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  • FID-SKA-Lizenzen  (18)
  • 1970-1974  (18)
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Language
Years
Year
Author, Corporation
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Keywords
  • 1
    Online Resource
    Online Resource
    Planning for floods (1974)
    Watertown, MA :Documentary Educational Resources (DER),
    Details
    Language: English
    Pages: 1 online resource (29 min.). , 002854
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Flood damage prevention. ; Global warming. ; Hudson (N.Y.) ; Rapid City (S.D.) ; Mississippi River. ; France ; Documentary films.
    Abstract: The distribution and use of Planning for Floods by the Environmental Defense Fund (EDF) spread the message of public environmental responsibility well beyond the immediate community of the Mississippi River. It anticipates by more than 30 years the present concerns about global warming.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1974 in Hudson, NY. , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2068126
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2068126
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  • 2
    Online Resource
    Online Resource
    Disappearing world.; Masai women (1974)
    London, England :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (55 min.) , 005401
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Maasai (African people) ; Women, Maasai ; Women, Maasai. ; Kenya. ; Canada ; Documentary films.
    Abstract: The Masai are cattle herders living in the East African rift valley: they grow no crops and are proud of being a non-agricultural people. Cattle are the all-important source of wealth and social status, and Masai love their cattle, composing poems to them. However, it is the men who have exclusive control over rights to cattle, and women are dependent, throughout their lives, on a man – father, husband or son – for rights of access to property. A woman's status as 'daughter', 'wife' or 'mother' is therefore crucial and this film examines with depth and sensitivity the social construction of womanhood in Masai society, concentrating upon women's attitudes to their own lives. The film details a series of events in women's lives, from their circumcision ceremonies which mark their transition from girlhood to womanhood, to the moment when they proudly watch their sons make the transition to elderhood in the eunoto ceremony.
    Note: Title from resource description page (viewed October 28, 2014). , Previously released as DVD. , In English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2083074
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2083074
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  • 3
    Online Resource
    Online Resource
    The Kawelka : Ongka’s big moka (1974)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (55 min.). , 005443
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ceremonial exchange ; Ethnology ; Kawelka (Papua New Guinean people) Social life and customs. ; Western Highlands Province (Papua New Guinea) Social life and customs. ; North America ; Documentary films.
    Abstract: Ongka is a charismatic big-man of the Kawelka tribe who live scattered in the Western highlands, north of Mount Hagen, in New Guinea. The film focuses on the motivations and efforts involved in organising a big ceremonial gift-exchange or moka planned to take place sometime in 1974. Ongka has spent nearly five years preparing for this ceremonial exchange, using all his big-man skills of oratory and persuasion in order to try to assemble what he hopes will be a huge gift of 600 pigs, some cows, some cassowaries, a motorcycle, a truck and £5,500 in cash. As an example of the big-man familiar from written texts, Ongka is memorable, and the film manages to convey through this main character the importance of pigs, of exchange and of prestige in the life of these Highlanders. The film-crew never in fact managed to film the big moka, as the conspiratorial and complex manoeuvres involved in setting the date thwarted their plans. But we are shown Ongka replacing tee-shirt and shorts with his ceremonial feathers and setting off to a little moka where he collects pigs he 'invested' with his wife's father. The interview with Ongka's wife raises the issue of the sexual division of labour and the importance of the wife's labour in pig-rearing and moka preparation, as well as the role of women in the establishment of a big-man.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Papua New Guinea. , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2086420
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2086420
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  • 4
    Online Resource
    Online Resource
    Heal the whole man (1974)
    London, UK :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (50 min.). , 004955
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Rolong (African people) ; France ; Nonfiction films.
    Abstract: The 'Barolong boo Ratshidi' are one of the group of Tswana peoples, who together form a culturally homogeneous population of over two million. The Barolong themselves number about 75000 and are one of the southernmost of the Tswana chiefdoms. The international boundary between South Africa and Botswana now divides this formerly united nation into two political communities, the smaller in south-east Botswana and the larger in the northern Cape Province of South Africa where this film was made. After the Union of South Africa was created in 1910 the Barolong were rapidly incorporated into the wider national economy. Soon, most adult males were compelled to enter the migrant labour market and were exposed to the cultural melting pot of the burgeoning industrial cities. Yet, despite rapid change in their social horizons, they were restricted, like other blacks, from any meaningful participation in white urban culture and its political institutions. Not surprisingly cultural change among the Baralong has been markedly uneven and the selective adoption of western forms has been accompanied by a perpetuation of much of their traditional corpus of belief and practice. The cultural diversity is perhaps most dramatically exemplified in the context of ritual and cosmology. The Barolong share the keenness of other black peoples in southern Africa for assimilating elements drawn from the various Christian denominations with which they have made contact. The chiefdom accommodates numerous churches, each comprising a number of individual congregations. Religious organisations here are prone to rapid subdivision, the splinter groups retaining the emphasis upon elaborate ritual and uniform, and upon complicated leadership hierarchies which are found in the parent churches. Leaders in those churches are widely regarded as the educated elite; but while they formally condemn traditional ritual practice, nearly all Barolong continue to conduct their lives in terms of traditional cosmology. Beliefs in sorcery, pollution and ancestral potency flourish, and are expressed in the ritual of most the churches. The film examines Barolong religious syncretism in the context of the modern socio-political predicament. Two main types of religious organisation may be distinguished: the larger churches, whose form approximates that of the original mission church; and the smaller, highly factious groups, whose structure and ritual activities combine American fundamentalism with indigenous practice. The film attempts to show how seemingly irrational belief and action make sense when viewed in their proper context. The apparently bizarre syncretistic religion of the Barolong can be seen as part of the universal human quest to impose order and meaning upon everyday experience.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English and Baralong with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1879504
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1879504
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  • 5
    Online Resource
    Online Resource
    In search of cool ground. : the Mursi trilogy; Part 1,: The Mursi (1974)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (54 min.). , 005409
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Murzu (African people) ; Ethiopia Social life and customs. ; Ethiopia. ; Australia ; Documentary films.
    Abstract: What made this trilogy special was that, unlike most television reportage, it had a temporal dimension. That is to say, it offered not a brutal, intrusive and uncomprehending snapshot, but a sympathetic, well-informed and thoughtful history of ten difficult years in the life of a tribe. Its insight derived from an anthropologist, David Turton, who has been studying the Mursi for years and who was able to provide the absolutely essential explanations of the mysterious events filmed by the Granada crew. This is the kind of illumination which is often provided by books or by personal experience, but almost never by television. This is a trilogy about aspects of the culture of two groups of people, the Kwegu and the Mursi, in Ethiopia. The titles are THE MURSI, THE KWEGU, THE MIGRANTS.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Ethiopia. , Previously released as DVD. , This edition in English and Mursi with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2192184
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2192184
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  • 6
    Online Resource
    Online Resource
    The Mehinacu (1974)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (53 min.). , 005308
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Acculturation ; Ethnology ; Indians of South America ; Mehinacu Indians. ; Canada ; Documentary films.
    Abstract: The Mehinacu live near the head-waters of the River Xingu in Central Brazil, in a single village within the protective confines of the Xingu National Park. Although the film concentrates upon the most exotic aspects of Mehinacu life, focusing on a series of rituals concerned with the planting and harvesting of the piqui tree, these rites are firmly located in their social context. Relations between the sexes in this society are formalised in an astonishing abundance of ritual, celebration, dances and games, performed to ensure fertile soil and good crops. Many sequences deal with the daily life of the Mehinacu, showing, for example, the sexual division of labour, with men fishing and women preparing manioc. The use of subtitled interviews provides a depth and sensitivity in the film's approach which helps to underline the concern with the fact that these Indians are seriously threatened by a road which is being cut through their territory. One of the highlights of the film is an interview with a Mehinacu elder who tells of the origin myth of the sacred flutes, a myth which is part of a complex belief system that will be lost if the Mehinacu, who are such a small group, are not able to survive under the pressures of the outside world. The film could be used to stimulate discussions of sex role differences, sexual division of labour in particular societies, and the connection between ritual and social relationships.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Xingu National Park, Brazil. , Previously released as DVD. , This edition in English and Mehinaku with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2196056
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  • 7
    Online Resource
    Online Resource
    The Sakuddei (1974)
    London :Royal Anthropological Institute,
    Details
    Language: Austronesian (Other)
    Pages: 1 online resource (54 min.). , 005335
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Ethnology. ; Sakudei (Indonesian people) ; Indonesia. ; Canada ; Documentary films.
    Abstract: The Sakuddei are a small and ethnically separate community living on the island of Siberut off the west coast of Sumatra in Indonesia. Their distinctive way of life and elaborate religious ceremonies, centred on the umah (ceremonial house) are under threat from the Indonesian government which wishes to 'civilise' the Sakuddei. These people are also threatened by a timber company from the Philippines which has been granted a logging concession in the Sakuddei's territory. The first part of the film contains strikingly photographed scenes of ritual life in the umah, while in the second part there is an interview with a representative of the government who wants to send the Sakuddei children to school in a government village on the coast. The adults fear that the children will lose touch with their own customs and identity if placed in such an institution. Their concern forms part of a moving and dramatic film which explores the contrast between the Sakuddei's way of life and the various pressures of modern Indonesian society on them: Islam, money, police, administrators and the lumber companies.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Siberut, Indonesia. , Previously released as DVD. , This edition in Mentawai and English with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2196396
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2196396
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  • 8
    Online Resource
    Online Resource
    Hudson shad (1974)
    Watertown, MA :Documentary Educational Resources (DER),
    Details
    Language: English
    Pages: 1 online resource (18 min.). , 001800
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Fishes Effect of water pollution on. ; Hudson (N.Y.) ; France ; Documentary films.
    Abstract: Folk music legend and environmental activist Pete Seeger, in despair over the pollution of his beloved Hudson River, launched a project to clean it up in the sixties. In Hudson Shad, Seeger and others in the River Keepers, make a statement about our responsibility for keeping the waters of the river clean enough for the shad to thrive.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in 1974 in Hudson, NY. , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2068113
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2068113
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  • 9
    Online Resource
    Online Resource
    The Quechua (1974)
    London :Royal Anthropological Institute,
    Details
    Language: Quechua
    Pages: 1 online resource (53 min.). , 005257
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Quechua Indians ; North America ; Documentary films.
    Abstract: This film is set in a community of peasant agriculturalists 2 1/4 miles above sea level in the southern Peruvian Andes. Concentrating on a single family, the film explores aspects of religious and secular life. The first part of the film shows a pilgrimage to a Christian sanctuary situated close to the residence of the most powerful of the Central Andean mountain spirits (Apus) illustrating the syncretism of Catholic and pre-Hispanic local religious traditions. In the second part of the film we see a fertility rite for sheep, and the attempts of certain members of the community to procure government assistance for a motor road to the village which would link them more closely with the rest of Peruvian society. This film portrays the Quechua of the village of Camahuara as being in a sense sealed off from the rest of the world, but it also shows how their way of life is integrated with the Peruvian economy. It has been criticised for emphasising that the desire for change is coming from inside the traditional society rather than being forced on it from without.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Camahuara, Peru. , Previously released as DVD. , This edition in Quechua and English with English subtitles.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2196372
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2196372
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  • 10
    Online Resource
    Online Resource
    Life chances : four families in a Greek Cypriot village. (1974)
    London, UK :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (40 min.). , 003933
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2012. (Ethnographic video online). Available via World Wide Web.
    Series Statement: Ethnographic video online, volume 2
    Keywords: Economic development ; Families ; Social change ; Women Social conditions ; Cyprus Social conditions. ; Cyprus Social life and customs. ; France ; Nonfiction films.
    Abstract: A careful account of social change in a prosperous Greek Cypriot village, which follows four closely related families before the Turkish made them all refugees. Their lives reflect the possibilities available to individuals and families in the village society.
    Note: Title from resource description page (viewed Feb. 27, 2013). , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;1879781
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;1879781
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  • 11
    Online Resource
    Online Resource
    Kataragama : a god for all seasons (1973)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (54 min.). , 005332
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Hinduism ; Kārttikeya (Hindu deity) ; Kataragama (Sri Lanka) Religious life and customs. ; Sri Lanka Religious life and customs. ; North America ; Documentary films.
    Abstract: In ever-increasing numbers Sinhalese of all religions (Muslims, Christians and Buddhists) are turning to Kataragama, an ancient Hindu God, at times of trouble and desperation. Once a year pilgrims make the journey to Kataragama's shrine in southeast Sri Lanka (Ceylon) to fulfil vows by performing acts of penance and worship in payment for a favour received. Kataragama is called on to help with a wide range of problems (unemployment, sickness, examinations, personal relationships) and is appealed to by people of all social backgrounds, notably the growing middle class and urban dwellers. A good third of the film is concerned with the annual festival, showing the often gruesome and sensational acts which the pilgrims perform including fire-walking, and the piercing of body and tongue with needles – all acts designed to obtain forgiveness and grace. One man is suspended from hooks in his back – a self-torture undertaken with apparent joy by a man who, like many others that perform such acts, feels himself (after a time) to be possessed by the God's spirit. These rather sensational acts are interwoven with the story of a peasant family whose son has disappeared, leading them eventually to seek help from Kataragama. The unfolding of this personal drama (with reconstruction of early episodes, and voice-over to detail their thoughts and feelings) forms the context for the events we see at the festival. The effect of the interweaving of these two 'stories' is to place the otherwise purely exotic spectacle of the pilgrims' acts of penance within a universally understandable social context – that of the despair of a family whose young son is lost. The unplanned return of the boy, apparently in response to the family's appeal to Kataragama, provides a dramatic and moving finale to a film which has been compared in some respects to the great Italian neo-realist films. Clearly this film is an important one both for anthropologists and those concerned with ethnographic film per se.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Sri Lanka. , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2192194
    URL: https://fid-ska.idm.oclc.org/login?url=http://www.aspresolver.com/aspresolver.asp?ANTH;2192194
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  • 12
    Online Resource
    Online Resource
    The dervishes of Kurdistan (1973)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (59 min.). , 005858
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Dervishes. ; Kurds Social life and customs. ; Qādirīyah ; Sufism ; Iran. ; Canada ; Documentary films.
    Abstract: A community of Kurds residing in Iran on the border with Iraq forms the subject of this film. Many of the inhabitants of the community are refugees from Kurdish areas of Iraq and the villagers are Qadiri Dervishes – followers of an ecstatic mystical cult of Islam. The unusual manifestations of the Qadiri Dervish faith are explored in this film, both in the context of religious ceremonies and everyday life, with the main focus on the spiritual and temporal power wielded by their leader, Sheikh Hussein. For the Durvishes, Hussein is the direct representative of Allah and, therefore, by serving the Sheikh they are also serving God. In rituals presided over by him they have the power to carry out acts which would normally be harmful, such as having electricity passed through their bodies, eating glass, handling poisonous snakes and skewering their faces. The film includes interviews, not only with members of the cult, but also with the local mullah (representative of orthodox Islam), in an attempt to explore the difference between those two manifestations of the same faith. The film is visually compelling, especially the sequences showing religious celebration and ceremony.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Baiveh, Iran. , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2193670
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  • 13
    Online Resource
    Online Resource
    The Tuareg (1972)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (54 min.). , 005420
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Tuaregs Social life and customs. ; Tuaregs History. ; Tuaregs. ; Algeria. ; Canada ; Documentary films.
    Abstract: This film is about a group of nomadic Tuareg living high up in the Hoggar Mountains near Tamanrasset in Algeria. The main focus of the film is the collapse of the former economic basis of their camps. In 1962 the Algerian government banned the system of slavery and contract labour which had helped to keep the Tuareg camps supplied with grain. Now, instead of undertaking 500 mile long trading journeys to Niger, Tuareg buy grain in Tamanrasset with money obtained form selling cheap leather goods to the burgeoning tourist trade. The commentary, by Jeremy Keenan, also introduces aspects of the Tuareg kinship system, and material about the social life of the group. The second part of the film concentrates on the devastating effects of the recent drought on this way of life. The pasture is now so poor that camps have to move more frequently, and so traditional patterns of life are being abandoned in favour of a sedentary existence as cultivators alongside the Tuareg's former slaves.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2191030
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  • 14
    Online Resource
    Online Resource
    The Meo (1972)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (55 min.). , 005432
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Ethnology ; Hmong (Asian people) Social life and customs. ; Hmong (Asian people) ; Laos History. ; Canada ; Documentary films.
    Abstract: Over the last three thousand years the Meo (Miao or Hmong) have migrated south from north and central China to avoid oppression and protect their way of life. Today they live in scattered mountain villages in south China and south-east Asia; and the 250,000 of them who live in the Kingdom of Laos have suffered greater losses, relative to their numbers, in the Indo-China wars than any other single group. In 1972, when this film was made, the Vietnam war was still at its peak; therefore it is not surprising that a fairly straightforward ethnographic account is combined with a more journalistic analysis of the political situation. Indeed it would be difficult to approach a discussion of the Meo without such an emphasis, and the review in RAIN (listed below) is a useful supplement to this. In effect, the film's narrative divides into two parts first we are introduced to a village which managed to remain neutral and avoid the worst effects of the war (which was why the anthropologist chose it for his fieldwork). The daily life and material culture of the Meo people are shown as they sow rice using slash-and-burn agricultural methods, distil opium for sale and entertainment, and discuss with the anthropologist their fear of conscription and its effects on other villages. Two rituals are shown ( the shaman who performed them was the close friend of the anthropologist) one to banish a nightmare, the other to exorcise the spirit of a man which haunts the house of the brother who accidentally killed him while out hunting. In the second part of the film we see the Meo who live in American-run refugee camps (which is the majority of them), far removed form the village life of their fellows. The interviews with some of the Meo pilots who fly American B28 bombers over their homeland emphasise the tragic absurdities of such a war; for these Meo are not sure exactly who the 'enemy' are, each one giving vague answers to the interviewer's questions.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in China and Laos. , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2087704
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  • 15
    Online Resource
    Online Resource
    Embera : the end of the road (1971)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (55 min.). , 005055
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Embera Indians. ; Indians of South America ; Australia ; Documentary films.
    Abstract: The way of life of the 10,000 Embera Indians who live in the Choco region of Colombia, South American, is threatened by the encroachments of Negro Libres (descendants of freed slaves) and by the expansion of the Pan-American highway which cuts through their land. The film's main concern is to show the effects of interaction between the Embera river dwellers and two groups of outsiders the Libres with whom they trade, and the local Catholic mission which administers education, religion and civil justice. Although the Embera are exploited by the Libres (who, for example, sell them hunting dogs at very high prices) both groups are poor and largely without rights in Colombian society. In an interview, the Embera explain to the anthropologist that they want protection from the physical attacks of the Libres and legal rights over the land which they have inhabited for many years. Sequences such as this bring out the Embera's plight they are caught between the bulldozers and the banknotes of the Libres. We are shown the material culture and way of life of the Indians (canoe building, pot making, hunting, curing rituals) but not in a romanticised way, and the polemical organisation of the film allows the ethnographic details of the life of these river Indians to be placed in a wide social and economic context.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Choco, Colombia. , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2192147
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  • 16
    Online Resource
    Online Resource
    Last of the Cuiva (1971)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (66 min.). , 010625
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Cuiba Indians Social life and customs. ; Ethnology ; Indians of South America ; Colombia Social life and customs. ; Australia ; Documentary films.
    Abstract: The film focuses on recent changes in the culture and society of the Cuiva, hunters and gatherers in a remote forest region of south-eastern Colombia, brought about through contact with Colombian settlers. Two groups of Cuiva are shown: one is relatively isolated, while the other has had extensive contacts with the settlers. The first group live a nomadic life moving frequently; the men hunt and fish, the women gather. The second group has been drawn into the Colombian economy, working occasionally for the ranchers to earn money to buy trade goods. The film also usefully includes interviews with white ranchers, showing their racist attitudes to the Indians, whom in the past they feared and on whose land they are now continually encroaching. The basic incompatibility between the economic systems of the Cuiva (based on communal distribution of food, gift-giving and receiving), and that of the settlers who attempt to survive within the world-capitalist market, is startlingly illustrated. Unlike later films in the series, The Last of the Cuiva relies on a moving commentary recorded during filming by the French-Canadian anthropologist, Bernard Arcand, who emphasises that the traditional way of life of the Cuiva (whom he describes, following Sahlins, as exemplifying the 'original affluent society') will be seriously damaged by these contacts with whites. Rather than giving a more conventional anthropological description, Arcand's commentary is a humanist plea for the survival of hunter-gatherer groups, and carries an implicit criticism of western lifestyles.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Colombia. , Previously released as DVD. , This edition in English and Spanish.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2192233
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  • 17
    Online Resource
    Online Resource
    War of the gods (1971)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (68 min.). , 010731
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Barasana Indians. ; Ethnology ; Indians of South America ; Macú Indians (Papury River watershed) ; Canada ; Documentary films.
    Abstract: While relying on a polemical stance directed against the cultural genocide wrought by missionaries, War of the Gods also contains a wealth of information and detail about Amazonian Indian cosmology, social life and sexual division of labour. Two groups of Indians from the Vaupes region of Colombia are shown, the Maku, who live mainly by hunting and gathering, and the sedentary Barasana, who live mainly by farming. The film contrasts the belief systems and way of life of the Indians, presented by the anthropologists who worked and lived with them, with those of Protestant and Catholic missionaries. The Protestants, North American Fundamentalists from the Summer Institute of Linguistics, are said to have used their organisation as a cover in order to be allowed to work with the Indians, because open Protestant missionary activity would not have been acceptable to the authorities. No attempt is made to gloss over the complexities of contact between Whites and Indians. The Barasana themselves want change, and the missionaries' influence is undoubtedly more beneficial to the Indians than that of rubber gatherers. Included in this film is an interview — using voice-over — with a Maku shaman, and there are scenes from the Barasana moloka, the communal house which is a centre of social and domestic activity. The climax of the film is a contrasting look at a church service at the S.I.L. headquarters, a Barasana ritual dance (accompanied by the ritual use of the hallucinogen yage), and a Mass at the Catholic mission attended by some of the Indians who took part in the ritual dance. Some missionaries who have seen this film consider that its editing is unfair to the S.I.L., but the head of another important missionary organisation has said that it should be screened during missionary training courses.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Vaupes, Colombia. , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2197874
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  • 18
    Online Resource
    Online Resource
    A clearing in the jungle (1970)
    London :Royal Anthropological Institute,
    Details
    Language: English
    Pages: 1 online resource (40 min.). , 004017
    Edition: Electronic reproduction. Alexandria, VA : Alexander Street Press, 2014. (Ethnographic video online, volume 2). Available via World Wide Web.
    Series Statement: Disappearing world
    Series Statement: Ethnographic video online, volume 2
    Keywords: Indians of South America ; Indians of South America. ; Panare Indians. ; Venezuela. ; North America ; Documentary films.
    Abstract: In common with many other Indian groups in South America, the culture of the Panare Indians of Venezuela is threatened by their almost daily contact with neighbouring creoles, Spanish-speaking peasants. However, in spite of nearly fifty years of interaction, their culture has remained distinctively Indian. The film focuses on activities of their daily life, such as making cassava, preparing blow-darts, hunting and gathering. The Indians strongly resented the presence of the camera-crew; indeed, as Dumont points out early in the film, they were loath to reveal details of their belief-system even to him, although he had been living with them for eighteen months. This was the first and the shortest of the films in the Disappearing World series. Although useful and interesting, it is relatively superficial and its commentary contains some anthropological oddities; it cannot be compared with the much more sophisticated films made later in the series.
    Note: Title from resource description page (viewed Feb. 6, 2014). , Recorded in Venezuela. , Previously released as DVD. , This edition in English.
    URL: http://www.aspresolver.com/aspresolver.asp?ANTH;2191083
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