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  • English  (5)
  • Nitzsche, Sina A.  (3)
  • Farnsworth, Brandon  (2)
  • Bielefeld : transcript  (5)
  • Westport, Conn. [u.a.] : Greenwood Press
  • Musicology  (5)
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  • English  (5)
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Subjects(RVK)
  • Musicology  (5)
  • 1
    ISBN: 9783839452431
    Language: English
    Pages: 1 Online-Ressource (326 Seiten)
    Series Statement: Music and Sound Culture Volume 47
    Series Statement: Musik und Klangkultur Volume 47
    Series Statement: Musik und Klangkultur
    Uniform Title: Curating festivals for contemporary music
    Parallel Title: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertation note: Dissertation Hochschule für Musik Carl Maria von Weber Dresden 2019
    RVK:
    Keywords: Music festivals ; Cultural Management ; Musicology ; Music Management ; Neue Musik ; New Music ; Berliner Festspiele ; Münchner Biennale Für Neues Musiktheater ; Munich Biennale For New Music Theatre ; BUSINESS & ECONOMICS / Management ; Music ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement
    Abstract: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be
    Abstract: Frontmatter -- Contents -- Image and Figure Rights -- 1.1 Establishing the Field -- 1.2 The State of the Art -- 1.3 Scope and Overview -- 2.1 Introduction -- 2.2 The Anatomy of Festivals and Biennales -- 2.3 Curating Biennales -- 2.4 Curatorial Discourse -- 2.5 Conclusion -- 3.1 Introduction -- 3.2 Reading Shannon Jackson -- 3.3 Curating Dance / Dance Curating -- 3.4 Curating Theatre / Theatre Curating -- 3.5 Conclusion -- 4.1 Introduction -- 4.2 Hans Werner Henze -- 4.3 Music Theatre? -- 4.4 Peter Ruzicka -- 4.5 Daniel Ott and Manos Tsangaris (DOMTS) -- 4.6 The 2016 and 2018 Biennale Editions -- 4.7 Compositional and Curatorial Practices -- 4.8 The Munich Biennale in Numbers. -- 4.9 Conclusion -- 5.1 Introduction -- 5.2 A Brief Prehistory to the Maerzmusik Festival -- 5.3 Maerzmusik 2002-2014 -- 5.4 Berno Odo Polzer -- 5.5 2017 Opening Concert: Julius Eastman -- 5.6 Storytelling for Earthly Survival -- 5.7 Curating and the Maerzmusik Festival -- 5.8 Decolonizing Time -- 5.9 Conclusion/Coda/Konzertemacher -- 6. Conclusion/Curating Music -- Bibliography -- Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018
    Note: This work is an adaptation of the dissertation “Curating Festivals for Contemporary Music”. - Titelrückseite , Erscheint als Open Access bei De Gruyter. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (BY-NC-ND)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 2
    Language: English
    Pages: 1 Online-Ressource (323 Seiten) , Illustrationen, Diagramme
    Series Statement: Music and sound culture Volume 47
    Parallel Title: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertation note: Dissertation Hochschule für Musik Carl Maria von Weber Dresden
    DDC: 780.78
    RVK:
    Keywords: Deutschland Kulturpolitik ; Internationale kulturelle Zusammenarbeit ; Kulturprojekt ; Kulturelle Veranstaltung ; Festspiele ; Musik ; Theater ; Ziele und Programme von Institutionen/Organisationen ; Innere Organisation von Institutionen/Organisationen ; Konzeption ; Wandel ; Theoriebildung ; Fallstudie ; München ; Berlin ; Reformvorschlag ; Germany Cultural policy ; International cultural cooperation ; Cultural projects ; Cultural events ; Pageants ; Music ; Theatre ; Aims and programmes of institutions/organizations ; Internal organization of institutions/organizations ; Concepts ; Change ; Theory formation ; Case studies ; Reform proposals ; Künstler Komponist ; Zusammenarbeit ; Visualisierung ; Bildende Kunst ; Darstellende Kunst ; Tanz ; Management (funktional) ; Arbeitsbeziehungen ; Kreativität ; Internationaler Vergleich/Ländervergleich ; Vereinigtes Königreich ; London ; Documenta 11 (Kassel, 2002-06-08/2002-09-15) ; Kassel ; Artists Composer ; Cooperation ; visualisation ; Visual arts ; Performing arts ; Dance ; Management (functional) ; Industrial relations ; Creativity ; International/country comparison ; United Kingdom ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement ; Festival ; Musikleben
    Note: "This work is an adaptation of the dissertation "Curating festivals for contemporary music" submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at the Hochschule für Musik Carl Maria von Weber Dresden."
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  • 3
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
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    URL: Cover
    URL: Cover
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  • 4
    ISBN: 3837643581 , 9783837643589
    Language: English
    Pages: 328 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 543 g
    Series Statement: Popular Music
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Aufsatzsammlung ; Konferenzschrift 2015
    Note: Literaturangaben
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  • 5
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten) , Illustrationen
    Series Statement: Popular music
    DDC: 780
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015
    Note: Literaturangaben
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