ISBN:
0819567981
,
0819569852
,
1282553747
,
9780819569851
,
9781282553743
Language:
English
Pages:
1 Online-Ressource (xxvi, 252 p.)
Series Statement:
Music/culture
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
DDC:
780.95691
Keywords:
Geschichte 1980-2005
;
2000 - 2099
;
Geschichte 1980-2005
;
Musique / Syrie / Histoire et critique
;
Musique / Syrie / Philosophie et esthétique
;
Musique / Aspect social / Syrie
;
MUSIC / History & Criticism
;
Musik
;
Gesellschaft
;
Musikphilosophie
;
Musikästhetik
;
Manners and customs
;
Music
;
Music / Philosophy and aesthetics
;
Music / Social aspects
;
Geschichte
;
Gesellschaft
;
Musik
;
Music Social aspects
;
Music Philosophy and aesthetics
;
Music History 21st century
;
Musik
;
Musikästhetik
;
Gesellschaft
;
Musikphilosophie
;
Syrien
;
Syrien
;
Syrien
;
Musikphilosophie
;
Musikästhetik
;
Geschichte 1980-2005
;
Syrien
;
Musik
;
Gesellschaft
;
Geschichte 1980-2005
Note:
Includes bibliographical references (p. 231-248), discography (p. 248), and index
,
Among the jasmine trees -- Sentiment and authentic spirit : composing Syrian modernity -- Constructing musical authenticity : history, cultural memory, emotion -- Body memory, temporality, and transformation in the dhikr -- Authentic performance and the performance of authenticity -- Tarab, sentiment, and authenticity -- Notes toward closure
,
How does a Middle Eastern community create a modern image through its expression of heritage and authenticity? In Among the Jasmine Trees: Music and Modernity in Contemporary Syria, Jonathan H. Shannon investigates expressions of authenticity in Syria's musical culture, which is particularly known for embracing and preserving the Arab musical tradition, and which has seldom been researched in depth by Western scholars. Music plays a key role in the process of self-imaging by virtue of its ability to convey feeling and emotion, and Shannon explores a variety of performance genres, Sufi rituals, song lyrics, melodic modes, and aesthetic criteria. Shannon shows that although the music may evoke the old, the traditional, and the local, these are re-envisioned as signifiers of the modern national profile. A valuable contribution to the study of music and identity and to the ethnomusicology of the modern Middle East, Among the Jasmine Trees details this music and its reception for the first time, offering an original theoretical framework for understanding contemporary Arab culture, music, and society
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