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  • MPI Ethno. Forsch.  (3)
  • 2015-2019  (3)
  • 1960-1964
  • Cham : Imprint: Palgrave Macmillan  (3)
  • English Studies  (3)
  • Slavic Studies
Datasource
  • MPI Ethno. Forsch.  (3)
  • BSZ  (3)
Material
Language
Years
Year
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Cham : Imprint: Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783319327624
    Language: English
    Pages: 1 Online-Ressource(XI, 190 p.)
    Edition: 1st ed. 2016.
    Series Statement: Critical Approaches to Children's Literature
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Children's literature. ; British literature. ; Literature, Modern—19th century. ; Literature ; Literature, Modern 19th century ; Children's literature ; British literature
    Abstract: Introduction: Emerging Identities and the Practice of Possibility -- Imagining the Abject in Kingsley, MacDonald, and Carroll: Disrupting Dominant Values and Cultural Identity in Children’s Literature -- Gender, Abjection, and Coming of Age: Games, Dolls, and Stories.-Constructing the Self: Connection and Separation -- Giving Voice to Abjection: Experience and Empathy -- Engendering Abjection’s Sublime: Frances Hodgson Burnett’s The Secret Garden -- Embodying Herethics: Rossetti’s Speaking Likenesses -- Conclusion—Abjection’s Sublime: Imagining Love -- Notes -- Bibliography. .
    Abstract: This book reveals how the period’s transforming identities affected by social, economic, religious, and national energies offers rich opportunities in which to analyze the relationship between identity and transformation. At the heart of this study is this question: what is the relationship between Victorian children’s literature, its readers, and their psychic development? Ruth Y. Jenkins uses Julia Kristeva’s theory of abjection to uncover the presence of cultural anxieties and social tensions in works by Kingsley, MacDonald, Carroll, Stevenson, Burnett, Ballantyne, Nesbit, Tucker, Sewell, and Rossetti. .
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 2
    Online Resource
    Online Resource
    Cham : Imprint: Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783319328201
    Language: English
    Pages: 1 Online-Ressource(XIV, 371 p. 20 illus., 2 illus. in color.)
    Edition: 1st ed. 2016.
    Series Statement: Palgrave Studies in Nineteenth-Century Writing and Culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Literature, Modern—19th century. ; Literature ; Literature, Modern 19th century
    Abstract: Introduction: Reading, Reception, and the Rise of Transatlantic ‘English’; Ann Wierda Rowland and Paul Westover -- 1. American Idiom: Sara Hale’s Flora’s Interpreter and the Figuration of National Identity; Kelli Towers Jasper -- 2. Bentley’s Standard Novelist: James Fenimore Cooper; Joseph Rezek -- 3. ‘The American Tennyson’ and ‘The English Longfellow’: Inverted Audiences and Popular Poetry; Sharon Estes -- 4. The Americans in the English Men of Letters; Ryan Stuart Lowe -- 5. ‘The Author Makes the Reader Acquainted with His Abode’: Hawthorne as Transatlantic Tour Guide in The Marble Faun and ‘The Old Manse’; Charles Baraw -- 6. The Transatlantic Home Network: Discovering Sir Walter Scott in American Authors’ Houses; Paul Westover -- 7. Wordsworthshire and Thoreau Country: Transatlantic Landscapes of Genius; Scott Hess -- 8. Helen A. Clarke and Charlotte Endymion Porter: Literary Criticism in Author Country a Century Ago; Alison Booth -- 9. Transatlantic Reception and Commemoration of the ‘Poet of the Scotch’, Robert Burns; Christopher A. Whatley -- 10. Loving, Knowing, and Illustrating Keats: the Louis Arthur Holman Collection of Keats Iconography; Ann Wierda Rowland -- 11. The Unofficial Force”: Irregular Author Love and the Higher Criticism; Charles J. Rzepka -- Index. .
    Abstract: This book is about Anglo-American literary heritage. It argues that readers on both sides of the Atlantic shaped the contours of international ‘English’ in the 1800s, expressing love for books and authors in a wide range of media and social practices. It highlights how, in the wake of American independence, the affection bestowed on authors who became international objects of celebration and commemoration was a major force in the invention of transnational ‘English’ literature, the popular canon defined by shared language and tradition. While love as such is difficult to quantify and recover, the records of such affection survive not just in print, but also in other media: in monuments, in architecture, and in the ephemera of material culture. Thus, this collection brings into view a wide range of nineteenth-century expressions of love for literature and its creators. .
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    Cham : Imprint: Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783319319780
    Language: English
    Pages: 1 Online-Ressource(XII, 274 p.)
    Edition: 1st ed. 2016.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Literature, Modern—18th century. ; Literature, Modern—19th century. ; Poetry. ; Literature ; Literature, Modern 18th century ; Literature, Modern 19th century ; Poetry ; Coleridge, Samuel Taylor 1772-1834 ; Zeitung
    Abstract: 1. Introduction: A Character in the Antithetical Manner -- 2. The Return from Germany -- 3. The Morning Post and Introduction to the Tale of the Dark Ladie -- 4. Mothers, Sons, and Poets in the Morning Post -- 5. Homeless at Grieta Hall -- 6. The 1800 Lyrical Ballads, Mary Robinson, and The Mad Monk -- 7. Mary Robinson and the Poet Coleridge -- 8. ‘Merely the Emptying out of my Desk’ -- 9. Conclusion: Dejection. An Ode in the Morning Post as a Palimpsest -- Notes -- Bibliography -- Index.-.
    Abstract: This book examines how Coleridge staged his private woes in the public space of the newspaper by looking at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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