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  • English  (8)
  • Hebrew
  • 2020-2024  (8)
  • Chapel Hill : University of North Carolina Press
  • United States  (8)
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  • English  (8)
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  • 1
    Book
    Book
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469668338 , 9781469668321
    Language: English
    Pages: xiv, 338 Seiten , Illustrationen, Karten , 24 cm
    Series Statement: Civil War America
    Parallel Title: Erscheint auch als
    DDC: 393.93097309034
    Keywords: Funeral rites and ceremonies / United States / History / 19th century ; Death / Social aspects / United States / History / 19th century ; Collective memory / United States ; United States / History / 19th century ; United States / History / Civil War, 1861-1865 / Public opinion ; Funérailles / Rites et cérémonies / États-Unis / Histoire / 19e siècle ; Mort / Aspect social / États-Unis / Histoire / 19e siècle ; Mémoire collective / États-Unis ; États-Unis / Histoire / 19e siècle ; États-Unis / Histoire / 1861-1865 (Guerre de Sécession) / Opinion publique ; Collective memory ; Death / Social aspects ; Funeral rites and ceremonies ; Public opinion ; United States ; 1800-1899 ; History
    Abstract: "This illuminating book examines how the public funerals of major figures from the Civil War era shaped public memories of the war and allowed a diverse set of people to contribute to changing American national identities. These funerals featured lengthy processions that sometimes crossed multiple state lines, burial ceremonies open to the public, and other cultural productions of commemoration such as oration and song. As Sarah J. Purcell reveals, Americans' participation in these funeral rites led to contemplation and contestation over the political and social meanings of the war and the roles played by the honored dead"--
    Description / Table of Contents: The death of compromise, Henry Clay's funeral -- The death of union and the martyrdom of Elmer Ellsworth and Stonewall Jackson -- George Peabody, Robert E. Lee, and the boundaries of reconciliation -- Charles Sumner and Joseph E. Johnston: mourning, memory, and forgetting -- Extraordinary demonstrations of respect: Frederick Douglass, Winnie Davis, and standards of public grief
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  • 2
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469668352
    Language: English
    Pages: 1 Online-Ressource (353 p)
    Series Statement: Civil War America Ser
    Parallel Title: Erscheint auch als Purcell, Sarah J Spectacle of Grief
    DDC: 393/.93097309034
    Keywords: Funeral rites and ceremonies History 19th century ; Death Social aspects 19th century ; History ; Collective memory ; Public opinion ; Funeral rites and ceremonies ; Death ; Social aspects ; Collective memory ; History ; United States History 19th century ; United States History Civil War, 1861-1865 ; Public opinion ; United States
    Abstract: The death of compromise, Henry Clay's funeral -- The death of union and the martyrdom of Elmer Ellsworth and Stonewall Jackson -- George Peabody, Robert E. Lee, and the boundaries of reconciliation -- Charles Sumner and Joseph E. Johnston: mourning, memory, and forgetting -- Extraordinary demonstrations of respect: Frederick Douglass, Winnie Davis, and standards of public grief.
    Abstract: "This illuminating book examines how the public funerals of major figures from the Civil War era shaped public memories of the war and allowed a diverse set of people to contribute to changing American national identities. These funerals featured lengthy processions that sometimes crossed multiple state lines, burial ceremonies open to the public, and other cultural productions of commemoration such as oration and song. As Sarah J. Purcell reveals, Americans' participation in these funeral rites led to contemplation and contestation over the political and social meanings of the war and the roles played by the honored dead"--
    Note: Description based upon print version of record
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  • 3
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469669632 , 1469669633
    Language: English
    Pages: 1 Online-Ressource (xii, 331 pages)
    Parallel Title: Erscheint auch als
    DDC: 792.089/00973
    Keywords: 1800-1999 ; Race in the theater History 19th century ; Race in the theater History 20th century ; Orientalism History 19th century ; Orientalism History 20th century ; African Americans in the performing arts History 19th century ; African Americans in the performing arts History 20th century ; Blackface ; Yellowface ; African Americans in the performing arts ; Blackface ; Orientalism ; Race in the theater ; Race relations ; Yellowface ; History ; United States Race relations ; United States
    Abstract: In this book, Josephine Lee looks at the intertwined racial representations of nineteenth- and early twentieth-century American theater. In minstrelsy, melodrama, vaudeville, and musicals, both white and African American performers enacted blackface characterizations alongside oriental stereotypes of opulence and deception, comic servitude, and exotic sexuality. Lee shows how blackface types were often associated with working-class masculinity and the development of a nativist white racial identity for European immigrants, while the oriental marked what was culturally coded as foreign, feminized, and ornamental. These conflicting racial connotations were often intermingled in actual stage performance, as stage productions contrasted nostalgic characterizations of plantation slavery with the figures of the despotic sultan, the seductive dancing girl, and the comic Chinese laundryman. African American performers also performed common oriental themes and characterizations, repurposing them for their own commentary on Black racial progress and aspiration. The juxtaposition of orientalism and black figuration became standard fare for American theatergoers at a historical moment in which the color line was rigidly policed. These interlocking cross-racial impersonations offer fascinating insights into habits of racial representation both inside and outside the theater
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  • 4
    Book
    Book
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663197 , 9781469663180
    Language: English
    Pages: xv, 372 Seiten , 9 Illustrationen, 7 Karten , 24 cm
    Series Statement: The David J. Weber series in the new borderlands history
    Parallel Title: Erscheint auch als
    DDC: 306.362097909034
    Keywords: Geschichte ; Sklaverei ; USA Südweststaaten ; Slavery / Southwestern States / History / 19th century ; African Americans / Southwestern States / Social conditions / 19th century ; Indians of North America / Southwestern States / Social conditions / 19th century ; Peonage / Southwestern States / History / 19th century ; Southwestern States / Politics and government / 19th century ; Southwestern States / Relations / Southern States ; Southern States / Relations / Southwestern States ; United States / History / Civil War, 1861-1865 ; African Americans / Social conditions ; Indians of North America / Social conditions ; International relations ; Peonage ; Politics and government ; Slavery ; Southern States ; United States ; United States / Southwestern States ; 1800-1899 ; History ; USA Südweststaaten ; Sklaverei ; Geschichte
    Abstract: "When American slaveholders looked west in the mid-nineteenth century, they saw an empire unfolding before them. They pursued that vision through war, diplomacy, political patronage, and perhaps most effectively, the power of migration. By the eve of the Civil War, slaveholders and their allies had transformed the southwestern quarter of the nation--California, New Mexico, Arizona, and parts of Utah--into an appendage of the South's plantation states. Across this vast swath of the map, white Southerners extended the institution of African American chattel slavery while also defending systems of Native American bondage. This surprising history uncovers the Old South in unexpected places, far west of the cotton fields and sugar plantations that exemplify the region"--
    Description / Table of Contents: The Southern dream of a Pacific empire -- The great slavery road -- The lesser slavery road -- The southernization of antebellum California -- Slavery in the Desert South -- The continental crisis of the Union -- West of the Confederacy -- Reconstruction and the afterlife of the continental South
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  • 5
    ISBN: 9781469660783 , 9781469660776
    Language: English
    Pages: xi, 222 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Fahey, John ; Fahey, John / 1939-2001 / Criticism and interpretation ; Guitarists / United States ; Musicologists / United States ; Music / Social aspects / United States ; Music / Political aspects / United States ; Fahey, John / 1939-2001 ; Guitarists ; Music / Political aspects ; Music / Social aspects ; Musicologists ; United States ; Criticism, interpretation, etc ; Fahey, John 1939-2001
    Abstract: "For over sixty years, American guitarist John Fahey (1939-2001) has been a storied figure, first within the folk and blues revival of the long 1960s, later for fans of alternative music. Mythologizing himself as Blind Joe Death, Fahey crudely parodied white middle-class fascination with African American blues, including his own. In this book, George Henderson mines Fahey's parallel careers as essayist, notorious liner note stylist, musicologist, and fabulist for the first time. These vocations, inspired originally by Cold War educators' injunction to creatively express rather than suppress feelings, took utterly idiosyncratic and prescient turns"--
    Description / Table of Contents: Manufacturing discontent -- The puberty of political economy, or communism -- The politics of the songster -- The great liner note breakdown -- Performance as war -- Some music. Some dancing. Some unusual intermingling
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  • 6
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663364 , 1469663368
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Critical indigeneities
    Keywords: Canton Asylum for Insane Indians History ; Canton Asylum for Insane Indians ; Indians, Treatment of ; Indians of North America Biography ; Inmates of institutions Biography ; Indians of North America Government relations 1869-1934 ; Inmates of institutions ; Indians, Treatment of ; Indians of North America ; Government relations ; Indians of North America ; HISTORY / United States / 20th Century ; History ; Biographies ; United States ; North America
    Abstract: "In 1898, Congress passed a bill creating the only 'institution for insane Indians' in the country. The Canton Indian Insane Asylum in South Dakota (sometimes called the Hiawatha Insane Asylum) opened for the reception of patients in 1903. Not long after it opened, a 1927 investigation conducted by the Bureau of Indian Affairs determined that many of the patients were not mentally ill in any clinical sense. Many Native Americans had been institutionalized for alcoholism, opposing government or business interests, or being culturally misunderstood. Nevertheless, more than 350 patients from 53 Native nations were detained at Canton, many of them relatives across generations. Conditions at the institution were dire; at least 121 of these patients died while there. In 1934, just 31 years after it accepted its first patient, Canton was closed and its story largely forgotten. In Committed, Susan Burch resurrects this history through the stories of individuals detained at Canton Asylum, told to her by their relatives, the asylum's staff, and the town's residents during this time"--
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  • 7
    Online Resource
    Online Resource
    Williamsburg, Virginial : Omohundro Institute of Early American History & Culture | Chapel Hill : University of North Carolina Press | Williamsburg, Virginia : Omohundro Institute of Early American History and Culture
    ISBN: 9781469664835
    Language: English
    Pages: 1 Online-Ressource (354 Seiten)
    Series Statement: Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press Ser.
    Parallel Title: Erscheint auch als Seeley, Samantha Race, removal, and the right to remain
    DDC: 304.8097309033
    Keywords: African Americans ; Relocation ; Forced migration ; Indians of North America ; Relocation ; Migration, Internal ; Race relations ; History ; Electronic books ; United States
    Abstract: Removal and the British Empire -- "The Whole Debt of the Nation" : Removal in Indian Country -- "A Great Road Cut" : Pursing the Right to Remain in the Ohio Valley -- The Tools of "Civilization" : Restricting Migration in the West -- "A Good Citizen of the Whole World" : Colonization in the Era of Gradual Emancipation -- "Shut Every State against Him" : Restricting Migration between the States -- "To Sunder Every Tie" : Pursuing the Right to Remain in the Upper South -- The Age of Removal -- Conclusion: The Power of Figuring.
    Abstract: "This work explores the conflicts over migration at the center of the social, political, intellectual, and physical landscape of the early United States. Examining the voluntary and forced migrations of Indigenous, African American, and Anglo Americans in the decades immediately following the Revolution, Samantha Seeley argues that the United States took shape as a white republic through contentious negotiations over who could move and where, who could remain and how. Removal was not sweeping, top-down federal legislation. Instead, it was a battle fought on multiple fronts. It encompassed tribal leaders' attempts to expel white settlers from Native lands and African Americans' legal battles to remain within states that sought to drive them out. National in scope, the book is grounded in a close examination of Virginia, Maryland, Delaware, Pennsylvania, Kentucky, Ohio, Indiana, Illinois, and Missouri--states poised between the edges of slavery and freedom where removal was both warmly embraced and hotly contested"--
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  • 8
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 1469655608 , 1469655594 , 9781469655604 , 9781469655598
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studies in United States culture
    Parallel Title: Erscheint auch als Carico, Aaron Black market
    DDC: 306.3/620973
    Keywords: Freedmen Social conditions ; Freedmen Economic conditions ; Slavery Economic aspects ; Black market ; Black market ; Freedmen ; Economic conditions ; Freedmen ; Social conditions ; Slavery ; Economic aspects ; SOCIAL SCIENCE / Slavery ; United States
    Abstract: "By 1860, the value of the slave population in the United States exceeded $3 billion--triple that of investments nationwide in factories, railroads, and banks combined, and worth more even than the South's lucrative farmland. The slave was not only a commodity to be traded but also a kind of currency and the basis for a range of credit relations. But the value associated with slavery was not destroyed in the Civil War. In Black Market, Aaron Carico reveals how the slave commodity survived emancipation, arguing that the enslaved person--understood here in legal, economic, social, and embodied contexts--still operated as an indispensable form of value in national culture. Carico explains how a radically incomplete--and fundamentally failed--abolition enabled the emergence of a modern nation-state, in which slavery still determined--and now goes on to determine--economic, political, and cultural life"--
    Abstract: Cover -- Contents -- Introduction: The Unabolished -- Chapter One. Freedom as Accumulation -- Chapter Two. The Spectacle of Free Black Personhood -- Chapter Three. Cowboys and Slaves -- Chapter Four. Southern Enclosure as American Literature -- Conclusion: In the Trap -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W
    Note: Includes bibliographical references and index
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