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  • Dordrecht : Springer Science+Business Media B.V  (6)
  • Aesthetics  (6)
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  • 1
    ISBN: 9789400715097 , 1283453401 , 9781283453400
    Language: English
    Pages: Online-Ressource (XI, 212p. 3 illus, digital)
    Series Statement: Contributions To Phenomenology 64
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T.
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    Keywords: Philosophy (General) ; Aesthetics ; Phenomenology ; Political science Philosophy ; Philosophy ; Philosophy (General) ; Aesthetics ; Phenomenology ; Political science Philosophy ; Ästhetisches Verhalten
    Abstract: "Critical Communities and Aesthetic Practices" brings together eminent international philosophers to discuss the inter-dependence of critical communities and aesthetic practices. Their contributions share a hermeneutical commitment to dialogue, both as a model for critique and as a generator of community. Two conclusions emerge: The first is that one's relationships with others will always be central in determining the social, political, and artistic forms that philosophical self-reflection will take. The second is that our practices of aesthetic judgment are bound up with our effort
    Abstract: "Critical Communities and Aesthetic Practices" brings together eminent international philosophers to discuss the inter-dependence of critical communities and aesthetic practices. Their contributions share a hermeneutical commitment to dialogue, both as a model for critique and as a generator of community. Two conclusions emerge: The first is that one's relationships with others will always be central in determining the social, political, and artistic forms that philosophical self-reflection will take. The second is that our practices of aesthetic judgment are bound up with our effort
    Description / Table of Contents: Critical Communities and Aesthetic Practices; Contents; Contributors; Chapter 1: Introduction : Critical Communities and Aesthetic Practices; Part I: Hermeneutics and Aesthetic Practices: Art, Ritual, Interpretation; Chapter 2: Reflections on the Hermeneutics of Creative Acts; 2.1 Introduction; 2.2 Back to the Origin; 2.3 Kant, Romanticism and Genius; Chapter 3: In Between Word and Image: Philosophical Hermeneutics, Aesthetics and the Inescapable Heritage of Kant; 3.1 Introduction; 3.2 The Ambiguous Image; 3.3 Openness and In Completeness; 3.4 The Instability of Aesthetic Understanding
    Description / Table of Contents: 3.5 In Between Word and Image3.6 The Need for Interpretation; 3.7 Conclusion: Philosophical Hermeneutics and Kant's Inescapable Heritage; Chapter 4: Merleau-Ponty on Cultural Schemas and Childhood Drawing; 4.1 Introduction: Tony O'Connor and Merleau-Ponty; 4.1.1 Childhood Art; 4.2 Conclusion: Cultural Spaces; References; Chapter 5: Art and Edge: Preliminary Reflections; 5.1; 5.2; 5.3; 5.4; 5.5; Chapter 6: From Reflection to Refraction: On Bordwell's Cinema and the Viewing Event; 6.1 Introduction; 6.2 Bordwell on Classical Cinema: Hurray for Hollywood; 6.3 From Reflection to Refraction
    Description / Table of Contents: 6.4 Conclusion: Towards the Viewing EventChapter 7: A Note on Hölderlin-Translation; Chapter 8: Violence and Splendor: At the Limits of Hermeneutics; Part II: Critical Communities and Aesthetic Subjects: Ethics, Politics, Action; Chapter 9: Community Beyond Instrumental Reason: The Idea of Donation in Deleuze and Lyotard; 9.1 "197.5"; 9.1.1 La volonté du Ciel soit faite en toute chose; 9.2 Points, Lines and Process; 9.3 Withdrawal and Donation; Chapter 10: The Political Horizon of Merleau-Ponty's Ontology; 10.1 Means; 10.2 Motive; 10.3 Opportunity
    Description / Table of Contents: Chapter 11: Derrida's Specters: Futurity, Finitude, Forgetting11.1 Specters of Marx; 11.2 Debt, Gift and Economy; 11.3 Further Remains; Chapter 12: The Political and Ethical Significance of Waiting: Heidegger and the Legacy of Thinking; 12.1; 12.2; 12.3; Chapter 13: Othering; Part III: Aesthetic Practice and Critical Community: Friendship; Chapter 14: Otogogy , or Friendship, Teaching and the Ear of the Other; 14.1 Teaching, Friendship, Responsibility; 14.2 Otogogy; Chapter 15: Kantian Friendship; Chapter 16: Just Friends: The Ethics of (Postmodern) Relationships
    Description / Table of Contents: 16.1 Justice Without Friendship16.2 Friendship Without Justice; 16.3 The Justice of Friendships; 16.3.1 Modern Friends - With Justice and Liberty for All ( vielleicht / peut-être /maybe); 16.3.2 The Justice of Postmodern Friendships; Chapter 17: The Art of Friendship; 17.1; 17.2; Tony O'Connor Biography; Email Addresses (In Alphabetical Order); Index;
    Note: Description based upon print version of record
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  • 2
    Online Resource
    Online Resource
    Dordrecht : Springer Science+Business Media B.V
    ISBN: 9789400707733
    Language: English
    Pages: Online-Ressource (IX, 354p, digital)
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 109
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Tymieniecka, Anna-Teresa, 1925 - 2014 Destiny, the inward quest, temporality and life
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    Keywords: Philosophy (General) ; Aesthetics ; Metaphysics ; Philosophy of mind ; Humanities ; Philosophy ; Philosophy (General) ; Aesthetics ; Metaphysics ; Philosophy ; Philosophy of mind ; Humanities ; Aesthetics ; Humanities ; Metaphysics ; Philosophy (General) ; Philosophy of mind ; Aufsatzsammlung ; Konferenzschrift ; Philosophische Anthropologie ; Phänomenologie ; Literatur
    Abstract: There is no greater gift to man than to understand nothing of his fate , declares poet-philosopher Paul Valery. And yet the searching human being seeks ceaselessly to disentangle the networks of experiences, desires, inward promptings, personal ambitions, and elevated strivings which directed his/her life-course within changing circumstances in order to discover his sense of life. Literature seeks in numerous channels of insight the dominant threads of the sense of life , the inward quest , the frames of experience in reaching the inward sources of what we call 'destiny' inspired by experience and temporality which carry it on. This unusual collection reveals the deeper generative elements which form sense of life stretching between destiny and doom. They escape attention in their metamorphic transformations of the inexorable, irreversibility of time which undergoes different interpretations in the phases examining our life. Our key to life has to be ever discovered anew.
    Description / Table of Contents: Table of Contents; Acknowledgements; SECTION I The Sense Of Life; Present Eternity: Quests of Temporality in the Literary Production of the «Extreme Contemporain» in France (The Writings of Dominique Fourcade and Emmanuel Hocquard); I. Notes on Literature and Experience: Prose and Poetry; II. And Still Everything Happens; III. ""Le sentiment elegiaque que j'ai du contemporain""; Biography; Notes; A Sense of Life in Language Love and Literature; II; III; IV; Notes; The Garden Then and Now; Senseof LifeContemporary and in Genesis; The Garden in Central Park
    Description / Table of Contents: The Ancient Garden in the Book of GenesisThe Garden in the South; The Garden that Is Promised; Notes; SECTION II The Inward Quest; The Evolution of Justice in The Oresteia; Notes; What Maisie Knew in What Maisie Knew; The Double Vision of Life; On the Material Approach to Life; On the Formal Approach to Life; Notes; Style Matters: The Life-Worlds of Ancient Literature; References; James Joyce's ""Ivy Day in the Committee Room"" and The Five Codes of Fiction; Note; References; SECTION III Historicity and Life; Temporality in Fitzgerald's Babylon Revisited; Notes
    Description / Table of Contents: On the Metaphysical Brutishnessof Life in the Light of Zola's The Human BeastThe Mythical Brutishness; The Criminal Brutishness; The Technical Brutishness; Notes; ``Mais Personne Ne Paraissait Comprendre'' (``But no one Seemed to Understand''): Atheism, Nihilism, and Hermeneutics in Albert Camus' L'etranger/The Stranger; Introduction: Understanding ""The Devil's Dilemma"" of Camus' the Stranger; Hermeneutics I: Trying to Understand Meursault as He Does Himself; An Explication of the Text: Understanding and Misunderstanding in The Stranger
    Description / Table of Contents: Pt. I: Meursault the Free Man---What He Does and Does Not UnderstandPt. II: Meursault the Prisoner---What He Does and Does Not Understand; Hermeneutics II: Trying to Understand Meursault Better than He Does Himself; Conclusion: Trying to Understand Meursault Differently from How Camus Does; Notes; Moral Shapes of Time in Henry James; How to Philosophize the Morals of Modernity; Moral Reasoning as Transition in James; Notes; References; SECTION IV The Limits Of Ordinary Experience; ""The Limits of Ordinary Experience"": A Phenomenological Reading of ""Rappaccini's Daughter""; Notes
    Description / Table of Contents: The Kindness of Strangers: Epiphany and Social Communion in Paul Theroux's Travel WritingNotes; Faulkner's The Sound and the Fury as Anti-Entropic Novel; Temporality of the World of the Novel's Fourth Section; Temporality of the World of the Text; Conclusion; Notes; References; SECTION V Destiny, Experience and Time; W.B. Yeats, Unity of Culture, and the Spiritual Telos of Ireland; References; Doom, Destiny, and Grace: The Prodigal Son in Marilynne Robinson's Home; Notes; Man's Destiny in Tischner's Philosophy of Drama; Notes; The Source, Form, and Goal of Art in Anton Chekhov's The Sea Gull
    Description / Table of Contents: The Source of Art
    Note: Includes bibliographical references and index
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  • 3
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    Dordrecht : Springer Science+Business Media B.V
    ISBN: 9789048138517
    Language: English
    Pages: Online-Ressource (XXVI, 260p, digital)
    Series Statement: Boston Studies in the Philosophy of Science 262
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Beyond mimesis and convention
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    Keywords: Philosophy (General) ; Science History ; Aesthetics ; Genetic epistemology ; Science Philosophy ; Arts ; Philosophy ; Aesthetics ; Arts ; Genetic epistemology ; Philosophy (General) ; Science History ; Science Philosophy ; Mimesis ; Kunst ; Wissenschaftsphilosophie ; Mimesis ; Kunst ; Wissenschaftsphilosophie
    Abstract: Representation is a concern crucial to the sciences and the arts alike. Scientists devote substantial time to devising and exploring representations of all kinds. From photographs and computer-generated images to diagrams, charts, and graphs; from scale models to abstract theories, representations are ubiquitous in, and central to, science. Likewise, after spending much of the twentieth century in proverbial exile as abstraction and Formalist aesthetics reigned supreme, representation has returned with a vengeance to contemporary visual art. Representational photography, video and ever-evolvin
    Description / Table of Contents: Preface; Contents; Contributors; About the Authors; Introduction; From Science to Art; From Art to Science; Problems and Prospects; References; Telling Instances; Representation; Representation As; Exemplification; Fiction; Epistemic Access; Problems Evaded; Objectivity; References; Models: Parables v Fables; How Fables and Parables Help Us Understand the Use of Models: A Short Survey of This Paper; The Problem of Unrealistic Assumptions, Round 1: Valid Arguments but False Premises; The Plan; Solution, Round 1: Galilean Thought Experiments
    Description / Table of Contents: The Problem of Unrealistic Assumptions, Round 2: OverconstraintFables and Models, Their Morals and Lessons; Solution, Round 3: From Falsehood to Truth via Abstraction; The Problem of Unrealistic Assumptions, Round 3: Not Fables but Parables; Conclusion; References; Truth and Representation in Science: Two Inspirations from Art; Varieties of Truth in Art and Science; Preliminaries on Approximate Truth; Truth in the Context of Abstraction and Idealization; Denotation in Art, Reference in Science; Representations and Practice as Products and Production; References
    Description / Table of Contents: Learning Through Fictional Narratives in Art and ScienceI; II; III; IV; References; Models as Make-Believe; Representation in Modeling; The Problem of Scientific Representation; Misrepresentation; Does the Problem Exist?; Stipulation and Salt Shakers; Models as Make-Believe; Walton's Theory: Props and Games; Make-Believe and Model-Representation; Make-Believe and Stipulation; Make-Believe, Misrepresentation and Realism; Models and Works of Fiction; Models Without Actual Objects; The Variety of Models Without Actual Objects
    Description / Table of Contents: Existing Accounts of Scientific Representation and Models Without Actual ObjectsModels as Make-Believe and Models Without Actual Objects; Conclusion; References; Fiction and Scientific Representation; Introduction; Model-Systems and Fiction; Strictures on Structures; Model-Systems and Imagination; The Anatomy of Scientific Modeling; A First Stab at T-Representation; Re-reading the Newtonian Model of the SunEarth System; Conclusion; References; Fictional Entities, Theoretical Models and Figurative Truth; Preamble; Apparent Reference to Fictional Characters; Genuine vs. Figurative Reference
    Description / Table of Contents: Scientific Models as FictionsConcluding Afterthought: Carnapian Associations; References; Visual Practices Across the University; 1; 2; 3; The Plaque Assay; Transmission Electron Microscopy; Gene Mapping; Electrophoresis; Immunogold Electron Microscopy; Other Kinds of Pictures; Conclusions; *; References; Experiment, Theory, Representation: Robert Hookes Material Models; Gross Similitudes; In Some Things Analogous to the One, and Somewhat to the Other, Though not Exactly the Same with Either
    Description / Table of Contents: It Behove Them, Who Professe the Knowledge of Nature or Reason, Rightly to Apprehend the Severall Waies Whereby They may be Expressed
    Note: Includes bibliographical references and index
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  • 4
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    Dordrecht : Springer Science+Business Media B.V
    ISBN: 9781280002694 , 9789048139156
    Language: English
    Pages: Online-Ressource (XXIII, 220p, digital)
    Edition: Online-Ausg.
    Series Statement: Contributions To Phenomenology 60
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Biceaga, Victor The concept of passivity in Husserl's phenomenology
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    Keywords: Philosophy (General) ; Aesthetics ; Metaphysics ; Phenomenology ; Philosophy ; Aesthetics ; Metaphysics ; Phenomenology ; Philosophy (General) ; Husserl, Edmund, 1859-1938 ; Phenomenology ; Passivity (Psychology) ; Husserl, Edmund 1859-1938 ; Bewusstsein ; Passivität ; Aktivität ; Husserl, Edmund 1859-1938 ; Bewusstsein ; Passivität ; Aktivität
    Abstract: In Chapter 1, I explain why temporal syntheses, although distinguished from associative syntheses, count among the most fundamental phenomena of the passive sphere. I draw on Husserl's account of absolute consciousness, which 'sublates' pairs of opposites such as form/content and constituting/constituted, to show that activity and passivity mutually determine one another. In Chapter 2, I further expand on pre-egoic components of sense-giving acts encompassed by original passivity. I explain the function of primordial association (Urassoziation) in passive genesis with special reference to the problem of syntheses of similarity and contrast. Then, I turn to the difficult issue of the relation between affection and prominence (Abgehobenheit) in the perceptual field. In Chapter 3, I explore the sphere of secondary passivity a generic name for the modifications undergone by constituted meanings once the process of constitution is accomplished. I give particular consideration to the passive components involved in the phenomena of memory fulfillment and forgetfulness. Chapter 4 continues the previous chapter by expanding the discussion of secondary passivity from the subjective to the intersubjective level of sedimentation. I focus on Husserl's account of habitus and language as passive factors responsible for cultural crises. I use the example of translation to show, against Husserl, that passivity, understood as alienation, can also provide the palliative for cultural crises. In Chapter 5, I question the relation between the three meanings of passivity: receptivity, inactuality and alienation. I present the distinction between the lived body and the physical body as a form of self-alienation. Then I discuss the intersubjective significance of the concept of pairing association. Finally, I turn to the problem of Fremderfahrung in the broad sense, that is, the problem of the interaction between home worlds and alien worlds. I defend the harshly criticized idea of analogical transfer by reversing it and by showing that homecultures, one's own body and also one's self manifest themselves in similar modes of accessible inaccessibility.
    Description / Table of Contents: The Concept of Passivity in Husserl's Phenomenology; CONTRIBUTIONS TO PHENOMENOLOGY; The Concept of Passivity in Husserl's Phenomenology; Acknowledgments; Contents; Introduction; 1 The Traditionally Subordinate Role of Passivity; 2 The Problematic Character of the Notion of Passive Synthesis; 3 Static and Genetic Phenomenology; 4 Preliminary Account of the Composition of the Passive Sphere; 5 Synopsis; Chapter 1: Passivity and Self-temporalization; 1.1 Time-Consciousness and Association; 1.2 The Three Levels of Time-Consciousness; 1.3 Double Intentionality; 1.4 Temporality and Alterity
    Description / Table of Contents: 1.5 RhythmChapter 2: Originary Passivity; 2.1 Association as a Topic of Phenomenological Inquiry; 2.2 Primordial Associations; 2.3 Similarity and Contrast as Conditions of Possibility for Hyletic Unities; 2.4 Order Versus Confusion: The Problem of the Lawfulness of Associations; 2.5 Passivity and Affection; Chapter 3: Secondary Passivity; 3.1 Memory as Image Consciousness; 3.2 Memory as Reproductive Presentification; 3.3 Memory and Objectivity; 3.4 Forgetting; Chapter 4: Passivity and Crisis; 4.1 The Concept of Habitus; 4.2 Reason Versus Passivity
    Description / Table of Contents: 4.3 Passivity and Language: The Problem of TranslationChapter 5: Passivity and Alterity; 5.1 Passivity and Embodiment; 5.2 Passivity and Intersubjectivity; 5.3 Passivity and Alien Cultures; Bibliography;
    Note: Includes bibliographical references (p. 129-132) and index
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  • 5
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    Dordrecht : Springer Science+Business Media B.V
    ISBN: 9789048124718
    Language: English
    Pages: Online-Ressource (XXX, 383p, digital)
    Series Statement: Contributions To Phenomenology 59
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Handbook of phenomenological aesthetics
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    Keywords: Philosophy (General) ; Aesthetics ; Philosophy, modern ; Phenomenology ; Philosophy ; Philosophy (General) ; Aesthetics ; Philosophy, modern ; Phenomenology ; Wörterbuch ; Phänomenologie ; Ästhetik
    Abstract: This is the first work to thoroughly show the breadth, depth and continuing fecundity of phenomenological aesthetics. Topics covered include film, art, dream, empathy, enjoyment, imagination, ecology, gender, and many more. All entries have bibliographies
    Description / Table of Contents: HANDBOOK OF PHENOMENOLOGICAL AESTHETICS; Contents; Preface; Contributors; Introduction; Figures and Basic Themes; The Historical Development of Phenomenological Aesthetics; About the Future; Bibliography; Aesthetic Experience; Bibliography; Aisthesis; Bibliography; Bibliography; Bibliography; Appearance; Architecture; Antonio Banfi; Bibliography; Beauty; Oskar Becker; Bibliography; Simone de Beauvoir; Chinese Aesthetics; Bibliography; Bibliography; Bibliography; Waldemar Conrad (1878-1915); Bibliography; Creativity; Bibliography; Cubism; Bibliography; Dance; Bibliography; Bibliography
    Description / Table of Contents: BibliographyBibliography; Bibliography; Bibliography; Bibliography; Bibliography; Jacques Derrida (1930-2004); Dream; Mikel Dufrenne (1910-1995); Ecological Aesthetics; Empathy; Enjoyment; Fashion; Film; Bibliography; Eugen Fink (1905-1975); Bibliography; Hans-Georg Gadamer (1900-2002); Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Moritz Geiger (1880-1937); Gender Aesthetics; Nicolai Hartmann (1882-1950); Martin Heidegger (1889-1976); Michel Henry (1922-2002); Bibliography; Dietrich von Hildebrand (1889-1977); Bibliography; Edmund Husserl (1859-1938); Bibliography
    Description / Table of Contents: BibliographyBibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Imagination; India and Intercultural Aesthetics; Roman Ingarden (1893-1970); Japanese Worlds; Fritz Kaufmann (1891-1958); Emmanuel Levinas (1906-1995); Literature; Henri Maldiney (1912-); Jean-Luc Marion (1946-); Media; Maurice Merleau-Ponty (1908-1961); Bibliography; Metaphor; Bibliography; Methodology; Bibliography; Music; Bibliography; Maurice Natanson (1924-1996); Bibliography; Nature; Bibliography; Bibliography; NISHIDA Kitaro (1870--1945)
    Description / Table of Contents: Jos0 Ortega y Gasset (1883-1955)Bibliography; Painting; Bibliography; Jan Pato0ka (1907-1977); Bibliography; Bibliography; Photography; Play; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Bibliography; Political Culture; Religion; Representation; Marc Richir (1943-); Paul Ricoeur (1913-2005); Heinrich Rombach (1923-2004); Jean-Paul Sartre (1905-1980); Max Scheler (1874-1928); Hermann Schmitz (1928-)
    Description / Table of Contents: Alfred Schutz (1899-1959)Secondary Senses; Gustav Gustavovich 0pet (1879-1937); Style; Theater; France Veber (1890-1975); Virtual Reality; Work of Art; The Core of Phenomenological Aesthetics: A Suggested Bibliography; About the Authors; Index;
    Note: Includes bibliographical references and index
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  • 6
    Online Resource
    Online Resource
    Dordrecht : Springer Science+Business Media B.V
    ISBN: 9789048191604
    Language: English
    Pages: Online-Ressource (X, 430 p, digital)
    Series Statement: Analecta Husserliana, The Yearbook of Phenomenological Research 106
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Art inspiring transmutations of life
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    Keywords: Philosophy (General) ; Aesthetics ; Ethics ; Metaphysics ; Phenomenology ; Philosophy ; Philosophy (General) ; Aesthetics ; Ethics ; Metaphysics ; Phenomenology ; Philosophy ; Aufsatzsammlung ; Phänomenologie ; Existenzialismus ; Hermeneutik ; Phänomenologie ; Existenzialismus ; Hermeneutik
    Abstract: Although the creative impulse surges in revolt against everyday reality, breaking through its confines, it makes pacts with that reality's essential laws and returns to it to modulate its sense. In fact, it is through praxis that imagination and artistic inventiveness transmute the vital concerns of life, giving them human measure. But at the same time art's inspiration imbues life with aesthetic sense, which lifts human experience to the spiritual. Within these two perspectives art launches messages of specifically human inner propulsions, strivings, ideals, nostalgia, yearnings prosaic and poetic, profane and sacral, practical and ideal, while standing at the fragile borderline of everydayness and imaginative adventure. Art's creative perduring constructs are intentional marks of the aesthetic significance attributed to the flux of human life and reflect the human quest for repose. They mediate communication and participation in spirit and sustain the relative continuity of culture and history.
    Description / Table of Contents: Table Of Contents; Acknowledgements; Inaugural Study; The Pas De Deux: Weaving Thought and Act; The Artist as Mediator Of Everydayness and Inspiration; The Limits of Creation: The Architect as the Mediator of the Beauty and the Beast; The Artistic Life, The Art Alive; The Historical Logic of Non-Verbal Expression in Everyday Life and the Arts: The Perceptual Foundation of the Precept; The Relevance of Beautiful Infrastructure; John Steinbeck's Log from the ``Sea of Cortez'': One of Husserl's Infinite Tasks?; Reconfiguring Oldenburg and van Bruggen's Free Stamp (1982--1991)
    Description / Table of Contents: Aesthetic and Historical Contours of Russian Manor as a GenreThe Message of Art in the Evolution of Culture; Between a Rock and a Soft Place: Finding Creativity in the Face of Oppression; Mirror, Mirror on the Wall; The Pain of the Seer in the Civilization of the Blind: Faulkner and Salinger; Opus Cordis: Reflections of a Contemporary Artist Embracing the Drama of Religious Imagery; Ecce Homo: On the Phenomenological Problematicity of the Religious Image; Art and Techne; Creation vs. Techne: The Inner Conflict of Art; Vincent Van Gogh's Irises: Venturing Upon Dizzy Heights
    Description / Table of Contents: On the Poetics of Cinema in the Light of the Present CultureArt as Informational Readymade; Oh, Behave Nothing in Excess or Everything in Good Order: The "Portraits" of Solon and Khilon on a Late Archaic Attic Red-figure Cup by Oltos; Artistic and Philosophical Itineraries; Visualizing Tymieniecka's Approach to Originality; Artistic and Philosophical Itineraries; The Only Star in a Nihilist Heaven: A Reflection on the Problematic Identity of History, Art and Cinema; ``Bodher Pratyushe Buddhir Pradip'': The Lamp of Intelligence at the Dawn of Artistic Feeling
    Description / Table of Contents: The Philosopher's Pupil, Iris Murdoch's Post-Modern Allegory of the Creative ProcessRa'anan Levy's Metaphysical Space; Mediating Inspiration; Art, Intention, and Communication; Harold Pinter's Mindscape: His Food--Clothing Paradoxes; Mediated: the Image as a Performative Interfacein the Photographic Relationship; The Phenomenology of Color [As a Working Methodology for Design Practice]; The Metaperformative and Gendered Space; A Revised Taiji Diagram to Convey the Unityof World Phenomena; Index of Names;
    Note: Includes bibliographical references and index
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