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  • English  (5)
  • Chicago : University of Chicago Press  (5)
  • Popular music History and criticism  (4)
  • United States
  • Musicology  (5)
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  • English  (5)
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  • 1
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226607474
    Language: English
    Pages: 1 Online-Ressource (x, 279 Seiten) , Illustrationen
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als Tucker, Joshua Making music indigenous
    DDC: 781.62/9832308529
    RVK:
    Keywords: Indians of South America Music History and criticism ; Indians of South America Social life and customs ; Popular music History and criticism ; Songs, Quechua History and criticism ; Indians of South America Social life andcustoms ; Indians of South America Music ; History and criticism ; Indians of South America Social life and customs ; MUSIC / General
    Abstract: When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music
    Abstract: Frontmatter -- Contents -- Prologue -- Introduction: Making Music Indigenous -- 1. Setting a Scene -- 2. Landscape, Performance, and Social Structure -- 3. Song and Sound -- 4. Tradition and Folklore -- 5. Broadcasting and Building Publics -- 6. Success and Sentiment -- 7. Wood and Work -- Epilogue -- Acknowledgments -- Online Resources -- Glossary -- Notes -- References -- Index
    Note: restricted access online access with authorization star , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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  • 2
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 022630339X , 9780226303390
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als Gluck, Bob Miles Davis Lost Quintet
    DDC: 785/.32195165
    RVK:
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Jazz History and criticism 1961-1970 ; MUSIC ; Genres & Styles ; Chamber ; Jazz ; Jazz musicians ; Avantgarde ; Quintett ; Elektronische Musik ; Rock-Jazz ; Biographies ; Criticism, interpretation, etc ; United States ; Biografie ; Biografie
    Abstract: Miles Davis's 'Bitches Brew' is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. Here, jazz historian and musician Bob Gluck explores the performances of this revolutionary group, to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in
    Abstract: Miles goes electric -- "Bitches brew," in the studio and on the road -- Anthony Braxton : Leroy Jenkins, Musica Elettronica Viva, and the "Peace Church" concert -- Interlude : musical rumblings in Chelsea -- Miles Davis's increasingly electric 1970, and a reflection on his 1971-75 bands -- Circle -- The Revolutionary Ensemble -- Ornette Coleman's children : comparisons and contrasts inside and outside the jazz economy.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 0226350401 , 9780226350400
    Language: English
    Pages: 1 Online-Ressource (xiv, 221 pages)
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Fine Arts ; MUSIC / Genres & Styles / Pop Vocal ; Popular music ; Popular music genres ; Unterhaltungsmusik / USA. ; Country Rock ; Musikgattung ; Unterhaltungsmusik ; Jazz ; Popular music History and criticism ; Popular music genres ; Musikalischer Stil ; Popmusik ; USA ; USA ; USA ; Popmusik ; Musikalischer Stil ; Geschichte
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 201-212) and index , "The Jeff Parker discography": pages 181-183 , Roots and refigurations -- Double session I : Reactions to rock -- A model of genre transformation -- Country music and the Nashville sound -- Jazz and jazz-rock fusion -- Double session II : Urban boundaries -- Jeff Parker and the Chicago jazz scene -- A closer look at Jeff Parker and his music -- Music at American borders , Through a collection of case studies, the author examines why music categories and music genres are debated, and why the terms used to describe these categories and genres are always changing
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  • 4
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 0226816966 , 0226817016 , 0226817024 , 9780226816968 , 9780226817026
    Language: English
    Pages: 1 Online-Ressource (x, 401 p.)
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63/096891
    RVK:
    Keywords: Geschichte 1930-2000 ; MUSIC / Genres & Styles / International ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / Genres & Styles / New Age ; Populaire muziek ; Nationalisme ; Musik ; Music / Social aspects ; Popular music ; Gesellschaft ; Musik ; Nationalismus ; Popular music History and criticism ; Music Social aspects ; Unterhaltungsmusik ; Simbabwe ; Simbabwe ; Unterhaltungsmusik ; Geschichte 1930-2000
    Note: Includes bibliographical references (p. 377-389), discography (p. 391-392), and index
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  • 5
    ISBN: 0226136116 , 0226136124 , 9780226136127
    Language: English
    Pages: XIII, 273 S. , Ill., Kt., Notenbeisp. , 24 cm
    Series Statement: Chicago studies in ethnomusicology
    DDC: 782.42163/092
    RVK:
    Keywords: Umm Kulthūm / 1898-1975 ; Umm Kulthūm / 1898?-1975 ; Umm Kulthūm 〈1898-1975〉 ; Umm Kulthūm 〈1898?-1975〉 ; Umm Kulthūm 〈1898-1975〉 ; Umm-Kulṯūm ; Geschichte 1900-1975 ; Singers / Egypt / Biography ; Songs, Arabic / Egypt / History and criticism ; Popular music / Egypt / History and criticism ; Music / Social aspects / Egypt ; Arabisch ; Chansons arabes (arabe égyptien) - Histoire et critique ; Chanteuses - Égypte - Biographies ; Liederen ; Musique - Aspect social - Égypte ; Musique populaire - Égypte - Histoire et critique ; Zangers ; Gesellschaft ; Musik ; Music Social aspects ; Popular music History and criticism ; Singers Biography ; Songs, Arabic History and criticism ; Gesellschaft ; Unterhaltungsmusik ; Musikleben ; Egypte ; Ägypten ; Biografie ; Biografie ; Biografie ; Bibliografie ; Umm-Kulṯūm 1898-1975 ; Ägypten ; Gesellschaft ; Musikleben ; Unterhaltungsmusik ; Geschichte 1900-1975
    Note: Includes bibliographical references (p. 251-261) and index , "The voice and face of Egypt" Some questions ; Speech about music ; Listening ; Performing ; "Popular" music ; The individual ; Social issues -- Childhood in the Egyptian delta. "Min al-Mashāyikh" ; Performing experience ; The audiences -- Beginning in Cairo. Music in Cairo ; The "Bedouin" singer ; An education in music and performance ; A turning point ; 1926 and beyond -- Media, style, and idiom. Taking a direction in style ; Producing concerts ; Negotiating the public ; Recordings and radio ; Making films ; Developing an idiom -- "The golden age of Umm Kulthūm" and two cultural formations. The 1940s ; Musical populism ; New films ; Neoclassicism ; The impact of the new Qaṣāʾid and the populist songs -- "The voice of Egypt": the artists' work and shared aesthetics. Building the model of the song ; The concerts ; "her voice...!" ; "But can you understand the words?" ; "She was good because she could read the Qurʼān" ; "She gave us back the Qaṣīda" ; "She never sang a line the same way twice" -- Umm Kulthūm and a new generation. The national songs and "Rābiʿa 'l-ʿAdawiyya" ; "A new stage" ; Collaboration with ʿAbd al-Wahhāb ; The resilience of al-Sunbāṭī's songs ; The Ughniyya ; The widening market ; The concerts for Egypt ; "The Fallaḥiin are my self" ; The repertory not sung -- Legacies of a performer
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