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  • MPI Ethno. Forsch.  (3)
  • Book  (3)
  • 2020-2024  (3)
  • American Studies
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  • 1
    ISBN: 9781478025702 , 9781478020967
    Language: English
    Pages: xii, 242 Seiten , Illustrationen
    Series Statement: Anima
    Series Statement: critical race studies otherwise
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
    Parallel Title: Erscheint auch als Luciano, Dana How the earth feels
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    Keywords: c 1800 to c 1900 ; 19. Jahrhundert (1800 bis 1899 n. Chr.) ; Geology in literature ; Geology Social aspects 19th century ; History ; Geology History 19th century ; American literature History 19th century ; NATURE / Environmental Conservation & Protection ; HISTORY / Modern / 19th Century ; Conservation of the environment ; General & world history ; Geschichte allgemein und Weltgeschichte ; SOC069000 ; Umweltschutz
    Abstract: "By the start of the nineteenth century, the impact of the geological sciences and advancements in the field had radically expanded people's perception of the Earth's age. In How the Earth Feels, Dana Luciano maps the emergence of a "geological fantasy," in which increased knowledge of planetary life was used to racialize Native peoples as fossils and curiosities. Further, the geological fantasy served to cement the notion that the Earth had been preparing for the presence of humans, and that humans were in fact the ultimate expression of the Earth's teleological development in a both scientific and spiritual sense. Counterposing a range of texts-from early European and US geological texts to Indigenous accounts of earthquakes to African American men's anti-slavery writing featuring geological tropes-Luciano reveals the workings of the geological fantasy as it operated across the racial and biopolitical discourses of the nineteenth-century United States. Luciano offers a rich and historically nuanced account of how imagined relations with the non-human world have long served as a means of avoiding engagement with the dynamics of racial and colonial power"
    Abstract: Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture, showing how it catalyzed transformative conversations regarding the intersections between humans and the nonhuman world
    Description / Table of Contents: The "Fashionable Science" -- 'The Infinite Go-Before of the Present': Geological Time, Worldmaking, and Race in the Nineteenth Century -- Unsettled Ground: Indigenous Prophecy, Geological Fantasy, and the New Madrid Earthquakes -- Romancing the Trace: Ichnology, Affect, Race -- Matters of Spirit: Vibrant Materiality and White Femme Geophilia -- The Natural History of Freedom: Blackness, Geomorphology, Worldmaking -- Ishmael's Anthropocenes and Others: Geological Fantasy in the Twentiethfirst Century.
    Note: Includes bibliographical references and index
    URL: Cover  (lizenzpflichtig)
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  • 2
    ISBN: 9783837665703
    Language: English
    Pages: 76 Seiten
    Series Statement: THE NEW INSTITUTE.Interventions volume 1
    Series Statement: The New Institute.Interventions
    Parallel Title: Erscheint auch als Gabriel, Markus, 1980 - Towards a new enlightenment - the case for future-oriented humanities
    DDC: 300.72
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    Keywords: Sozialwissenschaften ; Geisteswissenschaften ; Gesellschaft ; Zukunft
    Abstract: What role can the humanities play in shaping our common future? What are the values that guide us in the 21st century? How can we unleash the potential the humanities offer in a time of multiple crises? This volume tackles some of these fundamental questions, acknowledging and developing the changing role of academic discourse in a turbulent world. This timely book argues that the humanities engender conceptual tools that are capable of reconciling theory and practice. In a bold move, we call for the humanities to reach beyond the confines of universities and engage in the most urgent debates facing humanity today - in a multidisciplinary, transformative, and constructive way. This is a blueprint for how societal change can be inclusive and equitable for the good of humans and non-humans alike
    Note: Literaturverzeichnis: Seite 67-75
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  • 3
    Book
    Book
    Durham : Duke University Press
    ISBN: 9781478008309 , 9781478007791
    Language: English
    Pages: xxv, 195 Seiten , Illustrationen , 23 cm
    Parallel Title: Erscheint auch als Bennett, Jane, 1957- Influx and efflux
    DDC: 811/.3
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    Keywords: Whitman, Walt Criticism and interpretation ; Sympathy in literature ; Human ecology in literature ; American literature History and criticism 19th century ; Whitman, Walt 1819-1892 ; Philosophie
    Abstract: Prologue. Influx and efflux -- Position and disposition -- Circuits of sympathy -- Solar judgment -- Refrain. The alchemy of affects -- Bad influence -- Thoreau experiments with natural influences -- Epilogue. A peculiar efficacy.
    Abstract: "In her 2009 book Vibrant Matter, Jane Bennett explored the vital materiality of non-human objects and the deep interrelation of human and non-human forces. Yet she was left with a question: if we recognize human agency as bound up with the agentic forces of the material world, what does that mean for our conception of the self? Bennett's new work, INFLUX AND EFFLUX, draws on the work of Walt Whitman to address this question. Bennett uses Whitman's ideas of composition and decomposition, physical shapes and dispositions, and material and affective influences to posit a processual form of self that can form the basis for a more ecologically oriented and just world. This "democratic personality" is formed through constant influx and efflux (a reference to "Song of Myself") or influence, the way in which the sea, or anything external, comes in, changes things, and leaves again. The first chapter considers Whitman's ideology of "phiz"-a manner or position that affects one's disposition-which for Whitman was linked to the project of egalitarian democracy. Next, Bennett looks at sympathy as a more-than-human atmospheric force-considering the sympathetic currents involved in the transmission of pain, affection, love, and the erotic. Whitman called for his readers to engage in nonchalance and pluralism, instead of applying moral judgement-a stance that Bennett acknowledges might seem to contradict Whitman's ideal of a democratic vista. Yet Whitman assigned his poetry the task of expanding sympathy from the narrow confines of sentiment to a physical force itself. For example, Bennett shows that "I Sing the Body Electric" deliberately evokes a vital flow of sympathy that generates in the reader a sense of the linked value of every body-soul. Rather than directly engaging with the racialized violence of slavery in a way that might make people defensive, Whitman generated a cloud of possibility for abolitionist thought. Bennett concludes by considering Henry David Thoreau's engagements with natural influences-which he calls "the circulation of vitality beyond our bodies"-including sympathizing with trees and exploring psychedelic intoxication. For Bennett, these interactions represent a way of engaging with the more-than-human that recognizes the significant flows of influence that nature has on our lives. Beautifully written and accompanied by Bennett's own drawings and doodles, INFLUX AND EFFLUX will be an important text for scholars in literary theory, political th ...
    Note: Includes bibliographical references and index
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