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  • 2020-2024  (4)
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  • 2011
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  • 1
    ISBN: 9783839452431
    Sprache: Englisch
    Seiten: 1 Online-Ressource (326 Seiten)
    Serie: Music and Sound Culture Volume 47
    Serie: Musik und Klangkultur Volume 47
    Serie: Musik und Klangkultur
    Originaltitel: Curating festivals for contemporary music
    Paralleltitel: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertationsvermerk: Dissertation Hochschule für Musik Carl Maria von Weber Dresden 2019
    RVK:
    Schlagwort(e): Music festivals ; Cultural Management ; Musicology ; Music Management ; Neue Musik ; New Music ; Berliner Festspiele ; Münchner Biennale Für Neues Musiktheater ; Munich Biennale For New Music Theatre ; BUSINESS & ECONOMICS / Management ; Music ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement
    Kurzfassung: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be
    Kurzfassung: Frontmatter -- Contents -- Image and Figure Rights -- 1.1 Establishing the Field -- 1.2 The State of the Art -- 1.3 Scope and Overview -- 2.1 Introduction -- 2.2 The Anatomy of Festivals and Biennales -- 2.3 Curating Biennales -- 2.4 Curatorial Discourse -- 2.5 Conclusion -- 3.1 Introduction -- 3.2 Reading Shannon Jackson -- 3.3 Curating Dance / Dance Curating -- 3.4 Curating Theatre / Theatre Curating -- 3.5 Conclusion -- 4.1 Introduction -- 4.2 Hans Werner Henze -- 4.3 Music Theatre? -- 4.4 Peter Ruzicka -- 4.5 Daniel Ott and Manos Tsangaris (DOMTS) -- 4.6 The 2016 and 2018 Biennale Editions -- 4.7 Compositional and Curatorial Practices -- 4.8 The Munich Biennale in Numbers. -- 4.9 Conclusion -- 5.1 Introduction -- 5.2 A Brief Prehistory to the Maerzmusik Festival -- 5.3 Maerzmusik 2002-2014 -- 5.4 Berno Odo Polzer -- 5.5 2017 Opening Concert: Julius Eastman -- 5.6 Storytelling for Earthly Survival -- 5.7 Curating and the Maerzmusik Festival -- 5.8 Decolonizing Time -- 5.9 Conclusion/Coda/Konzertemacher -- 6. Conclusion/Curating Music -- Bibliography -- Appendix: List of Productions at the Munich Biennale for New Music Theatre from 1988-2018
    Anmerkung: This work is an adaptation of the dissertation “Curating Festivals for Contemporary Music”. - Titelrückseite , Erscheint als Open Access bei De Gruyter. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (BY-NC-ND)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350060890
    Sprache: Englisch
    Seiten: ix, 318 Seiten, 4 ungezählte Seiten Bildtafeln , Illustrationen, Karte
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 338.4/7687112094109033
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1700-1900 ; Schneiderhandwerk ; Damenmode ; Großbritannien ; Dressmaking / Great Britain / History / 18th century ; Dressmaking / Great Britain / History / 19th century ; Dressmakers / Great Britain / Social conditions / 18th century ; Dressmakers / Great Britain / Social conditions / 19th century ; Hochschulschrift ; Hochschulschrift ; Großbritannien ; Schneiderhandwerk ; Damenmode ; Geschichte 1700-1900
    Kurzfassung: Part One. The development of the dressmaking trade -- 'About suppressing the Women Mantua-makers' -- 'The art and mystery of mantua-making' -- 'I bought me a gowne' -- 'Undeviating endeavours to please' -- 'At short notice ... and at most economic charges' -- The watershed of the 1870s -- Winners and losers -- Part Two. Dressmakers in fact and fiction -- Dressmakers in fiction -- Dressmakers in fact -- Ladies and their dressmakers
    Kurzfassung: "The dressmaking trade developed rapidly during the 18th and 19th centuries, changing the lives of thousands of British workers. Busks, Basques, and Brush-Braid focuses on the trade and the people within it, from their working conditions and earnings to their training, services, and relationships with customers. Exploring the lives of dressmakers in fact and fiction, the book looks at representations of the trade in the plays and novels of the time, while surveying the often harsh realities of the workers' lives. From the arrival of the sewing machine to the influence of the department store, it explores the impact of mechanization, commercialization and modernity on a historical trade. Pamela Inder illuminates a new world of dressmaking enabled by goods like paper patterns and magazines, and sets out to investigate the increasing monopoly of female dressmakers in an industry once dominated by men. Drawing on a range of original and hitherto unpublished sources - including business records, diaries, letters, bills, and newspaper articles - Busks, Basques, and Brush-Braid reveals the untold story of the dressmaking trade. Beautifully illustrated with 50 images, the book brings dressmakers into focus as real people, granting new insights into working class life in 18th and 19th century Britain"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    London, UK : Bloomsbury Visual Arts
    ISBN: 9781350060920
    Sprache: Englisch
    Seiten: 1 Online-Ressource (328 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 338.4/7687112094109033
    RVK:
    RVK:
    Schlagwort(e): Geschichte 1700-1900 ; Fashion & beauty industries / bicssc ; Dressmaking Great Britain ; History ; 18th century ; Dressmaking Great Britain ; History ; 19th century ; Dressmakers Great Britain ; Social conditions ; 18th century ; Dressmakers Great Britain ; Social conditions ; 19th century ; Schneiderhandwerk ; Damenmode ; Großbritannien ; Electronic books ; Hochschulschrift ; Großbritannien ; Schneiderhandwerk ; Damenmode ; Geschichte 1700-1900
    Kurzfassung: "The dressmaking trade developed rapidly during the 18th and 19th centuries, changing the lives of thousands of British workers. Busks, Basques, and Brush-Braid focuses on the trade and the people within it, from their working conditions and earnings to their training, services, and relationships with customers. Exploring the lives of dressmakers in fact and fiction, the book looks at representations of the trade in the plays and novels of the time, while surveying the often harsh realities of the workers' lives. From the arrival of the sewing machine to the influence of the department store, it explores the impact of mechanization, commercialization and modernity on a historical trade. Pamela Inder illuminates a new world of dressmaking enabled by goods like paper patterns and magazines, and sets out to investigate the increasing monopoly of female dressmakers in an industry once dominated by men. Drawing on a range of original and hitherto unpublished sources - including business records, diaries, letters, bills, and newspaper articles - Busks, Basques, and Brush-Braid reveals the untold story of the dressmaking trade. Beautifully illustrated with 50 images, the book brings dressmakers into focus as real people, granting new insights into working class life in 18th and 19th century Britain"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 4
    Sprache: Englisch
    Seiten: 1 Online-Ressource (323 Seiten) , Illustrationen, Diagramme
    Serie: Music and sound culture Volume 47
    Paralleltitel: Erscheint auch als Farnsworth, Brandon, 1991 - Curating contemporary music festivals
    Dissertationsvermerk: Dissertation Hochschule für Musik Carl Maria von Weber Dresden
    DDC: 780.78
    RVK:
    Schlagwort(e): Deutschland Kulturpolitik ; Internationale kulturelle Zusammenarbeit ; Kulturprojekt ; Kulturelle Veranstaltung ; Festspiele ; Musik ; Theater ; Ziele und Programme von Institutionen/Organisationen ; Innere Organisation von Institutionen/Organisationen ; Konzeption ; Wandel ; Theoriebildung ; Fallstudie ; München ; Berlin ; Reformvorschlag ; Germany Cultural policy ; International cultural cooperation ; Cultural projects ; Cultural events ; Pageants ; Music ; Theatre ; Aims and programmes of institutions/organizations ; Internal organization of institutions/organizations ; Concepts ; Change ; Theory formation ; Case studies ; Reform proposals ; Künstler Komponist ; Zusammenarbeit ; Visualisierung ; Bildende Kunst ; Darstellende Kunst ; Tanz ; Management (funktional) ; Arbeitsbeziehungen ; Kreativität ; Internationaler Vergleich/Ländervergleich ; Vereinigtes Königreich ; London ; Documenta 11 (Kassel, 2002-06-08/2002-09-15) ; Kassel ; Artists Composer ; Cooperation ; visualisation ; Visual arts ; Performing arts ; Dance ; Management (functional) ; Industrial relations ; Creativity ; International/country comparison ; United Kingdom ; Hochschulschrift ; Musikfestspiel ; Kulturmanagement ; Festival ; Musikleben
    Anmerkung: "This work is an adaptation of the dissertation "Curating festivals for contemporary music" submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at the Hochschule für Musik Carl Maria von Weber Dresden."
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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