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  • Online Resource  (6)
  • Undetermined  (6)
  • Dutch
  • 2015-2019  (6)
  • General works  (6)
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  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Minnesota Press
    ISBN: 9781452963068 , 9781517908317
    Language: Undetermined
    Pages: 1 Online-Ressource
    Series Statement: Forerunners: Ideas First
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    Keywords: Impact of science & technology on society ; Philosophy of science ; Electronics & communications engineering
    Abstract: An investigation of how-to guides for sensor technologies Sensors are increasingly common within citizen-sensing and DIY projects, but these devices often require the use of a how-to guide. From online instructional videos for troubleshooting sensor installations to handbooks for using and abusing the Internet of Things, the how-to genres and formats of digital instruction continue to expand and develop. As the how-to proliferates, and instructions unfold through multiple aspects of technoscientific practices, Jennifer Gabrys asks why the how-to has become one of the prevailing genres of the digital. How to Do Things with Sensors explores the ways in which things are made do-able with and through sensors and further considers how worlds are made sense-able and actionable through the instructional mode of citizen-sensing projects. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead
    Note: English
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : University of Minnesota Press
    ISBN: 9781452958583 , 9781517906115
    Language: Undetermined
    Pages: 1 Online-Ressource
    Series Statement: Debates in the Digital Humanities
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    Keywords: Feminism & feminist theory ; Gender studies, gender groups ; Poverty & unemployment
    Abstract: A wide-ranging, interconnected anthology presents a diversity of feminist contributions to digital humanities In recent years, the digital humanities has been shaken by important debates about inclusivity and scope-but what change will these conversations ultimately bring about? Can the digital humanities complicate the basic assumptions of tech culture, or will this body of scholarship and practices simply reinforce preexisting biases? Bodies of Information addresses this crucial question by assembling a varied group of leading voices, showcasing feminist contributions to a panoply of topics, including ubiquitous computing, game studies, new materialisms, and cultural phenomena like hashtag activism, hacktivism, and campaigns against online misogyny. Taking intersectional feminism as the starting point for doing digital humanities, Bodies of Information is diverse in discipline, identity, location, and method. Helpfully organized around keywords of materiality, values, embodiment, affect, labor, and situatedness, this comprehensive volume is ideal for classrooms. And with its multiplicity of viewpoints and arguments, it's also an important addition to the evolving conversations around one of the fastest growing fields in the academy. Contributors: Babalola Titilola Aiyegbusi, U of Lethbridge; Moya Bailey, Northeastern U; Bridget Blodgett, U of Baltimore; Barbara Bordalejo, KU Leuven; Jason Boyd, Ryerson U; Christina Boyles, Trinity College; Susan Brown, U of Guelph; Lisa Brundage, CUNY; micha cárdenas, U of Washington Bothell; Marcia Chatelain, Georgetown U; Danielle Cole; Beth Coleman, U of Waterloo; T. L. Cowan, U of Toronto; Constance Crompton, U of Ottawa; Amy E. Earhart, Texas A&M; Nickoal Eichmann-Kalwara, U of Colorado Boulder; Julia Flanders, Northeastern U Library; Sandra Gabriele, Concordia U; Brian Getnick; Karen Gregory, U of Edinburgh; Alison Hedley, Ryerson U; Kathryn Holland, MacEwan U; James Howe, Rutgers U; Jeana Jorgensen, Indiana U; Alexandra Juhasz, Brooklyn College, CUNY; Dorothy Kim, Vassar College; Kimberly Knight, U of Texas, Dallas; Lorraine Janzen Kooistra, Ryerson U; Sharon M. Leon, Michigan State; Izetta Autumn Mobley, U of Maryland; Padmini Ray Murray, Srishti Institute of Art, Design, and Technology; Veronica Paredes, U of Illinois; Roopika Risam, Salem State; Bonnie Ruberg, U of California, Irvine; Laila Shereen Sakr (VJ Um Amel), U of California, Santa Barbara; Anastasia Salter, U of Central Florida; Michelle Schwartz, Ryerson U; Emily Sherwood, U of Rochester; Deb Verhoeven, U of Technology, Sydney; Scott B. Weingart, Carnegie Mellon U
    Note: English
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : FISCHER E-Books
    ISBN: 9783104909547
    Language: Undetermined
    Pages: 1 Online-Ressource (96 S.)
    Parallel Title: Erscheint auch als Bernard, Andreas, 1969 - Das Diktat des #hashtags
    DDC: 302.231
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    Keywords: Social Media ; Hashtag ; Politischer Protest ; Aktivismus ; Online-Marketing ; Hashtag
    Abstract: Öffentliche Debatten werden heutzutage per Hashtag geführt. Mit seiner Hilfe werden die Beiträge gebündelt und zugeordnet: Alles muss sich auf ein gemeinsames Schlagwort konzentrieren. Dieses Prinzip sorgt für eine stärkere Sichtbarkeit und Orientierung kollektiver Argumente, hat aber auch eine riskante und manchmal fragwürdige Konsequenz. Denn der Hashtag verstärkt formal genau das, was inhaltlich kritisiert wird: Differenzen verschwimmen und Unterschiedliches wird zu Gleichem. Zuletzt hat die #MeToo-Debatte dieses Problem sichtbar gemacht. In seiner pointierten Darstellung zeichnet Andreas Bernard die steile Karriere des Hashtags nach und zeigt überzeugend, wie unsere aktuellen Debatten durch ein Prinzip strukturiert werden, das so beiläufig wie mächtig geworden ist. Wer unsere öffentliche Diskussionskultur verstehen will, kommt an diesem Buch nicht vorbei.
    Note: Dieser Titel darf aus lizenzrechtlichen Gründen nur von registrierten Nutzerinnen und Nutzern des Goethe-Instituts im nicht-deutschsprachigen Ausland genutzt werden
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Böhlau | The Hague : Oapen Foundation
    ISBN: 9783205203278
    Language: Undetermined
    Pages: 1 Online Ressource
    DDC: 700
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    Keywords: Oral history ; Ritus ; Performativität ; Volksglaube ; Heiligkeit ; Magie ; Südosteuropa
    Abstract: This monograpy analyses forms of performativity in the oral cultures of Southeast-Europe, as gestures, masks and disguising, theatrical customs, popular and professional theatre, as well as forms of imagination, like superstitions, magic practices, popular religion, demonology, etc.
    Abstract: Die Monographie behandelt Formen des Performativen in den Oralkulturen Südosteuropas, wie Gesten und Gebärden, Maskierung und Verkleidung, darstellendes Brauchtum, Amateurheater und professionelle Schaustellerei, auch Sonderformen wie Spiel und Sport, magische Praktiken und empirische Therapeutik, sowie Formen der Imagination, wie Aberglauben, magische Praktiken, populare Devotionsformen, Dämonologie, magische Vorstellungen usw.
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  • 5
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501706981 , 9780801437694 , 9781501706974 , 9781501707209
    Language: Undetermined
    Pages: 1 Online-Ressource (272 p.)
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    Keywords: European history
    Abstract: During the Russian Revolution and Civil War, amateur theater groups sprang up in cities across the country. Workers, peasants, students, soldiers, and sailors provided entertainment ranging from improvisations to gymnastics and from propaganda sketches to the plays of Chekhov. In Revolutionary Acts, Lynn Mally reconstructs the history of the amateur stage in Soviet Russia from 1917 to the height of the Stalinist purges. Her book illustrates in fascinating detail how Soviet culture was transformed during the new regime's first two decades in power. Of all the arts, theater had a special appeal for mass audiences in Russia, and with the coming of the revolution it took on an important role in the dissemination of the new socialist culture. Mally's analysis of amateur theater as a space where performers, their audiences, and the political authorities came into contact enables her to explore whether this culture emerged spontaneously "from below" or was imposed by the revolutionary elite. She shows that by the late 1920s, Soviet leaders had come to distrust the initiatives of the lower classes, and the amateur theaters fell increasingly under the guidance of artistic professionals. Within a few years, state agencies intervened to homogenize repertoire and performance style, and with the institutionalization of Socialist Realist principles, only those works in a unified Soviet canon were presented
    Note: English
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  • 6
    ISBN: 9783837633771 , 9783839433775 , 9783732833771
    Language: Undetermined
    Pages: 1 Online-Ressource (1 electronic resource (352 p.))
    Edition: 1. Auflage
    DDC: 300
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    Keywords: Communities. Classes. Races ; Communities. Classes. Races ; Produktionsgenossenschaft ; Alternative Wirtschaft ; Solidarische Ökonomie ; Verbrauch ; Kritik ; Offenheit ; Abfallvermeidung ; Wiederverwendung
    Abstract: Across the world, more and more DIY initiatives are cropping up, in which a diversity of matters and problems are being collectively dealt with. In these collaborative contexts – located away from the market and the state - an understanding of living together and urbanity based around democracy is tested out, and at the same time, ecologically and socially responsible solutions are being sought for fundamental forms of provision of food, of energy, and for making all manner of technology accessible. In the process, fascinating new forms of collective production, repairing and swapping arise which challenge the industrial logic of the 20th century, even turn them on their head. This book is dedicated to the visionary power of these promising innovative practices, and at the same time, provides a societal categorisation of the new `laboratories' of societal transformation. With photographs by Falk Messerschmidt.Weltweit entstehen immer mehr Initiativen des Selbermachens, in denen eine Vielfalt von Anliegen und Problemen kollektiv bearbeitet werden. In diesen – jenseits von Markt und Staat angesiedelten – kollaborativen Zusammenhängen wird ein basisdemokratisch orientiertes Verständnis von Zusammenleben und Urbanität erprobt und zugleich nach ökologisch und sozial sinnvollen Lösungen für grundlegende Formen der Versorgung mit Nahrungsmitteln, Energie sowie für alle zugängliche Technik gesucht. Dabei entstehen faszinierende neue Formen des gemeinsamen Produzierens, Reparierens und Tauschens von Dingen, die die industrielle Logik des 20. Jahrhunderts herausfordern und sogar auf den Kopf stellen. Das Buch widmet sich der visionären Kraft dieser vielversprechenden innovativen Praxis und bietet zugleich eine gesellschaftliche Einordnung der neuen »Labore« gesellschaftlicher Transformation
    Abstract: Across the world, more and more DIY initiatives are cropping up, in which a diversity of matters and problems are being collectively dealt with. In these collaborative contexts – located away from the market and the state - an understanding of living together and urbanity based around democracy is tested out, and at the same time, ecologically and socially responsible solutions are being sought for fundamental forms of provision of food, of energy, and for making all manner of technology accessible. In the process, fascinating new forms of collective production, repairing and swapping arise which challenge the industrial logic of the 20th century, even turn them on their head. This book is dedicated to the visionary power of these promising innovative practices, and at the same time, provides a societal categorisation of the new `laboratories' of societal transformation. With photographs by Falk Messerschmidt
    Note: Literaturangaben , open access , German
    URL: Volltext  (Description of rights in Directory of Open Access Books (DOAB): Attribution Non-commercial No Derivatives (CC by-nc-nd))
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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