ISBN:
978-0-8223-5884-8
,
978-0-8223-6357-6
,
978-0-8223-7308-7 /eBook
Language:
English
Pages:
xxi, 205 Seiten
,
Illustrationen
DDC:
307.76096662
Keywords:
Liberia Stadtforschung, ethnologische
;
Architektur, moderne
;
Stadtplanung
;
Gemeindesoziologie
;
Landnutzung
;
Landschaftswandel
;
Identität
;
Krieg und Gesellschaft
;
Monrovia 〈Stadt, Liberia〉
Abstract:
In Monrovia Modern Danny Hoffman uses the ruins of four iconic modernist buildings in Monrovia, Liberia, as a way to explore the relationship between the built environment and political imagination. Hoffman shows how the E. J. Roye tower and the Hotel Africa luxury resort, as well as the unfinished Ministry of Defense and Liberia Broadcasting System buildings, transformed during the urban warfare of the 1990s from symbols of the modernist project of nation-building to reminders of the challenges Monrovia's residents face. The transient lives of these buildings' inhabitants, many of whom are ex-combatants, prevent them from making place-based claims to a right to the city and hinder their ability to think of ways to rebuild and repurpose their built environment. Featuring nearly 100 of Hoffman's color photographs, Monrovia Modern is situated at the intersection of photography, architecture, and anthropology, mapping out the possibilities and limits for imagining an urban future in Monrovia and beyond.
Description / Table of Contents:
Live dangerously, my brothers: ex-combatants and the political economy of space -- The Ministry of defense: excessive architecture -- E. J. Roye: the corporate (post)modern -- Hotel Africa: the uncritical ruin -- Liberia broadcasting system: three utopias -- Finding urban form: a coda.SummaryIn Monrovia Modern Danny Hoffman uses the ruins of four iconic modernist buildings in Monrovia, Liberia, as a way to explore the relationship between the built environment and political imagination. Hoffman shows how the E. J. Roye tower and the Hotel Africa luxury resort, as well as the unfinished Ministry of Defense and Liberia Broadcasting System buildings, transformed during the urban warfare of the 1990s from symbols of the modernist project of nation-building to reminders of the challenges Monrovia's residents face. The transient lives of these buildings' inhabitants, many of whom are ex-combatants, prevent them from making place-based claims to a right to the city and hinder their ability to think of ways to rebuild and repurpose their built environment. Featuring nearly 100 of Hoffman's color photographs, Monrovia Modern is situated at the intersection of photography, architecture, and anthropology, mapping out the possibilities and limits for imagining an urban future in Monrovia and beyond.
Note:
Literaturverzeichnis: Seite 189 - 202
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