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  • English  (7)
  • Latin  (3)
  • 2015-2019  (7)
  • 2016  (7)
  • Cambridge, UK : Open Book Publishers
  • Kraków : Wydawn. Uniw. Jagiellońskiego
Language
  • English  (7)
  • Latin  (3)
  • Polish  (3)
Year
  • 1
    Journal/Serial
    Journal/Serial
    Kraków : Wydawn. Uniw. Jagiellońskiego | Kraków : Państwowe Wydawn. Naukowe | Kraków : Nakł. Uniw. Jagiellońskiego ; 1.1955 -
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    Language: Polish , Latin , English
    Dates of Publication: 1.1955 -
    Additional Information: Bd. zugl. Bd. der Unterreihen
    Former Title: Jagiellonian University scholarly fascile
    DDC: 050
    Keywords: Monografische Reihe
    Note: Bd. teils doppelt gez.
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  • 2
    Journal/Serial
    Journal/Serial
    Kraków : Wydawn. Uniw. Jagiellońskiego | Kraków : Państwowe Wydawn. Naukowe | Kraków : Nakł. Uniw. Jagiellońskiego ; 1.1955 -
    Language: Polish , Latin , English
    Dates of Publication: 1.1955 -
    Additional Information: Bd. zugl. Bd. der Unterreihen
    Former Title: Jagiellonian University scholarly fascile
    DDC: 050
    Keywords: Monografische Reihe
    Note: Bd. teils doppelt gez.
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  • 3
    Online Resource
    Online Resource
    Cambridge, UK : Open Book Publishers
    ISBN: 9781783742165 , 178374216X , 9781783742172 , 1783742178 , 9781783742141 , 1783742151
    Language: English
    Pages: 1 Online-Ressource (viii, 384 pages)
    Keywords: Verdi, Giuseppe ; Verdi, Giuseppe ; Opera ; Opera ; MUSIC ; Instruction & Study ; Voice ; MUSIC ; Lyrics ; MUSIC ; Printed Music ; Vocal ; Music ; The arts ; Opera ; Travel ; Italy ; England ; London ; Criticism, interpretation, etc ; Verdi, Giuseppe ; Electronic books
    Abstract: List of Illustrations -- Acknowledgments -- Introduction -- 1. Music Journalism in Early Victorian London -- 2. Ernani (1845) -- 3. Nabucco and I Lombardi (1846) -- 4. I due Foscari and I masnadieri (1847) -- 5. Attila (1848) -- 6. Uneventful Years: 1849-1852 -- 7. Rigoletto (1853) -- 8. Il trovatore (1855) -- 9. A Moral Case: The Outburst of La traviata (1856) -- 10. Luisa Miller (1858) -- 11. I vespri siciliani (1859) -- 12. The Years 1860 and 1861: Un ballo in maschera -- 13. Inno delle nazioni (1862) -- 14. Don Carlos and La forza del destino (1867) -- 15. The Late 1860s and Wagner's L'Olandese dannato (1870) -- 16. Verdi's Requiem and Wagner's Lohengrin (1875) -- 17. Aida (1876) -- 18. Music Journalism in London: The Late 1870s and 1880s -- 19. Otello at the Royal Lyceum (1889) -- 20. Falstaff at Covent Garden (1894) -- Conclusions -- Appendix I: Verdi's Premieres in London -- Appendix II: Verdi and Wagner in London -- Appendix III: The Periodicals -- Select Bibliography -- Index
    Abstract: "Now a byword for beauty, Verdi's operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi's operas, in spite of their alleged worthlessness? Massimo Zicari's Verdi in Victorian London reconstructs the reception of Verdi's operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi's death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi's melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi's operas. Over the final three decades of the nineteenth century, moreover, London's musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception."--Publisher's website
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  • 4
    ISBN: 9781783742738 , 1783742755
    Language: English
    Pages: 1 Online-Ressource (237 pages)
    Parallel Title: Erscheint auch als Eve, Martin Paul, 1986- Literature against criticism
    Keywords: Fiction ; Criticism ; Language ; linguistics ; Literacy ; BIOGRAPHY & AUTOBIOGRAPHY ; Literary ; FICTION ; Literary ; Fiction ; History and criticism ; Theory, etc ; Criticism ; Criticism ; Criticism, interpretation, etc ; Electronic books
    Abstract: About the author -- Style -- Acknowledgements -- Part 1: Introduction -- Authors, institutions, and markets -- What, where? -- Part 2: Critique -- Aesthetic critique -- Political critique -- Part 3: Legitimation -- Sincerity and truth -- Labour and theory -- Part 4: Discipline -- Genre and class -- Discipline and publish -- Part 5: The end -- Conclusion -- Bibliography -- Index
    Abstract: "This is a book about the power game currently being played out between two symbiotic cultural institutions: the university and the novel. As the number of hyper-knowledgeable literary fans grows, students and researchers in English departments waiver between dismissing and harnessing voices outside the academy. Meanwhile, the role that the university plays in contemporary literary fiction is becoming increasingly complex and metafictional, moving far beyond the 'campus novel' of the mid-twentieth century. Martin Paul Eve's engaging and far-reaching study explores the novel's contribution to the ongoing displacement of cultural authority away from university English. Spanning the works of Jennifer Egan, Ishmael Reed, Tom McCarthy, Sarah Waters, Percival Everett, Roberto Bolaño and many others, Literature Against Criticism forces us to re-think our previous notions about the relationship between those who write literary fiction and those who critique it." --Amazon.com
    URL: Volltext  (kostenfrei)
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  • 5
    Online Resource
    Online Resource
    Cambridge, UK : Open Book Publishers
    ISBN: 9781783742363 , 1783742356
    Language: English
    Pages: 1 Online-Ressource (xv, 392 pages)
    Parallel Title: Erscheint auch als Rudy, Kathryn M Piety in pieces
    Keywords: Civilization, Medieval ; Codicology ; Manuscripts, Medieval ; Illumination of books and manuscripts, Medieval ; ANTIQUES & COLLECTIBLES ; General ; Illumination of books and manuscripts, Medieval ; Codicology ; Civilization, Medieval ; Manuscripts, Medieval ; Language ; linguistics ; History ; Literacy ; Electronic books
    Abstract: Notes to the reader -- Abbreviations used in this book -- Introduction: A new approach to codicology -- Types of augmentations -- Part I: The modular method -- A. Modular and non-modular, compared -- B. The hierarchy of decoration -- C. Modules and blank space -- D. Precursors of book modules -- E. Implications of the modular method -- F. Adopters of the modular method -- G. Complicated stratigraphy -- Part II: Changes that did not require rebinding -- A. Correcting the text -- B. Adding text to the blank folios and interstices ; 1. Noting who owned, commissioned, and paid for items ; 2. Adding family information ; 3. Adding legal documents ; 4. Adding a gloss ; 5. Adding calendrical data ; 6. Changing a text to reflect updated circumstances ; 7. Adding text to make a book appropriate as a didactic tool ; 8. Adding prayers -- C. Augmenting the existing decoration -- D. Drawing or painting images directly onto bound parchment -- E. Adding physical material superficially ; 1. Attaching parchment sheets to blank areas of the book ; 2. Adding other objects to blank parchment -- Part III: Changes that required rebinding -- Rebinding -- A. Adding leaves bearing texts -- B. Adding leaves bearing images ; 1. Images for the most common offices ; 2. Images for indulgences ; 3. Portraits and personalizing details ; 4. Images for adding value ; 5. Images for missals ; 6. Other single-leaf miniatures ; 7. Packages of images ; 8. Images removed from one manuscript and inserted into another -- C. Adding quires ; 1. Adding a bifolium ; 2. Adding one or more full quires -- Part IV: Complicated interventions and complete overhauls -- Building a book out of disparate quires -- A. An atelier in Bruges -- B. Unica -- C. The convent of St. Ursula ; 1. Oxford, Bodleian Library, Ms. Rawl. Liturg. E.9* ; 2. The Hague, Koninklijke Bibliotheek, Ms. 132 G ; 3. Uppsala, Universitetsbiblioteket, Ms. C 517 k -- D. The convent of St. Agnes in Delft -- E. The Masters of the Dark Eyes ; 1. Alongside the Master of Gijsbrecht van Brederode ; 2. Leeds, Brotherton Ms. 7 with an added booklet -- Part V: Patterns of desire -- A. Desire to personalize the book -- B. Desire to commemorate a changed family situation -- C. Desire to store small precious objects -- D. Desire for more embellishment -- E. Recycling and refurbishing -- F. Desire to make foreign-produced manuscripts locally relevant -- G. Desire to incorporate new prayers -- H. Fear of hell -- I. Desire to reflect wealth -- J. Changes, social and codicological -- List of illustrations
    Abstract: "Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts--that they were custom-made luxury items--even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?"--Publ ...
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  • 6
    Online Resource
    Online Resource
    Cambridge, UK : Open Book Publishers
    ISBN: 9781783742561 , 1783742569 , 9781783742578 , 1783742577 , 9781783742530 , 1783742550
    Language: English
    Pages: 1 Online-Ressource (xiii, 288 pages)
    Parallel Title: Erscheint auch als
    Keywords: Dante Alighieri ; Dante Alighieri ; POETRY ; European ; Italian ; POETRY ; Continental European ; Divina commedia (Dante Alighieri) ; Criticism, interpretation, etc ; Poetry ; Literary Criticism / European / Italian ; Literary Criticism / Medieval ; Literature and literary studies ; Electronic books
    Abstract: "Vertical Readings in Dante's Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection - to be issued in three volumes - offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the "Cambridge Vertical Readings in Dante's Comedy" website."--Publisher's website
    URL: Volltext  (kostenfrei)
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  • 7
    ISBN: 1783740841 , 178374085X , 1783740868 , 1783740833 , 1783740825 , 9781783740857 , 9781783740833 , 9781783740840 , 9781783740826 , 9781783740864
    Language: English , Latin
    Pages: 1 Online-Ressource (xii, 245 pages) , illustrations (some color)
    Series Statement: Classics textbooks series fifth volume
    Uniform Title: Metamorphoses Liber 3, lines 511-733
    Parallel Title: Erscheint auch als Ovid, 43 B.C.-17 A.D. or 18 A.D Ovid, Metamorphoses, 3.511-733
    Keywords: Ovid Criticism and interpretation ; Pentheus Poetry ; Ovid ; Ovid ; Metamorphoses (Ovid) ; LITERARY CRITICISM ; Ancient & Classical ; POETRY ; Ancient & Classical ; Classical texts New ; Language ; linguistics ; Literature and literary studies ; Poetry by individual poets ; Poetry ; Translation and interpretation ; Criticism, interpretation, etc ; Poetry ; Textbooks ; Textbooks ; Pentheus
    Abstract: "This extract from Ovid's 'Theban History' recounts the confrontation of Pentheus, king of Thebes, with his divine cousin, Bacchus, the god of wine. Notwithstanding the warnings of the seer Tiresias and the cautionary tale of a character Acoetes (perhaps Bacchus in disguise), who tells of how the god once transformed a group of blasphemous sailors into dolphins, Pentheus refuses to acknowledge the divinity of Bacchus or allow his worship at Thebes. Enraged, yet curious to witness the orgiastic rites of the nascent cult, Pentheus conceals himself in a grove on Mt. Cithaeron near the locus of the ceremonies. But in the course of the rites he is spotted by the female participants who rush upon him in a delusional frenzy, his mother and sisters in the vanguard, and tear him limb from limb. The episode abounds in themes of abiding interest, not least the clash between the authoritarian personality of Pentheus, who embodies 'law and order', masculine prowess, and the martial ethos of his city, and Bacchus, a somewhat effeminate god of orgiastic excess, who revels in the delusional and the deceptive, the transgression of boundaries, and the blurring of gender distinctions. This course book offers a wide-ranging introduction, the original Latin text, study aids with vocabulary, and an extensive commentary. Designed to stretch and stimulate readers, Gildenhard and Zissos's incisive commentary will be of particular interest to students of Latin at AS and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Ovid's poetry and discussion of the most recent scholarly thought."--Publisher's website
    Abstract: Acknowledgements -- Abbreviations -- Symbols and Terms -- Reference Works -- Grammatical Terms -- Ancient Literature -- Introduction. 1. Ovid and His Times -- 2. Ovid Literary Progression: Elegy to Epic -- 3. The Metamorphoses: A Literary Monstrum -- 3a. Genre Matters -- 3b. A Collection of Metamorphic Tales -- 3c. A Universal History -- 3d. Anthropological Epic -- 3e. A Reader Digest of Greek and Latin Literature -- 4. Ovid Theban Narrative -- 5. The Set Text: Pentheus and Bacchus -- 5a. Sources and Intertexts -- 5b. The Personnel of the Set Text -- 6. The Bacchanalia and Roman Culture -- Text -- Commentary. 511- 6: Tiresias Warning to Pentheus -- 527- 1: Pentheus Rejection of Bacchus -- 531- 3: Pentheus Speech -- 572- 91: The Captive Acoetes and his Tale -- 692- 33: Pentheus Gruesome Demise -- Appendices -- 1. Versification -- 2. Glossary of Rhetorical and Syntactic Figures -- Bibliography.
    Note: Includes bibliographical references (pages 241-245) , Text in original Latin, with introduction and commentary in English
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