; Geschichte 1880-1945 ; Frau ; Kunst ; Geschichte 1880-1945
    Abstract: "A critical narrative of how gender norms and the modernist movement shaped one another in the early 20th century, using vivid case studies"--Provided by publisher
    Abstract: "Gendering Modernism offers a critical reappraisal of the modernist movement, asking how gender norms of the time shaped the rebellion of the self-avowed modernists and examining the impact of radical gender reformers on modernism. Focusing primarily on the connections between North American and European modernists, Maria Bucur explains why it is imperative that we consider the gender angles of modernism as a way to understand the legacies of the movement. She provides an overview of the scholarship on modernism and an analysis of how definitions of modernism have evolved with that scholarship. Interweaving vivid case studies from before the Great War to the interwar period--looking at individual modernists from Ibsen to Picasso, Hannah Höch to Josephine Baker--she covers various fields such as art, literature, theatre and film, whilst also demonstrating how modernism manifested itself in the major social-political and cultural shifts of the 20th century, including suffragist feminism, psychology, sexology, eugenics, nudism, anarchism, communism and fascism. This is a fresh and wide-ranging investigation of modernism which expands our definition of the movement, integrating gender analysis and thereby opening up new lines of enquiry. Written in a lively and accessible style, Gendering Modernism is a crucial intervention into the literature which should be read by all students and scholars of the modernist movement as well 20th-century history and gender studies more broadly"--Provided by publisher
    Description / Table of Contents: Prologue -- Introduction: What Sort of Rebellion? -- 1. Modernism before the Great War -- 2. Modernism Flourishes -- 3. The Modernist Canon : How Did it Come About? -- 4. A New Set of Criteria : Rebellion, Rejection, and Reimagining Modernism
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  • 2
    ISBN: 9780823253852 , 9780823253869
    Language: English
    Pages: 228 S.
    Edition: 1. ed.
    Series Statement: Commonalities
    Uniform Title: Grand théâtre du genre 〈English〉
    DDC: 305.307
    RVK:
    Keywords: Gender identity Study and teaching ; United States ; Gender identity Study and teaching ; France ; Women's studies United States ; Women's studies France ; Feminist theory United States ; Feminist theory France ; Queer theory United States ; Queer theory France
    Note: Includes bibliographical references and index
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