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  • 1
    Buch
    Buch
    A bibliography of North American folklore and folksong (1961-)
    New York : Dover Publications
    Details
    Sprache: Englisch
    Seiten: 25 cm
    Ausgabe: 2. rev. ed
    DDC: 016.398
    RVK:
    LP 10010
    Schlagwort(e): Folklore Bibliography ; United States ; African Americans Folklore ; Bibliography ; Indians of North America Folklore ; Bibliography ; Folk songs Bibliography ; United States ; Folk songs Bibliography ; History and criticism ; United States ; Afro-Americans Music ; Bibliography ; Afro-Americans Music ; Bibliography ; History and criticism ; Indians of North America Music ; Bibliography ; Indians of North America Music ; Bibliography ; History and criticism ; Bibliografie ; Nordamerika ; Folksong ; Nordamerika ; Volkskultur ; Nordamerika ; Indianer ; Eskimo ; Folksong ; Volkskultur
    Anmerkung: The first ed. of this work appeared in one vol
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Buch
    Ethn. Museum Berlin
  • 2
    Bild
    Bild
    Jimi Hendrix : the Nordic concerts 1967-1970 : rare and unseen images (2019)
    Copenhagen : Flying V Books
    Details
    ISBN: 9788797078013 , 8797078018
    Sprache: Englisch
    Seiten: 176 Seiten , Illustrationen , 28 cm
    Serie: Unseen Nordic archives
    RVK:
    LS 48040
    Schlagwort(e): Hendrix, Jimi Pictorial works ; Hendrix, Jimi ; Rock musicians Biography ; Rock musicians ; Biographies ; Illustrated works ; Pictorial works ; Biographies ; Illustrated works ; United States
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Bild
    BSZ
  • 3
    Online-Ressource
    Online-Ressource
    Jewish religious music in nineteenth-century America : restoring the synagogue soundtrack (2019)
    Bloomington, Indiana : Indiana University Press
    Details
    ISBN: 9780253040244
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 309 Seiten) , Illustrationen, Noten
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    LS 33200
    Schlagwort(e): Geschichte 1800-1900 ; Juden ; Kirchenmusikpflege ; Synagoge ; USA ; Jews / United States / Music / History and criticism ; Synagogue music / United States / 19th century / History and criticism ; Jews / Music ; Synagogue music ; United States ; 1800-1899 ; Criticism, interpretation, etc ; USA ; Juden ; Synagoge ; Kirchenmusikpflege ; Geschichte 1800-1900
    Beschreibung / Inhaltsverzeichnis: Early strata : of choirs and reform through the mid-nineteenth century -- The sound of German Jewry : hymnals and singing societies in Wilhelm Fischer's zemirot -- Yisrael -- Bildungsmusik : G.M. Cohen, B'nai B'rith, and the voices of American Jewish cultivation -- Musical populists : G.S. Ensel, Simon Hecht, and the quest for the singing congregation -- The 1866 Sulzerfeier : the Viennese model and the grandeur of the urban worship -- A new cantor, a new repertoire : zimrath yah -- The path to the union hymnal -- Conclusion : restoring the soundtrack of Jewish life in nineteenth-century America
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    Würzburg UB
    BVB
  • 4
    Online-Ressource
    Online-Ressource
    Mahalia Jackson and the black gospel field (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190634933
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
    RVK:
    LS 48400
    RVK:
    LS 48040
    Schlagwort(e): Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Kurzfassung: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
    DOI: 10.1093/oso/9780190634902.001.0001
    URL: Volltext
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    BSZ
  • 5
    Buch
    Buch
    Homeland insecurity : a hip hop missiology for the post-Civil Rights context (2018)
    Downers Grove, IL : IVP Academic
    Details
    ISBN: 9780830851812 , 083085181X
    Sprache: Englisch
    Seiten: xv, 286 Seiten , Illustrationen , 23 cm
    Paralleltitel: Erscheint auch als Hodge, Daniel White, 1974- Homeland insecurity
    RVK:
    LS 48650
    Schlagwort(e): Christianity and culture ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Missions ; Hip-hop Aspect religieux ; Christianisme ; Noirs américains Religion ; Hip-hop Religious aspects ; Christianity ; African Americans Religion ; Christianity and culture ; Missions ; United States
    Kurzfassung: "Homeland Insecurity is Hodge's finest book to date, a must-read for anyone - especially white Christians of any political persiasion - who find themselves working in and with black and brown communities." -- Back cover
    Kurzfassung: North American domestic missions are now situated in a complex landscape of changing faith, ethnic diversity, and racial unrest. But most missiological approaches continue under colonialist assumptions and lack the cultural competency to navigate new realities. Missiologist Daniel White Hodge explores the contours of post-civil rights contexts and focuses on Hip Hop theology as a framework for radical engagement of emerging adult populations. He critiques the impaired missiology of imperialist and white supremacist approaches to modern urban and short-term missions. With keen cultural exegesis of the wild, he explores the contours of a more contextualized Hip Hop Jesus. Reexamining the importance of race and ethnicity in mission, Hodge offers theological space for protest and social disruption and suggests conceptual models for domestic missions within a growing multiethnic demographic. Grounded in Hip Hop studies and youth ministry, Hodge constructs a hybridity of lived missiology where dissent and disruption open new possibilities for Christian faith in the twenty-first century. -- ‡c From publisher's description
    Anmerkung: Bibliographie: Seite 269-286
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    Buch
    HeBIS
  • 6
    Online-Ressource
    Online-Ressource
    Forces in motion : Anthony Braxton and the meta-reality of creative music : interviews and tour notes, England 1985 (2018)
    Mineola, New York : Dover Publications Inc.
    Details
    ISBN: 9780486832623
    Sprache: Englisch
    Seiten: 1 Online-Ressource (467 Seiten)
    Paralleltitel: Erscheint auch als Lock, Graham Forces in Motion : Anthony Braxton and the Meta-reality of Creative Music: Interviews and Tour Notes, England 1985
    RVK:
    LS 48100
    Schlagwort(e): Braxton, Anthony ; Braxton, Anthony ; Jazz musicians Biography ; Composers Biography ; Jazz musicians ; MUSIC ; Instruction & Study ; Theory ; Biographies ; Composers ; United States ; Braxton, Anthony 1945- ; Geschichte 1985
    Kurzfassung: Based on interviews from a 1985 tour, this book profiles one of jazz's most important figures. Anthony Braxton discusses the expression of his musical visions and related ethical, political, and spiritual beliefs. ""Absolutely essential reading.""--The Wire
    Anmerkung: Includes bibliographical references (pages 411-415) and index
    URL: lizenzpflichtig
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    BSZ
  • 7
    Buch
    Buch
    Al Schmitt on the record : the magic behind the music (2018)
    Lanham : Rowman & Littlefield Publishers
    Details
    ISBN: 1538137666 , 9781538137666
    Sprache: Englisch
    Seiten: xi, 218 Seiten , Illustrationen , 23 cm
    DDC: 781.49092
    RVK:
    LS 48040
    Schlagwort(e): Schmitt, Al ; Sound recording executives and producers Biography ; Sound recording executives and producers ; Autobiographies ; Biographies ; Autobiographies ; Autobiographies ; United States ; Autobiography
    Anmerkung: Includes bibliographical references (pages 205-210) and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Buch
    BSZ
  • 8
    Online-Ressource
    Online-Ressource
    Singing the congregation : how contemporary worship music forms evangelical community (2018)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190499679
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 253 Seiten)
    Suppl.: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Paralleltitel: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    LS 20525
    Schlagwort(e): Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Kurzfassung: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
    DOI: 10.1093/oso/9780190499631.001.0001
    URL: Volltext
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    Online-Ressource
    BSZ
  • 9
    Online-Ressource
    Online-Ressource
    The race of sound : listening, timbre, and vocality in African American music (2018)
    Durham : Duke University Press
    Details
    ISBN: 9780822372646 , 0822372649
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Serie: Refiguring American music
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    LS 48015
    Schlagwort(e): Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Klang ; Afroamerikanische Musik ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Anmerkung: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    DOI: 10.1215/9780822372646
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    HeBIS
    BVB
    Bayreuth UB
  • 10
    Buch
    Buch
    British invasion : the crosscurrents of musical influence (2017)
    Lanham :Rowman & Littlefield,
    Details
    ISBN: 978-0-8108-9504-1
    Sprache: Englisch
    Seiten: XXXII, 171 Seiten ; , 24 cm.
    DDC: 781.6609410973
    RVK:
    NQ 5840
    RVK:
    LS 48060
    Schlagwort(e): Geschichte 1960-1970 ; Rock music / United States / 1961-1970 / History and criticism ; Rock music / Great Britain / 1961-1970 / History and criticism ; Rock music ; Popmusik. ; Rezeption. ; Great Britain ; United States ; Großbritannien ; USA ; Großbritannien. ; USA. ; Popmusik ; Rezeption ; Geschichte 1960-1970
    Anmerkung: Includes bibliographical references and index. - First published in hardback 2015
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    Buch
    KOBV
  • 11
    Buch
    Buch
    Vaudeville melodies : popular musicians and mass entertainment in American culture, 1870-1929 (2017)
    Chicago : The University of Chicago Press
    Details
    ISBN: 022644869X , 9780226448558 , 9780226448695
    Sprache: Englisch
    Seiten: xii, 179 Seiten , 23 cm
    Paralleltitel: Erscheint auch als Gebhardt, Nicholas Vaudeville melodies
    DDC: 792.70973
    RVK:
    LQ 89306
    RVK:
    LC 87610
    Schlagwort(e): Vaudeville ; Revues ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Revues ; Vaudeville ; United States ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929 ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929
    Kurzfassung: That's entertainment -- There's no business like show business -- Rites of passage -- Elementary structures -- Show me the money -- On with the show -- In search of an audience -- Vaudeville melodies -- Nothing succeeds like success -- Applause
    Anmerkung: Mit Bibliographie (Seiten 163-172) und Register
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Buch
    Ethn. Museum Berlin
  • 12
    Online-Ressource
    Online-Ressource
    Blackface nation : race, reform, and identity in American popular music, 1812-1925 (2017)
    Chicago : The University of Chicago Press
    Details
    ISBN: 022645178X , 9780226451787
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 online resource)
    Paralleltitel: Erscheint auch als Roberts, Brian, 1957- Blackface nation
    DDC: 781.64089/96073
    RVK:
    LS 22525
    Schlagwort(e): Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; African Americans Music ; History and criticism ; MUSIC ; Instruction & Study ; Theory ; African Americans ; Music ; Minstrel music ; Music and race ; Popular music ; Schwarze ; Ethnische Identität ; Afroamerikanische Musik ; Mittelstand ; Criticism, interpretation, etc ; History ; United States
    Kurzfassung: 1. Carnival -- 2. The Vulgar Republic -- 3. Jim Crow's Genuine Audience -- 4. Black Song -- 5. Meet the Hutchinsons -- 6. Love Crimes -- 7. The Middle-Class Moment -- 8. Culture Wars -- 9. Black America -- 10. Conclusion: Musical without End.
    Kurzfassung: As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in 'Blackface Nation', this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. The Hutchinson Family Singers, the Northeast's most popular middle-class singing group during the mid-nineteenth century, are perhaps the best example of the first strain of music. The group's songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women's rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America's consumer culture while the Hutchinsons' songs were increasingly regarded as old-fashioned
    Anmerkung: Includes bibliographical references and index
    URL: lizenzpflichtig
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    München BSB
    BSZ
    BVB
  • 13
    Online-Ressource
    Online-Ressource
    The Miles Davis Lost Quintet : and other revolutionary ensembles (2016)
    Chicago : University of Chicago Press
    Details
    ISBN: 022630339X , 9780226303390
    Sprache: Englisch
    Seiten: 1 Online-Ressource (1 online resource)
    Paralleltitel: Erscheint auch als Gluck, Bob Miles Davis Lost Quintet
    DDC: 785/.32195165
    RVK:
    LS 48100
    Schlagwort(e): Davis, Miles ; Davis, Miles ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Jazz History and criticism 1961-1970 ; MUSIC ; Genres & Styles ; Chamber ; Jazz ; Jazz musicians ; Avantgarde ; Quintett ; Elektronische Musik ; Rock-Jazz ; Biographies ; Criticism, interpretation, etc ; United States
    Kurzfassung: Miles Davis's 'Bitches Brew' is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. Here, jazz historian and musician Bob Gluck explores the performances of this revolutionary group, to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in
    Kurzfassung: Miles goes electric -- "Bitches brew," in the studio and on the road -- Anthony Braxton : Leroy Jenkins, Musica Elettronica Viva, and the "Peace Church" concert -- Interlude : musical rumblings in Chelsea -- Miles Davis's increasingly electric 1970, and a reflection on his 1971-75 bands -- Circle -- The Revolutionary Ensemble -- Ornette Coleman's children : comparisons and contrasts inside and outside the jazz economy.
    Anmerkung: Includes bibliographical references and index
    URL: lizenzpflichtig
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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    Online-Ressource
    BSZ
    KOBV
  • 14
    Buch
    Buch
    Grunge : music and memory (2016)
    London : Routledge
    Details
    ISBN: 9781409423768 , 140942376X
    Sprache: Englisch
    Seiten: 179 Seiten , Illustrationen , 24 cm
    Serie: An Ashgate book
    Serie: Ashgate popular and folk music series
    DDC: 781.66
    RVK:
    LS 48635
    Schlagwort(e): Grunge music ; Social aspects ; United States
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    Buch
    BSZ
  • 15
    Buch
    Buch
    Real love, no drama : the music of Mary J. Blige (2016)
    Austin : University of Texas Press
    Details
    ISBN: 9780292759435
    Sprache: Englisch
    Seiten: viii, 198 Seiten , Illustrationen, Porträts , 23 cm
    Ausgabe: First edition
    Serie: American music series
    DDC: 782.421643092
    RVK:
    LS 48040
    Schlagwort(e): Blige, Mary J. ; Blige, Mary J. ; Blige, Mary J. ; African American women singers / United States / Biography ; Soul musicians / United States / Biography ; Sound recording executives and producers / United States / Biography ; Rap musicians / United States / Biography ; Rhythm and blues musicians / United States / Biography ; Gospel musicians / United States / Biography ; African American actresses / United States / Biography ; African American actresses ; African American women singers ; Gospel musicians ; Rap musicians ; Rhythm and blues musicians ; Soul musicians ; Sound recording executives and producers ; United States ; USA ; Biografie ; Biografie ; Biografie ; Blige, Mary J. 1971-
    Kurzfassung: Mary J. Blige is an icon who represents the political consciousness of hip hop and the historical promise of soul. She is an everywoman, celebrated by Oprah Winfrey and beloved by pop music fans of all ages and races. Blige has sold over fifty million albums, won numerous Grammys, and even played at multiple White House events, as well as the 2013 Nobel Peace Prize ceremony. Displaying astonishing range and versatility, she has recorded everything from Broadway standards to Led Zeppelin anthems and worked with some of popular music's greatest artists-Aretha Franklin, Eric Clapton, Elton John, Whitney Houston, Sting, U2, and Beyonce, among them. Real Love, No Drama: The Music of Mary J. Blige tells the story of one of the most important artists in pop music history. Danny Alexander follows the whole arc of Blige's career, from her first album, which heralded the birth of "hip hop soul," to her critically praised 2014 album, The London Sessions. He highlights the fact that Blige was part of the historically unprecedented movement of black women onto pop radio and explores how she and other women took control of their careers and used their music to give voice to women's (and men's) everyday struggles and dreams. This book adds immensely to the story of both black women artists and artists rooted in hip hop and pays tribute to a musician who, by expanding her reach and asking tough questions about how music can and should evolve, has proven herself an artistic visionary. - Beginning his career about the same time Mary J. Blige signed her first record deal, music journalist Danny Alexander has worked as an associate editor for Dave Marsh's music newsletter Rock & Rap Confidential and covered rock, hip hop, and soul for various publications. He is the author of "Liner Notes: Soul Asylum". He lives in Overland Park, Kansas
    Beschreibung / Inhaltsverzeichnis: 〈〈The〉〉 artist of a generation -- The slow bomb -- Ladies, ladies, it is our turn -- Uptown -- What's the 411? -- Changes I've been going through -- Hip hop a go-go -- My life -- Natural woman -- Share my world -- On the road with MJB : Alyson Williams -- The tour -- Sisters in the studio : Channette and Channoah Higgens -- Mary, the album -- No more drama -- Love & life -- Live from Los Angeles -- Message in our music -- The breakthrough -- Growing pains -- Stronger with each tear -- Hard times come again no more -- My life II : the journey continues (act 1) -- A Mary Christmas -- Think like a man too -- The London sessions -- Being with you
    Anmerkung: Includes bibliographical references and discography
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    Buch
    KOBV
    BVB
    Bayreuth UB
  • 16
    Buch
    Buch
    The North American folk music revival : nation and identity in the United States and Canada, 1945-1980 (2016)
    London : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781138278240
    Sprache: Englisch
    Seiten: 222 Seiten
    Ausgabe: First issued in paperback
    Serie: Ashgate popular and folk music series
    Serie: An Ashgate book
    DDC: 781.621009045
    RVK:
    LS 22525
    Schlagwort(e): Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; USA ; Kanada ; Folk music ; Revival ; Geschichte 1945-1980
    Kurzfassung: Defining the people's songs : national identity and the origins of the North American folk revival to 1958 -- Visions of diversity : cultural pluralism and the great boom of the folk revival, 1958-1965 -- Folk music and community in the village : Greenwich Village and Yorkville in the sixties -- The post-revival folk : Canadian dreams and American nightmares in the late 1960s and 1970s -- Folk since the seventies : diversity and insularity
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 187-207. - Diskografie: Seite 209-210
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    Buch
    BSZ
    GBV
  • 17
    Buch
    Buch
    Yodeling and meaning in American music (2016)
    Jackson : University Press of Mississippi
    Details
    ISBN: 9781496805805
    Sprache: Englisch
    Seiten: viii, 272 Seiten
    Ausgabe: First printing
    Serie: American made music series
    Paralleltitel: Online version Wise, Timothy E., author Yodeling and meaning in American music
    DDC: 782.00973
    RVK:
    LS 21980
    Schlagwort(e): Popular music History and criticism ; United States ; Yodeling ; Country music History and criticism ; Mountain people in popular culture ; Cowboys in popular culture ; Humor in music ; Country music ; Cowboys in popular culture ; Humor in music ; Mountain people in popular culture ; Popular music ; Yodeling United States ; USA ; Jodeln ; Geschichte
    Kurzfassung: Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
    Anmerkung: Includes bibliographical references (pages 233-245) and index , 1.Classifying Yodeled Effects in Popular Music Yodel Species , 2.Yodel Sign and Yodel Idea in Nineteenth-Century Art Music , 3.Yodeling in Nineteenth-Century Vocal Music , 4.Americanizing the Yodel , 5.Jimmie Rodgers and the Hillbilly Yodel , 6.Cowboys and Yodeling , 7.The Vicissitudes of a Musical Sign How the Yodel Became a Joke
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    More songwriters on songwriting (2016)
    Boston, MA : Da Capo Press
    Details
    ISBN: 9780306817991
    Sprache: Englisch
    Seiten: xiv, 658 Seiten
    Ausgabe: First Da Capo Press edition
    DDC: 782.42/13
    RVK:
    LS 48000
    Schlagwort(e): Composers Interviews ; Lyricists Interviews ; Popular music History and criticism ; AVS ; MUS038000 ; Individual composers & musicians, specific bands & groups ; United States ; Popular music ; Interviews ; Popular music - United States - History and criticism ; Composers ; Composers - United States ; Lyricists - United States ; Lyricists ; Criticism, interpretation, etc ; Songwriting ; Geschichte
    Kurzfassung: Marjorie Guthrie. On Woody Guthrie -- Jerry Leiber and Mike Stoller. A bridge built on the blues -- Richard Sherman. Writing songs for Disney -- Jeff Barry. River deep mountain high -- Paul Anka. From "Diana" to "My way" -- Kenny Gamble. Inventing the Philly sound -- Norman Whitfield. Through the grapevine -- Loretta Lynn. Songs from Butcher Holler -- Sheldon Harnick. Of Fiddlers on the roof -- Peter, Paul and Mary. The power of song -- Herbie Hancock. On a journey of jazz -- John Stewart. Daydream believing -- John Sebastian. A Loving Spoonful -- Gene Clark. Still the Byrds -- Stephen Stills. The one you're with -- Paul Simon. Love and hard times -- Ringo Starr. The Beatles and beyond -- Brian Wilson. Beyond the Beach Boys -- Kris Kristofferson. Another word for freedom -- Bernie Taupin. Writing with Elton -- Paul Williams. Only just begun -- Maurice White. Inside Earth, Wind & Fire -- Bryan Ferry. Of Roxy Music -- Elvis Costello. A man out of time -- Joe Jackson. Night and day -- Rickie Lee Jones. Flying with the cowboys -- Daryl Hall. Of Sacred songs -- Patti Smith. Still Dancing barefoot -- Chrissie Hynde. On the chain gang -- John Prine. Mailman of miracles -- Michael Smith. Tulips beneath the snow -- Dave Stewart. Eurythmics and beyond -- Joan Armatrading. Walking under ladders -- Chris Difford and Glenn Tilbrook. Being Squeeze -- Aimee Mann. On memory lane -- James Taylor. The secret o' songwriting -- Randy Newman. The world isn't fair -- Alice Cooper. Inventing Alice -- Donald Fagen. Being Steely Dan -- Jorge Calderon. On writing with Zevon -- Don McLean. American pie and beyond -- Richard Thompson. Inside the beeswing -- Rob Zombie. Doing the impossible -- Jo Henry. With Blood from stars -- Sia. On a Chandelier -- Matisyahu. Darkness into light
    Anmerkung: Includes bibliographical references and index
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  • 19
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    Born to run (2016)
    London : Simon & Schuster
    Details
    ISBN: 9781471157790
    Sprache: Englisch
    Seiten: 510 Seiten , Illustrationen
    Ausgabe: First published
    RVK:
    LS 48040
    RVK:
    LP 95900
    Schlagwort(e): Springsteen, Bruce ; Rock musicians Biography ; United States
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  • 20
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    American popular music in Britain's Raj (2016)
    Rochester, NY : University of Rochester Press
    Details
    ISBN: 9781580465489 , 158046548X
    Sprache: Englisch
    Seiten: x, 242 Seiten , Illustrationen , 24 cm
    Serie: Eastman studies in music v. 131
    Serie: Eastman studies in music
    DDC: 781.640973/0954
    RVK:
    LS 48000
    RVK:
    LS 48015
    Schlagwort(e): Popular music History and criticism ; Popular music History and criticism ; Popular music American influences ; African American musicians ; Popular music History and criticism ; India ; Popular music History and criticism ; United States ; Popular music American influences ; India ; African American musicians India ; African American musicians ; Popular music ; Popular music American influences ; India ; United States ; Criticism, interpretation, etc ; Popmusik ; USA ; Britisch-Indien ; Afroamerikanische Musik
    Kurzfassung: Introduction -- Entertainment globalization, 1850s to 1910s -- Technologies, exoticism, and entrepreneurs, 1920s and 1930s -- Calcutta in the war -- The case of Lucknow -- Cabaret sequences in Hindi films -- Afterword
    Beschreibung / Inhaltsverzeichnis: Entertainment globalization, 1850s to 1910sTechnologies, exoticism, and entrepreneurs, 1920s and 1930s -- Calcutta in the war -- The case of Lucknow -- Cabaret sequences in Hindi films.
    Anmerkung: Series numbering from CIP data , Includes bibliographical references (pages 205-227), filmography (pages 229-230), discography (page 230) and index , Entertainment globalization, 1850s to 1910s , Technologies, exoticism, and entrepreneurs, 1920s and 1930s , Calcutta in the war , The case of Lucknow , Cabaret sequences in Hindi films
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 21
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    Sounding race in rap songs (2015)
    Oakland, California : University of California Press
    Details
    ISBN: 0520283988 , 0520283996 , 9780520283985 , 9780520283992
    Sprache: Englisch
    Seiten: xi, 205 Seiten , Illustrationen , 23 cm
    Ausgabe: First edition
    DDC: 782.421649
    RVK:
    LS 48650
    Schlagwort(e): Rap (Music) Social aspects ; Music and race ; Race awareness ; Racism in popular culture ; Rap (Music) Social aspects ; United States ; Music and race ; Race awareness United States ; Racism in popular culture United States ; USA ; Rap ; Hip-Hop ; Ethnische Identität
    Kurzfassung: "As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond"--Provided by publisher
    Beschreibung / Inhaltsverzeichnis: "Rapper's delight" : from genre-less to new genre"Rebel without a pause" : public enemy revolutionizes the break -- "Let me ride" : gangsta rap's drive into the popular mainstream -- "My name is" : signifying whiteness, rearticulating race -- Conclusion : sounding race in the twenty-first century.
    Anmerkung: Includes bibliographical references (pages 183-191), discography (pages 179-180), filmography (page 181), and index
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    Ethn. Museum Berlin
  • 22
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    Real men don't sing : crooning in American culture (2015)
    Durham : Duke University Press
    Details
    ISBN: 9780822359173 , 9780822359364
    Sprache: Englisch
    Seiten: xiv, 429 Seiten , Illustrationen , 24 cm
    Serie: Refiguring American music
    DDC: 782.421640811
    RVK:
    HD 375
    RVK:
    LS 48615
    RVK:
    LS 48050
    Schlagwort(e): Crooning ; Male singers United States ; Popular music History and criticism ; 1921-1930 ; United States ; Popular music History and criticism ; 1931-1940 ; United States ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940
    Kurzfassung: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond)
    Beschreibung / Inhaltsverzeichnis: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond).
    Anmerkung: Formerly CIP. - Includes bibliographical references and index
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  • 23
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    Bitches Brew / (2015)
    New York :Bloomsbury Academic,
    Details
    ISBN: 1-62892-943-X , 978-1-62892-943-0
    Sprache: Englisch
    Seiten: xvii, 129 Seiten ; , 17 cm.
    Serie: 33 1/3 110
    Serie: 33 1/3
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    LS 48040
    Schlagwort(e): Davis, Miles / Bitches brew ; Davis, Miles / Criticism and interpretation ; Davis, Miles ; Bitches brew (Davis, Miles) ; Jazz musicians / United States / Biography ; Jazz / History and criticism ; Jazz ; Jazz musicians ; United States ; USA ; Biografie
    Kurzfassung: It was 1969, and Miles Davis, prince of cool, was on the edge of being left behind by a dynamic generation of young musicians, an important handful of whom had been in his band. Rock music was flying off in every direction, just as America itself seemed about to split at its seams. Following the circumscribed grooves and ambiance of In A Silent Way; coming off a tour with a burning new quintet-called 'The Lost Band'-with Wayne Shorter, Chick Corea, Dave Holland and Jack DeJohnette; he went into the studio with musicians like frighteningly talented guitarist John McLaughlin, and soulful Austrian keyboardist Joe Zawinul. Working with his essential producer, Teo Macero, Miles set a cauldron of ideas loose while the tapes rolled. At the end, there was the newly minted Prince of Darkness, a completely new way forward for jazz and rock, and the endless brilliance and depth of Bitches Brew. --Publisher's description
    Anmerkung: Hier auch später erschienene, unveränderte Nachdrucke
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  • 24
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    Dreams to remember : Otis Redding, Stax Records, and the transformation of Southern soul (2015)
    New York [u.a.] :Liveright publ.,
    Details
    Sprache: Englisch
    Seiten: XXIX, 365 S., [4] Bl. : , Ill.
    Ausgabe: 1. ed.
    RVK:
    LS 48040
    Schlagwort(e): Redding, Otis / 1941-1967 ; Redding, Otis / 1941-1967 ; Soul musicians / United States / Biography ; Soul music / History and criticism ; Soul music ; Soul musicians ; United States ; USA ; Biografie
    Kurzfassung: "A soul icon and the southern music he helped popularize come to life in this moving requiem,"--Amazon.com
    Anmerkung: Includes bibliographical references (pages 315-337) and index. - Introduction : The Big O -- Prologue : "It was music" -- Son of a preacher man -- Heebie jeebies -- Rockin' Redding -- "It's something called soul" -- "A lousy singer" -- "Wait, we got time for another kid" -- Chops like a wolf -- Turning the knife -- The King of Soul -- Just one more day -- Crossing over -- The whole damn body -- Making the white feel black -- "The only son-of-a-gun this side of the sun" -- London calling -- Peace, love, and Otis Redding -- Hard to handle -- "So I guess I'll remain the same" -- Amen -- Epilogue : "Wouldn't that have been somethin'?"
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  • 25
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    The lizard king : the essential Jim Morrison (2015)
    London : Plexus
    Details
    ISBN: 9780859654401 , 0859654400
    Sprache: Englisch
    Seiten: 299 Seiten , Illustrationen , 23 cm
    Ausgabe: Revised and updated
    DDC: 782.42166092
    RVK:
    LS 48040
    Schlagwort(e): Morrison, Jim Interviews ; Morrison, Jim - 1943-1971 ; Doors (Musical group) ; Doors (Musical group) ; Rock musicians Biography ; Rock musicians Death ; Musiciens rock - États-Unis - Biographies ; Musiciens rock - États-Unis - Mort ; Rock musicians ; Rock musicians - Death ; Biographies ; Interviews ; United States
    Beschreibung / Inhaltsverzeichnis: The biography. The child ; The scholar ; The poet ; The rock star ; The drunk ; The exile ; Weird scenes ; Inside goldmine -- The Interviews. Los Angeles Free Press, John Carpenter, Summer 1968 ; WNET-TV Critique, Richard Goldstein, Spring 1969 ; Rolling Stone, Jerry Hopkins, Spring 1969 ; Zigzag, John Tobler, Autumn 1970 ; Circus, Salli Stevenson, Winter 1970 ; Los Angeles Free Press, Bob Chorush, Spring 1971 ; Rolling Stone, Ben Fong-Torres, Spring 1971 ; Creem, Lizze James, Autumn 1969 ; The Village Voice, Howard Smith, Winter 1970 -- Last words.
    Anmerkung: Previous edition: 2010, 2006
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  • 26
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    Dig that beat! : interviews with musicians at the root of rock 'n' roll (2015)
    Jefferson, North Carolina :McFarland & Company, Inc., Publishers,
    Details
    ISBN: 978-0-7864-7446-2
    Sprache: Englisch
    Seiten: X, 234 Seiten : , Illustrationen ; , 26 cm.
    RVK:
    LS 48630
    Schlagwort(e): Rhythm and blues musicians / United States / Biography ; Rockabilly musicians / United States / Biography ; Country musicians / United States / Biography ; Rock musicians / United States / Biography ; Musicians / United States / Interviews ; Country musicians ; Musicians ; Rhythm and blues musicians ; Rock musicians ; Rockabilly musicians ; United States ; USA ; Biografie
    Kurzfassung: "Disc jockey Alan Freed coined the term "rock and roll" in the 1950s. Rock and roll's originators and revivalists continue to entertain crowds at roots music festivals worldwide. This book presents stories about performers' lives on the road and in the studio, along with the stories behind popular songs. Informative biographical profiles are provided"--
    Beschreibung / Inhaltsverzeichnis: Includes bibliographical references and index
    Beschreibung / Inhaltsverzeichnis: Rhythm and blues and Doo-wop legends -- Rockabilly pioneers -- Sun stars -- Country hit makers -- Pop sensations -- Roots revivalists -- International rockabilly performers
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  • 27
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    Requiem for the timeless (2014)
    [London] : Rogan House
    Details
    ISBN: 9780952954088 , 0952954087
    Sprache: Englisch
    Seiten: 1200 Seiten , Illustrationen , 24 cm
    Serie: Byrds Volume 1
    Serie: Rogan, Johnny Byrds.
    DDC: 782.421660922
    RVK:
    LS 48040
    Schlagwort(e): Byrds (Musical group) ; Rock groups ; United States ; Biography ; Rock musicians ; United States ; Biography
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  • 28
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    Lifting shadows : the authorized biography of Dream Theater (2013)
    [London] : Rocket 88
    Details
    ISBN: 9781906615581
    Sprache: Englisch
    Seiten: 349 pages , 22 cm
    Ausgabe: [Revised and updated edition]
    RVK:
    LS 48050
    Schlagwort(e): Dream Theater (Musical group) ; Dream Theater (Musical group) ; Dream Theater ; Geschichte ; Rock groups / United States / Biography ; Rock groups ; United States ; USA ; Biografie ; Dream Theater ; Geschichte
    Anmerkung: This book covers the band's history from the mid-1980s to today. This updated edition includes the departure of founding drummer Mike Portner and the search for his replacement
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  • 29
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    Music is my life : Louis Armstrong, autobiography, and American jazz (2012)
    Ann Arbor, MI : University of Michigan Press
    Details
    ISBN: 0472071807 , 0472051806 , 9780472071807 , 9780472051809
    Sprache: Englisch
    Seiten: VIII, 349 S. , Ill. , 24 cm
    Serie: Jazz perspectives
    Dissertationsvermerk: Zugl.: Göttingen, Univ., Diss., 2012
    DDC: 781.65092
    RVK:
    LS 48040
    RVK:
    LP 91180
    Schlagwort(e): Armstrong, Louis ; Jazz musicians Biography ; Jazz History and criticism ; Autobiography ; Armstrong, Louis, 1901-1971 ; Jazz musicians ; United States ; Biography ; Jazz ; History and criticism ; Autobiography ; Autobiografie ; Hochschulschrift ; Armstrong, Louis 1901-1971
    Beschreibung / Inhaltsverzeichnis: "Music is my life and I love to play": Louis Armstrong's jazz autobiographics -- "I have always been a great observer" : New Orleans musicking -- " I done forgot the words": versioning autobiography -- "Diddat come outa mee?" writing scat and typing swing -- "A happy go lucky sort of type of fellow": the productive ambiguities of minstrel sounding -- "He didn't need black face to be funny": the double resonance of postcolonial performance -- "My mission is music": Armstrong's cultural politics -- "What do you know about that?": final thoughts on 'Laughin' Louie.
    Anmerkung: Includes discography (p. 325-326), bibliographical references (p. 327-333) and index
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  • 30
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    Aesthetics of resistance : Charles Mingus and the civil rights movement (2012)
    Wien : Lit-Verl.
    Details
    ISBN: 9783643902542 , 3643902549
    Sprache: Englisch
    Seiten: 102 S. , Notenbeisp. , 21 cm
    Serie: MasteRResearch Bd. 4
    Serie: MasteRResearch
    DDC: 782.421592
    RVK:
    LS 48100
    Schlagwort(e): Mingus, Charles Criticism and interpretation ; Civil rights movements Songs and music ; History and criticism ; Protest songs History and criticism 20th century ; Music Social aspects 20th century ; History ; Civil rights movements ; Mingus, Charles, 1922-1979 ; Criticism and interpretation ; Civil rights movements ; United States ; Songs and music ; Protest songs ; United States ; 20th century ; History and criticism ; Music ; Social aspects ; United States ; History ; 20th century ; Civil rights movements ; United States ; Mingus, Charles 1922-1979 ; Jazz ; USA ; Bürgerrechtsbewegung ; Protestsong ; Geschichte 1950-1970
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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    She's so fine : reflections on whiteness, femininity, adolescence and class in 1960s music (2011)
    Farnham : Ashgate
    Details
    ISBN: 9781409436652 , 9781409400516
    Sprache: Englisch
    Seiten: xiv, 266 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Ausgabe: First published ind paperback
    Serie: Ashgate popular and folk music series
    DDC: 781.64082/09046
    RVK:
    LS 48015
    RVK:
    LR 56600
    RVK:
    LS 48000
    RVK:
    HD 402
    Schlagwort(e): Popular music History and criticism 1961-1970 ; Popular music History and criticism 1961-1970 ; Women singers ; Women singers ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Popular music ; United States ; 1961-1970 ; History and criticism ; Popular music ; Great Britain ; 1961-1970 ; History and criticism ; Women singers ; United States ; Women singers ; Great Britain ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Aufsatzsammlung ; USA ; Großbritannien ; Popmusik ; Sängerin ; Geschichte 1960-1970 ; USA ; Großbritannien ; Popmusik ; Weiblichkeit ; Geschlechterrolle ; Geschichte 1960-1970
    Anmerkung: Formerly CIP Uk. - Includes bibliographical references (p. [239]-249) and index
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    Creative license : the law and culture of digital sampling (2011)
    Durham, N.C. [u.a.] : Duke University Press
    Details
    ISBN: 9780822348641 , 9780822348757 , 0822348640 , 0822348756
    Sprache: Englisch
    Seiten: IX, 325 S , 23 cm
    DDC: 346.7304/82
    RVK:
    LR 57790
    Schlagwort(e): Copyright Music ; Sampler (Musical instrument) ; Plagiarism in music ; Copyright ; Music ; United States ; Sampler (Musical instrument) ; Plagiarism in music ; Sampling ; Urheberrecht
    Beschreibung / Inhaltsverzeichnis: The golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.
    Anmerkung: Formerly CIP Uk. - Includes bibliographical references (p. [303]-311) and index. - The golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform
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  • 33
    Online-Ressource
    Online-Ressource
    Prince : the making of a pop music phenomenon (2011)
    Farnham, Surrey : Ashgate
    Details
    ISBN: 9781283297479 , 9781315602134
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 195 Seiten)
    Paralleltitel: Erscheint auch als Hawkins, Stan Prince
    DDC: 781.66092
    RVK:
    LS 48040
    Schlagwort(e): Prince ; Criticism and interpretation ; Rock music ; United States ; History and criticism ; Verzeichnis ; Prince Musiker 1958-2016
    Anmerkung: Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 34
    Online-Ressource
    Online-Ressource
    The politics of post-9/11 music : sound, trauma, and the music industry in the time of terror (2011)
    Farnham, Surrey, England ;Burlington, VT : Ashgate Pub
    Details
    ISBN: 9781283318891 , 1409427854 , 128331889X , 9781409427858
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (xix, 211 p.)) , ill.
    Ausgabe: Online-Ausg.
    Ausgabe: 2013 Electronic reproduction; Available via World Wide Web
    Serie: Ashgate popular and folk music series
    Paralleltitel: Erscheint auch als The politics of post-9/11 music
    Paralleltitel: Erscheint auch als The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
    DDC: 781.64097309051
    RVK:
    LR 57728
    RVK:
    LS 48015
    Schlagwort(e): Popular music Political aspects ; United States ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Electronic books ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Popular music History and criticism 2001-2010 ; September 11 Terrorist Attacks, 2001 Influence ; Popular music Social aspects ; Popular music Political aspects ; USA ; Attentat ; Elfter September ; Rezeption ; Musikwissenschaften ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Attentat ; Elfter September ; Rezeption ; Popmusik ; Musikwirtschaft
    Kurzfassung: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music&quot
    Beschreibung / Inhaltsverzeichnis: Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
    Beschreibung / Inhaltsverzeichnis: 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
    Beschreibung / Inhaltsverzeichnis: 14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
    Anmerkung: Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record , Series from dust jacket , Electronic reproduction; Available via World Wide Web
    URL: Volltext
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    Experiments in a jazz aesthetic : art, activism, academia, and the Austin Project (2010)
    Austin, Tex. : Univ. of Texas Press
    Details
    ISBN: 9780292722040 , 9780292722873 , 0292722044 , 0292722877
    Sprache: Englisch
    Seiten: XIII, 376 S. , Ill. , 24 cm
    Serie: Louann Atkins Temple women & culture series
    DDC: 808.5/4
    RVK:
    LS 48200
    Schlagwort(e): Austin Project ; Creative writing Handbooks, manuals, etc ; Performance art Texts ; Performance poetry ; American poetry Women authors ; Music and literature ; African American aesthetics ; Performance art Social aspects ; Art and social action ; Performance poetry Handbooks, manuals, etc Authorship ; Austin Project ; Performance poetry ; Authorship ; Handbooks, manuals, etc ; Creative writing ; Handbooks, manuals, etc ; Performance art ; Texts ; Performance poetry ; American poetry ; Women authors ; Music and literature ; United States ; African American aesthetics ; Performance art ; Social aspects ; United States ; Art and social action ; United States
    Kurzfassung: Framing the work. Making space: producing the Austin Project -- Finding voice: anchoring the Austin Project's artistic process -- Working the work: an anthology of Austin Project writings. Polyphony: writings by ensemble members -- Call and response: performance pieces by Austin Project guest artists -- Affirming connection: pre-show artists' performance texts -- Spoken word orchestra: a full script from the Austin Project jam session, December 2005 -- The work of transformation. Transforming practice: artists, activists, and academics working across boundaries -- Work of the spirit: a conversation with an Austin Project elder -- Narrating the Austin Project: the first five years
    Beschreibung / Inhaltsverzeichnis: Framing the work. Making space: producing the Austin Project -- Finding voice: anchoring the Austin Project's artistic process -- Working the work: an anthology of Austin Project writings. Polyphony: writings by ensemble members -- Call and response: performance pieces by Austin Project guest artists -- Affirming connection: pre-show artists' performance texts -- Spoken word orchestra: a full script from the Austin Project jam session, December 2005 -- The work of transformation. Transforming practice: artists, activists, and academics working across boundaries -- Work of the spirit: a conversation with an Austin Project elder -- Narrating the Austin Project: the first five years.
    Anmerkung: Includes bibliographical references and index , Formerly CIP Uk. - This book is both an anthology of writing by participants of the Austin Project and a sourcebook for those who would like to use creative writing and performance to energize their artistic, scholarly, and activist practices. - Includes bibliographical references and index. - Framing the work. Making space: producing the Austin Project -- Finding voice: anchoring the Austin Project's artistic process -- Working the work: an anthology of Austin Project writings. Polyphony: writings by ensemble members -- Call and response: performance pieces by Austin Project guest artists -- Affirming connection: pre-show artists' performance texts -- Spoken word orchestra: a full script from the Austin Project jam session, December 2005 -- The work of transformation. Transforming practice: artists, activists, and academics working across boundaries -- Work of the spirit: a conversation with an Austin Project elder -- Narrating the Austin Project: the first five years
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  • 36
    Buch
    Buch
    Encyclopedia of American gospel music (2010)
    New York, N.Y. [u.a.] : Routledge
    Details
    ISBN: 0415875692 , 9780415875691
    Sprache: Englisch
    Seiten: xviii, 488 p , ill , 28 cm
    RVK:
    LP 12100
    RVK:
    LS 21200
    RVK:
    LS 48400
    Schlagwort(e): Contemporary Christian music Encyclopedias ; Contemporary Christian musicians Biography ; United States ; Gospel music Bio-bibliography ; Gospel music Encyclopedias ; Wörterbuch ; Biografie ; Wörterbuch ; Wörterbuch ; Biografie ; USA ; Gospelsong ; Gospelsänger
    Anmerkung: Includes discographical and bibliographical references and index , 1st ed. publ. 2005
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  • 37
    Buch
    Buch
    She's so fine : reflections on whiteness, femininity, adolescence and class in 1960s music (2010)
    Farnham [u.a.] : Ashgate
    Details
    ISBN: 9781409400516 , 1409400514 , 9781409436652
    Sprache: Englisch
    Seiten: XIV, 266 S. , Ill. , 24 cm
    Serie: Ashgate popular and folk music series
    DDC: 781.64082/09046
    RVK:
    LS 48015
    RVK:
    LS 48000
    Schlagwort(e): Popular music History and criticism 1961-1970 ; Popular music History and criticism 1961-1970 ; Women singers ; Women singers ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Popular music ; United States ; 1961-1970 ; History and criticism ; Popular music ; Great Britain ; 1961-1970 ; History and criticism ; Women singers ; United States ; Women singers ; Great Britain ; Sex role in music ; Femininity in music ; Girl groups (Musical groups) ; Aufsatzsammlung ; USA ; Großbritannien ; Popmusik ; Sängerin ; Geschichte 1960-1970 ; USA ; Großbritannien ; Popmusik ; Weiblichkeit ; Geschlechterrolle ; Geschichte 1960-1970
    Anmerkung: Formerly CIP Uk. - Includes bibliographical references (p. [239]-249) and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 38
    Buch
    Buch
    Don't rhyme for the sake of riddlin' : the authorized story of Public Enemy (2010)
    New York, N.Y : Grove Press
    Details
    ISBN: 9780802129949 , 0802129943
    Sprache: Englisch
    Seiten: 266 S. , Ill. , 21 cm
    DDC: 782.4216490922
    RVK:
    LS 48030
    Schlagwort(e): Public Enemy (Musical group) Public Enemy (Musical group) ; Rap musicians Biography ; United States ; Rap musicians United States ; Biography
    Anmerkung: First published in Great Britain in 2008 by Canongate Books, Ltd., Edinburgh. - Includes discography and index
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  • 39
    Online-Ressource
    Online-Ressource
    Encyclopedia of American gospel music (2010)
    New York, NY : Routledge
    Details
    ISBN: 9780203954072 , 9780415941792 , 9780415875691
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVIII, 488 Seiten) , Ill.
    Paralleltitel: Erscheint auch als Encyclopedia of American gospel music
    RVK:
    LS 48400
    RVK:
    LS 21200
    RVK:
    LP 12100
    Schlagwort(e): Gospel music Encyclopedias ; Gospel music Bio-bibliography ; Contemporary Christian music Encyclopedias ; Contemporary Christian musicians Biography ; United States ; Contemporary Christian music Encyclopedias ; Contemporary Christian musicians Biography ; United States ; Gospel music Bio-bibliography ; Gospel music Encyclopedias ; Wörterbuch ; Biografie ; Wörterbuch ; Biografie ; USA ; Gospelsong ; USA ; Gospelsänger
    Anmerkung: Includes discographical and bibliographical references and index
    DOI: 10.4324/9780203954072
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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