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  • MPI Ethno. Forsch.  (6)
  • Online Resource  (6)
  • Neue Medien
  • Comparative Studies. Non-European Languages/Literatures  (6)
  • Computer Science
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Material
  • Online Resource  (6)
  • Book  (7)
Language
Years
Subjects(RVK)
  • 1
    ISBN: 9783839460924 , 9783837660920
    Language: Undetermined
    Pages: 1 Online-Ressource (262 p.)
    Series Statement: Lettre
    RVK:
    Keywords: Literary studies: general ; Media studies ; Aufsatzsammlung ; Neue Medien ; Literatur ; Schriftlichkeit
    Abstract: Die Erfahrung digitaler Schriftlichkeit hat nicht bloß die Materialität der Schrift bewusster gemacht, sondern auch die gegenwärtige Schriftpraxis als eine maschinell bedingte offenbart. Von diesem Befund ausgehend, nehmen die Beiträger*innen des Bandes die Agentialität der Schrift genauer in den Blick und prüfen auch für die analoge Praxis, welche Handlungsmacht sie besitzt. Mit ihrem Blick auf nicht-menschliche Aktanten sowie die Aktivität von Schrift machen sie deren spezifische Agentialität deutlich und geben rückwirkend Aufschluss über das weiterhin vage Konzept der Schriftlichkeit
    Note: German
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9789048525317
    Language: English
    Pages: 1 Online-Ressource (395 Seiten)
    Series Statement: Transmedia (Amsterdam, Netherlands)
    Series Statement: 2
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    Keywords: Imaginary places in mass media ; Mass media / Social aspects ; Storytelling in mass media ; Medien ; Neue Medien ; Virtuelle Realität ; Künstliche Welt ; Aufsatzsammlung ; Aufsatzsammlung ; Medien ; Neue Medien ; Virtuelle Realität ; Künstliche Welt
    Abstract: Thanks to modern technology, we are now living in an age of multiplatform fictional worlds, as television, film, the Internet, graphic novels, toys and more facilitate the creation of diverse yet compact imaginary universes, which are often recognisable as brands and exhibit well-defined identities. This volume, situated at the cutting edge of media theory, explores this phenomenon from both theoretical and practical perspectives, uncovering how the construction of these worlds influences our own determination of values and meaning in contemporary society
    Note: Title from publisher's bibliographic system (viewed on 22 Feb 2021) , Introduction - Worlds, today - Marta Boni -- - The aesthetics of proliferation - Marie-Laure Ryan -- - Building science-fiction worlds - Paolo Bertetti -- - "He doesn't look like Sherlock Holmes": the truth value and existential status of fictional worlds and their characters - Julien Lapointe -- - "Visible world": the atlas as a visual form of knowledge and narrative paradigm in contemporary art - Cristina Baldacci -- - A world of Disney: building a transmedia storyworld for Mickey and his friends - Matthew Freeman -- - World-building logics and copyright: the Dark Knight and the Great Detective - Roberta Pearson -- - Battleworlds: the management of multiplicity in the media industries - Derek Johnson -- - Platform producer meets game master: on the conditions for the media mix - Marc Steinberg -- - Narrative ecosystems: a multidisciplinary approach to media worlds - Veronica Innocenti and Guglielmo Pescatore -- , - The building and blurring of worlds: sound, space, and complex narrative cinema - Justin Horton -- - Beyond immersion: absorption, saturation, and overflow in the building of imaginary worlds - Mark J.P. Wolf -- - Zombie escape and survival plans: mapping the transmedial world of the dead - Bernard Perron -- - MMORPG as locally realized worlds of action - Laurent Di Filippo -- - The worries of the world(s): cartoons and cinema - Karen Redrobe -- - Linguistic terrain and world time: Chinese media theories and their world imaginations - Victor Fan -- - The worlds align: media convergence and complementary storyworlds in Marvel's Thor: The Dark World - Dru Jeffries -- - World building and metafiction in contemporary comic books: metalepsis and figurative process of graphic fiction - Denis Mellier -- - The monster at the end of this book: metalepsis, fandom, and world making in contemporary TV series - Valentina Re -- , - Traversing the "Whoniverse": Doctor Who's hyperdiegesis and transmedia discontinuity/diachrony - Matt Hills -- - Transmediaphilia, world building, and the pleasures of the personal digital archive - Jim Collins -- - The politics of world building: heteroglossia in Janelle Monáe's Afrofuturist WondaLand - Dan Hassler-Forest
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 3
    Online Resource
    Online Resource
    Cham, Switzerland : Palgrave Macmillan | Ann Arbor, Michigan : ProQuest
    ISBN: 9783319926636
    Language: English
    Pages: 1 Online-Ressource (xviii, 398 Seiten) , Illustrationen, Diagramme
    DDC: 302.231
    RVK:
    RVK:
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    Keywords: Diskursanalyse ; Neue Medien
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  • 4
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag
    ISBN: 9783839440919
    Language: English
    Pages: 1 Online-Ressource (284 Seiten)
    Series Statement: Medienumbrüche - media upheavals volume 45
    Series Statement: Medienumbrüche 45
    Series Statement: Medienumbrüche
    RVK:
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    Keywords: Medien ; Literatur ; Digitalisierung ; Literatur ; Literatur ; Neue Medien ; Ästhetik
    Abstract: Due to computers' ability to combine different semiotic modes, texts are no longer exclusively comprised of static images and mute words. How have digital media changed the way we write and read? What methods of textual and data analysis have emerged? How do we rescue digital artifacts from obsolescence? And how can digital media be used or taught inside classrooms? These and other questions are addressed in this volume that assembles contributions by artists, writers, scholars and editors such as Dene Grigar, Sandy Baldwin, Carlos Reis and Frieder Nake. They offer a multiperspectival view on the way digital media have changed our notion of textuality.
    Note: Frontmatter -- ; Contents -- ; Preface , Part One: “Nothing Comes of Nothing” -- ; Rhapsodic Textualities , Passing the Calvino Test? Writing Machines and Literary Ghosts , Part Two: Introspective Texts -- ; Writing Through Contemporary Self-Translation A Constructive Technogenetic Intervention , Pwning Gamers, One Text at a Time , Part Three: Where is Narrative? -- ; Character: A Concept That Does Not Stand Still , Shelley Jackson’s Grotesque Corpus Notes on my body⎯a Wunderkammer , Choice and Disbelief: Revisiting Immersion and Interactivity , Creative Process: Interweaving Methods, Content and Technology , Distilling the Elements of “Networked Narratives” with Digital Alchemy , Part Five: Trans-Multi-Inter-Meta (The Medium) -- ; The Creative Process as a “Dance of Agency” Shelley Jackson’s Snow: Performing Literary Text with Elements , Narrative Across Media: Trans-Stories In-Betweeness , Part Six: Tracking and Preserving Texts -- ; Face, a Keyword Story The Archiving Vocabulary for Facial Expression in the German Imaginary from Printed Text to Digital Image , Curating “Shapeshifting Texts” , Postscript Loosely Connected Only to What it’s Coming After , Contributors , In English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    ISBN: 9781317536994 , 9781315726465
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Discourse and digital practices
    DDC: 401/.41
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Discourse analysis Data processing ; Technological innovations ; Digital media ; Social media ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Neue Medien ; Social Media ; Diskursanalyse
    Abstract: "Discourse and Digital Practices shows how tools from discourse analysis can be used to help us understand new communication practices associated with digital media, from video gaming and social networking to apps and photo sharing. Fourteen eminent scholars including James Paul Gee and Camilla Vasquez address the challenges of working with digital texts and interactions, and illustrate how different approaches to discourse analysis can be adapted in the face of these new digital practices. This cutting-edge book will be of interest to advanced students studying courses on digital literacies or language and digital practices"--
    Abstract: "Discourse and Digital Practices shows how tools from discourse analysis can be used to help us understand new communication practices associated with digital media, from video gaming and social networking to apps and photo sharing. This cutting-edge book:draws together fourteen eminent scholars in the field including James Paul Gee, David Barton, Ilana Snyder, Phil Benson, Victoria Carrington, Guy Merchant, Camilla Vasquez, Neil Selwyn and Rodney Jonesaddresses the central question: "How does discourse analysis enable us to understand digital practices?"demonstrates how digital practices and the associated new technologies challenge discourse analysts to adapt traditional analytic tools and formulate new theories and methodologiesanalyses a different type of digital media in each chapterexamines digital practices from a wide variety of approaches including textual analysis, conversation analysis, interactional sociolinguistics, multimodal discourse analysis, object ethnography, geosemiotics, and critical discourse analysis. Discourse and Digital Practices will be of interest to advanced students studying courses on digital literacies or language and digital practices"--
    Abstract: "Discourse and Digital Practices shows how tools from discourse analysis can be used to help us understand new communication practices associated with digital media, from video gaming and social networking to apps and photo sharing. Fourteen eminent scholars including James Paul Gee and Camilla Vasquez address the challenges of working with digital texts and interactions, and illustrate how different approaches to discourse analysis can be adapted in the face of these new digital practices. This cutting-edge book will be of interest to advanced students studying courses on digital literacies or language and digital practices"--
    Abstract: "Discourse and Digital Practices shows how tools from discourse analysis can be used to help us understand new communication practices associated with digital media, from video gaming and social networking to apps and photo sharing. This cutting-edge book:draws together fourteen eminent scholars in the field including James Paul Gee, David Barton, Ilana Snyder, Phil Benson, Victoria Carrington, Guy Merchant, Camilla Vasquez, Neil Selwyn and Rodney Jonesaddresses the central question: "How does discourse analysis enable us to understand digital practices?"demonstrates how digital practices and the associated new technologies challenge discourse analysts to adapt traditional analytic tools and formulate new theories and methodologiesanalyses a different type of digital media in each chapterexamines digital practices from a wide variety of approaches including textual analysis, conversation analysis, interactional sociolinguistics, multimodal discourse analysis, object ethnography, geosemiotics, and critical discourse analysis. Discourse and Digital Practices will be of interest to advanced students studying courses on digital literacies or language and digital practices"--
    Note: Enthält Literaturangaben und Register , 24 cm
    URL: Volltext  (kostenfrei)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (kostenfrei)
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  • 6
    Online Resource
    Online Resource
    Bielefeld : transcript Verlag | Stuttgart : UTB GmbH
    ISBN: 9783839402542
    Language: German
    Pages: 1 Online-Ressource
    DDC: 302.2
    RVK:
    RVK:
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    Keywords: Analoge Signalverarbeitung ; Medientechnik ; Digitale Signalverarbeitung ; Neue Medien ; Analogie ; Computer ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Die Opposition der 'neuen digitalen' zu den 'alten analogen' Medien findet sich in Werbung, Popkultur, Wirtschaft, Politik und Wissenschaft. Offenbar hat sich die Unterscheidung analog/digital zur paradigmatischen Leitdifferenz des späten 20. und frühen 21. Jahrhunderts entwickelt. Doch was bedeutet 'analog' bzw. 'digital' in verschiedenen Kontexten genau und gibt es nicht auch Übergänge zwischen beiden Formen? Wann taucht die Unterscheidung auf und in welchem Zusammenhang? Indem sich die Anthologie mit diesen und anderen Fragen aus verschiedenen Perspektiven beschäftigt, räumt sie ein erhebliches Forschungsdefizit nicht nur in den Medienwissenschaften aus.
    URL: Cover
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