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  • Englisch  (6)
  • Chinesisch
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  • 2005-2009  (6)
  • Minneapolis : University of Minnesota Press  (6)
  • Electronic books  (5)
  • Einwanderer
  • Manners and customs
  • Ratgeber
  • Ethnologie  (6)
  • Germanistik
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  • Englisch  (6)
  • Chinesisch
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  • 1
    Online-Ressource
    Online-Ressource
    Minneapolis : University of Minnesota Press
    ISBN: 0816660808 , 0816660794 , 9780816660803 , 9780816660797
    Sprache: Englisch
    Seiten: Online-Ressource (xiii, 228 p) , 24 cm
    Ausgabe: Online-Ausg. 2010 Electronic reproduction; Available via World Wide Web
    Paralleltitel: Print version We Are All Moors : Ending Centuries of Crusades against Muslims and Other Minorities
    DDC: 305.6/97
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    Schlagwort(e): Jews History ; Christianity and other religions Judaism ; History ; Islam Relations ; Christianity ; Muslims History ; Christianity and other religions Islam ; History ; Judaism Relations ; Christianity ; Christianity and other religions ; Islam ; History ; Christianity and other religions ; Judaism ; History ; Islam ; Relations ; Christianity ; Jews ; Islamic countries ; History ; Judaism ; Relations ; Christianity ; Muslims ; America ; History ; Electronic books
    Kurzfassung: In 1609 King Philip III ordered the expulsion of all Moriscos-Spaniards of Muslim descent-from Spain in an ongoing attempt to establish a homogeneous state and remove the last vestiges of Islam from his nation. Four centuries later, Spain and Europe are once again outraged by the presence of Islam within their borders, and, for many, the millions of Muslim immigrants now living there pose a fundamental challenge to European identity. Across the Atlantic Ocean, the vast Hispanic community in the United States, both legal and illegal, has raised similar fears. Exacerbated by globalization and 9
    Beschreibung / Inhaltsverzeichnis: Introduction: specters of the Moor -- Pious cruelty -- New world Moors -- Muslim Jews -- Undesirable aliens: Hispanics in America, Muslims in Europe -- Conclusion: we are all Moors.
    Anmerkung: Includes bibliographical references (p. 177-202) and index , Electronic reproduction; Available via World Wide Web
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Minneapolis : University of Minnesota Press
    ISBN: 0816645213 , 0816645213 , 0816645221 , 9780816645213 , 9780816645213 , 9780816645220
    Sprache: Englisch
    Seiten: xxxi, 273 p.
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.800974710903
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    Schlagwort(e): Geschichte 1880-1924 ; Einwanderer ; Geschichte ; Gesellschaft ; Minderheit ; City and town life History ; Ethnicity History ; Immigrants Intellectual life ; Immigrants Social conditions ; Minorities Intellectual life ; Minorities Social conditions ; Performing arts Social aspects ; History ; Self History ; Ethnische Beziehungen ; Einwanderer ; Ethnische Identität ; Stadtleben ; New York, NY ; New York, NY ; Einwanderer ; Ethnische Identität ; Stadtleben ; Ethnische Beziehungen ; Geschichte 1880-1924
    Anmerkung: Includes bibliographical references (p. 213-261) and index
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  • 3
    Online-Ressource
    Online-Ressource
    Minneapolis : University of Minnesota Press
    ISBN: 9780816666263
    Sprache: Englisch
    Seiten: 1 online resource (308 pages)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Print version Street Scenes : Staging the Self in Immigrant New York, 1880-1924
    DDC: 305.8009747/10903
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    Schlagwort(e): City and town life History ; Self History ; Minorities Social conditions ; Ethnicity History ; Immigrants Intellectual life ; Immigrants Social conditions ; Minorities Intellectual life ; Performing arts Social aspects ; History ; City and town life ; New York (State) ; New York ; History ; Ethnicity ; New York (State) ; New York ; History ; Immigrants ; New York (State) ; New York ; Intellectual life ; Immigrants ; New York (State) ; New York ; Social conditions ; Minorities ; New York (State) ; New York ; Intellectual life ; Minorities ; New York (State) ; New York ; Social conditions ; Performing arts ; Social aspects ; New York (State) ; New York ; History ; Electronic books ; New York (N.Y.) Ethnic relations ; New York (N.Y.) Intellectual life
    Kurzfassung: The turn of the twentieth century in New York City was characterized by radical transformation as the advent of consumer capitalism confronted established social hierarchies, culture, and conceptions of selfhood. The popular stage existed in a symbiotic relationship with the city and uniquely captured the contested terms of immigrant identity of the time. Street Scenes focuses on the intersection of modern city life and stage performance. From street life and slumming to vaudeville and early cinema, to Yiddish theater and blackface comedy, Esther Romeyn discloses racial comedy, passing, and masquerade as gestures of cultural translation. In these performances she detects an obsession with the idea of the city as theater and the self as actor, which was fueled by the challenges that consumer capitalism presented to notions of an "authentic" self. It was exactly this idea of "authentic" immigrant selfhood that was at stake in many performances on the popular stage, and Romeyn ultimately demonstrates how these diverse and potent immigrant works influenced the emergence of a modern metropolitan culture.
    Kurzfassung: Intro -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- Part I: THE CITY AS THEATER: Performativity and Urban Space -- 1 The Epistemology of the City -- 2 Detecting, Acting, and the Hierarchy of the Social Body -- 3 Crossing the Bowery: Female Slumming and the Theater of Urban Space -- 4 Eros and Americanization: The Rise of David Levinsky, or the Etiquette of Race and Sex -- Part II: STAGES OF IDENTITY: Performing Ethnic Subjects -- 5 Juggling Identities: The Case of an Italian American Clown -- 6 My Other/My Self: Impersonation and the Rehearsal of Otherness -- 7 The Truth of Racial Signs: Civilizing the Jewish Comic -- 8 Blackface, Jewface, Whiteface: Racial Impersonation Revisited -- NOTES -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 4
    Online-Ressource
    Online-Ressource
    Minneapolis : University of Minnesota Press
    ISBN: 9780816656578 , 9780816649587 , 0816649596 , 0816649588 , 9780816649594
    Sprache: Englisch
    Seiten: 1 online resource (364 pages)
    Paralleltitel: Erscheint auch als Gidwani, Vinay K., 1965 - Capital, interrupted
    DDC: 338.1095475
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    Schlagwort(e): Landwirtschaftliche Entwicklung ; Agrarsoziologie ; Ethnologie ; Soziale Lage ; Kapitalismus ; Agrarpolitik ; Gujarat ; Agriculture -- Economic aspects -- Canada ; Food industy and trade -- Canada ; Farm produce -- Canada -- Marketing ; Local foods -- Canada ; Patidars Social conditions ; Patidars Economic conditions ; Capitalism Philosophy ; Agriculture Economic aspects ; Capitalism History ; Electronic books ; local ; Electronic books ; Agriculture ; Economic aspects ; India ; Gujarat ; Capitalism ; India ; Gujarat ; History ; Capitalism ; Philosophy ; Patidars ; Economic conditions ; Patidars ; Social conditions ; Gujarat ; Landwirtschaft ; Geschichte 1800- ; Patidars ; Geschichte 1800-
    Kurzfassung: The central Gujarat region of western India is home to the entrepreneurial landowning Patel caste who have leveraged their rural dominance to become a powerful global diaspora of merchants, industrialists, and professionals. Investigating the Patels intriguing ascent, Vinay Gidwani analyzes its broad implications for the nature of labor and capital worldwide. With the Patels as his central case, Gidwani interrogates established concepts of value, development, and the relationship between capital and history. Capitalism, he argues, is not a frame of economic organization based on the smooth, consistent operation of a series of laws, but rather an assemblage of contingent and interrupted logics stitched together into the appearance of a deus ex machina. Following this line of thinking, Gidwani points to ways in which political economy might be freed of its lingering Eurocentrism, raises questions about the adequacy of postcolonial studies critique of Marx and capitalism, and opens the possibility of situating capitalism as a geographically uneven social formation in which different normative or value-creating practices are imperfectly sutured together in ways that can equally impair and enable profit and accumulation.Both theoretically astute and empirically informed, Capital, Interrupted unsettles encrusted understandings of staple concepts within the human sciences such as hegemony, governmentality, caste, and agency and, ultimately, does nothing less than rethink the very constitution of capitalism.
    Kurzfassung: Intro -- Contents -- Introduction: Sutures -- ONE: Waste -- TWO: Birth -- THREE: Machine -- FOUR: Distinction -- FIVE: Interruption -- Afterword: Aporia -- Acknowledgments -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Beschreibung / Inhaltsverzeichnis: Contents; Introduction: Sutures; ONE: Waste; TWO: Birth; THREE: Machine; FOUR: Distinction; FIVE: Interruption; Afterword: Aporia; Acknowledgments; Notes; Index
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online-Ressource
    Online-Ressource
    Minneapolis : University of Minnesota Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780816665006
    Sprache: Englisch
    Seiten: 1 Online-Ressource (276 pages)
    DDC: 301
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    Schlagwort(e): Geister ; Soziale Probleme ; Electronic books
    Kurzfassung: "Avery Gordon's stunningly original and provocatively imaginative book explores the connections linking horror, history, and haunting. " -George Lipsitz "The text is of great value to anyone working on issues pertaining to the fantastic and the uncanny."  -American Studies International "Ghostly Matters immediately establishes Avery Gordon as a leader among her generation of social and cultural theorists in all fields. The sheer beauty of her language enhances an intellectual brilliance so daunting that some readers will mark the day they first read this book. One must go back many more years than most of us can remember to find a more important book." -Charles Lemert Drawing on a range of sources, including the fiction of Toni Morrison and Luisa Valenzuela (He Who Searches), Avery Gordon demonstrates that past or haunting social forces control present life in different and more complicated ways than most social analysts presume. Written with a power to match its subject, Ghostly Matters has advanced the way we look at the complex intersections of race, gender, and class as they traverse our lives in sharp relief and shadowy manifestations. Avery F. Gordon is professor of sociology at the University of California, Santa Barbara.  Janice Radway is professor of literature at Duke University.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online-Ressource
    Online-Ressource
    Minneapolis : University of Minnesota Press
    ISBN: 9780816649228 , 0816649227 , 0816649219 , 9780816649211
    Sprache: Englisch
    Seiten: Online-Ressource (xxxv, 267 p) , ill , 27 cm
    Ausgabe: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    Serie: Visible evidence v. 19
    Paralleltitel: Print version Shimmering Screens : Making Media in an Aboriginal Community
    DDC: 305.89/915
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    Schlagwort(e): Aboriginal Australians in motion pictures ; Aboriginal Australians and mass media ; Video recording in ethnology ; Motion pictures in ethnology ; Yolngu (Australian people) Social life and customs ; Aboriginal Australians and mass media ; Aboriginal Australians in motion pictures ; Motion pictures in ethnology ; Video recording in ethnology ; Yolngu (Australian people) ; Social life and customs ; Electronic books
    Kurzfassung: A rich ethnographic study, Shimmering Screens examines the productive, and sometimes problematic, conjunctions of technology, culture, and imagination in contemporary Yolngu life. Jennifer Deger offers a new perspective to ongoing debates regarding "media imperialism." Reconsidering assumptions about the links between representation, power, and "the gaze," she proposes the possibility of a more mutual relationship between subject, image, and viewer
    Beschreibung / Inhaltsverzeichnis: Contents; Acknowledgments; Prologue; Introduction; 1 Culture and Complicities: An Indigenous Media Research Project; 2 (In)Visible Difference: Framing Questions of Culture, Media, and Technology; 3 Tuning In: Mediated Imaginaries and Problems of Deafness and Forgetting; 4 On the "Mimetic Faculty" and the Refractions of Culture; 5 Taking Pictures: Media Technologies and a Yolngu Politics of Presencing; 6 Flowers and Photographs: Death, Memory, and Techno Mimetics; 7 Technology, Techne, and Yolngu Videomaking; 8 Shimmering Verisimilitudes: Making Video, Managing Images, Manifesting Truths
    Beschreibung / Inhaltsverzeichnis: 9 Worlding a Yolngu World: Radiant Visions and the Flash of RecognitionConclusion; Notes; Glossary; Bibliography; Index
    Anmerkung: Includes bibliographical references (p. 249-258) and index , Electronic reproduction; Available via World Wide Web
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