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  • MPI Ethno. Forsch.  (12)
  • 2005-2009  (12)
  • Geschichte  (12)
  • Art History  (7)
  • American Studies
  • Computer Science
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Language
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  • 1
    ISBN: 9780080963907 , 0080963900
    Language: English
    Pages: 1 online resource (ix, 339 pages) , illustrations (some color)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 621.38152
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    Keywords: Geschichte ; TECHNOLOGY & ENGINEERING / Electronics / Solid State ; TECHNOLOGY & ENGINEERING / Electronics / Semiconductors ; Electronic apparatus and appliances ; Information technology ; Semiconductors ; Semiconductors ; Semiconductors / History ; Electronic apparatus and appliances / History ; Information technology / History ; Semiconductors History ; Electronic apparatus and appliances History ; Information technology History ; Informationstechnik ; Halbleiter ; Informationstechnik ; Geschichte ; Halbleiter ; Geschichte
    Abstract: This book sets out to explain the development of modern electronic systems and devices from the viewpoint of the semiconductor materials (germanium, silicon, gallium arsenide and many others) which made them possible. It covers the scientific understanding of these materials and its intimate relationship with their technology and many applications. It began with Michael Faraday, took off in a big way with the invention of the transistor at Bell Labs in 1947 and is still burgeoning today. It is a story to match any artistic or engineering achievement of man and this is the first time it has been presented in a style suited to the non-specialist. It is written in a lively, non-mathematical style which brings out the excitement of discovery and the fascinating interplay between the demands of system pull and technological push. It also looks at the nature of some of the personal interactions which helped to shape the modern technological world.
    Abstract: An introductory chapter illustrates just how dependent we are on modern electronic systems and explains the significance of semiconductors in their development. It also provides, in as painless a way as possible, a necessary understanding of semiconductor properties in relation to these applications. The second chapter takes up the historical account and ends with some important results emerging from the Second World War - including its effect on the organisation of scientific research. Chapter three describes the world-shaking discovery of the transistor and some of the early struggles to make it commercially viable, including the marketing of the first transistor radio. In chapter four we meet the integrated circuit which gave shape to much of our modern life in the form of the personal computer (and which gave rise to a famously long-running patent war!).
    Abstract: Later chapters cover the application of compound semiconductors to light-emitting devices, such as LEDs and lasers, and light detecting devices such as photocells. We learn how these developments led to the invention of the CD player and DVD recorder, how other materials were applied to the development of sophisticated night vision equipment, fibre optical communications systems, solar photovoltaic panels and flat panel displays. Similarly, microwave techniques essential to our modern day love of mobile phoning are seen to depend on clever materials scientists who, not for the first time, "invented" new semiconductors with just the right properties. Altogether, it is an amazing story and one which deserves to be more widely known. Read this book and you will be rewarded with a much deeper understanding and appreciation of the technological revolution which shapes so many aspects of our lives.
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    ISBN: 0300119615 , 9780300164213 , 9780300119619
    Language: English
    Pages: XV, 284 S., [16] Bl. , Ill. , 27 cm
    DDC: 709.4709
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    Keywords: Art, Russian ; Art and history ; Visual communication ; Art, Russian ; Art and history ; Visual communication ; Russia In art ; Russia In art ; Aufsatzsammlung ; Russland ; Kunst ; Visuelle Kommunikation ; Kulturelle Identität ; Russlandbild ; Geschichte
    Description / Table of Contents: Literaturverz. S. [263] - 269
    Note: Includes bibliographical references and index
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  • 3
    ISBN: 0472069748 , 0472099744 , 9780472069743 , 9780472099740
    Language: English
    Pages: 378 S. , Ill. , 23 cm
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 943/.1087
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    Keywords: Politics and culture ; Socialism and society ; Popular culture ; Politics and culture Germany (East) ; Socialism and society ; Popular culture Germany (East) ; Germany (East) Social life and customs ; Germany (East) Social life and customs ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Alltagskultur ; Politik ; Deutschland ; Alltagskultur ; Politik ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 4
    Book
    Book
    Vientiane [u.a.] : École Française d'Extrême-Orient
    Show associated volumes/articles
    ISBN: 9782855396545
    Language: French , English
    Pages: 678 S , Ill., graph. Darst., Kt
    Series Statement: Études thématiques / Ecole Française d'Extrème Orient 18
    DDC: 959
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    Keywords: Geschichte ; Epoche ; Kolonialismus ; Neuzeit ; Laos Länderhandbuch ; Geschichte ; Historische Epochen ; Kolonialzeit ; Neuzeit ; Area handbooks History ; Historical epochs ; Colonial age ; Modern times ; Geofaktoren/Geographische Faktoren Kulturelle Vielfalt ; Traditionelle Kultur ; Interkulturelle Beziehungen ; Ethnische Faktoren ; Ethnische Bevölkerungsgruppe/Volksgruppe ; Identität ; Religion ; Buddhismus ; Sozioökonomische Entwicklung ; Soziokultureller Wandel ; Globalisierung ; Entwicklungsperspektive und -tendenz ; Geological/geographical factors Cultural diversity ; Traditional culture ; Intercultural relations ; Ethnic factors ; Ethnic/national communities ; Identity ; Buddhism ; Socio-economic development ; Socio-cultural change ; Globalization ; Development perspectives and tendencies ; Laos History ; Anthropology ; Laos ; Aufsatzsammlung ; Aufsatzsammlung ; Laos ; Zivilisation
    Note: Beitr. teilw. engl., teilw. franz , Beitr. teilw. franz., teilw. engl.
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  • 5
    ISBN: 382535315X , 9783825353155
    Language: English
    Pages: VII, 404 S. , Ill., Kt. , 22 cm
    Series Statement: American studies 143
    Series Statement: American studies
    DDC: 810.9384
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    Keywords: Collective memory Congresses ; National characteristics, American Congresses ; United States Congresses Civilization ; Aufsatzsammlung ; Konferenzschrift 2005 ; USA ; Literatur ; Kollektives Gedächtnis ; Erinnerung ; USA ; Kollektives Gedächtnis ; Geschichtsbewusstsein ; Kultur ; Geschichte
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  • 6
    Language: German
    Pages: Online-Ressource
    Parallel Title: Druckausg. Krasa-Florian, Selma, 1927 - 2014 Die Allegorie der Austria
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    Keywords: Habsburg, House of Art patronage ; Personification in art ; The arts ; Österreich-Ungarn ; Kunst ; Nationalismus ; Allegorie ; Geschichte
    Abstract: Diese Arbeit ist der Versuch, durch die Verbindung von kunsthistorischen und politikgeschichtlichen Erkenntnissen ein genaueres korrekteres Bild der behandelten Epochen zu erhalten. Die Allegorie der Austria ist dabei das Instrument zur genauen Evaluierung der jeweiligen nationalen und staatspolitischen Vorstellungen. Die Allegorie der Austria verkörpert dabei sehr genau die jeweiligen politischen Konstellationen. Die dynamische Austria mit der rudolphinischen Hauskrone bedeutet die Prädominanz des Herrscherhauses, die bürgerliche Austria mit der Mauerkrone die Vorstellungen dieser Bevölkerungsschicht, vor allem im deutschsprachigen Teil von Österreich, die Stellung des Staates über dem Herrscher der Sinne Hegels, sowie auch die siegreiche Austria mit dem Lorbeerkranz als Zeichen der Überwindung der Revolution von 1848. Gerade im Vielvölkerstaat der Habsburger, wo die divergierenden gesamtstaatlichen und nationalen Sichtweisen zu Konflikten führen mußten, ist so die Allegorie der Austria ein wichtiger Hinweis auf die jeweilige Stellung der Öffentlichkeit zu der angedeuteten Problematik. Der in der Arbeit vorgegebene Zeitraum umfaßt die Periode vom Beginn des Aufstiegs Österreichs zur Großmacht bis zum Ende der Monarchie nach dem ersten Weltkrieg. Dabei werden verschiedene künstlerische Aspekte in einer neueren und genaueren Betrachtungsweise angesprochen, wie zum Beispiel der Zyklus von 13 Porträts aus dem Umfeld von Rudolph II. im Linzer Museum Nordico, die in der großen Ausstellung über diesen Herrscher "Prag um 1600" nicht repräsentiert waren und die am Beginn der Austria-Allegorie in der bildenden Kunst stehen, oder die Denkmalsentwürfe Otto Wagners, die im Großteil der Literatur über diesen Architekten nur als Gelegenheitsentwürfe bezeichnet werden, aber in Wahrheit ernstzunehmende Auseinandersetzungen Wagners mit der nationalen Kunst sind. Ein weiterer gedanklicher Ansatzpunkt ist der Vergleich des Ringens um einen modernen Gesamtstaat vor allem seit dem Anfang des 20. Jahrhunderts im Verhältnis zum heutigen Europa mit seinen überstaatlichen Strukturen. Dazu gehört die im Weltkrieg aufgekommene Idee von Mitteleuropa unter Einschluß der Türkei und der Wiedererrichtung des Königreiches Polen als Pufferstaat gegenüber dem revolutionären Russland. Hier ist schon lange vor der Gründung der europäischen Union der Versuch gemacht, den Kontinent friedlich zu einen
    Abstract: The intention of this paper is to give a correct inside in the review of the discussed periods. It tries to achieve this by using the means of Art History and Political History to get an exact inside. The allegorical representation of the Austria in this case is the means to get it. It stands for the specific aspects of the time, so for instance the dynastic Austria with the crown of Emperor Rudolph II. meaning the predominance of the ruling Habsburgs, the civic Austria with the mural crown showing the ideas of the middle class, especially in the German speaking parts of the country, with the acceptance of the predominance of the state over the ruler, according to Hegel, or also the victorious Austria with the laurel wreath as a symbol of the conquest of the revolution of 1848. The Habsburg monarchy including many different nations was the proper breeding ground of dissatisfaction and diversified nationalistic ideas. So the representation of the Austria is an important means of showing these ideas. The periods the paper is working on are roughly speaking starting with the time of the beginning of the position of the monarchy as one of the ruling powers of Europe until her dissolution and the end of World War I. Different aspects of art history are also dealt with. So for example the 13 portraits of Habsburg rulers in the Museum Nordico at Linz, which are positioned in the time of Rudolph II. and mark the beginning of the representation of the allegory of the Austria, or the designs for monuments by Otto Wagner which are dealt with in the many books on this architect only as a side issue, whereas they are a very important part of wagners work and show his national feelings, towards his fatherland. It is furthermore interesting to look at the nationalistic problems shown in this paper and compare them with contemporary Europe and the overcoming of them. These ideas are not new, the date back to the 19th and especially the beginning of the 20th century when the Monarchy tried to overcome the problems with the slogan of Großösterreich (Greater Austria). During World War one followed the idea of Mitteleuropa (Central Europe) including Turkey and the institution of a Polish State to hold off revolutionary Russia
    Description / Table of Contents: Literaturverz. S. 261 -276
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  • 7
    ISBN: 9783899427509
    Language: German
    Pages: XI, 350 S. , Ill., graph. Darst., Kt. , 23 cm
    Series Statement: Sozialtheorie
    Dissertation note: Zugl.: Mainz, Univ., Diss., 2006
    DDC: 940.5421421
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    Keywords: Geschichte ; Rites and ceremonies History ; Rites and ceremonies History ; Kollektives Gedächtnis ; Schlacht um Verdun ; Operation Overlord ; Erster Weltkrieg ; Musealisierung ; Frankreich ; Normandy (France) Historical geography ; Verdun (France) Historical geography ; Frankreich ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Fallstudie ; Hochschulschrift ; Frankreich ; Erster Weltkrieg ; Schlacht um Verdun ; Kollektives Gedächtnis ; Operation Overlord ; Kollektives Gedächtnis ; Musealisierung
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  • 8
    ISBN: 0804751285 , 0804751277
    Language: English
    Pages: XI, 290 S.
    Edition: Orig. print.
    DDC: 303.48330951
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    Keywords: Geschichte ; Internet Political aspects ; Political participation Computer network resources ; Politische Beteiligung ; Telegrafie ; Internet ; China Politics and government ; Computer network resources ; China ; China ; Telegrafie ; Politische Beteiligung ; Geschichte ; China ; Internet ; Politische Beteiligung ; Geschichte
    Note: Angaben zum Inhalt: It is widely recognized that internet technology has had a profound effect on political participation in China, but this new use of technology is not unprecedented in Chinese history. This is a pioneering work that systematically describes and analyzes the manner in which the Chinese used telegraphy during the late Qing, and the internet in the contemporary period, to participate in politics. Drawing upon insights from the fields of anthropology, history, political science, and media studies, this book historicizes the internet in China and may change the direction of the emergent field of Chinese internet studies. In contrast to previous works, this book is unprecedented in its perspective, in the depth of information and understanding, in the conclusions it reaches, and in its methodology. Written in a clear and engaging style, this book is accessible to a broad audience.
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  • 9
    Language: German
    Pages: Online-Ressource
    Series Statement: Semmering Architektur 1
    Series Statement: Semmering-Architektur
    Parallel Title: Druckausg. Vasko-Juhász, Désirée Semmering Architektur ; 1: Die Südbahn
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    Keywords: Hotels History ; Health resorts History ; History ; Südbahn ; Hotelbau ; Geschichte ; Südbahn-Hotel ; Hotelbau ; Geschichte ; Südbahn ; Hotelbau ; Kurort
    Abstract: Das vorgelegte Werk ist als 1. Band einer zweiteilig geplanten Publikation verfasst worden, die sich mit den kulturhistorischen und architekturgeschichtlichen Aspekten der Hotel- und Villenbauten am Semmering im südlichen Niederösterreich beschäftigt. Die Arbeit ist eine Fortsetzung eines vom FWF geförderten Forschungsprojekts (Nr. P 13959 ) unter der wissenschaftlichen Leitung und Begutachtung des Antragstellers (Univ.-Prof.Dr. Mario Schwarz). Gegenstand der Untersuchungen und Ausführungen dieses Bandes ist die kulturgeschichtliche Stellung und Bedeutung der Südbahngesellschaft bei der Erschließung der Semmering-Region als erstrangig bedeutendes Naherholungsgebiet des Wiener Bürgertums im späten 19. Jahrhundertwende bis zum Ersten Weltkrieg. Die Untersuchung zeigt, dass die Aufschließung dieses Gebiets hauptsächlich auf die Initiative des Direktors der Südbahngesellschaft Friedrich Schüler sowie auf den Hofbildhauer Franz Schönthaler zurückgeht. Die Umsetzung der Planungen im Bereich der Hotelarchitektur ist in der ersten Phase auf Architekt Franz Wilhelm, den Mitarbeiter des Erbauers des Wiener Südbahnhofes Wilhelm Flattich zurückzuführen, in einer zweiten Phase auf die Architekten Alfred Wildhack und Robert v. Morpurgo. Die Forschungen der Verfasserin erschließen sowohl zu den bisher gänzlich unbearbeiteten Werken dieser Architekten, als auch zu ihren Biographien wichtige Erkenntnisse. Völlig neue, wichtige Ergebnisse brachte die Untersuchung hinsichtlich der Zusammenhänge der Hotelbauten am Semmering mit den großen Hotelanlagen der Südbahngesellschaft in Toblach (Dobiacco; von Wilhelm Flattich) und Abbazia (Opatija; von Alfred Wildhack u.a.) als Aktivitäten einer corporate identity der Bahngesellschaft. Diese Ergebnisse stellen die Südbahngesellschaft mit an die Weltspitze der berühmten Hotelaanlagen von Eisenbahngesellschaften, für die die Autorin zahlreiche Vergleichsbeispiele von Großbritannien bis in die USA anführt. Die Verfasserin erschließt damit den Bereich eines bisher erst in wenigen Ansätzen erforschten Gebiets der Architekturgeschichte. Sowohl vom Ambiente als auch von den gewählten Stileigenschaften der Bauten bestehen jedoch auch wichtige Bezüge der Hotelarchitektur des Semmering zu den Hotelbauten in der Schweiz. In einem großangelegten Überblick bindet die Autorin die Semmeringhotels in die kulturgeschichtliche Entwicklung der Region um die "Wiener Hausberge" in der zweiten Hälfte des 19. Jahrhundert ...
    Abstract: The present manuscript is intended to be part I of a publication in two volumes, which deals with the historic architecture in the region of "Semmering" in southern Lower Austria from the point of view of art history, cultural history and history of architecture. The study was attempted in continuation of the FWF-project P 13959 under scientifical direction and supervision of the applicant (Prof.Dr. Mario Schwarz). Main topic of this study is the role and importance of the "Suedbahngesellschaft" (Southern Railway Company) in the process of the formation of the Semmering-region as a first-rate holiday resort of the Viennese society during the late 19th century up to the beginning of World War I. The study shows that the forming of this region mainly depended on the initiative of Friedrich Schueler, the Southern Railways Company's director, and Franz Schoenthaler, sculptor in duty of the Imperial Court. The materialization of the planning in the field of hotel-architecture in the first phase was due to architect Franz Wilhelm - collaborator of Wilhelm Flattich, who designed the railway-station of the Southern Railway Company at Vienna, in the second phase due to the architects Alfred Wildhack and Robert v. Morpurgo. The author's research brought a lot of new insight in work and biographies of these architects, who have been neglected so far by the art history. New, important results were achieved by this study concerning the links between the Semmering hotel-architecture and the grand hotel-resorts at Dobiacco (Toblach; architect: Wilhelm Flattich) and Opatija (Abbazia; architect: Alfred Wildhack e.a.), built by the Southern Railway Company as well, which have to be seen as activities in sense of the company's "corporate identity". Thus the company appears among the leading entrepreneurs in the world as founder of railway-hotels. The author presents several famous examples of this kind of hotels from Great Britain to the USA. Here the study is entering a field of architectural research, which still stands at the beginning. There are also important relations between the Semmering hotel-architecture and the historical hotels of Switzerland. In a large panorama the author includes the Semmering hotels in the general regional development of the "Wiener Hausberge" (hills and mountains near Vienna) during the second half of 19th century, especially in the time after the construction of the Semmering railway. The study comprehensively is illustrated with photograph ...
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  • 10
    Book
    Book
    Cambridge, Mass. [u.a.] :MIT Press,
    ISBN: 0-262-02589-2
    Language: English
    Pages: XI, 261 S. : , Ill., graph. Darst., Kt. ; , 24 cm.
    Series Statement: Inside technology
    DDC: 501
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    Keywords: Geschichte ; Connaissance, Théorie de la ; Représentation des connaissances ; Sciences - Philosophie ; Sciences - Technologie de l'information ; Naturwissenschaft ; Philosophie ; Knowledge representation (Information theory) ; Knowledge, Theory of ; Science Philosophy ; Science Information technology ; Wissensrepräsentation. ; Naturwissenschaften. ; Wissenschaftsphilosophie. ; Gedächtnis. ; Bibliografie ; Bibliografie ; Wissensrepräsentation ; Naturwissenschaften ; Geschichte ; Wissenschaftsphilosophie ; Gedächtnis
    Abstract: The ways we hold knowledge about the past shapes how we tell stories about it. Bowker looks at the relation of our information structures to our information and maintains that over the past 200 years information technology has converged with the nature and production of scientific knowledge.
    Note: Includes bibliographical references (p. [231]-253) and index
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  • 11
    ISBN: 3518293648
    Language: German
    Pages: 777 S. , 18 cm
    Edition: 1. Aufl., Originalausg.
    Series Statement: Suhrkamp-Taschenbuch Wissenschaft 1764
    DDC: 890
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    Keywords: Avant-garde (Aesthetics) Russia (Federation) ; Literature, Experimental Russia (Federation) ; Avantgarde ; Literaturtheorie ; Russisch ; Avantgarde ; Manifest ; Sowjetunion ; Sowjetunion ; Quelle ; Geschichte ; Geschichte 1917-1939 ; Geschichte 1917-1939 ; Quelle ; Sowjetunion ; Avantgarde ; Manifest ; Geschichte 1917-1939 ; Russisch ; Literaturtheorie ; Avantgarde ; Geschichte 1917-1939 ; Sowjetunion ; Avantgarde ; Manifest ; Geschichte 1917-1939
    Note: Literaturverz. S. 750 - [778]
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  • 12
    Online Resource
    Online Resource
    New York, NY : Princeton Architectural Press
    ISBN: 9781568986593
    Language: English
    Pages: Online-Ressource , v.: digital
    Edition: Online-Ausg. Springer eBook Collection. Humanities, Social Science and Law
    DDC: 759
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    Keywords: Humanities ; Aufsatzsammlung ; Malerei ; Geschichte
    Abstract: These wonderful essays capture Hustvedt's thoughtful, intensely personal and aesthetically charged responses to art. At first, Hustvedt's choice of artists seems random or disjointed, but it becomes apparent that her work is driven by a deeper logic that unites these painters: still life, the power of dreams and the struggle to truly see the world-she finds a profound engagement with these themes in each of the artists she treats, whether it be the cityscape-bottles of Giorgio Morandi, the vertiginous monsters of Goya, the abstract masses of Joan Mitchell or Gerhard Richter's ghostly photo paintings. Hustvedt writes with few technical or academic trappings, and the effect is that of an intelligent, articulate art-lover speaking about paintings she has looked at and thought about for a lifetime. As with Montaigne's essays or Proust's criticism, this expository character is hard-won. Hustvedt is well versed in the theory and scholarship on these artists, something she keeps below the surface in all but the last two pieces. This delightful book will interest anyone who enjoys art, whether casually or professionally, and Hustvedt's elegant prose makes for an engrossing read even for readers unfamiliar with the art under consideration.
    Description / Table of Contents: Preliminary; The Pleasures of Bewilderment; Vermeer's Annunciation; The Man with the Red Crayon; Ghosts at the Table; Narratives in the Body: Goya's Los Caprichos; More Goya: "There Are No Rules in Painting"; Giorgio Morandi: Not Just Bottles; Joan Mitchell: Remembering in Color; Gerhard Richter: Why Paint?; Back matter;
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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