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  • English  (5)
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  • English  (5)
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  • 1
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789400770706
    Language: English
    Pages: Online-Ressource (IX, 159 p. 9 illus., 8 illus. in color, online resource)
    Series Statement: Issues in Business Ethics 41
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Aesthetics and business ethics
    RVK:
    Keywords: Ästhetik ; Unternehmensethik ; Philosophy (General) ; Ethics ; Humanities ; Economics ; Philosophy ; Philosophy (General) ; Ethics ; Humanities ; Economics
    Abstract: Ludwig Wittgenstein famously said, "Ethics is aesthetics. It is unclear what such a claim might mean and whether it is true. This book explores contentious issues arising at the interface of ethics and aesthetics. The contributions reflect on the status of aesthetic en ethical judgments, the relation of aesthetic beauty and ethical goodness and art and character development. The book further considers the potential role art could play in ethical analysis and in the classroom and explores in what respects aesthetics and ethics might be intertwined and even mutually supportive.
    Abstract: Ludwig Wittgenstein famously said, “Ethics is aesthetics.” It is unclear what such a claim might mean and whether it is true. This book explores contentious issues arising at the interface of ethics and aesthetics. The contributions reflect on the status of aesthetic en ethical judgments, the relation of aesthetic beauty and ethical goodness and art and character development. The book further considers the potential role art could play in ethical analysis and in the classroom and explores in what respects aesthetics and ethics might be intertwined and even mutually supportive
    Description / Table of Contents: Part One: Aesthetical Dimensions of Ethical Judgments in Business1. Literature, Emotions and Ethical Judgments in Business; Ron Duska -- 2. Literature and the Canonical Values of Capitalism; Christopher Michaelson -- Part Two:  The Aesthetic Firm -- 3. The Impoverished Aesthetic of Modern Management:  Beauty and Ethics in Organization; Steven Saylor -- An Aesthetic Theory of the Firm; John Dobson -- Part Three: Art and Personal Development.-  5. Business Ethics and the Arts:  Character and Process; Dawn Elm -- 6. Wisdom, Management, and Responsibility:  Aesthetics, Moral Imagination, and System Thinking; Sandra Waddock -- Part Four:  Aesthetics and Business Ethics in the Classroom -- 7. Ethics, Morality and Art in the Classroom: Positive and Negative Relations; Daryl Koehn -- 8.  Cheat: Changing the Figure; Rich Brown and Craig Dunn -- 9. The Drama of Business Ethics; Ed Freeman and Lauren Purnell.
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 2
    ISBN: 9789400769731
    Language: English
    Pages: Online-Ressource (VI, 331 p. 46 illus., 18 illus. in color, online resource)
    Series Statement: Studies in History and Philosophy of Science 34
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Theories of information, communication and knowledge
    RVK:
    Keywords: Philosophy (General) ; Genetic epistemology ; Science Philosophy ; Social sciences Philosophy ; Philosophy ; Philosophy (General) ; Genetic epistemology ; Science Philosophy ; Social sciences Philosophy ; Aufsatzsammlung ; Aufsatzsammlung ; Information ; Kommunikation ; Wissen ; Informations- und Dokumentationswissenschaft ; Online-Ressource ; Information ; Kommunikation ; Wissen
    Abstract: This book addresses some of the key questions that scientists have been asking themselves for centuries: what is knowledge? What is information? How do we know that we know something? How do we construct meaning from the perceptions of things? Although no consensus exists on a common definition of the concepts of information and communication, few can reject the hypothesis that information - whether perceived as « object » or as « process » - is a pre-condition for knowledge. Epistemology is the study of how we know things (anglophone meaning) or the study of how scientific knowledge is arrived at and validated (francophone conception). To adopt an epistemological stance is to commit oneself to render an account of what constitutes knowledge or in procedural terms, to render an account of when one can claim to know something. An epistemological theory imposes constraints on the interpretation of human cognitive interaction with the world. It goes without saying that different epistemological theories will have more or less restrictive criteria to distinguish what constitutes knowledge from what is not. If information is a pre-condition for knowledge acquisition, giving an account of how knowledge is acquired should impact our comprehension of information and communication as concepts. While a lot has been written on the definition of these concepts, less research has attempted to establish explicit links between differing theoretical conceptions of these concepts and the underlying epistemological stances. This is what this volume attempts to do. It offers a multidisciplinary exploration of information and communication as perceived in different disciplines and how those perceptions affect theories of knowledge
    Description / Table of Contents: Introduction; Fidelia Ibekwe-SanJuan and Thomas DousaChapter 1: Cybersemiotics: A new foundation for transdisciplinary theory of information, cognition, meaning, communication and consciousness; Søren Brier -- Chapter 2: Epistemology and the Study of Social Information within the Perspective of a Unified Theory of Information;Wolfgang Hofkirchner.- Chapter 3: Perception and Testimony as Data Providers; Luciano Floridi -- Chapter 4: Human communication from the semiotic perspective; Winfried Nöth --   Chapter 5: Mind the gap: transitions between concepts of information in varied domains; Lyn Robinson and David Bawden -- Chapter 6:  Information and the disciplines: A conceptual meta-analysis; Jonathan Furner -- Chapter 7: Epistemological Challenges for Information Science; Ian Cornelius -- Chapter 8: The nature of information science and its core concepts; Birger Hjørland -- Chapter 9: Sylvie Leleu-Merviel. Coalescence in the informational process. Application to visual sense-making. Chapter 10: Understanding users’ informational constructs through the affordances of cinematographic images; Michel Labour -- Chapter 11: Documentary Languages and the Demarcation of Information Units in Textual Information: A Case Study; Thomas Dousa -- Index.
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401788168
    Language: English
    Pages: Online-Ressource (XIII, 273 p. 8 illus, online resource)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Ethics and the arts
    RVK:
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    RVK:
    Keywords: Philosophy (General) ; Ethics ; Philosophy ; Philosophy (General) ; Ethics ; Aufsatzsammlung ; Künste ; Ethik ; Ästhetik ; Geschichte
    Abstract: This book proposes that the highest expression of ethics is an aesthetic. It suggests that the quintessential performance of any field of practice is an art that captures an ethic beyond any literal statement of values. This is toadvocate for a shift in emphasis,away from current juridical approaches to ethics (ethicalcodes or regulation), toward ethics as an aesthetic practice-away from ethics as a minimal requirement, toward ethics as an aspiration. The book explores the relationship between art and ethics: a subject that has fascinated philosophers from ancient Greece to the present. It explores this relationship in all the arts: literature, the visual arts, film, the performing arts, and music. It also examines current issues raised by ‘hybrid’ artists who are working at the ambiguous intersections between art, bioart and bioethics and challenging ethical limits in working with living materials. In considering these issues the book investigates the potential for art and ethics to be mutually challenged and changed in this meeting. The book is aimed at artists and students of the arts, who may be interested in approaching ethics and the arts in a new way. It is also aimed at students and teachers of ethics and philosophy, as well as those working in bioethics and the health professions. It will have appeal to the ‘general educated reader’ as being current, of considerable interest, and offering a perspective on ethics that goes beyond a professional context to include questions about how one approaches ethics in one’s own life and practices
    Description / Table of Contents: Preface; References; Contents; Chapter 1: Introduction : Ethics and the Arts; Reference; Part I: The Arts and Ethics; Chapter 2: Literature and Ethics: Learning to Read with Emma Bovary; 2.1 Introduction; 2.2 The Historical Background; 2.3 The Work; 2.4 Conclusion: The Ethics of Reading; References; Chapter 3: Music and Morality; 3.1 Music, Morality, and Philosophy ; 3.2 The Deep Diversity of Musical Practices; 3.3 Musical Resources and Morality; 3.4 Music, Ethos, and Education; References; Chapter 4: Modern Painting and Morality; 4.1 Introduction; 4.2 Morality in 'Early Modern' Painting
    Description / Table of Contents: 4.2.1 The Moral Universe: Gathering of the Ashes4.2.2 Two Bathshebas; 4.3 Modern Painting to 1980; 4.3.1 The Beginnings of Modern Painting; 4.3.2 Rothko; 4.3.3 Andy Warhol; 4.4 Modern Painting from a Moral Perspective; 4.5 Conclusion; References; Chapter 5: The Photograph Not as Proof but as Limit; 5.1 Roland Barthes's Camera Lucida; 5.2 Josh Azzarella and Trevor Paglen; 5.3 Unknowability, Mystery, and Ethical Viewing; References; Chapter 6: Of Redemption: The Good of Film Experience; 6.1 Encountering Cinema; 6.2 Intersecting Ethics; 6.3 Redeeming Cinema and Ethics; 6.4 Risking Redemption
    Description / Table of Contents: ReferencesChapter 7: Movies and Medical Ethics; 7.1 Introduction; 7.2 Film as a Starting Point for Studying Medical Ethics; 7.3 Engaging Viewers and Delivering Messages Cinematographically; 7.4 Extracted Sequences Illustrate Memorable Moments of a Film's Narrative; 7.5 The Value of Informed Awareness; 7.6 Aesthetics; A Valuable Addition to the Message; 7.7 Conclusion; References; Chapter 8: The House of the Dead-The Ethics and Aesthetics of Documentary; 8.1 The Poem; 8.2 Three Characters-Jaime, Antonio and Almerindo; 8.2.1 Almerindo Act 1: 'The bells'; 8.2.2 Jaime Act 2: 'The deaths'
    Description / Table of Contents: 8.2.3 Antonio Act 3: 'The forgotten'8.3 Activist Documentary Making; References; Chapter 9: Embracing the Unknown, Ethics and Dance; 9.1 Introduction; 9.2 Spinoza's Ethics; 9.3 Training and Technique; 9.4 Conclusion; References; Chapter 10: Burning Daylight : Contemporary Indigenous Dance, Loss and Cultural Intuition; 10.1 Introduction; 10.2 Marrugeku; 10.3 Burning Daylight Production Outline; 10.4 Contemporary Dance in a Context of Loss and Forced Removal; 10.4.1 Case Study: Researching Burning Daylight ; 10.5 Negotiating the Contemporary in the Native Title Era; 10.5.1 Case Study: Rubibi
    Description / Table of Contents: 10.5.2 Case Study: Memory of Tradition10.6 The Art of Listening; References; Chapter 11: Toward an Intersubjective Ethics of Acting and Actor Training; 11.1 Considering the Intersubjective Space 'Between' in One Performance; 11.1.1 Phenomenological Perspectives on Intersubjectivity; 11.2 Theatre and Ethics: A Brief Overview; 11.3 The Postmodern Condition and Ethics; 11.3.1 Levinas' Ethics of Ethics ; References; Chapter 12: Politics and Ethics in Applied Theatre: Face-to-­Face and Disturbing the Fabric of the Sensible; 12.1 Facing the Other; 12.2 Political Affects
    Description / Table of Contents: 12.3 Sensitising Through Participatory Theatre
    Note: Description based upon print version of record
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  • 4
    ISBN: 9789400741072
    Language: English
    Pages: Online-Ressource (XIX, 205p, digital)
    Series Statement: Boston Studies in the Philosophy of Science 294
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Radder, Hans, 1949 - The material realization of science
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    Keywords: Philosophy (General) ; Science (General) ; Physics ; Philosophy ; Philosophy (General) ; Science (General) ; Physics ; Habermas, Jürgen ; Science ; Philosophy ; Habermas, Jürgen 1929- ; Wissenschaftstheorie ; Habermas, Jürgen 1929- ; Wissenschaftstheorie
    Abstract: Hans Radder
    Abstract: This book develops a conception of science as a multi-dimensional practice, which includes experimental action and production, conceptual-theoretical interpretation, and formal-mathematical work. On this basis, it addresses the topical issue of scientific realism and expounds a detailed, referentially realist account of the natural sciences. This account is shown to be compatible with the frequent occurrence of conceptual discontinuities in the historical development of the sciences. Referential realism exploits several fruitful ideas of Jürgen Habermas, especially his distinction between objectivity and truth; it builds on a in-depth analysis of scientific experiments, including their material realization; and it is developed through an extensive case study in the history and philosophy of quantum mechanics. The new postscript explains how the book relates to several important issues in recent philosophy of science and science studies. I highly recommend this book. Radder is probably the first philosopher of science to make productive epistemological use of the notion of experimental system. The postscript is most valuable since it connects his work not only to the topical debates in philosophy of science, but also to history of science and science studies. Hans-Jörg Rheinberger, Max Planck Institute for the History of Science, Berlin About the first edition: The debate on realism has recently become rather stale by repetition, but Radder introduces original insights and has written a lively and well-argued contribution to it. The book is to be recommended also as a clear introduction to the complex of relevant issues. Mary Hesse, University of Cambridge Radder presents an ingenious approach to the issue of scientific realism and conceptual discontinuity. I believe his idea that conceptual discontinuity presupposes other types of continuity is extremely important. Mark Rowlands, University of Alabama, Tuscaloosa Hans Radder is professor of philosophy of science and technology at VU University Amsterdam. He is the author of In and About the World and The World Observed/The World Conceived. He edited The Philosophy of Scientific Experimentation and The Commodification of Academic Research: Science and the Modern University, and is coeditor of Science Transformed Debating Claims of an Epochal Break.
    Description / Table of Contents: The Material Realization of Science; Preface to the Revised English Edition; Preface to the First English Edition; Preface to the Dutch Edition; Contents; Introduction; Part I Habermas and the Philosophy of Science; Chapter 1: Habermas's Philosophy of the Natural Sciences; 1.1 Introductory Remarks; 1.2 The Aim of Habermas's Epistemology; 1.3 Two Fundamental Distinctions; 1.3.1 Purposive-Rational and Communicative Action; 1.3.2 Communicative Action and Discourse: Two Forms of Communication; 1.4 The Constitution Theory and the Role of Experiment
    Description / Table of Contents: 1.4.1 Objectivity of Experience and the Categorial Structure of Object-Domains1.4.2 The Experiment in the Natural Sciences; 1.5 The Consensus Theory of Truth; 1.5.1 What Is Truth?; 1.5.2 Grounded Consensus as the Criterion of Truth; 1.5.3 The Formal Characteristics of Discourse; 1.5.4 The Ideal Speech Situation; 1.6 Objectivity and Truth; Chapter 2: Habermas on Objectivity and Truth: Analysis and Critique; 2.1 Introductory Remarks; 2.2 The Transcendental Method and the Role of Experiment; 2.2.1 On the Constitution of Objectivity; 2.2.2 The Role of Experiment in Habermas
    Description / Table of Contents: 2.3 A Critique of Habermas's Theory of Truth2.3.1 On the Meaning of Truth; 2.3.2 The Inadequacy of the Criterion of Truth; Part II Experimentation and Referential Realism; Chapter 3: Experimentation in the Natural Sciences; 3.1 Introductory Remarks; 3.2 The Theoretical Description of Experiments; 3.3 Experimentation as Material Realization; 3.4 Experimental Production and the Possibility of Realism; Chapter 4: Verifiability and Reference, Relativism and Realism; 4.1 Introductory Remarks; 4.2 Verifiability; 4.3 Conceptual Discontinuity and Scientific Realism; 4.4 A Criterion of (Co)reference
    Description / Table of Contents: 4.5 A "Realistic" RealismChapter 5: Specification and Application: Two Case Studies from the History and Philosophy of Quantum Mechanics; 5.1 Introductory Remarks; 5.2 The Correspondence Principle and the Historical Development of Quantum Mechanics; 5.2.1 Bohr 1913: Correspondence as Numerical Agreement; 5.2.2 Correspondence and Conceptual Continuity: 1916-1922; 5.2.3 Numerical and Formal Correspondence: 1923-1925; 5.2.4 Correspondence and Material Realization; 5.2.5 Philosophical Conclusions; 5.3 The Measurement Problem in Quantum Mechanics; 5.3.1 Measurement Problem and Realism
    Description / Table of Contents: 5.3.2 The Measurement Problem as a Problem of Correspondence5.3.3 Quantum-Mechanical Measuring Process and Communication; Conclusion; Postscript 2012; 1 Habermas and the Philosophy of the Natural Sciences; 2 Scientific Experimentation; 3 Referential Realism; 3.1 A Realist Ontology; 3.2 A Referentially Realist Epistemology; 3.3 Referential Realism, Constructive Empiricism, and Constructive Realism; 3.4 Referential and Instrumental Realism; 3.5 Referential Realism and "Materialist" Science Studies; 3.6 Referential and Structural Realism; 3.7 Referential Realism and Idealist Antirealism
    Description / Table of Contents: 4 Philosophy and History of Quantum Mechanics
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  • 5
    ISBN: 9781402023613
    Language: English
    Pages: Online-Ressource (VI, 235 p, digital)
    Series Statement: Issues in Business Ethics 20
    Series Statement: SpringerLink
    Series Statement: Bücher
    Series Statement: Springer eBook Collection
    Series Statement: Humanities, Social Science and Law
    Parallel Title: Buchausg. u.d.T. Human rights and the moral responsibilities of corporate and public sector organisations
    RVK:
    Keywords: Philosophy (General) ; Ethics ; Public law ; Economic policy ; Economics ; Social sciences ; Philosophy ; Aufsatzsammlung ; Organisation ; Verantwortung ; Menschenrecht ; Moralischer Sinn ; Menschenrecht ; Unternehmensethik
    Abstract: All students and advocates of human rights will be interested in this concerted exploration of the human rights moral obligations that fall, not directly on states, but on private and public organisations. Such an approach to human rights opens up the possibility of holding corporations and bureaucracies to account for human rights violations even when they have acted in accordance with the law. This interdisciplinary and international project brings together eminent philosophers, lawyers, social scientists and practitioners to articulate theoretically and develop in practical contexts the moral implications of human rights for non-state actors. What emerges from the book as a whole is a distinctive contemporary vision of the emerging moral impact of human rights and its significance for organisational behaviour and performance.
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