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  • English  (4)
  • 2020-2024  (4)
  • Durham : Duke University Press  (4)
  • Bibliografie
  • Indien
  • Ethnology  (4)
  • Art History
  • Musicology
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  • English  (4)
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  • 1
    ISBN: 9781478017028 , 9781478019664
    Language: English
    Pages: xiii, 166 Seiten , Illustrationen
    Series Statement: Theory in forms
    Parallel Title: Erscheint auch als
    DDC: 303.60954
    RVK:
    RVK:
    Keywords: Nationale Minderheit ; Diskriminierung ; Gewalt ; Indien ; Political violence / India / Religious aspects ; Ethnic conflict / India ; Social conflict / India ; Religion and politics / India ; Muslims / Violence against / India ; Minorities / Violence against / India ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; HISTORY / Asia / South / India ; India / Politics and government ; Indien ; Gewalt ; Nationale Minderheit ; Diskriminierung
    Abstract: "In 2002, armed Hindu mobs attacked Muslims in broad daylight in the west Indian state of Gujarat. The pogrom, which was widely seen over television, left over one thousand dead. In Composing Violence Moyukh Chatterjee examines how highly visible political violence against minorities acts as a catalyst for radical changes in law, public culture, and power. He shows that, far from being quashed through its exposure by activists, media and politicians, state-sanctioned anti-Muslim violence set the stage for transforming India into a Hindu supremacist state. The state and civil society's responses to the violence, Chatterjee contends, reveal the constitutive features of modern democracy in which riots and pogroms are techniques to produce a form of society based on a killable minority and a triumphant majority. Focusing on courtroom procedures, police archives, legal activism, and mainstream media coverage, Chatterjee theorizes violence as a form of governance that creates minority populations. By tracing the composition of anti-Muslim violence and the legal structures that transform that violence into the making of minorities and majorities, Chatterjee demonstrates that violence is intrinsic to liberal democracy"--
    Note: Includes bibliographical references and index , 2303
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478014874 , 9781478013938
    Language: English
    Pages: xiv, 255 Seiten , Illustrationen
    Additional Material: 23 cm
    Parallel Title: Erscheint auch als Radhakrishnan, Smitha, 1978- Making women pay
    DDC: 332.0954
    RVK:
    Keywords: Finanzielle Inklusion ; Mikrofinanzierung ; Frauen ; Stadtbevölkerung ; Indien ; Microfinance Social aspects ; Women in economic development Government policy ; Discrimination in banking ; Income distribution ; Women Economic conditions 21st century ; SOCIAL SCIENCE / Sociology / General ; HISTORY / Asia / India & South Asia ; Indien ; Mikrofinanzierung
    Abstract: The invisible state of gender and credit -- Men and women of the MFI -- Making women creditworthy -- Social work -- Empowerment, declined -- Distortions of distance -- Impact revisited.
    Abstract: "In Making Women Pay, Smitha Radhakrishnan explores India's microfinance industry, which in the last two decades has come to saturate the everyday lives of women in the name of state-led efforts to promote financial inclusion and women's empowerment. Despite this favorable language, she argues, microfinance in India does not provide a market-oriented development intervention, even though it may appear to help women borrowers. Rather, this commercial industry seeks to extract the maximum value from its customers through exploitative relationships that benefit especially class-privileged men. Through ethnography, interviews, and historical analysis, Radhakrishnan demonstrates how the unpaid and underpaid labor of marginalized women borrowers ensures both profitability and symbolic legitimacy for microfinance institutions, their employees, and their leaders. In doing so, she centralizes gender in the study of microfinance, reveals why most microfinance programs target women, and explores the exploitative implications of this targeting."
    Note: Literaturverzeichnis: Seite 233-243. Index
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478012887 , 1478012889
    Language: English
    Pages: 1 Online-Ressource (364 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 201/.67
    RVK:
    Keywords: ART / Sculpture & Installation ; Aesthetics Religious aspects ; Art and popular culture ; Art and religion History 21st century ; Commercial art ; Gods in art ; Idols and images in art ; Religion and culture ; Monumentalplastik ; Gott ; Volkskunst ; Ästhetik ; Indien ; Indien ; Volkskunst ; Monumentalplastik ; Gott ; Ästhetik
    Abstract: In 2018 India's prime minister, Narendra Modi, inaugurated the world's tallest statue: a 597-foot figure of nationalist leader Sardar Patel. Twice the height of the Statue of Liberty, it is but one of many massive statues built following India's economic reforms of the 1990s. In Gods in the Time of Democracy Kajri Jain examines how monumental icons emerged as a religious and political form in contemporary India, mobilizing the concept of emergence toward a radical treatment of art historical objects as dynamic assemblages. Drawing on a decade of fieldwork at giant statue sites in India and its diaspora and interviews with sculptors, patrons, and visitors, Jain masterfully describes how public icons materialize the intersections between new image technologies, neospiritual religious movements, Hindu nationalist politics, globalization, and Dalit-Bahujan verifications of equality and presence. Centering the ex-colony in rethinking key concepts of the image, Jain demonstrates how these new aesthetic forms entail a simultaneously religious and political retooling of the "infrastructures of the sensible."
    Note: Bevorzugte Informationsquelle: Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 4
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478005179 , 9781478007739 , 9781478006787 , 9781478008170
    Language: English
    Pages: xii, 183 Seiten
    Parallel Title: Erscheint auch als Khanna, Neetu, 1980- The visceral logics of decolonization
    DDC: 891.4
    RVK:
    Keywords: All-India Progressive Writers Association History ; Indic literature History and criticism 20th century ; Politics and literature ; Feminism and literature ; Literary movements History ; Indien ; Literatur ; Feminismus ; Geschichte
    Abstract: "The visceral logics of decolonization offers a question that shapes Khanna's primary decolonial intervention in this book: "What would it mean to undo the visceral lessons of colonialism in the habits of mind and emotive reflex of the postcolonial subject?" For Neetu Khanna the answers to this question are lodged within the artistic renderings of the Progressive Writer's Association, an anti-colonial, anti-orthodox Muslim writer's collective. Drawing on the work of Fanon, as well as queer and feminist theory, Khanna thinks through how affect circulates within anti-colonial struggle. Using the archives of Indian Marxist movements between the 1930s and the 1960s, Khanna theorizes the concept of "the visceral" as an embodied habit and feeling that emerges at the juncture of colonialism and nationalist movement. She argues that this affective corporeality shapes utopic visions of freedom for the gendered, colonial, Indian, citizen subject as they are imagined in the artistic experimentation of Indian progressive political movements. In chapter 1, Khanna begins describing the visceral inquiries of the book to explore the form and phenomenology of nationalist emotion as it emerges in Indian struggles for decolonization. Khanna locates the somatic unconscious in the tensed musculature of the politically agitated revolutionary subject and sets up this framework that is used throughout the rest of the book. Chapter 2 brings into focus the revolutionary promise of "the visceral" within the internationalist imaginary, which makes possible the transformation of feeling and consciousness. The female body comes into focus in chapter 3, highlighting how women's bodies become the focal objects of violent subjection by both colonial and anti-colonial nationalist regimes of discipline. Khanna discusses writer Ahmed Ali and The All-India Progressive Writers Association in chapter 4, and shows how visceral eruptions propel the engine of the national teleology of the progressive novel moving through mourning, grief, nostalgia, melancholy, and lamentation - necessary elements for revolutionary transformation. The book ends with a chapter about Fanon, returning to the anti-colonial theories of the most canonized figure in postcolonial studies and studies of decolonization through the alternative genealogy of the visceral opened up by the Progressive Writers movement. This book will be of interest to scholars in South Asian studies, post-colonial theory, and history"--
    Description / Table of Contents: Introduction: The visceral logics of decolonization -- Agitation -- Irritation -- Compulsion -- Evisceration -- Coda: Explosion.
    Note: Literaturverzeichnis: Seite 161-174 , Im Buch genannte ISBN 978-1-4780-0517-9 ist doppelt vergeben
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