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  • MPI Ethno. Forsch.  (13)
  • 2010-2014  (8)
  • 2005-2009  (5)
  • History  (11)
  • Soziologie
  • Romance Studies  (9)
  • Musicology
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Years
Year
  • 1
    ISBN: 9780226126203 , 9780226126173
    Language: English
    Pages: VIII, 343 S. , graph. Darst., Kt.
    Parallel Title: Erscheint auch als Iberian imperialism and language evolution in Latin America
    DDC: 498/.09
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    Keywords: Indigenous peoples Language ; History ; Spanish language Influence on foreign languages ; Portuguese language Influence on foreign languages ; Spanish language History ; Portuguese language History ; Languages in contact ; Latin America Colonial influence ; Aufsatzsammlung ; Aufsatzsammlung ; Lateinamerika ; Imperialismus ; Spanisch ; Portugiesisch ; Indianersprachen ; Sprachentwicklung
    Note: Includes index , Latin America: a linguistic curiosity from the point of view of colonization and the ensuing language contacts , Amerindian language islands in Brazil , Historical development of Nheengatu (lingua geral amazonica) , Language and conquest: Tupi-Guarani expansion in the European colonization of Brazil and Amazonia , African descendants' rural vernacular Portuguese and its contribution to understanding the development of Brazilian Portuguese , Brazilian Portuguese and the ecology of (post-)colonial Brazil , Maya and Spanish in Yucatan: an example of continuity and change , Standard colonial Quechua , Linguistic subjectivity in ecologies of Amazonian language change , The ecology of language evolution in Latin America: a Haitian postscript toward a postcolonial sequel
    URL: Cover
    URL: Cover
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  • 2
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    ISBN: 9780472029983
    Language: English
    Pages: 1 Online-Ressource (xi, 202 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Absher, Amy The black musician and the white city
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    Keywords: African Americans Illinois ; Chicago ; Music ; History and criticism ; Popular music Illinois ; Chicago ; History and criticism ; Popular music Social aspects ; Illinois ; Chicago ; History ; 20th century ; Music and race Illinois ; Chicago ; History ; 20th century ; African American musicians Illinois ; Chicago ; Music trade Illinois ; Chicago ; History ; 20th century ; African American musicians Labor unions ; Illinois ; Chicago ; History ; 20th century ; Musicians Labor unions ; Illinois ; Chicago ; History ; 20th century
    Abstract: Musicians and the segregated city : Chicago in the early 1900s-1930s -- From south to south side : musicians in 1940s Chicago -- Redefining the music industry : independent music in Chicago, 1948-1953 -- From south side to the south and the nation, 1954-1963 -- "The fact remains ... we are negroes" : dissonance and the desegregation of Chicago's musicians' union, 1963-1967
    Abstract: Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community.
    URL: Volltext  (kostenfrei)
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
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    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
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  • 4
    Book
    Book
    İstanbul : Libra Kitapçılık ve Yayıncılık
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    ISBN: 9786054326792
    Language: English , French , Spanish
    Pages: 267 S. , Ill.
    Edition: 1. ed.
    Series Statement: Libra kitap 80
    Series Statement: Linguistics, history, and anthropology 67
    Series Statement: Libra kitap
    Series Statement: Libra kitap / Tarih dizisi
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    Keywords: Ladino language Social aspects ; History ; Jews, Turkish Language ; Jews, Turkish Social life and customs ; Language and culture ; Jews, Turkish Ethnic identity ; Group identity ; Nationalism History ; Nationalism History ; Türkei ; Sephardim ; Judenspanisch ; Dönme ; Identität ; Nationalismus
    Note: Beitr. teilw. engl., teilw. franz., teilw. span.
    URL: Cover
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  • 5
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press
    ISBN: 9781781387962
    Language: English
    Pages: 1 Online-Ressource (209 Seiten)
    Edition: 1st ed
    Series Statement: Contemporary Hispanic and Lusophone Cultures, 6 v.6
    Parallel Title: Erscheint auch als Davies, Ann Spanish Spaces : Landscape, Space and Place in Contemporary Spanish Culture
    DDC: 306.0946
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    Keywords: Alltag, Brauchtum ; Cultural geography -- Spain ; Spain -- Civilization -- 21st century ; Spain -- Social life and customs -- 21st century ; Landschaft ; Film ; Literatur ; Spanien ; Spanien ; Criticism, interpretation, etc ; History ; Electronic books ; Electronic books ; Electronic books ; Electronic books. ; Electronic books. ; Criticism, interpretation, etc. ; History. ; Spanien ; Film ; Literatur ; Landschaft
    Abstract: A pioneering study that fuses cultural geography and contemporary Spanish culture, asking what it means to think of space and place in specifically Spanish terms. It examines how themes of memory and forgetting, nationalism and terrorism, crime and detection, gender, tourism and immigration are explored in contemporary Spanish film and literature
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (kostenfrei)
    URL: JSTOR
    URL: Liverpool scholarship online  (Click for access to e-book)
    URL: OAPEN
    URL: OAPEN
    URL: Image  (Thumbnail cover image)
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  • 6
    ISBN: 978-3-518-29549-6
    Language: German
    Pages: 875 S.
    Edition: 1. Aufl.
    Series Statement: Suhrkamp Taschenbuch Wissenschaft 1949
    Series Statement: Suhrkamp Taschenbuch Wissenschaft
    Uniform Title: 〈〈Le〉〉 Collège de Sociologie
    DDC: 301.0944
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    Keywords: Collège de Sociologie. ; Geschichte 1937-1939 ; Soziologie. ; Disziplin ; Anthologie. ; Frankreich. ; Soziologie ; Disziplin ; Geschichte 1937-1939 ; Anthologie
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  • 7
    Online Resource
    Online Resource
    New York, NY [u.a.] : Palgrave Macmillan
    ISBN: 9780230109773
    Language: English
    Pages: Online-Ressource
    Parallel Title: Druckausg. Brown, J. Andrew, 1970 - Cyborgs in Latin America
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    Keywords: Spanish American fiction History and criticism 20th century ; Science fiction, Spanish American History and criticism ; Cyborgs in literature ; Cyborgs in mass media ; Cyborgs in motion pictures ; Literature and technology History 20th century ; Mass media and technology History 20th century ; Human beings Philosophy ; Social theory ; Spanish American fiction ; 20th century ; History and criticism ; Science fiction, Spanish American ; History and criticism ; Cyborgs in literature ; Cyborgs in mass media ; Cyborgs in motion pictures ; Literature and technology ; Latin America ; History ; 20th century ; Mass media and technology ; Latin America ; History ; 20th century ; Human beings ; Philosophy ; Lateinamerika ; Cyborg ; Literatur ; Film ; Massenmedien
    Abstract: Cyborgs in Latin America explores the ways cultural expression in Latin America has grappled with the changing relationships between technology and human identity. The book takes a literary and cultural studies approach in examining narrative, film and advertising campaigns from Argentina, Bolivia, Chile, Mexico and Uruguay by such artists as Ricardo Piglia, Edmundo Paz Soldán, Carmen Boullosa and Alberto Fuguet among others. Using and criticizing theoretical models developed by Katherine Hayles, Donna Haraway, Gilles Deleuze and Michel Foucault, the book will appeal to specialists and students of Latin American Studies; Posthuman Theory; and Literature, Science and Technology Studies
    Description / Table of Contents: Posthuman porteos: cyborg survivors in Argentine narrative and film -- Missing gender: the posthuman feminine in Alicia Borinsky, Carmen Boullosa, and Eugenia Prado -- Ripped stitches: mass media and televisual imaginaries in Rafael Courtoisie's narrative -- Neoliberal prosthetics in post-dictatorial Argentina and Bolivia: Carlos Gamerro and Edmundo Paz Soldań -- Video heads and rewound bodies: cyborg memories in Rodrigo Fresán and Alberto Fuguet.
    Note: Includes bibliographical references , English
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  • 8
    Online Resource
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    Ann Arbor : University of Michigan Press | Baltimore, Md. : Project MUSE
    ISBN: 9780472027477 , 0472027476
    Language: English
    Pages: 1 Online-Ressource (292 p. :) , Ill.
    DDC: 780.89/96
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    Keywords: Geschichte ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Amerika ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Includes bibliographical references and index , Description based on print version record
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 9
    ISBN: 9783518294840 , 3518294849
    Language: German
    Pages: 153 S. , 18 cm
    Edition: Dt. Erstausg., 1. Aufl.
    Series Statement: Suhrkamp-Taschenbuch Wissenschaft 1884
    Uniform Title: Monadologie et sociologie 〈dt.〉
    DDC: 300
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    Keywords: Sociology ; Philosophy ; Monadology ; Monadenlehre ; Soziologie ; Tarde, Gabriel de 1843-1904 ; Monadenlehre ; Soziologie
    Note: Literaturverz. S. 151 - 153 , Hier auch später erschienene, unveränderte Nachdrucke
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  • 10
    Online Resource
    Online Resource
    México, D.F : El Colegio de México, Centro de Estudios Lingüìsticos y Literarios
    ISBN: 9789681212940 , 9681212940 , 9681212940 , 9789681212940
    Language: Spanish
    Pages: 1 Online-Ressource (526 pages)
    Parallel Title: Erscheint auch als De amicitia et doctrina
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    Keywords: Spanish language History ; Latin American literature History and criticism ; Spanish literature History and criticism Classical period, 1500-1700 ; Spanish language ; Latin American literature ; Spanish literature ; Electronic books ; Spanish language ; Criticism, interpretation, etc ; History ; Spanish literature ; Classical period ; Latin American literature ; BIOGRAPHY & AUTOBIOGRAPHY / Social Scientists & Psychologists
    Note: Includes bibliographical references
    URL: Volltext  (kostenfrei)
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  • 11
    Online Resource
    Online Resource
    Wien : Böhlau
    ISBN: 9783205775935
    Language: German
    Pages: 1 electronic resource (348 Seiten p.)
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    Keywords: Electronic musical instruments Austria ; History ; Electronic musical instruments Germany ; History ; Music
    Abstract: Die Publikation handelt von der Pionierzeit der "elektrischen Instrumente" im deutschsprachigen Raum. Sie beruht im Wesentlichen auf einem Forschungsauftrag des Jubiläumsfonds der Österreichischen Nationalbank (Projekt Nr. 9382), bei dem vor allem die Popularisierung dieser Instrumente im Vordergrund stand. Von den ersten Versuchen ausgehend, wird anhand von sorgfältig recherchierten Originaldokumenten die Entwicklung im untersuchten geographischen Raum vorzugsweise im Zeitintervall von 1920 bis 1945 behandelt. Nach einer kurzen Darstellung der ins 19. Jh. zurückreichenden Wurzeln beginnt die Untersuchung mit einer kritischen Wertung der Konstruktionen und deren Präsentation in den 1920er Jahren (insbesondere Jörg Mager, Lev Termen und den Reaktionen der Fachwelt und der Öffentlichkeit). Dazu kommen Konstruktionen, die zwar in dieser Zeit entstanden, jedoch erst später in Erscheinung traten: die elektro-optische und elektromagnetische Tonerzeugung. Für beide Prinzipien gibt es Beispiele in Österreich und Deutschland, die in die 1920er Jahre zurückreichen. Eine repräsentative Presseschau zeigt die unterschiedliche Auffassung der Verwertbarkeit der elektrischen Instrumente vom Standpunkt der Techniker, der Musiker und der Öffentlichkeit. Das folgende Jahrzehnt wird der politischen Entwicklung wegen in mehreren Teilen behandelt. Die ersten zwei Jahre waren vor allem von der Erfindung des Trautoniums, des Neo-Bechstein-Flügels, des Elektrochords und des Hellertions geprägt. In dieser Zeit entwickelte sich Berlin (insbesondere durch das Heinrich Hertz Institut und die Rundfunkversuchsstelle) zu einem Zentrum der "elektrischen Musik". Auch die ersten großen öffentlichen Präsentationen auf den Berliner Funkausstellungen fanden 1931 und 1932 statt. Nach 1933 veränderte sich jedoch nicht nur die politische Lage, sondern auch die kulturpolitischen Voraussetzungen für die Verwendung elektrischer Instrumente. Die politische Nähe zum NS Regime und das Wohlwollen des Propagandaministeriums spielten eine wesentliche Rolle. Die Entwicklung zeigte, dass das Trautonium, die Orgelkonstruktionen von Oskar Vierling und das Hellertion Bruno Helbergers im offiziellen Musikbetrieb weiter verwendet wurden. Vierlings "Großtonorgel" wurde bei offiziellen Anlässen eingesetzt, hingegen wurde die Entwicklung der Lichttonorgel Edwin Weltes gestoppt, weil er mit einer Jüdin verheiratet war. Oskar Salas Arbeit spielt im Spannungsfeld zwischen Technik, Politik und M ...
    Abstract: The publication deals with the time of pioneers in building "electrical musical instruments" in German speaking countries. It is based on a research project funded by the Austrian National Bank's "Jubilaeumsfonds" (project number 9382), where the popularisation of these instruments was in focus. Starting with the first attempts the development in the respective region is examined for the time between 1920 and 1945 using carefully investigated documents. After a short description of the roots going back to the 19th century the documentation continues with a critical evaluation of the constructions and their presentation in the 1920ties (especially Joerg Mager and Lev Termen and the reaction of experts and the public). Electro-optic and electromagnetic sound generation was invented in that time as well but appeared later on. There are examples for both principles in Austria and Germany reaching back to the 1920ties. A representative survey of press reports show the different estimations of the usability of electrical musical instruments by technicians, musicians and the public. The following decade is treated in several parts due to the political development in Germany. The first two years are mainly marked by the invention of the Trautonium, the Neo-Bechstein-piano, the Elektrochord and the Hellertion. This was the time when Berlin turned out as a centre for "electrical music", especially by activities of the "Rundfunkversuchsstelle" (radio research institute) at the University of Music and the Heinrich-Hertz-Institute. The first major public presentations at the Berlin Radio Shows took place in this time as well. After the year 1933 not only the political situation changed but the cultural preconditions for the usage of electrical instruments as well. The political convergence with the NS regime and the goodwill of the "ministry of public enlightenment and propaganda" played an important role. It turned out by the following development that the Trautonium, the electric organs by Vierling and the Hellertion by Bruno Helberger were used for official occasions. Vierling's "Grosstonorgel" was used during the Olympic games, on the other hand the development of Edwin Welte's light-tone organ was stopped for he was married with a Jewish woman. The work of Oskar Sala plays an important role in the area of conflict between technology, politics and music. As no detailed documentation of the work of Joerg Mager (who claimed to be the leading person in electro-music r ...
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  • 12
    ISBN: 3875484231
    Language: German
    Pages: X, 346 Seiten , Diagramme , 23 cm
    Series Statement: Kreolische Bibliothek 20
    Series Statement: Kreolische Bibliothek
    Dissertation note: Zugl.: Augsburg, Univ., Diss., 2004
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    Keywords: Creole dialects Caribbean area ; History ; Hochschulschrift ; Guadeloupe ; Französisch ; Guadeloupéen ; Soziolinguistik ; Martinique ; Französisch ; Martiniquais ; Soziolinguistik ; Frankophone Antillen ; Sprache
    Note: Literaturverz. S. [329] - 346 , Text teilw. in franz. und dt. Sprache
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  • 13
    Book
    Book
    New York, NY [u.a.] : Palgrave Macmillan
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    ISBN: 0312236492
    Language: English
    Pages: XXII, 266 S , Ill., Kt
    Edition: 1. publ.
    Series Statement: Italian and Italian American studies
    DDC: 325/.345/096
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    Keywords: Italy Colonies ; History ; Italy Colonies ; Administration ; History ; Aufsatzsammlung ; Afrika ; Italien ; Kolonialismus ; Geschichte ; Italien ; Kolonialismus
    Note: Includes bibliographical references and index
    URL: Cover
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