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  • English  (6)
  • 2015-2019  (6)
  • Project Muse  (6)
  • World Bank
  • Baltimore, Md : Project MUSE  (6)
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  • English  (6)
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  • 1
    Online Resource
    Online Resource
    Santa Barbara : Punctum Books | Baltimore, Md : Project MUSE
    ISBN: 9781950192298 , 1950192296 , 9781950192304 , 195019230X
    Language: English
    Pages: 1 Online-Ressource (pages cm)
    Edition: 1st ed
    Keywords: Interest (Philosophy) ; Intérêt (Philosophie) ; Literary essays ; Cultural studies ; Psychoanalytical theory (Freudian psychology) ; LITERARY CRITICISM / General ; Interest (Philosophy)
    Abstract: "The term "interest" lacks a precise antonym. In English, we have "disinterested" and "uninteresting," but we want for a term that denotes robust opposition to interest. The same appears to hold true in every other language (as far as we know). Interest's missing antonym reflects not merely a widespread lexical oversight, but a misrecognition of interest's complete and exact meaning. More importantly, the idea that interest has no opposite expresses a certain refusal to acknowledge the power of the impulse to extinguish interest, for the self and for others. Why then do we foreclose interest's possibility, degrade our (and others') capacities to experience interest, and destroy interest's objects? Why do we decline what interest proffers - which includes creative and subjective being, thinking, and relating - in favor of more primitive modes of survival, thoughtlessness, and nonbeing? Why do relationships - with ourselves, with others, with objects - toward which genuine interest draws us seem sometimes, if not often, unbearable? These questions are difficult. Their answers, even more so. Misinterest: Essays, Pensées, and Dreams attempts to approach them in an honest way, without making them fascinating, mysterious, boring, obscurantist, or fascinatingly mysteriously boringly obscurantist. Outwardly, Misinterest is concerned with dreams and forgetting and Eros and soaring dogs and groups and suicidal suburban teenagers and sex and jury duty and Nazis and fathers and hatred and holy parrots and fundamentalists and plagues and other things that may or may not be interesting. Ultimately, however, it seeks, like Jules Renard, "en restant exact" (in remaining true/real), to shed light on the establishment of misinterest, missingness, and mystery where and when they need not be, and, thus, on the psychic, familial, and political forces that compel us not to be when and where we ought"--
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  • 2
    Online Resource
    Online Resource
    Santa Barbara : Punctum Books | Baltimore, Md : Project MUSE
    ISBN: 9781950192311 , 1950192318
    Language: English
    Pages: 1 Online-Ressource (pages cm)
    Edition: 1st ed
    DDC: 028.9
    Keywords: Books and reading ; Livres et lecture ; Literary studies: general ; Books and reading
    Abstract: "What do we do when we read? Reading can be an act of consumption or an act of creation. Our "work reading" overlaps with our "pleasure reading," and yet these two modes of reading engage with different parts of the self. It is sometimes passive, sometimes active, and can even be an embodied form. The contributors to this volume share their own histories of reading in order to reveal the shared pleasure that lies in this most solitary of acts - which is also, paradoxically, the act of most complete plenitude. Many of the contributors engage in academic writing, and several publish in other genres, including poetry and fiction; some contributors maintain an active online presence. All are engaged with reading's capacity to stimulate and excite as well as to frustrate and confuse. The synergies and tensions of online reading and print reading animate these thirteen contributions, generating a sense of shared community. Together, the authors open their libraries to us. This is how we read. Table of Contents // Suzanne Conklin Akbari / "Introduction: Practicing Reading, Reading Practice" Irina Dumitrescu / "Reading Lessons" Anna Wilson / "I Like Knowing What is Going to Happen" Suzanne Conklin Akbari / "Read It Out Loud" Jessica Hammer / "From When We Read" Lochin Brouillard / "De Vita Lochini, or Commentary on a Life of Reading" Chris Piuma / "How I Read" Stephanie Bahr / "How I Read, a History; or 'San Francisco Banking Contains No Trans Fats'" Alexandra Atiya / "Text to Speech" Jonathan Hsy / "Phantom Sounds" Kirsty Schut / "On Not Being a Voracious Reader" Kaitlin Heller / "Sleeping Under the Mountain" Jennifer Jordan / "Reading to Forget, Reading to Remember" Brantley Bryant / "Best Practice Tips and Strategies for Academic Reading to Maximize Your Time and Productivity" Kaitlin Heller / "Afterword: The Parlor Scene""--
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  • 3
    Online Resource
    Online Resource
    Brooklyn, NY : punctum books | Baltimore, Md : Project MUSE
    ISBN: 9781950192175 , 1950192172 , 9781950192182 , 1950192180
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Keywords: Liquids Philosophy ; Matter Philosophy ; Philosophy, Modern ; Philosophy: metaphysics & ontology ; Molecular biology ; Anges ; Angels
    Abstract: If we lived in a liquid world, the concept of a "machine" would make no sense. Liquid life is metaphor and apparatus that discusses the consequences of thinking, working, and living through liquids. It is an irreducible, paradoxical, parallel, planetary-scale material condition, unevenly distributed spatially, but temporally continuous. It is what remains when logical explanations can no longer account for the experiences that we recognize as part of "being alive."Liquid Life references a third-millennial understanding of matter that seeks to restore the agency of the liquid soul for an ecological era, which has been banished by reductionist, "brute" materialist discourses and mechanical models of life. Offering an alternative worldview of the living realm through a "new materialist" and "liquid" study of matter, Armstrong conjures forth examples of creatures that do not obey mechanistic concepts like predictability, efficiency, and rationality. With the advent of molecular science, an increasingly persuasive ontology of liquid technologies can be identified. Through the lens of lifelike dynamic droplets, the agency for these systems exists at the interfaces between different fields of matter/energy that respond to highly local effects, with no need for a central organizing system.Liquid Life seeks an alternative partnership between humanity and the natural world. It provokes a re-invention of the languages of the living realm to open up alternative spaces for exploration, including contributor Rolf Hughes' "angelology" of language, which explores the transformative invocations of prose poetry, and Simone Ferracina's graphical notations that help shape our concepts of metabolism, upcycling, and designing with fluids. A conceptual and practical toolset for thinking and designing, liquid life reunites us with the irreducible "soul substance" of living things, which will neither be simply "solved," nor go away
    Note: Includes bibliographical references , English
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  • 4
    Online Resource
    Online Resource
    Earth, Milky Way : Dead Letter Office, Babel Working Group | Baltimore, Md : Project MUSE
    ISBN: 9780998531816 , 0998531812
    Language: English
    Pages: 1 Online-Ressource (ix, 164 pages)
    Parallel Title: Erscheint auch als
    DDC: 813.6
    Keywords: 2000-2099 ; Ignorance (Theory of knowledge) Fiction ; American fiction 21st century ; Roman américain - 21e siècle ; American fiction ; novels ; Novels ; Fiction ; Fiction ; Novels ; Romans
    Abstract: "A nationwide survey conducted by an institute for philosophical research has determined that nihilists, on the whole, have good intentions." In An Unspecific Dog, Joshua Rothes collects 150 short texts as fables for our time, a veritable catalog of agnotology, a series of situations and propositions that revel in the dark irony at the root of our early-twenty-first-century existence. "A man reads the terms and conditions and finds that he has no secrets, while scientists promise that, 'with improvements to fMRI technology, what matters to us will become more clear'." The subjects of these texts are caught between vocabularies, between contingency and certainty, the interim in which certain kind of ironic vitality exists, where tragedy and humor are equally likely and often deeply entangled. Rothes reminds us that language acts as a mirror for human experience, in that through it we can never really see the backs of our own heads
    Note: Issued as part of book collections on Project MUSE
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  • 5
    Online Resource
    Online Resource
    Santa Barbara, CA : Punctum Books | Baltimore, Md : Project MUSE
    ISBN: 9780692374511 , 0692374515
    Language: English
    Pages: 1 Online-Ressource (pages cm)
    Edition: 1st edition
    Keywords: Joan Fiction ; Poetry by individual poets ; Joan of Arc, trans studies, gender, medieval history, poetry
    Abstract: There have been many iterations of the Joan of Arc story: "testimonies," books, and films have attempted to capture the drama of one of history's most famous gender warriors. But few, if any, have been undertaken by an author who met her subject matter with such recognition and insight, a fellow warrior, a rebel in kind. kari edwards, a transgender activist and key figure in the Bay Area experimental writing scene of the late 1990s and early 2000s, was provocative and prescient in her concern for the way that language inflects, inflicts, and regulates gender norms. Her persistent efforts to break linguistic binaries and barriers have given her texts an ongoing urgency after her untimely death in 2006. This book brings to life an important document discovered in the late poet's archive at the Poetry Collection at the University of Buffalo. The several notebooks and partial typescript (as well as various plans and notes) of edwards' unfinished dôNrm'-lä-püsl, uncovered by Tina Žigon, offer an intriguing glimpse of a major new direction in edwards' work, one in which her avant-garde instincts are channeled through rigorous research on this medieval figure. In this retelling - better to say "remixing" - of Joan of Arc's fateful trial and martyrdom, we find the major theme so richly laced throughout edwards' oeuvre: the courageous (but also depressingly mundane) struggle against the stifling regulation of language, appearance, and norms. edwards's Joan of Arc, even in its incomplete and abbreviated form (which Žigon calls a "possible version" of edwards's manuscript), offers an exciting engagement with one of the medieval period's most challenging and mysterious figures
    Note: English
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  • 6
    Online Resource
    Online Resource
    Brooklyn, NY : BABEL Working Group | Baltimore, Md : Project MUSE
    ISBN: 9780692298374 , 0692298371
    Language: English
    Pages: 1 Online-Ressource (1 electronic resource 98 pages) , color illustrations
    DDC: 128
    Keywords: Other (Philosophy) in literature ; Other (Philosophy) in art ; Other (Philosophy) ; Altérité dans la littérature ; Altérité dans l'art ; Altérité ; Other (Philosophy) ; Other (Philosophy) in art ; Other (Philosophy) in literature
    Abstract: [Given, If, Then] attempts to conceive a possibility of reading, through a set of readings: reading being understood as the relation to an Other that occurs prior to any semantic or formal identification, and, therefore, prior to any attempt at assimilating, or appropriating, what is being read to the one who reads. As such, it is an encounter with an indeterminable Other, an Other who is other than other -- an unconditional relation, and thus a relation to no fixed object of relation. The first reading by Jeremy Fernando, "Blind Reading," unfolds through an attempt to speak of reading as an event. Untheorisable in itself, it is a positing of reading as reading, through reading, where texts are read as a test site for reading itself. As such, it is a meditation on the finitude and exteriority in literature, philosophy, and knowledge; where blindness is both the condition and limit of reading itself. Folded into, or in between, this (re)reading are a selection of photographs from Jennifer Hope Davy's image archive. They are on the one hand simply a selection of 'impartial pictures' taken, and on the other hand that which allow for something singular and, therefore, always other to dis/appear -- crossing that borderless realm between 'some' and 'some-thing.' Eventually, there is a writing on images on writings by Julia Hölzl. A responding to the impossible response, a re-iteration, a re-reading of what could not have been written, a re-writing of what could not have been read; these poems, if one were to name them such, name them as such, answer (to) the impossibility of answering: answer to no call
    Description / Table of Contents: Prologue -- Blind reading / Jeremy Fernando -- Pictures / Jennifer Hope Davy -- III / Julia Hölzl.
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