ISBN:
9789462094109
Language:
English
Pages:
Online-Ressource (online resource)
Series Statement:
Studies in Professional Life and Work
Series Statement:
Educational Research E-Books Online, Collection 2005-2017, ISBN: 9789004394001
Series Statement:
SpringerLink
Series Statement:
Bücher
Parallel Title:
Erscheint auch als Contemporary British Autoethnography
Keywords:
Autobiography English authors
;
Ethnology
;
Education
;
Education
Abstract:
This engaging, informative book makes an exciting contribution to current discussions about the challenges and uses of contemporary autoethnography. Authors from a range of disciplines ‘show and tell’ us how they have created autoethnographies, demonstrating a rich blend of theories, ethical research practices, and performances of identities and voice, linking all of those with the socio-cultural forces that impact and shape the person. The book will be a useful resource for new and experienced researchers; academics who teach and supervise post-graduate students; and practitioners in social science who are seeking meaningful ways to conduct research. This should be required reading for all qualitative research training.
Description / Table of Contents:
Contemporary British Autoethnography; TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION: STORYING LIFE AND LIVES; DEFINING AUTOETHNOGRAPHY; HISTORICAL ROOTS AND CONTEXTS WITHIN QUALITATIVE RESEARCH; AUTOETHNOGRAPHY AND THE PERSONAL AS POLITICAL; THE POLITICS OF SUBJECTIVISM; FUNCTIONS; VOICE; INSTITUTIONAL RESISTANCE TO AUTOETHNOGRAPHIC PRACTICE; RISKS OF AUTOETHNOGRAPHY; ORGANISATION OF THE BOOK; THE CHAPTERS; REFERENCES; WHEN WE GOT TO THE TOP OF ELM GROVE; SATURDAY MORNING 7.08 AM, 9TH NOVEMBER 2002; IT STARTED LIKE THIS:; MY TELLING TALE; AND IT ENDED LIKE THIS; SHARING; MEETING SUZANNE
Description / Table of Contents:
MOVING STORIESREFERENCES; WRITING TEACHING AND SURVIVAL IN MENTAL HEALTH: A Discordant Quintet for One; CONSERVING FRUIT; WHO'S PLATO?; THE REFLEXIVITY KOAN; 'IT'S TOO DIFFICULT FOR THEM'; OUR ENCOUNTERS WITH MADNESS; SHORT IS AN INPATIENT IN AN ACUTE WARD; GRANT IS AN INPATIENT IN AN ACUTE WARD; LEIGH-PHIPPARD IS AN INPATIENT IN AN ACUTE WARD; THE PERFORMANCE OF TIME-SPACE; SHORT IS AN INPATIENT IN AN ACUTE WARD; GRANT IS AN INPATIENT IN AN ACUTE WARD; LEIGH-PHIPPARD IS AN INPATIENT IN AN ACUTE WARD; REFERENCES; CULTURAL CONSTRAINTS: EXPERIENCING SAME-SEX ATTRACTION IN SPORT AND DANCE
Description / Table of Contents:
THE FIRST TEAMYOU ARE FAMILY; REFERENCES; LEAVING THE BLOOD IN: EXPERIENCES WITH AN AUTOETHNOGRAPHIC DOCTORAL THESIS; JUMPING IN; IMPACT - SCENE 1; Jess is in her early thirties; WHEN REAL LIFE GETS IN THE WAY; SMALL BANG; THE POWER OF DRAMA IN DOCTORAL WORK; IMPACT - SCENE 2; MY BEAUTIFUL GIRL, MY BEAUTIFUL BOY; IMPACT - SCENE 3; MY DARK MATERIAL; NOTE FROM THE AUTHOR; REFERENCES; A TRUTH WAITING FOR A TELLING; PRELUDE: VOICE; MR PREDICTABLE; JAMES; THE COFFIN; NOTE; REFERENCES; AN ENGLISHMAN ABROAD: AN AUTOETHNOGRAPHIC TALE; January 2000-Hospital; Thursday 6th January 2000
Description / Table of Contents:
Sunday 3rd October 2010January 2000-London. Hospital; February 2000-London. Hospital; March 2000; Tuesday 18th January 2011; Hospital; 6th January 2000; 6th January 2000; June 2010; 7th January 2000; March 2000-Hospital; My first breakfast in the hotel.; CODA; REFERENCES; ASH WEDNESDAYS: AN AUTOETHNOGRAPHY OF (NOT) COUNSELLING; ONE WEDNESDAY, NOW: APPROACHING THE COUNSELLING ROOM; ONE WEDNESDAY, NOW: WRITING AT MY DESK; ONE WEDNESDAY, THEN: MY COUNSELLING ROOM AT THE MEDICAL CENTRE; ONE WEDNESDAY, NOW: THE LIVING ROOM AT MY HOUSE; ONE WEDNESDAY, THEN: MY COUNSELLING ROOM AT THE MEDICAL CENTRE
Description / Table of Contents:
ONE WEDNESDAY, NOW: THE COUNSELLING ROOM AT MY HOUSENOTES; REFERENCES; ASSEMBLAGE/ETHNOGRAPHY: TROUBLING CONSTRUCTIONS OF SELF IN THE PLAY OF MATERIALITY AND REPRESENTATION; INTRODUCTION; THINKING (NOT) OF SELF; Sleep-writing; NOTES; REFERENCES; WRITING FORMS OF FICTION: GLIMPSES ON THE ESSENCE OF SELF; INTRODUCTION; LANDSCAPES AND LIVES; TWO BANKS OF FOUR AND A SPOT-FACED ROCK DRUMMER; LITTLE THINGS; LITTLE THINGS; FINAL THOUGHTS; DIDN'T YOU USED TO BE ...?; SPRING 2010; 1ST MARCH 2012; IT'S DECEMBER 1979. BRIGHTON; JANUARY 1980; SEPTEMBER 1980; SEPTEMBER 1983; SEPTEMBER 1984; FEBRUARY 2011
Description / Table of Contents:
31ST OCTOBER 2011
Note:
Description based upon print version of record
DOI:
10.1007/978-94-6209-410-9
URL:
Volltext
(lizenzpflichtig)
URL:
Volltext
(lizenzpflichtig)
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