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  • Online Resource  (16)
  • Media Combination  (1)
  • English  (17)
  • United States
  • Musicology  (17)
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  • Online Resource  (16)
  • Media Combination  (1)
  • Book  (116)
  • Image  (6)
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Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Intimate entanglements in the ethnography of performance : race, gender, vulnerability (2023)
    Rochester : University of Rochester Press
    Details
    ISBN: 9781800109537 , 9781800109520
    Language: English
    Pages: 1 Online-Ressource (xvi, 252 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Eastman/Rochester studies in ethnomusicology 13
    Parallel Title: Erscheint auch als Intimate entanglements in the ethnography of performance
    DDC: 780.89
    RVK:
    LS 48010
    Keywords: Ethnomusicology ; Music Performance ; Social aspects ; Intimacy (Psychology) ; Africans Music ; History and criticism ; African Americans Music ; History and criticism ; Music History and criticism ; Music History and criticism ; Music and race ; African Americans ; Music ; Ethnomusicology ; Intimacy (Psychology) ; Music ; Music and race ; Criticism, interpretation, etc ; Africa ; United States
    Abstract: Foreword. Let It Get Into You / Deborah Kapchan -- Acknowledgements -- Introduction. On intimate entanglements / Sidra Lawrence -- Yusef's Breath : Jazz Love, Cross-Racial Identification, and Paying Dues / Tracy McMullen -- Three Reflections, with Epilogue / Steven Cornelius -- Modulating Flawed Bodies : Intimate Acoustemologies, Chronic Pain, and Ethnographic Pianism / Mark Lomanno -- Performing Desire : Race, Sex, and the Ethnographic Encounter / Sidra Lawrence -- Thick Descriptions / Catherine M. Appert -- Entering the Lives of Others : Entangled Intimacies, Trauma, and Performance / Ama Oforiwaa Aduonum -- Ethnomusicological Empathy : Excavating a Black Graduate Student's Heartland / Danielle Davis -- Ethnomusicological Becoming : Deep Listening as Erotics in the Field / Carol Muller -- Mirror Dancing in Congo : Reflections on Fieldwork as Blanche Neige / Lesley N. Braun -- ethnography and its double(s) : theorizing the personal with Jews in Ghana / Michelle Kisliuk.
    Abstract: "Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars"--
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    GBV
    KOBV
  • 2
    Online Resource
    Online Resource
    Jewish religious music in nineteenth-century America : restoring the synagogue soundtrack (2019)
    Bloomington, Indiana : Indiana University Press
    Details
    ISBN: 9780253040244
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten) , Illustrationen, Noten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 33200
    Keywords: Geschichte 1800-1900 ; Juden ; Kirchenmusikpflege ; Synagoge ; USA ; Jews / United States / Music / History and criticism ; Synagogue music / United States / 19th century / History and criticism ; Jews / Music ; Synagogue music ; United States ; 1800-1899 ; Criticism, interpretation, etc ; USA ; Juden ; Synagoge ; Kirchenmusikpflege ; Geschichte 1800-1900
    Description / Table of Contents: Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot -- Yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Würzburg UB
    BVB
  • 3
    Online Resource
    Online Resource
    Mahalia Jackson and the black gospel field (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    LS 48400
    RVK:
    LS 48040
    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
    DOI: 10.1093/oso/9780190634902.001.0001
    URL: Volltext
    URL: http://dx.doi.org/10.1093/oso/9780190634902.001.0001
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    Online Resource
    BSZ
    HeBIS
  • 4
    Online Resource
    Online Resource
    Singing the congregation : how contemporary worship music forms evangelical community (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    LS 20525
    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
    DOI: 10.1093/oso/9780190499631.001.0001
    URL: Volltext
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    Online Resource
    BSZ
  • 5
    Online Resource
    Online Resource
    Forces in motion : Anthony Braxton and the meta-reality of creative music : interviews and tour notes, England 1985 (2018)
    Mineola, New York : Dover Publications Inc.
    Details
    ISBN: 9780486832623
    Language: English
    Pages: 1 Online-Ressource (467 Seiten)
    Parallel Title: Erscheint auch als Lock, Graham Forces in Motion : Anthony Braxton and the Meta-reality of Creative Music: Interviews and Tour Notes, England 1985
    RVK:
    LS 48100
    Keywords: Braxton, Anthony ; Braxton, Anthony ; Jazz musicians Biography ; Composers Biography ; Jazz musicians ; MUSIC ; Instruction & Study ; Theory ; Biographies ; Composers ; United States ; Braxton, Anthony 1945- ; Geschichte 1985
    Abstract: Based on interviews from a 1985 tour, this book profiles one of jazz's most important figures. Anthony Braxton discusses the expression of his musical visions and related ethical, political, and spiritual beliefs. ""Absolutely essential reading.""--The Wire
    Note: Includes bibliographical references (pages 411-415) and index
    URL: lizenzpflichtig
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    BSZ
  • 6
    Online Resource
    Online Resource
    The race of sound : listening, timbre, and vocality in African American music (2018)
    Durham : Duke University Press
    Details
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    LS 48015
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    DOI: 10.1215/9780822372646
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    HeBIS
    BVB
    Bayreuth UB
  • 7
    Online Resource
    Online Resource
    The Miles Davis Lost Quintet : and other revolutionary ensembles (2016)
    Chicago : University of Chicago Press
    Details
    ISBN: 022630339X , 9780226303390
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als Gluck, Bob Miles Davis Lost Quintet
    DDC: 785/.32195165
    RVK:
    LS 48100
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Jazz History and criticism 1961-1970 ; MUSIC ; Genres & Styles ; Chamber ; Jazz ; Jazz musicians ; Avantgarde ; Quintett ; Elektronische Musik ; Rock-Jazz ; Biographies ; Criticism, interpretation, etc ; United States ; Biografie ; Biografie
    Abstract: Miles Davis's 'Bitches Brew' is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. Here, jazz historian and musician Bob Gluck explores the performances of this revolutionary group, to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in
    Abstract: Miles goes electric -- "Bitches brew," in the studio and on the road -- Anthony Braxton : Leroy Jenkins, Musica Elettronica Viva, and the "Peace Church" concert -- Interlude : musical rumblings in Chelsea -- Miles Davis's increasingly electric 1970, and a reflection on his 1971-75 bands -- Circle -- The Revolutionary Ensemble -- Ornette Coleman's children : comparisons and contrasts inside and outside the jazz economy.
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    BSZ
    BVB
    Bayreuth UB
  • 8
    Online Resource
    Online Resource
    The Cambridge companion to Duke Ellington (2014)
    Cambridge : Cambridge Univ. Press | New York : Cambridge Companions Online
    Details
    ISBN: 9780521881197 , 9780521707534 , 9781139021357
    Language: English
    Pages: 1 online resource (xx, 294 pages)
    Edition: Cambridge companions online
    Edition: Cambridge companions to music
    Series Statement: Cambridge companions to music
    Parallel Title: Druckausg. The Cambridge companion to Duke Ellington
    DDC: 781.65092
    RVK:
    LP 91870
    RVK:
    LS 48100
    Keywords: Ellington, Duke 1899-1974 Criticism and interpretation ; Ellington, Duke Criticism and interpretation ; Jazz History and criticism ; United States ; Jazz musicians Biography ; Ellington, Duke ; 1899-1974 ; Criticism and interpretation ; Jazz musicians ; United States ; Biography ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Ellington, Duke 1899-1974 ; Ellington, Duke 1899-1974
    Abstract: "Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in-depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy"..
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015)
    DOI: 10.1017/CCO9781139021357
    URL: Volltext
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Volltext
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: https://doi.org/10.1017/CCO9781139021357
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    HeBIS
  • 9
    Online Resource
    Online Resource
    The politics of post-9/11 music : sound, trauma, and the music industry in the time of terror (2011)
    Farnham, Surrey, England ;Burlington, VT : Ashgate Pub
    Details
    ISBN: 9781283318891 , 1409427854 , 128331889X , 9781409427858
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 211 p.)) , ill.
    Edition: Online-Ausg.
    Edition: 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. The politics of post-9/11 music
    Parallel Title: Print version The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
    DDC: 781.64097309051
    RVK:
    LR 57728
    RVK:
    LS 48015
    Keywords: Popular music Political aspects ; United States ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Electronic books ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Popular music History and criticism 2001-2010 ; September 11 Terrorist Attacks, 2001 Influence ; Popular music Social aspects ; Popular music Political aspects ; USA ; Attentat ; Elfter September ; Rezeption ; Musikwissenschaften ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Attentat ; Elfter September ; Rezeption ; Popmusik ; Musikwirtschaft
    Abstract: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music&quot
    Description / Table of Contents: Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
    Description / Table of Contents: 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
    Description / Table of Contents: 14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
    Note: Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record , Series from dust jacket , Electronic reproduction; Available via World Wide Web
    URL: Volltext
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    BSZ
  • 10
    Online Resource
    Online Resource
    Prince : the making of a pop music phenomenon (2011)
    Farnham, Surrey : Ashgate
    Details
    ISBN: 9781283297479 , 9781315602134
    Language: English
    Pages: 1 Online-Ressource (xii, 195 Seiten)
    Parallel Title: Erscheint auch als Hawkins, Stan Prince
    DDC: 781.66092
    RVK:
    LS 48040
    Keywords: Prince ; Criticism and interpretation ; Rock music ; United States ; History and criticism ; Verzeichnis ; Prince Musiker 1958-2016
    Note: Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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    Online Resource
    BSZ
  • 11
    Online Resource
    Online Resource
    Encyclopedia of American gospel music (2010)
    New York, NY : Routledge
    Details
    ISBN: 9780203954072 , 9780415941792 , 9780415875691
    Language: English
    Pages: 1 Online-Ressource (XVIII, 488 Seiten) , Ill.
    Parallel Title: Erscheint auch als Encyclopedia of American gospel music
    RVK:
    LS 48400
    RVK:
    LS 21200
    RVK:
    LP 12100
    Keywords: Gospel music Encyclopedias ; Gospel music Bio-bibliography ; Contemporary Christian music Encyclopedias ; Contemporary Christian musicians Biography ; United States ; Contemporary Christian music Encyclopedias ; Contemporary Christian musicians Biography ; United States ; Gospel music Bio-bibliography ; Gospel music Encyclopedias ; Wörterbuch ; Biografie ; Wörterbuch ; Biografie ; USA ; Gospelsong ; USA ; Gospelsänger
    Note: Includes discographical and bibliographical references and index
    DOI: 10.4324/9780203954072
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 12
    Online Resource
    Online Resource
    The hip hop wars : what we talk about when we talk about hip hop--and why it matters (2008)
    New York : BasicCivitas
    Details
    ISBN: 9780786727193
    Language: English
    Pages: Online-Ressource (321 p.)
    Edition: Electronic reproduction; Available via World Wide Web
    Parallel Title: Druckausg. Rose, Tricia, 1962 - The hip hop wars
    DDC: 305.896/07301732
    RVK:
    LS 48650
    Keywords: œaHip-hopœxSocial aspectsœzUnited States ; œaUnited StatesœxSocial conditions ; œaAfrican AmericansœxSocial conditions ; œaRap (Music)œxSocial aspectsœzUnited States ; œaSocial changeœzUnited States ; œaSubcultureœzUnited States ; Hip-hop ; Social aspects ; United States ; Rap (Music) ; Social aspects ; United States ; Social change ; United States ; Subculture ; United States ; African Americans ; Social conditions ; United States ; Social conditions ; USA ; Hip-Hop ; Subkultur
    Note: Includes bibliographical references (p. 289-291) and index , Erscheinungsjahr in Vorlageform:c2008 , Electronic reproduction; Available via World Wide Web
    URL: Volltext
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  • 13
    Online Resource
    Online Resource
    Right to rock : the Black Rock Coalition and the cultural politics of race (2004)
    Durham : Duke University Press
    Details
    ISBN: 9780822386131 , 0822386135
    Language: English
    Pages: 1 Online-Ressource (xi, 317 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    RVK:
    LS 48635
    Keywords: Black Rock Coalition ; Rock music Social aspects ; United States ; African American musicians ; Music and race ; Rockmusik ; Schwarze ; USA ; Electronic books ; USA ; Rockmusik ; Schwarze
    Note: Includes discography (pages [267]-271), bibliographical references (pages [285]-298) and index , Reclaiming the right to rock -- The "postliberated generation" -- Saturday go to meeting -- Black rock manifesting -- Black rock aesthetics -- Living colored in the music industry -- Media interventions -- Playing rock, playing roles -- Jimi Hendrix experiences -- Until the levee breaks
    DOI: 10.1215/9780822386131
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    BVB
    Bayreuth UB
  • 14
    Online Resource
    Online Resource
    African Americans and US popular culture (2003)
    London : Routledge
    Details
    ISBN: 1299697909 , 9781299697904 , 9781136475276 , 1136475273
    Language: English
    Pages: Online Ressource (vii, 130 pages)
    Parallel Title: Print version African Americans and US popular culture
    DDC: 305.896/073
    RVK:
    LS 48050
    RVK:
    LB 48600
    RVK:
    NQ 5310
    RVK:
    NQ 8340
    Keywords: African Americans Race identity ; African Americans Intellectual life ; Racism in popular culture United States ; Popular culture History ; United States ; African Americans in popular culture ; African Americans Race identity ; African Americans Intellectual life ; Racism in popular culture ; Popular culture History ; African Americans in popular culture ; African Americans Race identity ; African Americans Intellectual life ; Racism in popular culture ; Popular culture History ; SOCIAL SCIENCE ; Ethnic Studies ; African American Studies ; African Americans in popular culture ; African Americans ; Intellectual life ; African Americans ; Race identity ; Civilization ; African American influences ; Popular culture ; Race relations ; Racism in popular culture ; Massenkultur ; Populaire cultuur ; History ; United States Race relations ; United States Civilization ; African American influences ; United States ; Schwarze ; USA ; United States Race relations ; United States Civilization ; African American influences ; United States Race relations ; United States Civilization ; African American influences ; United States ; Schwarze ; USA ; Electronic books History
    Abstract: "Rooted in African society and traditions, black slaves in America created a dynamic culture which lives on and keeps evolving. Present day hip hop and rap music are still shaped by the historical experience of slavery and the will to oppose oppression and racism. This volume is an authoritative introduction to the history of African Americans in U.S. popular culture, examining its development from the early nineteenth century to the present. Kevern Verney examines the role and significance of race in all major forms of popular culture, including sport, film, television, radio and music."--BOOK JACKET
    Note: Includes bibliographical references (pages 115-120) and index. - Print version record
    URL: lizenzpflichtig
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    BSZ
    BVB
  • 15
    Online Resource
    Online Resource
    Duke Ellington's Music for the Theatre (2001)
    Jefferson : McFarland & Company | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780786450268
    Language: English
    Pages: 1 Online-Ressource (257 pages)
    Edition: 0
    DDC: 782.1’4’092
    RVK:
    LP 91870
    RVK:
    LS 48100
    Keywords: Ellington, Duke ; Musical ; United States ; Electronic books
    Abstract: "Detailed"--Choice; "detailed and intelligent"--Classic Images;"comprehensive, reliable...essential"--TDES; "incredible…a must"--The International Dems Bulletin. Here is the first book to acknowledge Duke Ellington's contribution to the stage. It offers a survey of every theater piece Ellington is known to have worked on during his lifetime, beginning with the 1925 revue The Chocolate Kiddies and ending with the unfinished "street opera" Queenie Pie.
    Note: Description based on publisher supplied metadata and other sources
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    HeBIS
  • 16
    Online Resource
    Online Resource
    The color of jazz : race and representation in postwar American culture (1997)
    Alexandria, VA : Alexander Street Press | Jackson : University Press of Mississippi
    Details
    Language: English
    Pages: 1 Online-Ressource (xxiii, 166 p.)
    Edition: Reproduction s.l
    Series Statement: Music Online Reference
    Series Statement: African American music reference
    DDC: 306.4/84
    RVK:
    HU 1691
    RVK:
    LS 48200
    Keywords: Jazz in literature ; Jazz ; Social aspects ; United States ; Race in literature ; Gesellschaft ; USA ; United States / Race relations
    Note: Includes bibliographical references (p. [153]-160) and index. - Erscheinungsjahr in Vorlageform:c1997
    URL: Volltext
    URL: http://www.aspresolver.com/aspresolver.asp?AAMR;410967
    URL: Inhaltsbeschreibung der Sammlung und Zugangshinweise
    URL: Volltext
    URL: Volltext
    URL: Deutschlandweit zugänglich
    URL: Deutschlandweit zugänglich
    URL: Volltext
    URL: Volltext
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  • 17
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    Joe Lovano : the cat with the hat : the Blue Note recording sessions (20)
    Bad Oeynhausen : Jazzprezzo
    Details
    ISBN: 9783981025064 , 3981025067
    Language: German , English
    RVK:
    LS 48100
    Keywords: Lovano, Joe ; Jazz musicians Portraits ; United States ; Jazz musicians Interviews
    Library Location Call Number Volume/Issue/Year Availability
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