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  • MPI Ethno. Forsch.  (2)
  • Cham : Imprint: Palgrave Macmillan
  • Washington, D.C : The World Bank
  • [Erscheinungsort nicht ermittelbar] : Frontiers Media SA
  • American Studies  (2)
Datasource
  • MPI Ethno. Forsch.  (2)
  • BSZ  (2)
Material
Language
Years
  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031078897
    Language: English
    Pages: 1 Online-Ressource(XI, 247 p. 3 illus.)
    Edition: 1st ed. 2022.
    Series Statement: Modern and Contemporary Poetry and Poetics
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    Keywords: Poetry. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Language and languages—Style. ; Rhetoric. ; Literature—History and criticism. ; Historical linguistics. ; Englisch ; Mundart ; Lyrik ; Geschichte 1950-2000 ; Heaney, Seamus 1939-2013 ; Brooks, Gwendolyn 1917-2000 ; Harrison, Tony 1937- ; Clifton, Lucille 1936-2010
    Abstract: Chapter 1: Introduction: Local Tongues -- Chapter 2: Troubled Tongues: Seamus Heaney and the Political Poetics of Speech -- Chapter 3: The Gwendolynian Tongue: Gwendolyn Brooks’s Noncolloquial Local Speech -- Chapter 4: Tongue-Tied Fighting: Tony Harrison’s Linguistic Divisions -- Chapter 5: Mortal Tongues: Lucille Clifton’s Local-Speech Admonitions -- Chapter 6: Coda: The Twenty-First Century Local-Speech Poem.
    Abstract: The Politics of Speech in Later Twentieth-Century Poetry: Local Tongues in Heaney, Brooks, Harrison, and Clifton argues that local speech became a central facet of English-language poetry in the second half of the twentieth century. It is based on a key observation about four major poets from both sides of the Atlantic: Seamus Heaney, Gwendolyn Brooks, Tony Harrison, and Lucille Clifton all respond to societal crises by arranging, reproducing, and reconceiving their particular versions of local speech in poetic form. The book’s overarching claim is that “local tongues” in poetry have the capacity to bridge aesthetic and sociopolitical realms because nonstandard local speech declares its distinction from the status quo and binds people who have been subordinated by hierarchical social conditions, while harnessing those versions of speech into poetic structures can actively counter the very hierarchies that would degrade those languages. The diverse local tongues of these four poets marshaled into the forms of poetry situate them at once in literary tradition, in local contexts, and in prevailing social constructs.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Cham : Imprint: Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783319328201
    Language: English
    Pages: 1 Online-Ressource(XIV, 371 p. 20 illus., 2 illus. in color.)
    Edition: 1st ed. 2016.
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
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    Keywords: Literature, Modern—19th century. ; Literature ; Literature, Modern 19th century
    Abstract: Introduction: Reading, Reception, and the Rise of Transatlantic ‘English’; Ann Wierda Rowland and Paul Westover -- 1. American Idiom: Sara Hale’s Flora’s Interpreter and the Figuration of National Identity; Kelli Towers Jasper -- 2. Bentley’s Standard Novelist: James Fenimore Cooper; Joseph Rezek -- 3. ‘The American Tennyson’ and ‘The English Longfellow’: Inverted Audiences and Popular Poetry; Sharon Estes -- 4. The Americans in the English Men of Letters; Ryan Stuart Lowe -- 5. ‘The Author Makes the Reader Acquainted with His Abode’: Hawthorne as Transatlantic Tour Guide in The Marble Faun and ‘The Old Manse’; Charles Baraw -- 6. The Transatlantic Home Network: Discovering Sir Walter Scott in American Authors’ Houses; Paul Westover -- 7. Wordsworthshire and Thoreau Country: Transatlantic Landscapes of Genius; Scott Hess -- 8. Helen A. Clarke and Charlotte Endymion Porter: Literary Criticism in Author Country a Century Ago; Alison Booth -- 9. Transatlantic Reception and Commemoration of the ‘Poet of the Scotch’, Robert Burns; Christopher A. Whatley -- 10. Loving, Knowing, and Illustrating Keats: the Louis Arthur Holman Collection of Keats Iconography; Ann Wierda Rowland -- 11. The Unofficial Force”: Irregular Author Love and the Higher Criticism; Charles J. Rzepka -- Index. .
    Abstract: This book is about Anglo-American literary heritage. It argues that readers on both sides of the Atlantic shaped the contours of international ‘English’ in the 1800s, expressing love for books and authors in a wide range of media and social practices. It highlights how, in the wake of American independence, the affection bestowed on authors who became international objects of celebration and commemoration was a major force in the invention of transnational ‘English’ literature, the popular canon defined by shared language and tradition. While love as such is difficult to quantify and recover, the records of such affection survive not just in print, but also in other media: in monuments, in architecture, and in the ephemera of material culture. Thus, this collection brings into view a wide range of nineteenth-century expressions of love for literature and its creators. .
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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