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  • Musicology  (283)
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  • 1
    Online Resource
    Online Resource
    Tübingen : Narr Francke Attempto
    ISBN: 9783381108527 , 9783381108534
    Language: English
    Pages: 1 Online-Ressource (328 Seiten) , Illustrationen
    Series Statement: Schweizer Anglistische Arbeiten 150
    Parallel Title: Erscheint auch als Keller, Thomas Wyndham Lewis and British art rock
    Dissertation note: Dissertation Universität Zürich 2017
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    Keywords: Anglistik ; Englische Literaturwissenschaft ; Kunstgeschichte ; Populäre Kulturen ; Populärmusik ; Modernismus ; Kunst des 20. Jahrhunderts ; Großbritannien ; Hochschulschrift ; Lewis, Wyndham 1882-1957 ; Rezeption ; Art Rock
    Abstract: This study connects the idiosyncratic modernism of Wyndham Lewis, co-founder of the Vorticist art movement, with works of several artists from the British art rock tradition, among them Bryan Ferry, David Bowie, art-punk pioneers Wire and electronic pop musician John Foxx. By taking a transdisciplinary and intermedial approach to texts from two fields normally studied in isolation and staking out the elements of a shared modernist ethos, the book presents a new perspective on both fields relevant to scholars of literature, popular culture, and the visual arts alike. While the book rests on sound research from the fields of literary criticism, art history, and pop theory, the structure and writing of the book is fundamentally designed to be accessible and comprehensible to non-scholarly readers.
    URL: Cover
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  • 2
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501389153
    Language: English
    Pages: 176 Seiten , 17 cm
    Series Statement: 33 1/3 173
    Series Statement: 33 1/3
    Parallel Title: Erscheint auch als
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    Keywords: British Broadcasting Corporation ; Geschichte 1958- ; Elektronische Musik ; Großbritannien ; BBC Radiophonic Workshop / BBC Radiophonic Workshop -- a retrospective ; Television music / Great Britain / History and criticism ; Radio music / Great Britain / History and criticism ; Radio music ; Television music ; Great Britain ; Criticism, interpretation, etc ; Großbritannien ; British Broadcasting Corporation ; Elektronische Musik ; Geschichte 1958-
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  • 3
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781538165300
    Language: English
    Pages: xi, 187 Seiten
    Series Statement: Popular musics matter: Social, political and cultural interventions
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1977-1980 ; Elektronische Musik ; Synthesizer ; Popmusik ; Großbritannien ; Electronica (Music) / Great Britain / History and criticism ; Popular music / Great Britain / 1971-1980 / History and criticism ; Synthesizer (Musical instrument) / Great Britain / History ; Electronica (Music) ; Popular music ; Synthesizer (Musical instrument) ; Great Britain ; 1971-1980 ; Criticism, interpretation, etc ; History ; Großbritannien ; Popmusik ; Synthesizer ; Elektronische Musik ; Geschichte 1977-1980
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  • 4
    Book
    Book
    London ; New York ; Paris ; Sydney ; Copenhagen ; Berlin ; Madrid ; Tokyo : Omnibus Press
    ISBN: 9781913172664
    Language: English
    Pages: 259 Seiten, 16 Seiten ungezählte Bildtafeln , Illustrationen
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    Keywords: McGeoch, John ; Geschichte 1955-2004 ; Postpunk ; Gitarrist ; Rockmusiker ; Großbritannien ; McGeoch, John / 1955-2004 ; Guitarists / Great Britain / Biography ; Punk rock musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; McGeoch, John 1955-2004 ; Großbritannien ; Rockmusiker ; Gitarrist ; Postpunk ; Geschichte 1955-2004
    Abstract: "John McGeoch was the unsung hero of the post-punk era. Blazing a trail with some of Britain's biggest bands and most revered artists--Magazine, Siouxsie and the Banshees, The Armory Show and Public Image Ltd--John left an undeniable and indelible mark on music. The Light Pours Out of Me examines John's life and legacy, drawing on original interviews with the likes of Siouxsie Sioux, Howard Devoto, Johnny Marr, Billy Idol, John Frusciante, Keith Levene, Jonny Greenwood, Nick Launay, Ed O'Brien, Peter 'Hooky' Hook and many others. Illustrated with unseen photographs, this moving biography--authorised by the family--celebrates the remarkable guitarists who helped provide the soundtrack to a generation"--Dust jacket
    Description / Table of Contents: Forewords / Emily McGeoch, Malcolm Garrett, Dave Formula, Paul Morley, Johnny Marr -- Introduction / John McGeoch, taken from the fan information sheet, 'Secondhand daylight' -- Ian : childhood in Scotland and relocating to England -- Friends of mine : moving to Manchester to study fine art, and the first meeting with Howard Devoto -- Secondhand insight : the formation, rise and fall of Magazine -- Strange days : a brief flirtation with the emerging New Romantic movement courtesy of Visage -- Happy house : John leaves Magazine and joins up with Siouxsie and the Banshees -- Waiting for the floods : after his dismissal from the Banshees, John travels to Sweden before forming the post-punk 'supergroup', The Armoury Show -- Brave new world : John joins John Lyndon in Public Image Ltd -- Diamond : John as the family man, and starting up his own group, Pacific -- Heavens inside : John's later years and untimely death -- The anti-hero : tributes to John McGeoch from friends, family, contemporaries and admirers -- Afterword
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  • 5
    Online Resource
    Online Resource
    Woodbridge, Suffolk ; Rochester, NY : The Boydell Press
    ISBN: 9781800104518
    Language: English
    Pages: 1 Online-Ressource (xiii, 246 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 306.4/842094109034
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    Keywords: Geschichte 1870-1900 ; Music / Social aspects / Great Britain / History / 19th century ; Exhibitions / Great Britain / History / 19th century ; Musicology / Great Britain / History / 19th century ; Musik ; Internationale Ausstellung ; Großbritannien ; Großbritannien ; Internationale Ausstellung ; Musik ; Geschichte 1870-1900
    Note: Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into debates about music's role in society. International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, tracing these through the networks of communication that existed within the British Empire at the time
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Book
    Book
    Cambridge, United Kingdom ; New York, NY, USA : Cambridge University Press
    ISBN: 9781108708463
    Language: English
    Pages: xviii, 365 Seiten , Illustrationen
    Edition: First paperback edition
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
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    Keywords: The Beatles ; Geschichte 1960-1970 ; Soziokultur ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; The Beatles ; Soziokultur ; Geschichte 1960-1970
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  • 7
    ISBN: 9783955933234
    Language: English
    Pages: 58 Seiten , Illustrationen , 21 cm, 80 g
    Series Statement: Caprices 23
    Series Statement: Caprices
    DDC: 782.420942
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    Keywords: Geschichte 1850-1918 ; Song ; Music hall ; Großbritannien ; English Music Hall ; English Music Hall Songs ; Music Hall ; Großbritannien ; Music hall ; Song ; Geschichte 1850-1918
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  • 8
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197531372
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 782.4216490941
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Rap (Music) ; Political aspects ; Great Britain ; History ; 21st century ; Rap (Music) ; Great Britain ; History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: 'Brithop' investigates rap music's politics in the 21st century United Kingdom. In it, the author argues that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially responding through rap to mainstream Britain's political discourses. The rappers in this volume critique the United Kingdom's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture.
    Note: Also issued in print: 2020. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on September 16, 2020)
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  • 9
    Online Resource
    Online Resource
    Woodbridge, Suffolk, UK : The Boydell Press
    ISBN: 9781782046981
    Language: English
    Pages: 1 Online-Ressource (xvi, 408 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 393.0941
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    Keywords: Geschichte 1603-2013 ; Funeral rites and ceremonies / Great Britain / History ; Funeral music / Great Britain / History and criticism ; Nobility / Great Britain / Death and burial ; Trauermusik ; Zeremonie ; Staatsbegräbnis ; Great Britain / Kings and rulers / Death and burial ; Großbritannien ; Großbritannien ; Staatsbegräbnis ; Trauermusik ; Zeremonie ; Geschichte 1603-2013
    Abstract: British royal and state funerals are among the most elaborate and solemn occasions in European history. This book is the first in-depth study of the ceremonial and the music performed at these eventsover the past 400 years, from the funeral of Elizabeth I in 1603. Covering funerals of both royalty and non-royalty, including Nelson, Wellington and Churchill, this study goes up to the funerals of Queen Elizabeth The Queen Mother in 2002 and the ceremonial funeral of Baroness Thatcher in 2013. While some of these funerals have received a good deal of attention - especially the 1997 funeral of Diana, Princess of Wales - these extraordinary events have largely not been discussed in their longer historical context.〈BR〉 The book examines the liturgical changes in the Anglican funeral rite sincethe Reformation and also the change from the so-called 'public' to 'private' funerals.
    Abstract: It includes many new findings on the development of the ceremonial and its intricate peculiarities, as well as new insights into the music and its performance. 〈I〉British Royal and State Funerals〈/I〉 shows that, despite a strong emphasis on continuity in the choice of music, the ceremonial itself has shown an astonishing flexibility over the last four centuries. Overall, the book also contributes to the debate on the monarchy's changing public image over time by paying particular attention to topics such astradition and propaganda. Drawing on substantial research in principal libraries and archives, including those of Westminster Abbey, the College of Arms, Lambeth Palace and the British Library, thisbook is an exhaustive resource for musicologists, musicians and historians alike, providing an unprecedented insight into this most sombre of royal and state occasions.〈BR〉〈BR〉 MATTHIAS RANGE is author of 〈I〉Music and Ceremonial at British Coronations〈/I〉 (2012).
    Abstract: He is a post-doctoral researcher for the Digital Image Archive of Medieval Music and its partner AHRC-funded Tudor Partbooks projectat the Faculty of Music, University of Oxford
    Note: Title from publisher's bibliographic system (viewed on 17 May 2021)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    ISBN: 9783830943969 , 3830943962
    Language: English
    Pages: 190 Seiten , 23.5 cm x 16.5 cm
    Series Statement: Freiburger Studien zur Kulturanthropologie Band 4
    Parallel Title: Erscheint auch als
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Note: Literaturangaben
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  • 11
    Online Resource
    Online Resource
    Münster : Waxmann | Stuttgart : UTB GmbH
    ISBN: 9783830993964
    Language: English
    Pages: 1 Online-Ressource (190 p.)
    Edition: 1st, New ed.
    Series Statement: Freiburger Studien zur Kulturanthropologie 4
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    Keywords: Islam ; Jugendkultur ; Identität ; Musik ; Muslim ; Unterhaltungsmusik ; Religiöse Identität ; Pop-Kultur ; Massenkultur ; Jugend ; Young Muslims ; Popular Music ; Sabyan Gambus ; Indonesia ; 2019 Indonesian Presidential Elections ; Female Performance ; Egyptian Music ; Mahraganāt ; Asylum House ; Hip Hop ; Morocco ; German Rap ; Metal ; Tunisia ; Political Islam ; Hijab ; Spiritualität und Religion ; Volksmusik und populäre Musikkulturen ; Deutschland ; Indonesien ; Großbritannien ; Ägypten ; Marokko
    Abstract: Music has the universal power to move individuals, peoples and societies. Music is one of the most important signifiers of cultural change. It is also most significant for youth movements and youth cultures. While Islam has a historically and traditionally rich culture of music, religious controversy on the topic of music is still ongoing. However, young Muslims in today’s globalised world seek pop cultural tools such as music, and particularly hip hop music, as way of exploring and expressing their manifold identities, whilst challenging Islamophobia, stigma and racism on the one hand and traditional and religious challenges on the other hand. In this volume, following an international conference with the same title, scholars and young academics from a variety of disciplines seek to explore and highlight the phenomena surrounding the two, somewhat artificially separated, realms of music and religion. The contributions not only look into different genres of music, from Tunisian metal over German female hip hop to Egyptian folk, but take the reader on a journey from continent to countries to cities and rural areas and thus give space and time to a widely neglected area of research: that of Muslim popular culture and young Muslims.
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  • 12
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226768212 , 9780226768182
    Language: English
    Pages: 225 Seiten, 12 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421661592
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Aktivismus ; Black power ; Weiße ; USA ; Großbritannien ; Rock music / Social aspects / United States / History / 20th century ; Rock music / United States / 1961-1970 / History and criticism ; Black power / United States / History / 20th century ; Music and race / United States / History / 20th century ; Black power ; Music and race ; Rock music ; Rock music / Social aspects ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; USA ; Großbritannien ; Rockmusik ; Weiße ; Black power ; Aktivismus ; Geschichte 1968-1969
    Abstract: "Rock and roll's most iconic, not to mention wealthy, pioneers are overwhelmingly white, despite their great indebtedness to black musical innovators. Many of these pioneers were insensitive at best and exploitative at worst when it came to the black art that inspired them. Tear Down the Walls is about a different cadre of white rock musicians and activists, those who tried to tear down walls separating musical genres and racial identities during the late 1960s. Their attempts were often naïve, misguided, or arrogant, but they could also reflect genuine engagement with African American music and culture and sincere investment in anti-racist politics. Burke considers this question by recounting five dramatic incidents that took place between August 1968 and August 1969, including Jefferson Airplane's performance with Grace Slick in blackface on the Smothers Brothers Comedy Hour, Jean-Luc Godard's 1968 film, Sympathy for the Devil, featuring the Rolling Stones and Black Power rhetoric, and the White Panther Party at Woodstock. Each story sheds light on a significant but overlooked facet of 1960s rock-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. These radical white rock musicians believed that performing and adapting black music could contribute to what in the Black Lives Matter era is sometimes called "white allyship." This book explores their efforts and asks what lessons can be learned from them. As white musicians and activists today still attempt to find ethical, respectful approaches to racial politics, the challenges and victories of the 1960s can provide both inspiration and a sense of perspective"--
    Description / Table of Contents: Honkie Soul: The MC5 at the Democratic National Convention-Lincoln Park, Chicago, August 25 -- Blue Eyes and a Black Face: Jefferson Airplane and the Rock Revolution-The Smothers Brothers Comedy Hour (CBS-TV), November 10 -- One Plus One: Jean-Luc Godard Meets the Rolling Stones-London Film Festival, November 29 -- The Seats Belong to the People: The Battle of the Fillmore East-Lower East Side, Manhattan, December 26 -- Declare the Nation into Being: Woodstock and the Movement-Woodstock Music & Art Fair, White Lake, NY, August 15-18
    Note: Includes bibliographical references and index
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  • 13
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190882006
    Language: English
    Pages: 1 Online-Ressource (276 pages) , Illustrations (black and white, and colour).
    Series Statement: Oxford studies in music theory
    Series Statement: Oxford scholarship online
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Popular music History and criticism ; Großbritannien ; USA
    Abstract: 'Sweet Thing' offers readers a comprehensive new perspective on a musical scheme shared by broadside ballads and experimental rock songs alike.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 14
    Musical Score
    Musical Score
    London : British Library
    ISBN: 9780712353700
    Language: English
    Pages: 160 Seiten , Illustrationen, Notenbeispiele
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    Keywords: Seeschifffahrt ; Seefahrer ; Volkslied ; Shanty ; Musikleben ; Gesellschaft ; Großbritannien ; Sea songs / Texts ; Sea songs / History and criticism ; Sea songs / Terminology ; Sailors / Social life and customs ; Shanty ; Gesellschaft ; Großbritannien ; Seeschifffahrt ; Musikleben ; Großbritannien ; Seefahrer ; Volkslied
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  • 15
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press | Oxford : Oxford University Press
    ISBN: 9780226768359
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Chicago scholarship online
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    Keywords: Geschichte 1968-1969 ; Rockmusik ; Black power ; Weiße ; Aktivismus ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Black power History 20th century ; Music and race History 20th century ; USA ; Großbritannien
    Abstract: 'Tear Down the Walls' sheds light on a significant but overlooked facet of 1960s rock and the Black Power era-white musicians and audiences casting themselves as political revolutionaries by enacting a romanticized vision of African American identity. It focuses on 1968 and 1969, years when the New Left in the US and UK began to combine cultural radicalism and political radicalism.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 16
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030551605
    Language: English
    Pages: xvii, 320 Seiten , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
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  • 17
    ISBN: 9780190881979
    Language: English
    Pages: 266 Seiten , Illustrationen, Notenbeispiele , 27 cm
    Series Statement: Oxford studies in music theory
    DDC: 782.4216213
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    Keywords: Volkslied ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Großbritannien ; USA
    Abstract: As children, many of us learn to sing, 'If you're happy and you know it, clap your hands.' But despite the familiarity of this tune, few of us realize that what we're singing is actually part of a pervasive - and centuries-old - musical scheme. This particular scheme, dubbed the 'Sweet Thing,' has generated a large group of songs spanning a broad range of topics, genres, and time periods, but all related through a specific stanzaic form. Early twentieth-century blues songs 'My Babe' and 'Motherless Children,' country songs 'Peg and Awl' and 'Crawdad Song,' and gospel songs 'Pure Religion' and 'This Train' use this form, along with popular songs like Ray Charles's 'I Got a Woman,' The Beatles's 'One After 909,' and the Velvet Underground's 'I'm Waiting for the Man.' Sweet Thing: The History and Musical Structure of a Shared American Vernacular Form studies one of the most productive and enduring shared musical resources in North American vernacular music. Author Nicholas Stoia offers the most comprehensive examination to date of the 'Sweet Thing's' long history, exploring how it made its way from sixteenth-century Scotland to eighteenth-century British broadside ballads to nineteenth-century American ragtime. Stoia also examines the form in various contexts, including early blues and country music, and moving forward to rhythm and blues, soul, and rock music, connecting these modern forms to their ancient roots. Through this close look at a ubiquitous musical from, Sweet Thing shows us how it has linked listeners and musicians alike across the boundaries of genre, race, and even time.
    Note: Literaturverzeichnis: Seite [249]-255
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  • 18
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190656812 , 9780190656805
    Language: English
    Pages: xv, 212 Seiten , Illustrationen , 24 cm (pbk.)
    Parallel Title: Erscheint auch als Williams, Justin A Brithop
    DDC: 782.42164909/41
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    Keywords: Rap (Music) Political aspects 21st century ; History ; Rap (Music) History and criticism ; Großbritannien ; Rap ; Hip-Hop ; Politische Kultur
    Abstract: "Brithop investigates rap music's politics in the 21st century United Kingdom. In what follows, I argue that this music is partly an extension of, or often a counter to, political discourses happening in other realms of British society. These rappers are essentially "talking back" (hooks 1989, see also Hutton and Burns 2020) to mainstream Britain's political discourses, as "an act of resistance, a political gesture that challenges politics of domination that would render us nameless and voiceless." (hooks 1989: 8) The rappers in this book critique the UK's more conservative narratives, and they express their relationship to Britain in the politically turbulent climate of the new century, providing valuable perspectives which can go unnoticed by those skeptical of or ignorant of hip-hop culture. Through themes of nationalism, history, subculture, politics, humor and identity, this book looks at multiple forms of politics in rap discourses from Wales, Scotland and England. It covers selected hip-hop scenes from 2002-2017, featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle. What follows investigates how rappers in the UK respond to the "postcolonial melancholia" (Gilroy) of post-Empire Britain. In contrast to more visible narratives of national identity in Britain, Brithop tells a different, arguably more important, story"--
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 9780571252497
    Language: English
    Pages: x, 604 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Karte, Porträts
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    Keywords: Wilson, Anthony H. ; Hacienda ; Factory Records ; Geschichte 1950-2007 ; Musikproduzent ; Moderator ; Musikjournalist ; Unternehmer ; Großbritannien ; Wilson, Tony / 1950-2007 ; Factory Records (Firm) / History ; Haçienda (Nightclub) / History ; Sound recording executives and producers / Great Britain / Biography ; Producteurs d'enregistrements sonores / Grande-Bretagne / Biographies ; Factory Records (Firm) ; Haçienda (Nightclub) ; Sound recording executives and producers ; Great Britain ; Biography ; History ; Biografie ; Biografie ; Biografie ; Wilson, Anthony H. 1950-2007 ; Großbritannien ; Musikproduzent ; Unternehmer ; Moderator ; Musikjournalist ; Factory Records ; Hacienda ; Geschichte 1950-2007
    Abstract: Tony Wilson is one of the most legendary music industry figures of his generation. Nicknamed Mr Manchester, he transformed the Northern music scene as founder of Factory Records and the Haçienda nightclub after earning a cult following as a television presenter. Working with legendary bands such as Joy Division, New Order, and the Happy Mondays, Wilson was at the very heart of the Manchester music phenomenon and regenerated the culture of an entire city. Celebrated music journalist Paul Morley knew Wilson personally, and is uniquely placed to tell the fascinating and intimate story of his life. He explores Wilson's existence through the eyes of those closest to him, and offers a rare insight into his own personal papers and diaries
    Description / Table of Contents: Before -- It happens -- After
    Note: "Written in 51 sections that prove how all dramatic truth contains fiction. , Includes index
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  • 20
    ISBN: 9781913172305
    Language: English
    Pages: 288 Seiten , Illustrationen, Portraits (teilweise farbig) , 31 cm
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    Keywords: Geschichte 1977-1986 ; Popmusik ; Rockmusik ; Musikjournalismus ; Großbritannien ; Popular music / 1971-1980 / History and criticism ; Popular music / 1981-1990 / History and criticism ; Rock music / 1971-1980 / History and criticism ; Rock music / 1981-1990 / History and criticism ; Fan magazines / Great Britain ; Jamming! ; Quelle ; Quelle ; Quelle ; Großbritannien ; Rockmusik ; Popmusik ; Musikjournalismus ; Geschichte 1977-1986
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  • 21
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783030551612
    Language: English
    Pages: 1 Online-Ressource (XVII, 320 Seiten) , Illustrationen
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 941
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    Keywords: Geschichte ; Great Britain-History ; History, Modern ; Civilization-History ; Social history ; Music ; Musikleben ; Reggae ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Reggae ; Musikleben ; Geschichte
    Abstract: This book explores the history of reggae in modern Britain from the time it emerged as a cultural force in the 1970s. As basslines from Jamaica reverberated across the Atlantic, so they were received and transmitted by the UK's Afro-Caribbean community. From roots to lovers' rock, from deejays harnessing the dancehall crowd to dub poets reporting back from the socio-economic front line, British reggae soundtracked the inner-city experience of black youth. In time, reggae's influence permeated the wider culture, informing the sounds and the language of popular music whilst also retaining a connection to the street-level sound systems, clubs and centres that provided space to create, protest and innovate. This book is therefore a testament to struggle and ingenuity, a collection of essays tracing reggae's importance to both the culture and the politics of late twentieth and early twenty-first century Britain
    Note: 1. Introduction: Narratives from the Bassline- William 'Lez' Henry & Matthew Worley -- 2. Vexed history: time and the waning of heart-I-cal philosophy- Paul Gilroy -- 3. Reggae culture as local knowledge: Mapping the beats on south east London streets- William 'Lez' Henry & Les Back -- 4. A Who Seh? Reflections of a lost and found dub poet- Martin Glynn -- 5. 'What a devilment a Englan!' Dub poets and ranters- Tim Wells -- 6. Smiley Culture: A hybrid voice for the Commonwealth- Lucy Robinson -- 7. The Story of Nzinga Soundz and the Women's Voice in Sound System Culture- Lynda Rosenior-Patten and June Reid -- 8. Sound-tapes & Soundscapes: Lo-Fi cassette recordings as vectors of cultural Transmission- Kenny Monrose -- 9. 'Dem a call us pirates, dem a call us illegal broadcasters!': 'Pirates' Anthem', PCRL and the struggle for black free radio in Birmingham- Lisa Palmer -- 10. Rebel Music in the Rebel City: The Performance Geography of the Nottingham 'Blues Party', 1957-1987- Tom Kew -- 11. 'Curious roots & crafts': Record shops and record labels amid the British reggae diaspora- Peter Hughes Jachimiak -- 12. From Sound Systems to Disc Jockeys, From Local Bands to Major Success: On Bristol's Crucial Role in Integrating Reggae and Jamaican Music in British Culture- Melissa Chemam -- 13. Growing up under the influence: A sonic genealogy of grime- Joy White -- 14. Sound Systems and the Christian deviation- Carl Tracey -- 15. Handsworth Revolution: Reggae theomusicology, gospel borderlands and delinking Black British Contemporary Gospel Music from Colonial Christianity- Robert Beckford
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501336638
    Language: English
    Pages: 162 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660941/09047
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    Keywords: Geschichte 1970-1980 ; Fortschrittlichkeit ; Popmusik ; Großbritannien ; Popular music / Great Britain / 1971-1980 / History and criticism ; Großbritannien ; Popmusik ; Fortschrittlichkeit ; Geschichte 1970-1980
    Abstract: "Considers the often overlooked significance of early 1970s British pop-rock as a period during which the boundaries between pop and rock uniquely overlapped"--
    Note: Includes bibliographical references and index
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  • 23
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501349560
    Language: English
    Pages: xii, 225 Seiten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63/16480941
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    Keywords: Tanzmusik ; Rezeption ; Elektronische Musik ; Interkulturalität ; Großbritannien ; Südasien ; Electronic dance music / Great Britain / History and criticism ; Music / Great Britain / Asian influences ; South Asians / Great Britain / Music / History and criticism ; Electronic dance music ; Music / Asian influences ; Great Britain ; Criticism, interpretation, etc ; Südasien ; Elektronische Musik ; Tanzmusik ; Rezeption ; Großbritannien ; Interkulturalität
    Abstract: "Presents a new conception of sound practices through analysis of South Asian cultural and sonic influences on dance music in the UK"--
    Description / Table of Contents: Part One. Toward a Cultural Analysis of Sound Practices. Renegotiating Culture in the Age of South Asian Dance Music ; The Concept of Trancultural Sound Practices -- Part Two. Listening to South Asian Dance Music. Re-Fusing and Reclaiming UK Bhangra : Apache Indian, No Reservations (1993) ; Demystifying Asianness : Asian Dub Foundation, Community Music (2000) ; Sonic Fictions, Global Noise : M.I.A., Arular (2005) and Kala (2007) ; The Sonic Politics of Place : Dusk + Blackdown's Margins Music ; Performativity, Technology and the Body : Nathan 'Flutebox' Lee, Flutebox (2010) -- Part Three. Thinking Sound as Cultural Transformation. Conclusion : Transcultural Sound Practices in South Asian Dance Music ; Further Elaborations on Sound as Cultural Transformation
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  • 24
    ISBN: 9781787602311
    Language: English
    Pages: 348 Seiten , 16 ungezählte Seiten Tafeln , Illustrationen, Portraits
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    Keywords: Geschichte 1955-1970 ; Unterhaltungsmusiker ; Homosexualität ; LGBT ; Musikbranche ; Großbritannien ; lesbian/gay/bisexual,transgender/transsexual plus studies ; History of music & musical styles ; Musical criticism & theory ; Gay musicians / Great Britain ; Rock music / Great Britain / History / 20th century ; Popular music / Social aspects / Great Britain ; Nineteen sixties ; Great Britain / Social conditions / 1945- ; Gay musicians ; Nineteen sixties ; Popular music / Social aspects ; Rock music ; Social conditions ; Great Britain ; Since 1900 ; History ; Großbritannien ; Unterhaltungsmusiker ; Musikbranche ; LGBT ; Homosexualität ; Geschichte 1955-1970
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  • 25
    Book
    Book
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Visual Arts
    ISBN: 9781350126329
    Language: English
    Pages: xii, 210 Seiten , 15 Illustrationen
    Series Statement: Dress cultures
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1980-2018 ; Punk ; Indie-Pop ; Subkultur ; Mode ; USA ; Großbritannien ; 21st century history: from c 2000 - ; Punk, New Wave & Indie ; Fashion & beauty industries ; Popular culture ; SOCIAL SCIENCE / Popular Culture ; SOCIAL SCIENCE / Gender Studies ; BUSINESS & ECONOMICS / Industries / Fashion & Textile Industry ; Fashion - Social aspects - History - 21st century ; Indie culture ; Popular culture - History - 21st century ; Großbritannien ; USA ; Indie-Pop ; Punk ; Mode ; Subkultur ; Geschichte 1980-2018
    Description / Table of Contents: List of Illustrations; Introduction; Chapter 1: From subculture to hot look: The evolution of indie; Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity; Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion; Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion ; Chapter 5: Beyond Retro and the pop ragtrade; Conclusion; Notes; Bibliography; Index
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  • 26
    ISBN: 9780755601974
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945
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  • 27
    ISBN: 1783274980 , 9781783274987
    Language: English
    Pages: xi, 458 Seiten , Illustrationen, Notenbeispiele
    Edition: First published
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    Keywords: Anderson, Julian ; Musik ; Komponist ; Großbritannien ; Interview
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  • 28
    ISBN: 9781780389202 , 1780389205
    Language: English
    Pages: vii, 616 Seiten, 24 ungezählte Seiten , Illustrationen , 24 cm
    DDC: 781.66
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    Keywords: Geschichte 1968-1977 ; Progressive Rock ; Großbritannien
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  • 29
    ISBN: 9781472121097 , 9781472121080
    Language: English
    Pages: xxiii, 855 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen, Portraits
    RVK:
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    Keywords: McLaren, Malcolm ; Geschichte 1946-2010 ; Musikmanager ; Musiker ; Künstler ; Großbritannien ; McLaren, Malcolm / 1946-2010 ; Sound recording executives and producers / Great Britain / Biography ; Musicians / Great Britain / Biography ; Biographies ; Biografie ; Biografie ; Biografie ; McLaren, Malcolm 1946-2010 ; Großbritannien ; Musiker ; Künstler ; Musikmanager ; Geschichte 1946-2010
    Abstract: Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life & Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure. McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry. The Life & Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Surf Nazis Must Die and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business. With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life & Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'
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  • 30
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781108769426
    Language: English
    Pages: 1 Online-Ressource (xviii, 365 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 782.42166092/2
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    Keywords: Beatles ; The Beatles ; Geschichte 1960-1970 ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Politik ; Soziokultur ; Großbritannien ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: Though the Beatles are nowadays considered national treasures, this book shows how and why they inspired phobia as well as mania in 1960s Britain. As symbols of modernity in the early sixties, they functioned as a stress test for British institutions and identities, at once displaying the possibilities and establishing the limits of change. Later in the decade, they developed forms of living, loving, thinking, looking, creating, worshipping and campaigning which became subjects of intense controversy. The ambivalent attitudes contemporaries displayed towards the Beatles are not captured in hackneyed ideas of the 'swinging sixties', the 'permissive society' and the all-conquering 'Fab Four'. Drawing upon a wealth of contemporary sources, The Beatles and Sixties Britain offers a new understanding of the band as existing in creative tension with postwar British society: their disruptive presence inciting a wholesale re-examination of social, political and cultural norms
    Note: Title from publisher's bibliographic system (viewed on 11 Mar 2020) , The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    Book
    Book
    Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore : Cambridge University Press
    ISBN: 9781108477246
    Language: English
    Pages: xviii, 365 Seiten , 10 Illustrationen , 26 cm
    Parallel Title: Online version Collins, Marcus, 1971- The Beatles and sixties Britain
    DDC: 782.42166092/2
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    Keywords: The Beatles ; Geschichte 1960-1970 ; Politik ; Soziokultur ; Großbritannien ; Beatles ; Popular music / Social aspects / Great Britain / History / 20th century ; Popular music / Great Britain / 1961-1970 / History and criticism ; Nineteen sixties ; Beatles ; Nineteen sixties ; Popular music ; Popular music / Social aspects ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; The Beatles ; Soziokultur ; Politik ; Geschichte 1960-1970
    Abstract: "This book seeks to understand what the Beatles meant to people in 1960s Britain. It argues that they were iconic, divisive, atypical and prefigurative: themes introduced and illustrated in the preface using contemporary cartoons. Their depiction as icons in the 1964 Daily Mail cartoon contrasted starkly with their first appearance in a Fleet Street cartoon twelve months previously, when theirs was one of a barrage of British records raining down on the Kremlin in a display of soft power. They received minor billing in February 1963 compared to Susan Maughan, Helen Shapiro, Cliff Richard, Adam Faith, Marty Wilde and the Tornados, as befitted a band whose second single (Please Please Me) was competing for the number one spot with Frank Ifield's The Wayward Wind (1963). Over the following year, they achieved what commentators agreed to be an unprecedented celebrity"--
    Description / Table of Contents: The Other Sixties : An Anti-Permissive Permissive Society? -- Society, 1963-65 : The Beatles and Modernity -- Society, 1966-70 : The Beatles Go Too Far -- Culture : The Beatles as Artists -- Politics : The Beatles, Parliament and Revolution
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  • 32
    Image
    Image
    Sheffield, South Yorkshire ; Bristol, CT : Equinox Publishing
    ISBN: 9781781796450 , 9781781796443
    Language: English
    Pages: XVI, 339 Seiten , Illustrationen , 24 cm
    Series Statement: Transcultural music studies
    Parallel Title: Online version Paor-Evans, Adam de, author Provincial headz
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    Keywords: Geschichte ; Hip-Hop ; Regionalismus ; Rap ; Großbritannien ; Rap (Music) / Great Britain / History and criticism ; Hip-hop / Great Britain / History / 20th century ; Hip-hop ; Rap (Music) ; Great Britain ; 1900-1999 ; Criticism, interpretation, etc ; History ; Großbritannien ; Hip-Hop ; Rap ; Regionalismus ; Geschichte
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  • 33
    Book
    Book
    London ; New York : Routledge, Taylor & Francis Group
    ISBN: 9781472436207
    Language: English
    Pages: xii, 197 Seiten , Diagramme
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte ; Rock-Festival ; Sozialer Wandel ; Kommerzialisierung ; Großbritannien ; Music festivals / Great Britain ; Großbritannien ; Rock-Festival ; Kommerzialisierung ; Sozialer Wandel ; Geschichte
    Abstract: "Music Festivals in the UK is the first extended investigation into the commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of events management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events."--Publisher's description
    Description / Table of Contents: Contextualising outdoor music festivals in the UK -- The proliferation, professionalisation and mainstreaming of outdoor music festivals -- Branded landscapes: sponsorship, marketing and mediation -- Always the same, yet always different: music festivals as cyclic places -- The social life of music festivals: audiences and atmosphere
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  • 34
    Book
    Book
    London ; New York ; Paris ; Sydney ; Copenhagen; Berlin ; Madid ; Tokyo : Omnibus Press
    ISBN: 9781785586163 , 9781787602168
    Language: English
    Pages: 208 Seiten , Illustrationen
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    Keywords: Styrene, Poly ; Geschichte 1957-2011 ; Rockmusikerin ; Punk Rock ; Großbritannien ; Biografie ; Biografie ; Biografie ; Styrene, Poly 1957-2011 ; Großbritannien ; Rockmusikerin ; Punk Rock ; Geschichte 1957-2011
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  • 35
    Book
    Book
    London ; Berlin : Omnibus Press
    ISBN: 9781785585821
    Language: English
    Pages: xiv, 366 Seiten , 1 Diagramm
    DDC: 338.7617802660941
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    Keywords: EMI Group ; Geschichte 2007-2011 ; Label ; Musikwirtschaft ; Großbritannien ; EMI Records Ltd / History ; Record labels / Great Britain / History ; Sound recording industry / Great Britain / History ; Popular music / History and criticism ; EMI Group ; Geschichte 2007-2011 ; Großbritannien ; Musikwirtschaft ; Label ; Geschichte 2007-2011
    Abstract: "The Beatles. The Beach Boys. Blur, Bowie, Kylie Minogue, Kate Bush and Coldplay. EMI was one of the big four record companies, with some of the biggest names in the history of recorded music on its roster. Dominating the music industry for over 100 years, by 2010 EMI Group had reported massive pre-tax losses. The group was divided up and sold in 2011. How could one of the greatest recording companies of the 20th century have ended like this? With interviews from insiders and music industry experts, Eamonn Forde pieces together the tragic end to a financial juggernaut and a cultural institution in forensic detail. The Final Days of EMI: Selling the Pig is the story of the British recording industry, laid bare in all its hubris and glory."--Amazon.com: https://www.amazon.co.uk/Final-Days-EMI-Selling-Pig/dp/1785585827
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  • 36
    ISBN: 9781526142627 , 9781784994334
    Language: English
    Pages: xv, 287 Seiten , Illustrationen , 25 cm
    Series Statement: Studies in popular culture
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    Keywords: Geschichte 1900-2000 ; Geschichte 1918-1950 ; Geschichte ; Tanz ; Großbritannien ; Großbritannien ; Dance / Great Britain / History / 20th century ; Großbritannien ; Tanz ; Geschichte 1918-1950
    Abstract: Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age
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  • 37
    Book
    Book
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501340604
    Language: English
    Pages: xiv, 242 Seiten, 6 Seiten Tafeln
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 384
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    Keywords: Mute (Record label) ; Mute ; Geschichte 1978- ; Electronica (Music) History and criticism ; Noise music History and criticism ; Alternative rock music History and criticism ; Alternative Rock ; Label ; Noise ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Mute ; Alternative Rock ; Noise ; Großbritannien ; Label ; Alternative Rock ; Noise ; Geschichte 1978-
    Note: Includes bibliographical references and index
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  • 38
    Book
    Book
    Durham ; London : Duke University Press
    ISBN: 9781478004660 , 9781478004059
    Language: English
    Pages: xiii, 494 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Henry Cow ; Geschichte 1968-1978 ; Jazz ; Rockgruppe ; Experimentelle Musik ; Progressive Rock ; Großbritannien ; Henry Cow (Musical group) ; Avant-garde (Music) / England / 20th century / History and criticism ; Music / Political aspects / History / 20th century ; Music / 20th century / Philosophy and aesthetics ; Rock musicians / Interviews ; Avant-garde (Music) ; Music / Philosophy and aesthetics ; Music / Political aspects ; Rock musicians ; England ; 1900-1999 ; Criticism, interpretation, etc ; History ; Interviews ; Biografie ; Biografie ; Henry Cow ; Großbritannien ; Rockgruppe ; Progressive Rock ; Jazz ; Experimentelle Musik ; Geschichte 1968-1978
    Abstract: In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. The band's rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World is a Problem Benjamin Piekut tells the band's story-from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later-and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group's pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow's story resonates far beyond its inimitable music; it speaks to the avant-garde's unpredictable potential to transform the world. -- Back cover
    Description / Table of Contents: You can't play this music at Cambridge (1968-73) -- Faust and the virgins (1973) -- Contentment is hopeless, unrest is progress (1974) -- Death to the individual : Slapp Happy (1974-75) -- Europa (1975- 76) -- The roads leading to Rome (1976-77) -- No joy anymore : London 1977 -- Henry Cow always had to be Henry Cow
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  • 39
    ISBN: 9781911036494
    Language: English
    Pages: 270 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen , 22
    Edition: First edition
    RVK:
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    Keywords: Geschichte 1990-2000 ; Musikleben ; Britpop ; Großbritannien ; Savidge Phill ; Alternative rock music / Great Britain / History and criticism ; Popular music / 1991-2000 / History and criticism ; Alternative rock musicians / Great Britain ; Popular music / Great Britain / History and criticism ; Popular culture / Great Britain / History / 20th century ; Alternative rock music ; Alternative rock musicians ; Popular culture ; Popular music ; Great Britain ; 1900-2000 ; Criticism, interpretation, etc ; History ; Großbritannien ; Britpop ; Musikleben ; Geschichte 1990-2000
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  • 40
    Book
    Book
    Manchester : Manchester University Press
    ISBN: 9781526120595
    Language: English
    Pages: xv, 325 Seiten , Illustrationen
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    Keywords: Geschichte 1976 ; Fanzine ; Punk ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Punk ; Fanzine ; Geschichte 1976
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  • 41
    ISBN: 9781973595151
    Language: English
    Pages: 127 Seiten , Illustrationen
    RVK:
    Keywords: Geschichte 1980-1990 ; Reggae ; Großbritannien ; Großbritannien ; Reggae ; Geschichte 1980-1990
    Note: Literaturverzeichnis Seite 126
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  • 42
    ISBN: 9781137375100 , 1137375108
    Language: English
    Pages: xi, 245 Seiten , 5 Illustrationen , 21 cm x 14.8 cm
    DDC: 792
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    Keywords: Club ; Geschichte 1990- ; Junge ; Modetanz ; Drum and bass ; Identität ; Subkultur ; Großbritannien ; ASD ; culture ; identity ; performance ; drum'n'bass ; clubbing culture ; popular dance ; electronic music ; affective transmission ; ethnographic research ; ASD ; Großbritannien ; Drum and bass ; Junge ; Modetanz ; Subkultur ; Club ; Identität ; Geschichte 1990-
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  • 43
    ISBN: 9781137375117
    Language: English
    Pages: 1 Online-Ressource (XI, 245 p. 5 illus)
    Parallel Title: Erscheint auch als
    DDC: 792.8
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    Keywords: Club ; Geschichte 1990- ; Culture / Study and teaching ; Dance ; Cultural and Media Studies ; Dance ; Modetanz ; Drum and bass ; Subkultur ; Identität ; Junge ; Großbritannien ; Großbritannien ; Drum and bass ; Junge ; Modetanz ; Subkultur ; Club ; Identität ; Geschichte 1990-
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    Image
    Image
    London : Cherry Red Books
    ISBN: 1909454672 , 9781909454675
    Language: English
    Pages: 711 Seiten , Illustrationen (schwarz-weiß) , 24 cm
    DDC: 781.660941/09049
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    Keywords: Thrash metal (Music) History and criticism ; Thrash metal (Music) History 20th century ; Rock musicians ; Rock groups ; Großbritannien ; Thrash Metal ; Geschichte
    Abstract: "For decades, UK thrash metal has been the most underrated and overlooked member of the metal family. Criminally ignored, and considered secondary to its American, German and Brazilian equivalents, the genre has nevertheless continued to survive and thrive, rising from the ashes on more than one occasion. There can be no denying that the UK's thrash scene has generated a wealth of amazing music, often in the face of adversity and apathy, and Contract In Blood tells the whole story - warts 'n' all."--
    Note: Includes discographies
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  • 45
    ISBN: 978-3-8309-3722-7 , 3-8309-3722-9
    Language: German , English
    Pages: 221 Seiten : , Illustrationen, Diagramme ; , 21 cm x 14.8 cm.
    Parallel Title: Erscheint auch als
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    Keywords: Musiktherapie. ; Pädagogik. ; Musiktherapie ; Deutschland ; Schweiz ; Österreich ; Norwegen ; Großbritannien ; Schule ; Kindergarten ; Therapie ; Musikschule ; psychische Gesundheit ; Gewaltprävention ; Musik ; Trommeln ; Flüchtlinge ; Migration ; Sonderschule ; Inklusion ; Soziale Arbeit ; Schulpädagogik ; Bildung und Erziehung ; Pädagogik ; Aufsatzsammlung ; Musiktherapie ; Pädagogik
    Abstract: Musiktherapie in pädagogische Settings zu integrieren ist kein neues, aber aufgrund der gesundheits-und bildungspolitischen Lage ein hochaktuelles Thema. Zeit also, den gegenwärtigen Stand der Praxis, Theorie und Forschung näher zu beleuchten. Das vorliegende Buch bietet einen interdisziplinären und internationalen Einblick in die Themenfelder rund um Musiktherapie in Schule, Musikschule und Kindergarten. Quelle: Klappentext.
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  • 46
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 0198792352 , 9780198792352
    Language: English
    Pages: xii, 195 Seiten , Illustrationen , 22 cm
    Edition: First edition
    Series Statement: Clarendon lectures in English
    Parallel Title: Electronic version Karlin, Daniel, 1953- Street songs
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    Keywords: Geschichte 1800-1925 ; Lyrik ; Straßenmusik ; Großbritannien ; Fiction / 19th century / History and criticism ; Fiction / 20th century / History and criticism ; Poetry / 19th century / History and criticism ; Poetry / 20th century / History and criticism ; Street music ; Street musicians ; Cries in literature ; Music and literature ; Cries in literature ; Fiction ; Music and literature ; Poetry ; 1800-1999 ; Criticism, interpretation, etc ; Großbritannien ; Straßenmusik ; Lyrik ; Geschichte 1800-1925
    Abstract: This book, based on the Clarendon Lectures for 2016, is about the use made by poets and novelists of street songs and cries. Karlin begins with the London street-vendor's cry of 'Cherry-ripe!', as it occurs in poems from the sixteenth to the twentieth century: the 'Cries of London' (and Paris) exemplify the fascination of this urban art to writers of every period. Focusing on nineteenth and early twentieth century writers, the book traces the theme in works by William Wordsworth, Elizabeth Barrett Browning, Robert Browning, Walt Whitman, George Gissing, James Joyce, Virginia Woolf, and Marcel Proust. As well as street-cries, these writers incorporate ballads, folk songs, religious and political songs, and songs of their own invention into crucial scenes, and the0singers themselves range from a one-legged beggar in Dublin to a famous painter in fifteenth-century Florence. The book concludes with the beautiful and unlikely 'song' of a knife-grinder's wheel. 0Throughout the book Karlin emphasizes the rich complexity of his subject. The street singer may be figured as an urban Orpheus, enchanting the crowd and possessed of magical powers of healing and redemption; but the barbaric din of the modern city is never far away, and the poet who identifies with Orpheus may also dread his fate. And the fugitive, transient nature of song offers writers a challenge to their more structured art. Overheard in fragments, teasing, ungraspable, the street song may be 'captured' by a literary work but is never, finally, tamed
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  • 47
    Online Resource
    Online Resource
    Manchester, Michigan : Manchester University Press
    ISBN: 9781526120601
    Language: English
    Pages: 1 Online-Ressource (xv, 325 pages) , illustrations
    Parallel Title: Erscheint auch als Ripped, torn and cut : pop, politics and punk fanzines from 1976
    DDC: 808
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    Keywords: Geschichte 1976 ; Fan magazines ; Fanzine ; Punk ; Großbritannien ; Aufsatzsammlung ; Großbritannien ; Punk ; Fanzine ; Geschichte 1976
    Note: Includes index , Description based on print version record
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  • 48
    ISBN: 9781138777361 , 9781138547872
    Language: English
    Pages: X, 168 Seiten
    Edition: First issued in paperback
    Series Statement: Routledge interdisciplinary perspectives on literature 32
    Series Statement: Routledge interdisciplinary perspectives on literature
    DDC: 820.9/954
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    Keywords: South Asian fiction (English) / History and criticism ; Music in literature ; Identity (Philosophical concept) in literature ; Postcolonialism in literature ; LITERARY CRITICISM / Asian / Indic ; MUSIC / Ethnomusicology ; LITERARY CRITICISM / Books & Reading ; Musik ; Postkoloniale Literatur ; Großbritannien ; Südasien ; Musik ; Großbritannien ; Südasien ; Postkoloniale Literatur
    Abstract: "This book examines the role of music in British-South Asian postcolonial literature, asking how music relates to the construction of postcolonial identity. It focuses on novels that explore the postcolonial condition in India, Pakistan, and the United Kingdom: Vikram Seth's A Suitable Boy, Amit Chaudhuri's Afternoon Raag, Suhayl Saadi's Psychoraag, Hanif Kureishi's The Buddha of Suburbia and The Black Album, and Salman Rushdie's The Ground Beneath Her Feet, with reference to other texts, such as E.M. Forster's A Passage to India and Vikram Seth's An Equal Music. The analyzed novels feature different kinds of music, from Indian classical to non-classical traditions, and from Western classical music to pop music and rock 'n' roll. Music is depicted as a cultural artifact and as a purely aestheticized art form at the same time. As a cultural artifact, music derives meaning from its socio-cultural context of production and serves as a frame of reference to explore postcolonial identities on their own terms. As purely aesthetic art, music escapes its contextual meaning. The transgressive qualities of music render it capable of expressing identities irrespective of origin and politics of location. Thereby, music in the novels marks a very productive space to imagine the postcolonial nation and to rewrite imperial history, to express the cultural hybridity of characters in-between nations, to analyze the state of the nation and life in the multicultural diaspora of contemporary Great Britain, and to explore the ramifications of cultural globalization versus cultural imperialism. It will be a useful research and teaching tool for those interested in postcolonial literature, music studies, cultural studies, contemporary literature and South-Asian literature"--
    Note: First published 2015 by Routledge , Includes bibliographical references and index
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  • 49
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781442271470
    Language: English
    Pages: xli, 193 Seiten
    Series Statement: Tempo: a Rowman & Littlefield music series on rock, pop, and culture
    Parallel Title: Erscheint auch als Philo, Simon, 1966- author Glam rock
    DDC: 781.66
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    Keywords: Geschichte 1970- ; Glam rock History and criticism ; Popkultur ; Glitter Rock ; USA ; Großbritannien ; Großbritannien ; USA ; Glitter Rock ; Popkultur ; Geschichte 1970-
    Note: Includes bibliographical references and index
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  • 50
    ISBN: 9780755601974 , 9781784538583
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen , 22 cm
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Jazz ; Jazz ; Propaganda ; Radio broadcasting ; Radio broadcasting ; Radio broadcasting ; Radio in propaganda ; Radio in propaganda ; World War, 1939-1945 ; Germany ; Great Britain ; World War (1939-1945) ; History ; 1900-1999 ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945 ; Jazz ; Zweiter Weltkrieg ; Kultur ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 51
    Book
    Book
    London : Faber & Faber
    ISBN: 9780571328536 , 0571328512 , 9780571328512 , 9780571328529
    Language: English
    Pages: ix, 502 Seiten, 16 ungezählte Bildtafeln , Illustrationen
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    Keywords: Großbritannien ; Tutti, Cosey Fanni ; Women musicians / Great Britain / Biography ; Musicians / Great Britain / Biography ; Women performance artists / Great Britain / Biography ; Performance artists / Great Britain / Biography ; Avant-garde (Music) ; Electronic music ; Biografie ; Biografie ; Biografie
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 52
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9780810895041
    Language: English
    Pages: XXXII, 171 Seiten , 24 cm
    DDC: 781.6609410973
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    Keywords: Geschichte 1960-1970 ; Rock music / United States / 1961-1970 / History and criticism ; Rock music / Great Britain / 1961-1970 / History and criticism ; Rock music ; Rezeption ; Popmusik ; Great Britain ; United States ; Großbritannien ; USA ; USA ; Großbritannien ; Großbritannien ; Popmusik ; Rezeption ; USA ; Geschichte 1960-1970
    Note: Includes bibliographical references and index. - First published in hardback 2015
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  • 53
    Book
    Book
    London : faber
    ISBN: 9780571309719 , 9780571309726
    Language: English
    Pages: xi, 764 Seiten , Illustrationen, Notenbeispiele , 24 cm
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    Keywords: Geschichte ; Gesellschaft ; Volkslied ; Großbritannien ; Folk songs, English / England / History and criticism ; Folk songs, English / Social aspects / England ; Großbritannien ; Volkslied ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 54
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316779569
    Language: English
    Pages: 1 Online-Ressource (xiii, 404 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 323/.0420830941
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    Keywords: Geschichte 1976-1984 ; Youth / Great Britain / History / 20th century ; Punk culture / Great Britain / History / 20th century ; Punk rock music / Great Britain / History and criticism ; Jugendkultur ; Großbritannien ; Großbritannien ; Jugendkultur ; Geschichte 1976-1984
    Abstract: 'No Feelings', 'No Fun', 'No Future'. The years 1976–84 saw punk emerge and evolve as a fashion, a musical form, an attitude and an aesthetic. Against a backdrop of social fragmentation, violence, high unemployment and socio-economic change, punk rejuvenated and re-energised British youth culture, inserting marginal voices and political ideas into pop. Fanzines and independent labels flourished; an emphasis on doing it yourself enabled provincial scenes to form beyond London's media glare. This was the period of Rock Against Racism and benefit gigs for the Campaign for Nuclear Disarmament and the striking miners. Matthew Worley charts the full spectrum of punk's cultural development from the Sex Pistols, Buzzcocks and Slits through the post-punk of Joy Division, the industrial culture of Throbbing Gristle and onto the 1980s diaspora of anarcho-punk, Oi! and goth. He recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt and re-invent
    Note: Title from publisher's bibliographic system (viewed on 15 Sep 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 55
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252096426
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
    DDC: 781.6213009045
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    Keywords: Geschichte 1950-1960 ; Folk music ; Folk music History and criticism ; Folk music History and criticism ; USA ; Großbritannien
    Abstract: In 'Roots of the Revival', Ronald D. Cohen and Rachel Clare Donaldson present a transatlantic history of folk's midcentury resurgence that juxtaposes the related but distinct revivals that took place in the United States and Great Britain.
    Note: Previously issued in print: 2014 , Includes bibliographical references and index
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  • 56
    Book
    Book
    Ann Arbor : University of Michigan Press
    ISBN: 9780472130528 , 0472130528 , 0472036998 , 9780472036998
    Language: English
    Pages: vi, 263 Seiten
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    Keywords: Geschichte 1955-1980 ; Afroamerikanische Musik ; Identität ; Blues ; Rezeption ; Rockmusik ; Großbritannien ; Großbritannien ; Blues (Music) / Influence ; Blues (Music) / Great Britain / 1951-1960 ; Blues (Music) / Great Britain / 1961-1970 ; Blues (Music) / Great Britain / History and criticism ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Großbritannien ; Rockmusik ; Rezeption ; Afroamerikanische Musik ; Blues ; Identität ; Geschichte 1955-1980
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  • 57
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780190204938
    Language: English
    Pages: 1 Online-Ressource (xviii, 754 Seiten) , Illustrationen
    Series Statement: Oxford handbooks online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als The Oxford handbook of the British musical
    DDC: 782.1/40941
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    Keywords: Musicals History and criticism ; Musicals ; Great Britain ; History and criticism ; Großbritannien ; Musical ; Geschichte
    Abstract: As the first comprehensive academic survey of British musical theatre from its origins to its current state, this volume is a detailed guide to understanding a vibrant form of entertainment 'made in Britain'. It provides both a historical account of musical theatre from 1728 to the present day and a range of in-depth critical analyses of key works and productions that illustrate the aesthetic values and sociocultural meanings of the genre. The twenty-eight essays offer new perspectives on the British musical, conceiving it as a cultural form complementary to the American musical rather than its poor relation, and questioning the cultural bias that views shows initiated in the West End of London as second-rate imitations of classic Broadway models.
    Description / Table of Contents: Ballad opera : commercial song in enlightenment garb / Berta Joncus -- Between opera and musical : theatre music in early nineteenth-century London / Christine Furhmann -- Comic opera : English society in Gilbert and Sullivan / Carolyn Wiliams -- English musical comedy, 1890-1924 / Stephen Banfield -- English West End revue : the First World War and after / David Linton -- Musical comedy in the 1920s and 1930s : Mister Cinders and Me and my girl as class-conscious carnival / George Burrows -- West End royalty : Ivor Novello and English operetta, 1917-1951 / Stewart Nicholls -- The American invasion : the impact of Oklahoma! and Annie get your gun / Dominic Symonds -- 'Ordinary people' and British musicals of the post-war decade / John Snelson -- After Anger : the British musical of the late 1950s / Elizabeth A. Wells -- 'I'm common and I like 'em' : represenations of class in the period musical after Oliver! / Ben Francis -- Towards a British concept musical : the shows of Anthony Newley and Leslie Bricusse / David Cottis -- The pop-music industry and the British musical / Ian Sapiro -- 'Everybody's free to fail' : subsidized British revivals of the American canon / Sarah Browne -- Les misâerables : from epic novel to epic musical / Kathryn M. Grossman and Bradley Stephens -- 'Humming the sets' : scenography and the spectacular musical from Cats to The Lord of the Rings / Christine White -- Billy Elliot and its lineage : the politics of class and sexual identity in British musicals since 1953 / Robert Gordon -- Noèel Coward : sui generis / Dominic McHugh -- Joan Littlewood : collaboration and vision / Ben Macpherson -- Lionel Bart : British vernacular musical theatre / Millie Taylor -- Time Rice : the pop star scenario / Olaf Jubin -- Cameron Mackintosh : control, collaboration, and the creative producer / Miranda Lundskaer-Nielsen -- Andrew Lloyd Webber : haunted by the Phantom / David Chandler -- The beggar's legacy : playing with music and drama, 1920-2003 / Robert Lawson-Peebles -- Mamma mia! and the aesthetics of the twenty-first century jukebox musical / George Rodosthenous -- Attracting the family market : shows with cross-generational appeal / Rebecca Warner -- Genre counterpoints : challenges to the mainstream musical / David Roesner -- Some yesterdays always remain : Black British and Anglo-Asian musical theatre / Ben Macpherson
    Note: Literaturverzeichnis: Seite 697-705
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  • 58
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781107176898 , 9781316625606
    Language: English
    Pages: xiii, 404 Seiten , Illustrationen , 23 cm
    DDC: 305.235094109047
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    Keywords: Youth Social conditions ; 20th century ; Great Britain ; Youth Political activity ; History ; 20th century ; Great Britain ; Punk culture History ; 20th century ; Great Britain ; Punk culture History ; 20th century ; Great Britain ; Youth Political activity ; History ; 20th century ; Great Britain ; Youth Social conditions ; 20th century ; Great Britain ; Punk culture ; Youth ; Youth ; Großbritannien ; Jugendkultur ; Geschichte 1976-1984
    Note: Literaturverzeichnis: Seiten 343-379. - Index
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  • 59
    Image
    Image
    Cambridge ; New York ; Melbourne ; Delhi ; Singapore : Cambridge University Press
    ISBN: 9781107176898 , 9781316625606
    Language: English
    Pages: xiii, 404 Seiten , Illustrationen
    DDC: 305.235094109047
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    Keywords: Geschichte 1976-1984 ; Jugendkultur ; Großbritannien ; Youth / Social conditions / 20th century / Great Britain ; Youth / Political activity / History / 20th century / Great Britain ; Punk culture / History / 20th century / Great Britain ; Großbritannien ; Jugendkultur ; Geschichte 1976-1984
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  • 60
    ISBN: 9781107184800 , 9781316636145
    Language: English
    Pages: xviii, 305 Seiten , Illustrationen , 26 cm
    Series Statement: New perspectives in music history and criticism
    DDC: 941.081092
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    Keywords: Drew, Mary Gladstone ; Gladstone, W. E Family ; Drew, Mary Gladstone 1847-1927 ; Socialites Biography ; Musicians Biography ; Women Political activity 19th century ; History ; Salons History 19th century ; Music History and criticism 19th century ; Private secretaries Biography ; Music Political aspects ; History ; 19th century ; Great Britain ; Liberalism History ; 19th century ; Great Britain ; Salons History ; 19th century ; England ; London ; Great Britain Intellectual life ; 19th century ; Great Britain Politics and government ; 1837-1901 ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Musikleben ; Geistesleben ; Geschichte ; Drew, Mary Gladstone 1847-1927 ; Großbritannien ; Salon ; Kultur ; Politik ; Musik ; Geschichte ; Royal College of Music ; Geschichte
    Abstract: "The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--
    Abstract: Machine generated contents note: Part I. Intellectual History: 1. Idealist philosophy, culture and the Gladstones; 2. The passion of liberalism; 3. The Victorian salon; 4. Music and the Gladstone salon; Part II. Musical and Literary Case Studies: 5. Mary Gladstone's diary and the Royal College of Music; 6. '... there ought to be some melody in poetry': Tennyson's salon readings; 7. '... musical, I see!': triangulated criticism and Daniel Deronda; 8. Conclusion
    Note: Literaturverzeichnis: Seite 273-294 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 61
    ISBN: 9781409454304
    Language: English
    Pages: xviii, 306 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Ashgate studies in childhood, 1700 to the present
    DDC: 264.230830941
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    Keywords: Geschichte 1800-1900 ; Liederbuch ; Kinderlied ; Großbritannien
    Note: Literaturverzeichnis: Seite [269]-293
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  • 62
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190629267
    Language: English
    Pages: 1 Online-Ressource (xxvi, 220 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092
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    Keywords: Radiohead (Musical group) ; Radiohead ; Geschichte 1989- ; Rock music / England / History and criticism ; Rockmusik ; Musikalische Analyse ; Rockgruppe ; Großbritannien ; Radiohead ; Rockmusik ; Musikalische Analyse ; Großbritannien ; Rockgruppe ; Geschichte 1989-
    Abstract: 'Everything in its Right Place' identifies the secret to Radiohead's immense commercial and critical success in the band's ability to navigate a sweet spot between expectation and surprise. The author uses tools from musical perception, semiotics, and music theory to demonstrate this reconciliation of extremes, and analyzes musical meaning with lyrics, biographical details, and intertextual relationships
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 63
    Online Resource
    Online Resource
    Abingdon, Oxon : Routledge
    ISBN: 9781315596785
    Language: English
    Pages: 1 Online-Ressource (xii, 208 Seiten) , Illustrationen
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Robinson, Roxy Music festivals and the politics of participation
    DDC: 780.7841
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    Keywords: Music festivals Social aspects ; Music festivals ; Großbritannien ; Unterhaltungsmusik ; Musikfestspiel ; Musikbranche
    Abstract: 1. Into the fields -- 2. Festival counterculture -- 3. An economy of transitions -- 4. Boutique festivals -- 5. "No spectators" at Burning man -- 6. Catching fire -- 7. Parallel society.
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 64
    ISBN: 9781137554406
    Language: English
    Pages: ix, 184 Seiten , Illustrationen
    Series Statement: Pop Music, culture and identity
    Parallel Title: Erscheint auch als
    DDC: 782.4216609252
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    Keywords: Hard Rock ; Heavy Metal ; Weiblicher Fan ; Geschlechterrolle ; Großbritannien ; Großbritannien ; Hard Rock ; Heavy Metal ; Weiblicher Fan ; Geschlechterrolle
    Abstract: "This book is a timely examination of the tension between being a rock music fan and being a woman. From the media representation of women rock fans as groupies to the widely held belief that hard rock and metal is masculine music, being a music fan is an experience shaped by gender. Through a lively discussion of the idealised imaginary community created in the media and interviews with women fans in the UK, Rosemary Lucy Hill grapples with the controversial topics of groupies, sexism and male dominance in metal. She callenges the claim that the genre is inherently masculine, arguing that musical pleasure is much more sophisticated than simplistic enjoyments of aggression, violence and virtuosity. Listening to women's experiences, she maintains, enables new thinking about hard rock and metal music, and about what it is like to be a women fan in a sexist environment."
    Description / Table of Contents: Gender, metal and the media: an introduction -- Hard rock and metal as an imaginary community -- The media and the imaginary community -- Women fans and the myth of the groupie -- Listening to hard rock and metal music -- Metal and sexism -- The gendered experience of music
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  • 65
    ISBN: 9781137597854
    Language: English
    Pages: xviii, 263 Seiten
    Parallel Title: Erscheint auch als
    DDC: 303.48241051
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    Keywords: Geschichte 1759-2008 ; Theatrical companies History ; East and West ; Chinesische Oper ; Theater ; Kulturkontakt ; Great Britain Relations ; China Relations ; Great Britain Civilization ; Chinese influences ; London ; China ; Großbritannien ; China ; Großbritannien ; Kulturkontakt ; Chinesische Oper ; Theater ; Geschichte 1759-2008 ; London ; Chinesische Oper ; Theater ; Geschichte 1759-2008
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  • 66
    Book
    Book
    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674416598
    Language: English
    Pages: 340 Seiten , Illustrationen , 22 cm
    DDC: 781.6609/046
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    Keywords: Geschichte 1960-1970 ; Rockmusiker ; Rassenfrage ; Ethnische Identität ; USA ; Großbritannien
    Note: Just around Midnight explores the interplay of popular music and racial thought in the 1960s by asking how, when, and why rock and roll music "became White." By the time Jimi Hendrix died in 1970 the idea of a Black man playing electric lead guitar was considered literally remarkable in ways it had not been for Chuck Berry only ten years earlier: this book explains how this happened. By excavating an extraordinarily cosmopolitan aesthetic amidst a far-flung community of artists on both sides of the Atlantic, including Bob Dylan, Sam Cooke, the Beatles, Aretha Franklin, Dusty Springfield, the Rolling Stones, Jimi Hendrix and others, Just around Midnight offers an interracial counter-history of Sixties music that rejects hermetic ideals of racial authenticity while revealing the pernicious effects of these ideologies on musical understanding.--
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  • 67
    Book
    Book
    London : Palgrave Macmillan
    ISBN: 9781137497796 , 9781137497802
    Language: English
    Pages: XI, 228 Seiten
    Series Statement: Palgrave studies in the history of subcultures and popular music
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    Keywords: Musik ; Postpunk ; Politik ; Kultur ; Großbritannien ; Großbritannien ; Postpunk ; Politik ; Großbritannien ; Kultur ; Musik ; Postpunk
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  • 68
    ISBN: 978-1-907222-17-7 , 1-907222-17-0
    Language: English
    Pages: xvi, 446 Seiten , Illustrationen, Portraits (some color) , 22 cm
    Edition: Expanded edition
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    Keywords: Coil (Musical group) ; Current 93 (Musical group) ; Nurse With Wound (Musical group) ; Nurse with Wound ; Coil ; Current 93 ; Geschichte 1979- ; Alternative rock music / Great Britain / History and criticism ; Alternative rock musicians / Great Britain ; Rock groups / Great Britain ; Alternative rock music ; Alternative rock musicians ; Rock groups ; Subkultur ; Alternative Rock ; Great Britain ; Großbritannien ; Großbritannien ; Biografie ; Biografie ; Biografie ; Großbritannien ; Alternative Rock ; Subkultur ; Geschichte 1979- ; Coil ; Current 93 ; Nurse with Wound
    Abstract: Based on several years' worth of exclusive interviews and unprecedented access to all three bands' personal archives, 'England's Hidden Reverse' is the first, definitive, biography of Nurse With Wound, Coil and Current 93
    Note: Includes index
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  • 69
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781138268449
    Language: English
    Pages: ix, 181 Seiten , Illustrationen
    Edition: 1. issued in paperback
    Series Statement: Ashgate popular and folk music series
    DDC: 781.660941/09046
    RVK:
    Keywords: Rock music History and criticism 1961-1970 ; Rock music History and criticism 1971-1980 ; Music-halls (Variety-theaters, cabarets, etc.) ; Großbritannien ; Rockmusik ; Music hall ; Geschichte 1967-1977
    Description / Table of Contents: British pop women singers of the 1960s and the struggle for modern identity -- Modernist rock constructs the folk : the Beatles' magical mystery tour -- New left in Victorian drag : the Rolling Stones rock and roll circus -- The Kinks are the Village Green Preservation Society and the making of the rock auteur -- Modernist nostalgia : the Sex Pistols' music-hall revival.
    Note: Literaturverzeichnis: Seite 165-172
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  • 70
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137597861
    Language: English
    Pages: 1 Online Ressource (XVIII, 263 Seiten)
    Parallel Title: Erscheint auch als Performing China on the London stage
    Parallel Title: Erscheint auch als
    DDC: 792
    RVK:
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    Keywords: Geschichte 1759-2008 ; Culture / Study and teaching ; Ethnology / Asia ; Theater ; Music ; Civilization / History ; Cultural and Media Studies ; Theatre and Performance Studies ; Cultural History ; Asian Culture ; Geschichte ; Musik ; Musiktheater ; Rezeption ; Kulturkontakt ; Theater ; Chinesische Oper ; Asien ; London ; Großbritannien ; China ; London ; Theater ; Musiktheater ; China ; Rezeption ; Großbritannien ; Kulturkontakt ; Chinesische Oper ; Theater ; Geschichte 1759-2008 ; London ; Chinesische Oper ; Theater ; Geschichte 1759-2008
    Note: Literaturverzeichnis Seite 235-254
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 71
    Online Resource
    Online Resource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137554413
    Language: English
    Pages: 1 Online-Ressource (IX, 184 p. 9 illus., 8 illus. in color)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
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    Keywords: Culture Study and teaching ; Communication ; Music ; Feminist anthropology ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Geschlechterrolle ; Hard Rock ; Weiblicher Fan ; Heavy Metal ; Großbritannien ; Electronic books ; Großbritannien ; Hard Rock ; Heavy Metal ; Weiblicher Fan ; Geschlechterrolle
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 72
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781442251991 , 9781442252004
    Language: English
    Pages: XXII, 223 Seiten
    Series Statement: The listener's companion
    Parallel Title: Erscheint auch als Bowman, Durrell: Experiencing Peter Gabriel
    DDC: 782.42166092
    RVK:
    Keywords: Gabriel, Peter Criticism and interpretation ; Gabriel, Peter ; Geschichte 1950- ; Rock music History and criticism ; Rockmusiker ; Großbritannien ; Biografie ; Biografie ; Gabriel, Peter 1950- ; Großbritannien ; Rockmusiker ; Geschichte 1950-
    Note: Includes bibliographical references and index
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  • 73
    ISBN: 9781447272687
    Language: English
    Pages: xxxii, 560 Seiten
    RVK:
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    Keywords: Geschichte 1976-1992 ; Rockmusik ; Antirassismus ; Engagierte Musik ; Großbritannien
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  • 74
    ISBN: 9781409457763
    Language: English
    Pages: xii, 208 Seiten , Illustrationen
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Robinson, Roxy Music festivals and the politics of participation
    DDC: G:gb S:pm Z:40
    RVK:
    Keywords: Großbritannien ; Unterhaltungsmusik ; Musikfestspiel ; Musikbranche ; Sozialgeschichte
    Note: Includes bibliographical references and index
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  • 75
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199347629
    Language: English
    Pages: xv, 218 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Eliot, Karen, 1957 - Albion's dance
    Parallel Title: Online version Eliot, Karen, 1957- author Albion's dance
    DDC: 792.8/0941
    RVK:
    Keywords: Ballet History 20th century ; Dance History 20th century ; World War, 1939-1945 ; Großbritannien ; Ballett ; Zweiter Weltkrieg
    Note: Includes bibliographical references and index
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  • 76
    Online Resource
    Online Resource
    London : Routledge | [London] : Taylor & Francis
    ISBN: 9781315555935
    Language: English
    Pages: 1 Online-Ressource (220 Seiten)
    Series Statement: Ashgate popular and folk music series
    Series Statement: Taylor & Francis eBooks
    DDC: 781.660820941
    RVK:
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    Keywords: Geschichte 1976-1982 ; Punk Rock ; Musikerin ; Großbritannien
    Note: Gedruckte Ausgabe 2016 erschienen
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  • 77
    Online Resource
    Online Resource
    London : Palgrave Macmillan
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    RVK:
    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 78
    Image
    Image
    London : Hodder & Stoughton
    ISBN: 9781473639270 , 1473639271
    Language: English
    Pages: 319 Seiten , Illustrationen
    RVK:
    Keywords: Rockmusik ; House ; Elektronische Musik ; Großbritannien ; Großbritannien ; Garage rock music / Great Britain ; Rock musicians / Great Britain / Interviews ; House music / Great Britain ; Electronic music / Great Britain ; Jungle (Music) / Great Britain ; Electronic music ; Garage rock music ; House music ; Jungle (Music) ; Rock musicians ; Great Britain ; Interviews ; Bildband ; Bildband ; Bildband ; Bildband ; Großbritannien ; Rockmusik ; Elektronische Musik ; House
    Abstract: 13 years ago, from the depths of Bow E3, the voice of a generation emerged. It was dark, it was angry, it was loud, it was unapologetic. It was provocative and fiercely independent. It was the brittle sound of disillusionment, resentment and despair, but also the voice of hope...This Is Grime. This is Grime will have unrivaled access to the artists and influencers who have created and cultivated the culture over the past fifteen years. Telling their stories and the story of this musical culture - one of the most significant working class British subcultures of its time - in tandem
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  • 79
    Online Resource
    Online Resource
    Lanham, Maryland : Rowman & Littlefield
    ISBN: 9781442252004
    Language: English
    Pages: 1 Online-Ressource (247 pages)
    Series Statement: The listener's companion
    Parallel Title: Erscheint auch als Bowman, Durrell Experiencing Peter Gabriel : a listener's companion
    DDC: 782.42166092
    RVK:
    Keywords: Gabriel, Peter Criticism and interpretation ; Gabriel, Peter ; Geschichte 1950- ; Rock music History and criticism ; Rockmusiker ; Großbritannien ; Biografie ; Großbritannien ; Rockmusiker ; Geschichte 1950- ; Gabriel, Peter 1950-
    Note: Description based on print version record
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  • 80
    ISBN: 9781783270927
    Language: English
    Pages: XVI, 408 Seiten , Illustrationen, Notenbeispiele , 24 cm
    DDC: 393.930941
    RVK:
    Keywords: Geschichte 1603-2002 ; Funeral rites and ceremonies History ; Funeral music History and criticism ; Kings and rulers Death and burial ; Nobility Death and burial ; Liturgie ; Zeremoniell ; Musik ; Staatsbegräbnis ; Großbritannien ; Großbritannien ; Staatsbegräbnis ; Zeremoniell ; Liturgie ; Musik ; Geschichte 1603-2002
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  • 81
    ISBN: 9781851778911 , 9781851778928 , 1851778918
    Language: English
    Pages: 320 Seiten , Illustrationen, Diagramme , 24 x 3.2 x 31 cm
    Edition: First published
    DDC: 781.6609
    RVK:
    RVK:
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    Keywords: Rock music Exhibitions 1961-1970 ; Nineteen sixties Exhibitions ; Counterculture Exhibitions History 20th century ; Protest movements Exhibitions History 20th century ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 10.09.2016-26.02.2017 ; Bildband ; Ausstellungskatalog Victoria and Albert Museum 10.09.2016-26.02.2017 ; USA ; Großbritannien ; Pop-Kultur ; Gegenkultur ; Protestbewegung ; Musik ; Gebrauchsgrafik ; Mode ; Geschichte 1966-1970
    Abstract: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement.Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Abstract: The late 1960s were a period of great turbulence and rapid social and political change. You Say You Want a Revolution? examines that moment when youth culture drove an optimistic idealism, motivating people to come together and question established power structures across every area of society. It shows how many of the issues that dominate contemporary discourse - environmentalism, globalization, individualism or mass-communication - have roots that can be traced back to the 1960s.〈br〉1960s design culture culminated in an orgy of colour and form: a sensorial overload of Barbarella-style inflatables, plush Verner Panton playrooms and high-tech 2001: Space Odyssey furniture systems. Here, essays on music, politics, the counter-culture, social living, mind-altering experiences, festivals and more chart revolutions across media and culture, illustrated throughout with some of the most iconic images of the time - including the records that provided both the soundtrack and the key means of identification.〈br〉The idealism of the period informed such disparate phenomena as the high-tech innovations of Silicon Valley and the environmental movement. Half a century later, we can reassess the genesis of these movements and explore whether the revolutions they started can be considered complete, ongoing or interrupted
    Note: Aus dem Internet: Exhibition,Victoria & Albert Museum, London,10 September 2016- 26 February 2017 , "In the exhibition and book You Say You Want a Revolution? Records and Rebels 1966-1970, we explore key subject areas and locations where these revolutions took place" -Vorwort, Seite 12 , A tale of two cities : London, San Francisco and the transatlantic bridge , Revolution now : the traumas and legacies of US politics in the late 1960s , The counter-culture , All together now? , The Fillmore, the Grande and the Sunset Strip : the evolution of a musical revolution , You say you want a revolution? : looking at the Beatles , British fashion 1966-70 : 'A state of anarchy' , The chrome-plated marshmallow : the 1960s consumer revolution and its discontents , 'We are as gods...' : computers and America's new communalism, 1965-75 , Epilogue. Michael Sandel on where we go from here. , Englisch
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  • 82
    ISBN: 9781442252011
    Language: English
    Pages: xv, 223 Seiten , Illustrationen
    DDC: 782.42164082
    RVK:
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    Keywords: Geschichte 1960-1969 ; Girlgroup ; Rezeption ; Pop-Kultur ; USA ; Großbritannien
    Note: Bibliography Seite 205-214
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  • 83
    ISBN: 9780415812382
    Language: English
    Pages: XII, 160 S.
    Series Statement: Routledge advances in ethnography 14
    Series Statement: Routledge advances in ethnography
    DDC: 306.484249
    RVK:
    Keywords: Jugend ; Hip-Hop ; Rap ; Großbritannien ; London
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  • 84
    ISBN: 9781847799937
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Music and society
    DDC: 781.66
    RVK:
    RVK:
    Keywords: Geschichte 1975-1980 ; Punk Rock ; Postpunk ; Musiksoziologie ; Großbritannien
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  • 85
    Book
    Book
    London and New York : Routledge Taylor & Francis Group
    ISBN: 9781409457763 , 9781472473004 , 9781472473011
    Language: English
    Pages: XII, 208 Seiten , Illustrationen
    Edition: First published
    Series Statement: Ashgate popular and folk music series
    DDC: 780.78/41
    RVK:
    Keywords: Sozialgeschichte ; Gesellschaft ; Music festivals Social aspects ; Music festivals ; Musikbranche ; Musikfestspiel ; Unterhaltungsmusik ; Großbritannien ; Großbritannien ; Großbritannien ; Unterhaltungsmusik ; Musikfestspiel ; Musikbranche ; Sozialgeschichte
    Note: Includes bibliographical references and index
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  • 86
    Book
    Book
    London [u.a.] : Simon & Schuster
    ISBN: 9780857206985
    Language: English
    Pages: XVI, 464, [16] S. , Ill.
    DDC: 647.9541
    RVK:
    RVK:
    Keywords: Großbritannien ; Nachtklub ; Musik ; Geschichte
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  • 87
    ISBN: 9781629630335
    Language: English
    Pages: VIII, 213 S. , Ill.
    RVK:
    Keywords: Punk Rock ; Großbritannien ; Großbritannien ; Punk Rock
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  • 88
    Online Resource
    Online Resource
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781442252028
    Language: English
    Pages: 1 Online-Ressource (241 pages)
    DDC: 782.421660922
    RVK:
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    Keywords: Geschichte 1960-1969 ; Girlgroup ; Rezeption ; Popkultur ; Women in popular culture - Great Britain ; USA ; Großbritannien ; Electronic books
    Abstract: In Leaders of the Pack: Girl Groups of the 1960s and their Influence on Popular Culture musician and music historian Sean MacLeod surveys the hundreds of girl groups that appeared not only in the United States but also in Great Britain during the early 1960s. This study corrects the neglect of their critical contribution of popular music history by exploring the social and political climate from which the girl groups emerged and their effect, in turn, on local and national music and culture. Leaders of the Pack is essential reading for students, scholars, and fans of 1960s music and culture. It will further interest anyone interested in women's studies, modern American and British culture, and music history, with important forays into such topics as the Civil Rights Movement, second and third wave feminism, and post-war life.
    Note: Description based on publisher supplied metadata and other sources
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  • 89
    Book
    Book
    Farnham, Surrey ; Burlington, VT : Ashgate
    ISBN: 9781472414137
    Language: English
    Pages: XVI, 220 Seiten , Illustrationen, Karten
    Additional Material: 1 CD (12 cm)
    Series Statement: SOAS musicology series
    DDC: 786.8/87
    RVK:
    Keywords: Geschichte ; Jew's harp ; Jew's harp ; Maultrommel ; Großbritannien ; Irland ; Irland ; Großbritannien ; CD ; CD ; Großbritannien ; Irland ; Maultrommel ; Geschichte
    Note: Includes bibliographical references and index
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  • 90
    Book
    Book
    London and New York : Routledge Taylor & Francis Group
    ISBN: 9781409457763 , 9781472473004 , 9781472473011
    Language: English
    Pages: XII, 208 Seiten , Illustrationen
    Series Statement: Ashgate popular and folk music series
    DDC: 780.78/41
    RVK:
    Keywords: Sozialgeschichte ; Music festivals Social aspects ; Music festivals ; Musikbranche ; Musikfestspiel ; Unterhaltungsmusik ; Großbritannien ; Großbritannien ; Unterhaltungsmusik ; Musikfestspiel ; Musikbranche ; Sozialgeschichte
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  • 91
    ISBN: 9781409457763
    Language: English
    Pages: xii, 208 Seiten , Illustrationen
    Series Statement: Ashgate popular and folk music series
    DDC: G:gb S:nb Z:40
    RVK:
    Keywords: Sozialgeschichte ; Unterhaltungsmusik ; Musikfestspiel ; Musikbranche ; Großbritannien
    Note: Includes bibliographical references and index.
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  • 92
    ISBN: 0367879395 , 9780367879396
    Language: English
    Pages: xii, 244 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Music in 19th-century Britain
    DDC: 306.09
    RVK:
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    Keywords: Costa, Michael ; Costa *1808-1884* ; Conductors (Music) Biography ; Music Performance 19th century ; History ; Music History and criticism 19th century ; Costa, Michele 1808-1884 ; Großbritannien ; Dirigent ; Geschichte 1808-1884 ; Großbritannien ; Konzert ; Musikproduktion ; Kulturwandel ; Geschichte 1800-1900
    Note: First published 2015 by Ashgate Publishing
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  • 93
    Online Resource
    Online Resource
    Oxfordshire, England : Routledge
    ISBN: 9781315867793
    Language: English
    Pages: 1 Online-Ressource (277 Seiten)
    Series Statement: Routledge advances in sociology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4/842
    RVK:
    Keywords: Music / Social aspects ; Social networks / Great Britain ; Social sciences / Network analysis ; Soziales Netzwerk ; Musik ; Musiksoziologie ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Soziales Netzwerk ; Musik ; Musiksoziologie
    Note: Includes bibliographical references at the end of each chapters and index
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  • 94
    ISBN: 9780719088650 , 9780719088643
    Language: English
    Pages: xi, 268 Seiten , Diagramme
    Series Statement: Music and society
    DDC: 781.66
    RVK:
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    Keywords: Geschichte 1975-1980 ; Punk Rock ; Postpunk ; Musiksoziologie ; Großbritannien
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  • 95
    ISBN: 9781472427175 , 9781472427182 , 9781472427199
    Language: English
    Pages: XII, 229 S , Ill.
    Series Statement: Music in nineteenth-century Britain
    DDC: 784.2092
    RVK:
    RVK:
    RVK:
    Keywords: Costa, Michael ; Costa *1808-1884* ; Conductors (Music) Biography ; Music Performance 19th century ; History ; Music History and criticism 19th century ; Biografie ; Biografie ; Costa, Michele 1808-1884 ; Costa, Michele 1808-1884 ; Großbritannien ; Dirigent ; Geschichte 1808-1884 ; Großbritannien ; Konzert ; Musikproduktion ; Kulturwandel ; Geschichte 1800-1900
    Note: Includes bibliographical references and index
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  • 96
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199372959
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Ghuman, Nalini Resonances of the Raj
    DDC: 780.9410954
    RVK:
    Keywords: Music History and criticism 20th century ; Music History and criticism 20th century ; Music Indic influences ; Großbritannien ; Kolonialismus ; Musical ; Indienbild
    Abstract: This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 8, 2014)
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  • 97
    ISBN: 1-4724-2979-6 , 978-1-4724-2979-7 , 978-1-4724-2978-0 , 1-4724-2978-8 , 978-1-4724-2980-3 , 1-4724-2980-X , 9781315547343
    Language: English
    Pages: 1 online resource (X, 221 Seiten).
    Series Statement: Ashgate popular and folk music series
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    DDC: 781.64086/91
    RVK:
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    Keywords: Taha, Rachid ; Taha, Rachid Criticism and interpretation ; Geschichte 1945-2010 ; MUSIC / Instruction & Study / Theory ; Blacks ; Music and race ; Popular music / Social aspects ; Reggae music ; Ska (Music) ; Blacks / Great Britain / Music / History and criticism ; Music and race / Great Britain ; Popular music / Social aspects / Great Britain ; Reggae (Music) / Great Britain / History and criticism ; Ska (Music) / Great Britain / History and criticism ; Taha, Rachid / Criticism and interpretation ; Gesellschaft ; Musik ; Popular music Music Social aspects ; Music and race History and criticism ; Ska (Music) History and criticism ; Reggae music History and criticism ; Blacks ; Schwarze. ; Reggae. ; Ska. ; Ethnische Identität. ; Musiksoziologie. ; Großbritannien ; Großbritannien. ; Schwarze ; Reggae ; Ska ; Ethnische Identität ; Musiksoziologie ; Geschichte 1945-2010
    Description / Table of Contents: "A West Indian? you must be joking! I come out of the East end" : Kenny Lynch and English racism in the 1950s and 1960s -- Chris Blackwell and "my boy lollipop" : ska, race and British popular music -- The travels of Johnny Reggae : from Jonathan King to prince Far-I; from skinhead to rasta -- "Ob-la-di ob-la-da" : Paul McCartney, diaspora and the politics of identity -- "Brother Louie" and the representation of interracial relationships in the United Kingdom and the United States of America -- Skin deep : ska and reggae on the racial faultline in Britain, 1968-1981 -- Rachid Taha and the postcolonial presence in French popular music -- "Police on my back" and the postcolonial experience
    Description / Table of Contents: Jon Stratton explores the concept of 'song careers', referring to how a song is picked up and then transformed by being revisioned by different artists and in different cultural contexts, to examine the ways that music has crossed racial faultlines that have developed in the post-Second World War era as a consequence of the movement of previously colonized peoples to the countries that colonized them. It is this migration of music that will appeal not only to those studying popular music, but also cultural studies and race
    Note: Print version record
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  • 98
    ISBN: 9781472417565
    Language: English
    Pages: XI, 230 S. , Ill., Notenbeisp.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65089/96041
    RVK:
    Keywords: Ethnische Identität ; Jazz ; Schwarze ; Großbritannien ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Großbritannien ; Schwarze ; Jazz ; Ethnische Identität
    Abstract: Black British musicians have been making jazz since around 1920 when the genre first arrived in Britain. This groundbreaking book reveals their hidden history and major contribution to the development of jazz in the UK. More than this, though, the chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. Decades before Steel Pulse, Soul II Soul, or Dizzee Rascal pushed their way into the mainstream, black British musicians were playing jazz in venues up and down the country from dance halls to tiny clubs. In an important sense, then, black British jazz demonstrates the crucial importance of musical migration in the musical history of the nation, and the links between popular and avant-garde forms. But the volume also provides a case study in how music of the African diaspora reverberates around the world, beyond the shores of the USA - the engine-house of global black music. As such it will engage scholars of music and cultural studies not only in Britain, but across the world. (Klappentext)
    Note: Includes bibliographical references and index
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  • 99
    ISBN: 1845537122 , 9781845537128
    Language: English
    Pages: VII, 167 Seiten , Illustrationen
    Series Statement: Popular music history
    DDC: 781.650941/09045
    RVK:
    Keywords: Geschichte 1945-1960 ; Jazz ; Musikleben ; Großbritannien
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  • 100
    ISBN: 978-0-571-30545-2 , 0-571-30545-8
    Language: English
    Pages: XXII, 426, [8] S.
    Edition: 1. publ.
    RVK:
    Keywords: Geschichte ; Folk music / Great Britain / History and criticism ; Folk musicians / Great Britain / History ; Folk music / Great Britain / Societies, etc / History ; Geschichte ; Musiker ; Folk music ; Musikleben ; Großbritannien ; Großbritannien ; Biografie ; Biografie ; Biografie ; Großbritannien ; Folk music ; Musiker ; Musikleben ; Geschichte ; Großbritannien ; Folk music ; Musiker
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