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  • English  (3)
  • 2020-2024  (3)
  • Chicago : The University of Chicago Press  (3)
  • London [u.a.] : Routledge
  • Afrofuturismus  (2)
  • History
  • Musicology  (3)
Datasource
Material
Language
  • English  (3)
Years
Year
Author, Corporation
  • 1
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
    RVK:
    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226732244
    Language: English
    Pages: 1 Online-Ressource (328 pages) , Illustrations (black and white).
    Series Statement: Historical studies of urban America
    Series Statement: Chicago scholarship online
    RVK:
    Keywords: Sun Ra ; Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; African American musicians Biography ; Afrofuturism ; Jazz History and criticism ; Chicago, Ill. ; South Side (Chicago, Ill History 20th century ; Biografie
    Abstract: The emergence of Sun Ra and his Arkestra in 1950s Chicago is seen today as a foundational moment for Afrofuturist modes of cultural expression. Sun Ra's Chicago investigates how the bandleader's musical cosmology first developed and, in particular, why it came to flourish in Chicago. Focusing on his early years in Birmingham, Alabama and his time in post-World War II Chicago, the book argues that the relationship between Sun Ra and his cities offers new insight into his music and philosophy as well as the role of everyday black urban experience in the development of Afrofuturism as a cultural ideal. The book employs a historical and spatial lens to situate Ra's evolving sensibility within the material and imagined spaces of his cities.
    Note: Previously issued in print: 2020 , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Chicago : The University of Chicago Press
    ISBN: 9780226732107 , 022673210X , 9780226732077 , 022673207X
    Language: English
    Pages: 313 Seiten , Illustrationen, Notenbeispiele, Karten , 23 cm
    Series Statement: Historical studies of urban America
    DDC: 781.65092
    RVK:
    Keywords: Sun Ra ; Sun Ra ; Geschichte 1946-1961 ; Afrofuturismus ; African American musicians Biography ; Afrofuturism ; Jazz History and criticism ; Chicago, Ill. ; South Side (Chicago, Ill History 20th century ; Biografie ; Biografie ; Biografie ; Biografie
    Abstract: Urban routes, utopian pathways -- Birmingham. Downtown sounds ; Industrial school to territory band -- Leadership dreams -- Chicago. South Side music scene ; "Sound so loud it will wake up the dead" ; Utopian Chicago ; African space ; Wonder Inn, 1960 -- Lineages/legacies
    Abstract: "William T. Sites details the life of visionary musician Sun Ra in Chicago, from 1946 until 1961. Sun Ra's South Side was a site of unorthodox religious and cultural activism where Afrocentric philosophies flourished, storefront prophets sold "dream-book bibles," and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where styles circulated and mashed together in clubs and community dancehalls. Sun Ra drew from a vast array of intellectual sources (radical nationalism, antinomian Christianity, black mythology, and science fiction) and from multiple musical traditions (swing, jazz, blues, Latin dance music, "space-age pop," and other exotica) to promulgate visions of the city that did not conform to the orthodoxies of metropolitan elites, black or white
    Note: Literaturangaben
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