ISBN:
9089642919
,
9048513839
,
9789089642912
,
9789048513833
Language:
English
Pages:
1 Online-Ressource (428 pages, [16] pages of plates)
,
illustrations (some color)
Edition:
Online-Ausg.
Series Statement:
Framing film
Parallel Title:
Print version Preserving and exhibiting media art
Keywords:
Art Exhibition techniques
;
New media art Preservation
;
Computer art Preservation
;
Motion picture film Preservation
;
Multimedia (Art) Preservation
;
Multimedia (Art) Preservation
;
New media art Preservation
;
Computer art Preservation
;
Motion picture film Preservation
;
Art Exhibition techniques
;
Film, TV and radio
;
Films, cinema
;
The arts
;
PERFORMING ARTS ; Reference
;
ART ; Conservation & Preservation
;
Art ; Exhibition techniques
;
Motion picture film ; Preservation
;
Mediakunst
;
Tentoonstellingen
;
Conservatie
;
Film production: technical and background skills
;
Electronic books
Abstract:
Artists have always experimented with the potentials film, video and digital technology. 'Preserving and Exhibiting Media Art' highlights the challenges these new multimedia works pose to the traditional ways of collecting, preserving and exhibiting art. In addition, it outlines several case studies through the contours of the training and education of professionals in this field. The book offers a historical and theoretical overview and makes an important contribution to the literature on archival theory and practice and is a reference point for anyone concerned with the preservation and presentation of media art
Note:
Includes bibliographical references and index
,
Acknowledgements ; Introduction
,
Part I. History, Archaeology, Aesthetics, Archive: Theoretical Paths ; Introduction
,
1. Between Art History and Media History: A Brief Introduction to Media Art
,
2. Media Archaeology: Where Film History, Media Art, and New Media (Can) Meet
,
3. Media Aesthetics
,
4. Media Art and the Digital Archive
,
Part II. Analysis, Documentation, Archiving ; Introduction
,
5. The Analysis of the Artwork
,
6. Methodologies of Multimedial Documentation and Archiving ; 6.1. Enjoying the Gap: Comparing Contemporary Documentation Strategies
,
6.2. Case Study: No Ghost Just a Shell by Pierre Huyghe, Philippe Parreno, and Many Others
,
6.3. The Artist's Interview as a Tool for Documenting and Recreating a Complex Installation: The Example of Mbube, an Audio-Installation by Roberto Cuoghi in the Museo Del Novecento, Milan
,
6.4. MAXXI Pilot Tests Regarding the Documentation of Installation Art
,
Part III. Technological Platforms, Preservation, and Restoration ; Introduction
,
7. Technological Platforms ; Introduction
,
7.1. The History and Technological Characteristics of Cinematographic Production and Reception Devices
,
7.2. The History and Technological Characteristics of Video Production and Reception Devices
,
7.3. Computers and Digital Reception Devices: History and Technological Characteristics
,
74. Obsolete Equipment: Ethics and Practices of Media Art Conservation
,
8. Theories, Techniques, Decision-making Models: The European Context ; 8.1. Operational Practices for a Film and Video Preservation and Restoration Protocol
,
8.2. Operational Practices for a Digital Preservation and Restoration Protocol
,
8.3. Case Study: The Conservation of Media Art at Tate: An Interview with Pip Laurenson (Head of Time-Based Media Conservation at Tate)
,
Part IV. Access, Reuse, and Exhibition ; Introduction
,
9. Exhibition Strategies ; Introduction
,
9.1. From Cinema to the Museum: A State of Affairs ; 9.1.1. A "Cinema Effect" in Contemporary Art
,
9.2. Exhibiting Images in Movement ; 9.2.1. Exhibiting/Editing: Dominique Pa̐ni and Programming at the Ciňmatḧque fraṅaise at the Turn of the Centenary
,
9.2.2. The Expanded Archive: The MindFrames exhibition
,
9.2.3. Exhibiting Film and Reinventing the Painting
,
9.3. The Image Traveling across Territories: Cinema, Video, TV, Museum, the Web, and beyond ; 9.3.1. On Passages Between Art and Cinema
,
9.3.2. Across the Territories: Exhibiting Music Video
,
9.3.3. Developing, Presenting, and Documenting Unstable Media at V2_
,
9.4. New Dispositifs, New Modes of Reception ; 9.4.1. Video Installations as Experiences in Montage
,
9.4.2. From the Film to the Map: Patrick Keiller and The City of the Future
,
9.4.3. Site-specific Exhibition and Reexhibition Strategies: Max Neuhaus's Times Square
,
9.4.4. From Archival Model to Exhibition Platform? Video Art As a Web Resource and the imai Online Catalogue
,
10. On Curating New Media Art
,
Epilogue
,
List of contributors ; Index.
,
English
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