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  • MPI Ethno. Forsch.  (2)
  • 1975-1979  (1)
  • 1965-1969  (1)
  • Geduld, Harry M.  (2)
  • [Erscheinungsort nicht ermittelbar] : Indiana University Press  (2)
Datasource
  • MPI Ethno. Forsch.  (2)
Material
Language
Years
Year
Publisher
  • [Erscheinungsort nicht ermittelbar] : Indiana University Press  (2)
  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253053473
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: Prepared in commemoration ofthe fiftieth anniversary of the talkies, The Birth of the Talkies is the first complete, authoritative account of how sound cinema was born. The story begins in 1877 with the invention of the phonograph, which was to provide silent cinema with its earliest form of recorded sound accompaniment. It concludes in 1929, the first year in which a talkie won an Academy Award. En route, the book recounts the various applications of the phonograph in supplying sound for the so-called silent cinema. It surveys the profusion of failures, half-failures, and abortive successes that led ultimately to Vitaphone and the international triumph of The Jazz Singer. Remarkable but virtually forgotten developments such as the Phono-Cinéma-Théâtre of 1900, the Filmsparlants of Léon Gaumont, and the Kinetophone shows of Thomas Alva Edison are described in detail, along with a wealth of information about related efforts to harness the phonograph to the cinematograph. All the early sound films of the Hollywood studios are described and discussed, and a concluding chapter surveys the effects of the sound revolution on the American film industry
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Indiana University Press
    ISBN: 9780253048851
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film production: technical & background skills
    Abstract: An intimate view of the art and craft of the film is afforded by this anthology of the writings of thirty leading film directors. Ranging from formal essays to informal interviews, the selections provide 'insight into the personalities and purposes of the men behind the cameras and constitute a unique history of the cinema from the early inventions of the Lumière brothers to the current experiments of the "underground" film makers. The selections are international in scope and interest, ranging from an analysis of the techniques of slapstick comedy by the most famous early master of the form (Mack Sennett's "How to Throw a Pie") to the aesthetic of the nouvelle vague film (Alain Resnais's "Trying to Understand My Own Film") and a speculative commentary by the most inventive and celebrated Swedish director (Ingmar Bergman's "What is 'Film Making'?"). The first section of the book is devoted to the views of film pioneers and masters of the silent film with selections from Cecil Hepworth, Edwin S. Porter, Mack Sennett, D. W. Griffith, Robert Flaherty, Charles Chaplin, Erich von Stroheim, Serge Eisenstein, and Carl Dreyer. The second part surveys the opinions of outstanding recent and contemporary directors representing twelve countries: Alfred Hitchcock, Tony Richardson, Jean Cocteau, Alain Resnais, Louis Buñuel, Ingmar Bergman, Federico Fellini, Michelangelo Antonioni, Fritz Lang, Andrzej Wajda, Satyajit Ray, Akira Kurosawa, Orson Welles, and Kenneth Anger. In his introduction Mr. Geduld discusses the ways in which a director imposes his personal vision on a film, the major differences between the film and other artistic media, and the special problems of adapting the novel and other literary forms to the cinema. Included is an index to the contributors presenting biographical data and listing their major films
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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