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  • English  (6)
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  • 2000-2004  (6)
  • Freeland, David  (3)
  • Polansky, Larry  (3)
  • USA  (6)
  • Deutschland
  • Verzeichnis
  • Musicology  (6)
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  • English  (6)
  • Undetermined
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  • 2000-2004  (6)
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  • Musicology  (6)
  • 1
    ISBN: 158046095X , 1580461360
    Language: English
    Pages: LIV, 156 S. , Ill., Notenbeisp
    Edition: Soft cover ed.
    Series Statement: Eastman studies in music V. 17
    Series Statement: Eastman studies in music
    DDC: 781.6200973
    RVK:
    Keywords: Folk music History and criticism ; Musical notation ; Oral tradition ; Field recordings History ; Folk music United States ; History and criticism ; Musical notation ; Oral tradition United States ; Field recordings History ; Aufsatzsammlung ; USA ; Folksong
    Note: Includes bibliographical references and index
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  • 2
    Book
    Book
    Jackson, Miss. : Univ. Press of Mississippi
    ISBN: 1578063310 , 1578063302
    Language: English
    Pages: XXXI, 232 S. , Ill.
    Series Statement: American made music series
    DDC: 782.421644092273
    RVK:
    Keywords: Soul ; Sängerin ; USA ; Biographie
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  • 3
    ISBN: 158046095X
    Language: English
    Pages: LIV, 156 S. , Ill., Notenbeispiele
    Series Statement: Eastman studies in music 17
    Series Statement: Eastman studies in music
    DDC: 782.4216213
    RVK:
    Keywords: Volksmusik ; USA
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  • 4
    Book
    Book
    Jackson, Miss. : Univ. Press of Mississippi
    ISBN: 1578063310 , 1578063302
    Language: English
    Pages: XXXI, 232 S. , Ill.
    Series Statement: American made music series
    DDC: 782.421644/092/273
    RVK:
    Keywords: Soul ; Sängerin ; Biografie ; USA ; Biografie ; Biografie ; Bibliografie ; Biografie ; USA ; Soul ; Sängerin ; Biografie
    Note: Literaturverz. S. 211 - 213
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  • 5
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604737271 , 1604737271 , 1283382032 , 9781283382038
    Language: English
    Pages: 1 Online-Ressource (xxxi, 232 pages)
    Series Statement: American made music series
    DDC: 782.421644/092/273
    RVK:
    Keywords: BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians ; MUSIC / Printed Music / General ; MUSIC / Genres & Styles / Soul & R 'n B. ; Soul musicians ; Women singers ; Women singers Biography ; Soul musicians Biography ; Sängerin ; Soul ; USA ; USA ; Biografie ; Biographie ; USA ; Soul ; Sängerin
    Note: Includes bibliographical references (pages 211-213) , selected discography (p. 205-209) , and index , Denise LaSalle : true-to-life stuff -- Ruby Johnson : having soul for it -- Carla Thomas : Memphis's reluctant soul queen -- Bettye LaVette : buzzard luck -- Barbara Mason : a lot of life in a short time -- Maxine Brown : story of a soul legend -- Timi Yuro : giving them the truth of me , American soul music of the 1960s is one of the most creative and influential musical forms of the twentieth century. With its merging of gospel, R & B, country, and blues, soul music succeeded in crossing over from African American culture into the general pop culture. Soul became the byword for the styles, attitudes, and dreams of an entire era. Female performers were responsible for some of the most enduring and powerful contributions to the genre. All too frequently overlooked by the star-making critics, seven of these women are profiled in this book -Maxine Brown, Ruby Johnson, Denise LaSalle, Bettye LaVette, Barbara Mason, Carla Thomas, and Timi Yuro. Getting started during the heyday of soul, each of these talented women had recording contracts and gave live performances to appreciative audiences. Their careers can be tracked through the popularity of soul during the 1960s and its decline in the 1970s. , With humor, candor, pride, and honest recognition that their careers did not surge into the mainstream and gain superstardom, they recount individual stories of how they struggled for success. Their oral histories as told to David Freeland address compelling issues, including racism and sexism within the music industry. They discuss their grueling hardships on the road, their conflicts with male managers, and the cutthroat competition in the recording business. As each singer examines her career with the author, she reveals the dreams, hopes, and desires on which she has built her professional life. All seven face up to the career swings, from the highs of releasing the first hit to the frustrating lows when the momentum stops. Although the obstacles to stardom are heartbreaking, these singers are committed to their art. With determination and style these seven have pressed onward with club appearances and recordings. , They survive through their savvy mix of talent, hubris, and honesty about their lives and their music. David Freeland is an oral historian and artistic adviser of a performance series at Columbia University's Miller Theatre. He has been a guest lecturer at Columbia's School for Social Work
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  • 6
    Online Resource
    Online Resource
    Rochester, NY : University of Rochester Press | Cambridge, UK : Cambridge University Press
    ISBN: 9781580466097
    Language: English
    Pages: 1 Online-Ressource (liv, 156 pages)
    Series Statement: Eastman studies in music
    DDC: 782.4216213
    RVK:
    Keywords: Volksmusik ; Folk music History and criticism ; Musical notation ; Oral tradition ; Field recordings History ; USA
    Abstract: This is the first publication of an annotated monograph by the noted composer and folksong scholar Ruth Crawford Seeger. Originally written as a foreword for the 1940 book Our Singing Country, it was considered too long and was replaced by a much shorter version. According to her stepson, Pete Seeger, when the original was not included "Ruth suffered one of the biggest disappointments of the last ten years of her life. It just killed her . . . She was trying to analyze the whole style and problem of performing this music." Along with her children Mike and Peggy Seeger, he has long desired to see this work in print as it was meant to be read. The manuscript has been edited from several varying sources by Larry Polansky, with the assistance of Seeger's biographer Judith Tick. It is divided into two sections: I. "A Note on Transcription" and II. "Notes on the Songs and on Manners of Singing." Seeger examines all aspects of the relationship between singer, song, notation, the eventual performer, and the transcriber. In Section I, Seeger develops a complex and well-organized system of notation for these songs which is meant to be both descritive (transcription as cultural preservation) and prescriptive (she intended that others would be able to perform these songs). In Section II, she provides an interpretive theory for performance of this music, and suggests how performers might make the songs "their own" through a deep knowledge of the original styles. Ruth Crawford Seeger considered this work to be both a major accomplishment and a central statement of her own ideas on the topic. Larry Polansky is Associate Professor of Music at Dartmouth College, and a well-known composer and theorist on American music. Judith Tick is Professor of Music at Northeastern University and author of the first major biography of Ruth Crawford Seeger.
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