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  • MPI Ethno. Forsch.  (6)
  • 2020-2024  (6)
  • Chapel Hill : University of North Carolina Press
  • History  (5)
  • Literatur  (2)
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Material
Language
Years
Year
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469669632 , 1469669633
    Language: English
    Pages: 1 Online-Ressource (xii, 331 pages)
    Parallel Title: Erscheint auch als
    DDC: 792.089/00973
    Keywords: 1800-1999 ; Race in the theater History 19th century ; Race in the theater History 20th century ; Orientalism History 19th century ; Orientalism History 20th century ; African Americans in the performing arts History 19th century ; African Americans in the performing arts History 20th century ; Blackface ; Yellowface ; African Americans in the performing arts ; Blackface ; Orientalism ; Race in the theater ; Race relations ; Yellowface ; History ; United States Race relations ; United States
    Abstract: In this book, Josephine Lee looks at the intertwined racial representations of nineteenth- and early twentieth-century American theater. In minstrelsy, melodrama, vaudeville, and musicals, both white and African American performers enacted blackface characterizations alongside oriental stereotypes of opulence and deception, comic servitude, and exotic sexuality. Lee shows how blackface types were often associated with working-class masculinity and the development of a nativist white racial identity for European immigrants, while the oriental marked what was culturally coded as foreign, feminized, and ornamental. These conflicting racial connotations were often intermingled in actual stage performance, as stage productions contrasted nostalgic characterizations of plantation slavery with the figures of the despotic sultan, the seductive dancing girl, and the comic Chinese laundryman. African American performers also performed common oriental themes and characterizations, repurposing them for their own commentary on Black racial progress and aspiration. The juxtaposition of orientalism and black figuration became standard fare for American theatergoers at a historical moment in which the color line was rigidly policed. These interlocking cross-racial impersonations offer fascinating insights into habits of racial representation both inside and outside the theater
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  • 2
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663364 , 1469663368
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Critical indigeneities
    Keywords: Canton Asylum for Insane Indians History ; Canton Asylum for Insane Indians ; Indians, Treatment of ; Indians of North America Biography ; Inmates of institutions Biography ; Indians of North America Government relations 1869-1934 ; Inmates of institutions ; Indians, Treatment of ; Indians of North America ; Government relations ; Indians of North America ; HISTORY / United States / 20th Century ; History ; Biographies ; United States ; North America
    Abstract: "In 1898, Congress passed a bill creating the only 'institution for insane Indians' in the country. The Canton Indian Insane Asylum in South Dakota (sometimes called the Hiawatha Insane Asylum) opened for the reception of patients in 1903. Not long after it opened, a 1927 investigation conducted by the Bureau of Indian Affairs determined that many of the patients were not mentally ill in any clinical sense. Many Native Americans had been institutionalized for alcoholism, opposing government or business interests, or being culturally misunderstood. Nevertheless, more than 350 patients from 53 Native nations were detained at Canton, many of them relatives across generations. Conditions at the institution were dire; at least 121 of these patients died while there. In 1934, just 31 years after it accepted its first patient, Canton was closed and its story largely forgotten. In Committed, Susan Burch resurrects this history through the stories of individuals detained at Canton Asylum, told to her by their relatives, the asylum's staff, and the town's residents during this time"--
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  • 3
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press | Baltimore, Md : Project MUSE
    ISBN: 9781469665887 , 1469665883
    Language: English
    Pages: 1 Online-Ressource (pages cm)
    Series Statement: The new Cold War history
    Keywords: Revolutionaries ; Revolutionaries ; Revolutionaries ; Révolutionnaires - Guinée-Bissau ; Révolutionnaires - Mozambique ; Révolutionnaires - Angola ; HISTORY / Africa / South / General ; International relations ; Portuguese colonies ; Revolutionaries ; History ; Portugal Colonies ; Guinea-Bissau History Revolution, 1963-1974 ; Mozambique History 1891-1975 ; Angola History Revolution, 1961-1975 ; Guinea-Bissau Relations ; Soviet Union Relations ; Mozambique Relations ; Soviet Union Relations ; Angola Relations ; Soviet Union Relations ; Portugal - Colonies ; Guinée-Bissau - Histoire - 1963-1974 (Révolution) ; Mozambique - Histoire - 1891-1975 ; Angola - Histoire - 1961-1975 (Révolution) ; Africa ; Angola ; Guinea-Bissau ; Mozambique ; Soviet Union
    Abstract: "Cold War Liberation examines the African revolutionaries who led armed struggles in three Portuguese colonies-Angola, Mozambique, and Guinea-Bissau-and their liaisons in Moscow, Prague, East Berlin, and Sofia. By reconstructing a multidimensional story that focuses on both the impact of the Soviet Union on the end of the Portuguese Empire in Africa and the effect of the anticolonial struggles on the Soviet Union, Natalia Telepneva bridges the gap between the narratives of individual anticolonial movements and those of superpower rivalry in sub-Saharan Africa during the Cold War"--
    Note: Includes bibliographical references and index
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  • 4
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469659213 , 1469659212
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Keywords: Daniels, Jonathan Travel ; Daniels, Jonathan - 1902-1981 ; 1865-1951 ; Newspaper editors Travel ; Rédacteurs en chef - Voyages ; Travel ; History ; Southern States History 1865-1951 ; États-Unis (Sud) - Histoire - 1865-1951 ; Southern States
    Abstract: During the Great Depression, the American South was not merely "the nation's number one economic problem," as President Franklin Roosevelt declared. It was also a battlefield on which forces for and against social change were starting to form. For a white southern liberal like Jonathan Daniels, editor of theRaleigh News and Observer, it was a fascinating moment to explore. Attuned to culture as well as politics, Daniels knew the true South lay somewhere between Erskine Caldwell'sTobacco Roadand Margaret Mitchell'sGone with the Wind. On May 5, 1937, he set out to find it, driving thousands of miles in his trusty Plymouth and ultimately interviewing even Mitchell herself.In Discovering the South historian Jennifer Ritterhouse pieces together Daniels's unpublished notes from his tour along with his published writings and a wealth of archival evidence to put this one man's journey through a South in transition into a larger context. Daniels's well chosen itinerary brought him face to face with the full range of political and cultural possibilities in the South of the 1930s, from New Deal liberalism and social planning in the Tennessee Valley Authority, to Communist agitation in the Scottsboro case, to planters' and industrialists' reactionary worldview and repressive violence. The result is a lively narrative of black and white southerners fighting for and against democratic social change at the start of the nation's long civil rights era. For more information on this book, see www.discoveringthesouth.org
    Note: Zielgruppe - Audience: Trade
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  • 5
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469656533 , 1469656531
    Language: English
    Pages: 1 Online-Ressource (xi, 157 pages)
    Edition: [Open access ebook edition]
    Series Statement: UNC studies in the Germanic languages and literatures number 120
    Parallel Title: Erscheint auch als Pizer, John David Ego--alter ego
    RVK:
    RVK:
    Keywords: German fiction History and criticism 19th century ; Realism in literature ; Doubles in literature ; Split self in literature ; LITERARY CRITICISM / European / German ; Doubles in literature ; German fiction ; Realism in literature ; Split self in literature ; Alter Ego ; Deutsch ; Doppelgänger ; Literatur ; Realismus ; Dubbelgangers ; Letterkunde ; Duits ; Criticism, interpretation, etc ; Deutsch
    Abstract: German Poetic Realists drew on the Romantic motif of the Double in a manner consistent with the central dictum of Poetic Realism as articulated by its chief theorists, Julian Schmidt and Otto Ludwig. Schmidt and Ludwig argued that contemporary authors should, above all, strive for psychological and aesthetic totality in their narrative representations, turning away from the Romantic fantastic but also avoiding the fragmentary approach to the portrayal of everyday life that Ludwig found in early Naturalism. The 'poetic' presentation of reality adheres to quotidian life but strives to show it in all its many dimensions. While Romantic Doppelgänger are often preternatural figures, the Poetic Realists configure egos and their narrative Others ('alter egos,' who are also sometimes physical Doubles) to portray characters in their psychological comprehensiveness. After offering an overview of the Romantic Double motif and its connections to the theory of Poetic Realism, John Pizer analyzes the work of Annette von Droste-Hülshoff, Otto Ludwig, Conrad Ferdinand Meyer, Gottfried Keller, Theodor Storm, and Wilhelm Raabe
    Description / Table of Contents: Gender, childhood, and alterity in Annette von Droste-Hülshoff's Doppelgänger thematic -- The double, the alter ego, and the ideal of aesthetic comprehensiveness in "Der poetische Realismus": Otto Ludwig -- The Oriental alter ego: C.F. Meyer's Der Heilige -- Duplication, fungibility, dialectics, and the "epic naiveté" of Gottfried Keller's Martin Salander -- Guilt, memory, and the motif of the double in Theodor Storm's Aquis submersus and Ein Doppelgänger -- The alter ego as narration's motive force: Wilhelm Raabe
    Note: Reprint. Originally published in 1998 , Includes bibliographical references (pages 145-152) and index
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  • 6
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469656489 , 1469656485
    Language: English
    Pages: 1 Online-Ressource (xi, 189 pages)
    Edition: [Open access ebook edition]
    Series Statement: UNC studies in the Germanic languages and literatures number 117
    Parallel Title: Erscheint auch als Erspamer, Peter R Elusiveness of tolerance
    Keywords: Jews in literature ; Antisemitism in literature ; German literature History and criticism 18th century ; German literature History and criticism 19th century ; Religious tolerance ; Haskalah ; Antisemitism History 19th century ; Juifs dans la littérature ; Antisémitisme dans la littérature ; Littérature allemande - 18e siècle - Histoire et critique ; Littérature allemande - 19e siècle - Histoire et critique ; Tolérance religieuse - Allemagne ; Haskala - Allemagne ; Antisémitisme - Allemagne - Histoire - 19e siècle ; LITERARY CRITICISM / European / German ; Antisemitism ; Antisemitism in literature ; German literature ; Haskalah ; Jews in literature ; Religious tolerance ; Emanzipation ; Literatur ; Antisemitismus ; Joodse vraagstuk ; Verdraagzaamheid ; Antisémitisme - Dans la littérature ; Juifs - Dans la littérature ; Littérature allemande - 19e siècle - Histoire et critique ; Tolérance religieuse - Allemagne ; Haskala - Allemagne ; Littérature allemande - 1789-1815 - Thèmes, motifs ; Antisémitisme - Allemagne - 1789-1900 ; Juifs dans la littérature ; Criticism, interpretation, etc ; History ; Germany ; Deutsch ; Juden 〈Motiv〉
    Abstract: Analyzing literary works - from Lessing's "Nathan der Weise" (1779) to Sessa's "Unser Verkehr" (1812/15) - and political and philosophical tracts, shows the transition from an enlightened, emancipatory literature to an antisemitic literature in the early 19th century. The ideology of tolerance failed because of its internal contradictions
    Description / Table of Contents: The beginnings of the tolerance debate -- Jewish identity in a changing world -- Emancipatory drama after Lessing -- Myths of ethnic homogeneity : anti-Semitic literature after 1800 -- Concluding remarks : beyond the tolerance debate
    Note: Reprint. Originally published in 1997 , Includes bibliographical references (pages 177-186) and index
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