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  • MPI Ethno. Forsch.  (5)
  • 1975-1979  (5)
  • 1965-1969
  • 1975  (5)
  • [Erscheinungsort nicht ermittelbar] : Indiana University Press
  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253061256
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: History of other lands
    Abstract: Soviet-Chinese Relations, 1945–1970 is the only book-length acount of Sino-Soviet relations between 1945 and 1970 in any language. Written by two Soviet experts on China on the basis of extensive research in secret party and government archives, it is the officially authorized Soviet version of the conflict, in effect a primary source of major significance, constantly quoted as such by Soviet specialists in modern history and international relations. This study both incorporates and reflects the current Soviet policies and attitudes roward the Maoist leadership in Peking; it also enables the reader to project Soviet actions and reactions into the future
    Note: English
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253050656
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: Film and Revolution is an arresting new contribution to film studies by a critic who has constructed an aesthetic of the cinema grounded in Marxian ideology. The longest part of the book, devoted to Jean-Luc Godard, shows how Godard hopes to make his contribution to the revolution of society by inventing a revolutionary cinema. Essays present intelligent, probing analyses of Godard's later major films: Two or Three Things I Know about Her, La Chinoise, Made in USA, Weekend, Le Cai Savoir, One Plus One, Wind from the East, British Sounds, and Tout va bien. Part II,"Film and Revolution on Many Fronts," turns to film making in the Third World and elsewhere, analyzing films by Solanas, Kramer, Rossellini, Makavejev, Ophuls, Harris, and Petri. In Part Ill MacBean examines the semiology of the cinema proposed by Christian Metz and attacks his failure to come to terms with ideology. Finally, MacBean attempts to demystify the ideological package offered by the mass media, particularly the class struggle that is eclipsed by TV and the cinema. Illustrated with more than forty black-and-white stills
    Note: English
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  • 3
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253053473
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: Prepared in commemoration ofthe fiftieth anniversary of the talkies, The Birth of the Talkies is the first complete, authoritative account of how sound cinema was born. The story begins in 1877 with the invention of the phonograph, which was to provide silent cinema with its earliest form of recorded sound accompaniment. It concludes in 1929, the first year in which a talkie won an Academy Award. En route, the book recounts the various applications of the phonograph in supplying sound for the so-called silent cinema. It surveys the profusion of failures, half-failures, and abortive successes that led ultimately to Vitaphone and the international triumph of The Jazz Singer. Remarkable but virtually forgotten developments such as the Phono-Cinéma-Théâtre of 1900, the Filmsparlants of Léon Gaumont, and the Kinetophone shows of Thomas Alva Edison are described in detail, along with a wealth of information about related efforts to harness the phonograph to the cinematograph. All the early sound films of the Hollywood studios are described and discussed, and a concluding chapter surveys the effects of the sound revolution on the American film industry
    Note: English
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253050618
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Asian history
    Abstract: The dramatic confrontations and shifting alliances of the two great superpowers, and their sometimes disastrous consequences for lesser nations, are set forth in this searching analysis of political developments in the Far East since the Second World War. Hinton skillfully presents the grand design of events in Asia; the period of American ascendancy giving way to an era of Soviet-American strategic parity, which has in turn been succeeded by a multilateral balance of "three and a half powers"-the Soviet Union, the People's Republic of China, the United States-and Japan. Part I (1945-1969) analyzes decolonization and nation-building in South Asia, Japan's re-emergence after the war, the influence of the Cold War upon Asia, and the American attempt to contain and isolate the People's Republic of China. Part II (1969-1974) discusses in greater detail the emerging Sino-Soviet confrontation, the United States' military disengagement from Asia, American detente with China and the Soviet Union, and the resultant new balance of power in Asia. The outcome of more than twenty years' research, this book is for general readers as well as students and scholars
    Note: English
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  • 5
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253050595
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: Generations of movie-goers found models for their lives and loves in the powerful images in darkened theatres-images as potent as the viewers' own dreams and as basically entwined with matters of sex and identity. In entertaining, intelligent, lavishly illustrated essays, the authors of Sexuality in the Movies examine the complex evolution of sex and sensuality on the screen ln relation to the changing, often ambivalent values of the public. Part I considers the history of censorship in the movies and the significance of what was belng censored-including an insider's expose of the contemporary rating system. Part II deals with specific genres-what is really going on in the popular Hollywood feature, the flesh film, the monster movie (a fascinating reading), the underground film, and European films-as well as with the treatment of homosexuality in the movies. Part III offers close studies of six major films, outstanding either artistically or as landmarks of sexual expression. A lively, varied, and comprehensive analysis of sexuality in the movies, from early shorts like The Kiss and Love in a Hammock to contemporary achievements like Cries and Whispers and Last Tango in Paris. Over 150 photographs, many of them rarely seen
    Note: English
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