ISBN:
9781439911297
Sprache:
Englisch
Seiten:
1 Online-Ressource
Paralleltitel:
Erscheint auch als
Schlagwort(e):
Wilder, Joe
;
Geschichte 1922-2004
;
Jazzmusiker
;
Trompeter
;
USA
;
Biografie
;
Diskografie
;
Wilder, Joe 1922-2014
;
USA
;
Jazzmusiker
;
Trompeter
;
Geschichte 1922-2004
Anmerkung:
Trumpeter Joe Wilder is distinguished for his achievements in both the jazz and classical worlds. He was a founding member of the Symphony of the New World, where he played first trumpet, and he performed as lead trumpet and soloist with Lionel Hampton, Jimmy Lunceford, Dizzy Gillespie, and Count Basie. Yet Wilder is also known as a pioneer who broke down racial barriers, the first African American to hold a principal chair in a Broadway show orchestra, and one of the first African Americans to join a network studio orchestra. In Softly, with Feeling, Edward Berger tells Wilder's remarkable story from his youth in working-class Philadelphia and his apprenticeship in the big bands, to his experience as one of the first 1,000 black Marines during World War II, and his achievements in the worlds of jazz, classical, and popular music. Reminiscences by Wilder and his colleagues, including renowned Philadelphia-area musicians Jimmy Heath and Buddy DeFranco help place Wilder's experiences within a broader context of American musical and social history. Wilder's modesty and ability to perform in many musical genres may have prevented him from achieving popular recognition, but in Softly, with Feeling, his legacy and contributions to music and culture are assured. - Edward Berger is a writer/photographer, whose other books include "Benny Carter: A Life in American Music" (with Morroe Berger and James Patrick) and "Bassically Speaking: An Oral History of George Duvivier". He produced two Grammy-winning albums for jazz great Benny Carter, has been a long-time cohost of Jazz from the Archives on WBGO-FM, Newark, and regularly teaches at Jazz at Lincoln Center's Swing University. He retired as Associate Director of the Rutgers Institute of Jazz Studies in 2011, but continues to serve IJS as a consultant.
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