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  • MPI Ethno. Forsch.  (314)
  • Undetermined  (314)
  • 2015-2019  (272)
  • 2000-2004  (42)
  • 1930-1934
  • Literature: history & criticism  (314)
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  • MPI Ethno. Forsch.  (314)
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Language
Years
Year
  • 1
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Purdue University Press
    ISBN: 9781612496092 , 9781557538772
    Language: Undetermined
    Pages: 1 Online-Ressource
    Series Statement: Purdue Studies in Romance Literatures
    Keywords: Literature: history & criticism ; Travel & holiday
    Abstract: Este libro intenta mostrar la representación textual de las islas Galápagos desde su descubrimiento hasta nuestros días. El argumento principal sugiere que la descripción de este espacio crucial para la modernidad, dada la retórica de los escritores de viajes y ficción, transforma el área insular para concebir formas alternativas del proyecto de construcción nacional en América Latina. Como resultado de las empresas coloniales, excursiones científicas, crónicas periodísticas o expediciones, la escritura de viaje de las Galápagos condiciona la formación del estado y su imaginario nacional. Esto ocurre por el capital simbólico que posee archipiélago y por el deseo de los intelectuales latinoamericanos de pertenecer a un territorio cosmopolita. El espacio insular funciona como un significante vacío donde los viajeros pueden comunicar su propio significado al narrar las experiencias de sus viajes. Este fenómeno crea una división conceptual y política entre la identidad de las islas y la nación ecuatoriana. Dichas ambigüedades narrativas crearon una ruptura que condujo a variaciones fundamentales en la forma en que los habitantes locales y entidades extranjeras interpretan las Galápagos hoy en día, ya que su literatura refleja una tensión particular de cara a las tendencias migratorias en las islas, así como los intereses globales que prevalecen en la apropiación del espacio. This book, written in Spanish, takes a literary and cultural studies model to explain the textual representation of the Galápagos Islands since their discovery until present day. The main argument suggests that the depiction of this crucial space for modernity in Western thought, given the rhetoric of travel and fiction writers, transforms the insular area with the intention of conceiving disparate forms of political displacement. Specifically, these depictions show several conflicts that arose from the seeking of identity in Ecuador during the nation-building project that took place at the time. As a result of colonial enterprises (scientific excursions, exile, tourism, journalistic pieces, expeditions, etc.), travel writings of the Galápagos condition the formation of the state and its national imagery because of the extreme symbolic capital of the archipelago and the desire of Latin American intellectuals to belong to a cosmopolitan territory
    Note: Spanish
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  • 2
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Edinburgh University Press
    ISBN: 9781474455602 , 9781474455589
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism ; Literary studies: plays & playwrights
    Abstract: New ideas for teaching contemporary social justice through Shakespeare and Renaissance literature. Describes innovative and portable teaching methods informed by recent scholarship in early modern literature, cultural studies, and critical pedagogy. Offers strategies for effective teaching and advocacy amidst the growing cultural and economic complexities of higher education. Demonstrates the relevance of historical literary study to contemporary cultural conversations, especially those about social justice. Historicizes the malicious whitening" of Shakespeare and European culture, recognizing instead multiple, multicultural, accessible Shakespeares. Presents Shakespeare’s plays as a common corpus of great value to democratic conversations in widely divergent contexts. Gives educators language for promoting the virtue of humanistic inquiry and when higher education is on the defensive. This book is for teachers who want to heighten the intellectual impact of their courses by using their classrooms as a creative space for social formation and action. Its twenty-one chapters provide diverse perspectives on Shakespeare and early modern literature that engage innovation, collaboration, and forward-looking practices. They model ways of mobilizing justice with early modern texts and claim the intellectual benefits of integrating social justice into courses. The book reconceives the relationship between students and Renaissance literature in ways that enable them – and us – to move from classroom discussions to real-life applications."
    Note: English
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  • 3
    Online Resource
    Online Resource
    Ithaca : Cornell University Press
    ISBN: 9781501747946 , 9781501747922 , 9781501747939 , 9781501747915
    Language: Undetermined
    Pages: 1 Online-Ressource (360 p.)
    Series Statement: NIU Series in Slavic, East European, and Eurasian Studies
    Keywords: History of other lands ; Literature: history & criticism
    Abstract: In Life Is Elsewhere, Anne Lounsbery shows how nineteenth-century Russian literature created an imaginary place called "the provinces"—a place at once homogeneous, static, anonymous, and symbolically opposed to Petersburg and Moscow. Lounsbery looks at a wide range of texts, both canonical and lesser-known, in order to explain why the trope has exercised such enduring power, and what role it plays in the larger symbolic geography that structures Russian literature's representation of the nation's space. Using a comparative approach, she brings to light fundamental questions that have long gone unasked: how to understand, for instance, the weakness of literary regionalism in a country as large as Russia? Why the insistence, from Herzen through Chekhov and beyond, that all Russian towns look the same? In a literary tradition that constantly compared itself to a western European standard, Lounsbery argues, the problem of provinciality always implied difficult questions about the symbolic geography of the nation as a whole. This constant awareness of a far-off European model helps explain why the provinces, in all their supposed drabness and predictability, are a topic of such fascination for Russian writers—why these anonymous places are in effect so important and meaningful, notwithstanding the culture's nearly unremitting emphasis on their nullity and meaninglessness
    Note: English
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  • 4
    Online Resource
    Online Resource
    Grenoble : UGA Éditions
    ISBN: 9782377472871 , 9782377470327
    Language: Undetermined
    Pages: 1 Online-Ressource (316 p.)
    Series Statement: Paroles d’ailleurs
    Keywords: Literature: history & criticism ; Literary studies: general
    Abstract: Fuir avant demain est un roman de l’écrivaine américaine Kay Boyle paru en 1932. Le lecteur est entrainé dans le récit aussi émouvant que lumineux d’une escapade tumultueuse et désespérée dans l’arrière-pays grassois, au milieu des années 20. Cette fiction autobiographique témoigne d’une époque littéraire façonnée par l’expérience de l’exil et tourmentée par le sentiment de sa finitude. Paru en français pour la première fois en 1937, le roman est réédité ici dans une nouvelle traduction, proposée par Anne Reynès-Delobel, qui permet d’apprécier toute l’intensité et l’élégance de la prose poétique de Boyle, romancière moderniste unique, amoureuse des mots et de la vie. Femme aux multiples visages, architecte, écrivain, mère de six enfants, mariée à trois reprises, Kay Boyle (1902-1992) est un personnage hors du commun. Son œuvre considérable connut un très grand succès aux États-Unis. Le Cheval aveugle (The Crazy Hunter, 1940) a fait l’objet d’une traduction en 2008
    Note: French
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  • 5
    Language: Undetermined
    Pages: 1 Online-Ressource (318 p.)
    Series Statement: SEL
    Keywords: Literature: history & criticism
    Abstract: Luisterrijk der letteren offers an overview of the intensive interfaces between the literary field and radio in the Low Countries. The subsequent chapters treat original radio plays of Walter van den Broeck and Ivo Michiels, among others, as well as translations of German and English radio plays, and adaptations like that of Herman Teirlinck’s play De vertraagde film. Contributions about Dutch radio plays from the interbellum and experimental verbosonies of Ab van Eyk enforce the image of a genre that continuously renews itself in interaction with literature. Finally, the reader is offered an overview of post-war literary radio plays. Thus, this book shows and investigates for the first time the profusion of literary radio plays in Flanders and the Netherlands
    Note: Dutch
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  • 6
    ISBN: 9782374962016 , 9782374960937
    Language: Undetermined
    Pages: 1 Online-Ressource (164 p.)
    Series Statement: Approches interdisciplinaires de la lecture
    Keywords: Literature: history & criticism ; Literary studies: poetry & poets
    Abstract: Le volume 12 des Approches Interdisciplinaires de la Lecture avait ouvert la question de la parole du lecteur. Le volume 13 l'approfondit en s’intéressant aux genres saisis dans leur diversité et leurs variations, et notamment à la poésie. L’expérience du poète est-elle transposable à celle du lecteur ? Une seule parole, celle du poète, peut-elle réunir poète et lecteur ? Certes, trop de différences, d’espace et de temps les séparent souvent. Il faut sans doute chercher aussi d’autres rôles que celui du lecteur diligent. Le lecteur critique, le lecteur savant, le lecteur traducteur, le lecteur-spectateur, le lecteur voyageur sont quelques-uns de ces rôles, repérables dans les contributions ici rassemblées
    Note: French
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  • 7
    Online Resource
    Online Resource
    Caen : Presses universitaires de Caen
    ISBN: 9782381850979 , 9782841339099
    Language: Undetermined
    Pages: 1 Online-Ressource (232 p.)
    Series Statement: Symposia
    Keywords: Literature: history & criticism ; Media studies
    Abstract: Qu’il les déplore ou qu’il s’en félicite, l’écrivain du XIXe siècle ne peut ignorer les nouveaux pouvoirs de la publicité appliquée à la littérature. Si de nombreux auteurs ont affiché une résistance farouche contre cette nouvelle donne commerciale qui fait de la littérature une marchandise, d’autres se sont montrés bien plus coopérants. En se généralisant au cours du siècle, la publicité éditoriale a poussé les auteurs à prendre une part de plus en plus active à la promotion ­commerciale de leurs œuvres et de leur personnage médiatique. Comment ont-ils répondu à cette double injonction ? C’est la question à laquelle les contributeurs de ce volume se proposent de répondre
    Note: French
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  • 8
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421430294
    Language: Undetermined
    Pages: 1 Online-Ressource (228 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1984. The Sage in Harlem establishes H. L. Mencken as a catalyst for the blossoming of black literary culture in the 1920s and chronicles the intensely productive exchange of ideas between Mencken and two generations of black writers: the Old Guard who pioneered the Harlem Renaissance and the Young Wits who sought to reshape it a decade later. From his readings of unpublished letters and articles from black publications of the time, Charles Scruggs argues that black writers saw usefulness in Mencken's critique of American culture, his advocacy of literary realism, and his satire of America. They understood that realism could free them from the pernicious stereotypes that had hounded past efforts at honest portraiture, and that satire could be the means whereby the white man might be paid back in his own coin. Scruggs contends that the content of Mencken's observations, whether ludicrously narrow or dazzlingly astute, was of secondary importance to the Harlem intellectuals. It was the honesty, precision, and fearlessness of his expression that proved irresistible to a generation of artists desperate to be taken seriously. The writers of the Harlem Renaissance turned to Mencken as an uncompromising-and uncondescending-commentator whose criticisms were informed by deep interest in African American life but guided by the same standards he applied to all literature, whatever its source. The Sage in Harlem demonstrates how Mencken, through the example of his own work, his power as editor of the American Mercury, and his dedication to literary quality, was able to nurture the developing talents of black authors from James Weldon Johnson to Richard Wright
    Note: English
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  • 9
    Online Resource
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    [Erscheinungsort nicht ermittelbar] : The Ohio State University Press
    ISBN: 9780814213902
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism ; Literature: history & criticism ; Literature: history & criticism
    Abstract: Shows how English responses to the Black Death were hidden in plain sight-as seen in the Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight poems
    Note: English
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  • 10
    Online Resource
    Online Resource
    Florence : Firenze University Press
    ISBN: 9788864539775 , 9788855186759
    Language: Undetermined
    Pages: 1 Online-Ressource (220 p.)
    Series Statement: Biblioteca di Studi di Filologia Moderna
    Keywords: Historical & comparative linguistics ; Literature: history & criticism
    Abstract: Scarti, tracce e frammenti: controarchivio e memoria dell'umano. Literature and art, increasingly interested in the dark side of production, now appear as a reservoir of fragments and waste of all sorts. The attraction towards scraps, conceived as anti-goods, testifies the existence of a parallel world where the myths of growth and productivity show their tragic face. Through different textualities and media, waste emerges as a testimony of a subversive marginality from which unexpected perspectives, which can undermine the established order, arise. The volume, using the image of waste, offers a hidden or marginalized counter history, which however 'returns' overbearingly in order to give contemporaneity its shapeless substance
    Note: Italian
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  • 11
    Online Resource
    Online Resource
    La Plata : Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación
    ISBN: 9789503418055
    Language: Undetermined
    Pages: 1 Online-Ressource
    Series Statement: Colectivo Crítico 5
    Keywords: Literature: history & criticism
    Abstract: El volumen colectivo sobre publicaciones argentinas que aquí presentamos es el tercero de una serie que se constituye como tal en función de un principio metodológico básico: Tramas impresas (2014), Tiempos de papel (2016) y ahora Revistas, archivo y exposición colocan a las publicaciones como corazón de sus análisis, como una dimensión crucial de la historia de una cultura, no un capítulo o un género añadido a otros géneros culturales de los que se compondría esa historia, puesto que no sería posible desligarlas de ella. Forman la primera parte un conjunto de colaboraciones individuales de especialistas que reflexionan en su mayoría sobre problemas específicos en revistas particulares a la vez que se detienen a pensar y caracterizar sus modalidades de exposición. El libro incluye, además, un intercambio a propósito de dos repositorios hemerográficos argentinos de referencia obligada para los estudiosos de la cultura argentina: AhiRa y AméricaLee
    Note: Spanish
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  • 12
    ISBN: 9788855266932 , 9788855261548
    Language: Undetermined
    Pages: 1 Online-Ressource (222 p.)
    Series Statement: Biblioteca di Carte Romanze
    Keywords: Language: history & general works ; Literature: history & criticism
    Abstract: Alla centralità del tema amoroso nella narrativa breve non di rado si connette o si affianca la rappresentazione dell'irrazionalità e della follia, in diversi gradi, forme e manifestazioni: dal tragico al comico, dal drammatico al grottesco, dal serio e grave al parodico e irridente. A tali tematiche, dal Medioevo a Cervantes, e alle loro differenti declinazioni - cui si oppongono specularmente, con maggiore o minore frequenza e intensità, i richiami a principi d'ordine, ragione e misura - sono dedicati i saggi di questo volume, che trae origine dal confronto e dialogo di un gruppo di studiosi di più ambiti disciplinari: Letteratura italiana (Johannes Bartuschat, Anna Maria Cabrini, Sandra Carapezza, Claude Cazalé Bérard, Cristina Zampese); Filologia romanza (Beatrice Barbiellini Amidei, Luca Sacchi); Letteratura spagnola (Antonio Gargano, Maria Rosso); Linguistica italiana (Giuseppe Polimeni)
    Note: Italian
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  • 13
    ISBN: 9788855267113 , 9788855260688
    Language: Undetermined
    Pages: 1 Online-Ressource (233 p.)
    Series Statement: Di/Segni
    Keywords: Literature: history & criticism
    Abstract: Carmen Martín Gaite, además de novelista, poeta y ensayista, fue una esmerada traductora de textos literarios. Traducir significó para ella situarse en el punto ideal de encuentro entre lectura y escritura, con ánimo de 'contar' lo que había leído. Este volumen ofrece el primer estudio sistemático sobre la labor traductora de Carmen Martín Gaite, ya sea como tarea práctica ya sea como elaboración de una teoría implícita de la traducción, en la que destacan el planteamiento irreductiblemente literario de la escritora y su identificación con el lector. Así mismo, la presentación cronológica del corpus completo de sus traducciones permite trazar la trayectoria de una biografía intelectual en la que todo lo leído activa un potencial creativo y de reflexión que desencadena una compleja intertextualidad, ofreciendo una perspectiva eficaz para arrojar luz sobre su obra 'global'
    Note: Spanish
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  • 14
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    Aix-en-Provence : Presses universitaires de Provence
    ISBN: 9791036576843 , 9791032001974
    Language: Undetermined
    Pages: 1 Online-Ressource (274 p.)
    Series Statement: Textuelles
    Keywords: Literature: history & criticism
    Abstract: Face à l'extension sans cesse grandissante des frontières du savoir, il apparaît comme de plus en plus urgent aujourd'hui de faire apparaître les liens entre ses différents domaines. Dans cette appropriation de l'humain, la littérature comparée s'est progressivement élargie au domaine entier de la culture. Les études musico-littéraires y connaissent un essor et une explosion bibliographique sans précédent  : centres de recherche et congrès se multiplient de façon impressionnante. Le chemin est cependant semé d'embûches diverses qu'il serait vain de vouloir ignorer. Pour difficile qu'il soit, le monde de la recherche mélopoétique réserve au chercheur de splendides découvertes. Il importe donc tout particulièrement de faire le point sur un domaine appelé à occuper à l'avenir, en dépit de ses difficultés, une place privilégiée. Ne faudra-t-il pas présenter la musicologie, désormais, comme le complément indispensable de la linguistique naguère  ? Dans un précédent ouvrage (Euterpe et Harpocrate ou le défi littéraire de la musique), l'auteur privilégiait l'approche méthodologique et théorique, celui-ci multiplie à dessein les exemples. Le dessein avoué est d'attirer les chercheurs à ce monde nouveau et fascinant des recherches mélopoétiques
    Note: French
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  • 15
    ISBN: 9788855267076 , 9788867059522
    Language: Undetermined
    Pages: 1 Online-Ressource (322 p.)
    Series Statement: Di/Segni
    Keywords: Literature: history & criticism
    Abstract: Esta Antología personal de la escritora argentina Alicia Kozameh, precedida por un Estudio preliminar de la catedrática María A. Semilla Durán, tiene un doble objetivo: el de iniciar al lector en el conocimiento de una obra literaria personalísima por una parte; el de guiarlo en su lectura e interpretación de la misma por otra. Los textos así seleccionados están organizados cronológicamente, y constituyen un corte transversal de la obra total, que deja ver cada uno de los estratos que la componen. El volumen se prestigia con una reflexión inédita de la autora sobre la indefensión de la persona ante la escritura autobiográfica. El estudio preliminar que introduce el volumen acompaña el viaje del lector a través de los textos, analizando las secuencias seleccionadas y leyéndolas desde una perspectiva global, atenta a la evolución de la escritura al hilo del tiempo. Para completar la mirada crítica, incluimos al final un instrumento pedagógico destinado a los estudiantes que quisieran trabajar sobre las obras de Alicia Kozameh, consistente en una serie de orientaciones válidas para la indagación de su escritura
    Note: Spanish
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  • 16
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    Lyon : Presses universitaires de Lyon
    ISBN: 9782729711979 , 9782729709464
    Language: Undetermined
    Pages: 1 Online-Ressource (184 p.)
    Series Statement: Hors collection
    Keywords: Literature: history & criticism
    Abstract: À l'hiver 1947-1948, Henri Calet, au même titre que d'autres intellectuels métropolitains comme Michel Leiris ou Francis Ponge, est invité à Sidi Madani, au sud d'Alger, afin de débattre de questions politiques et culturelles propres à l'Algérie. Cette invitation est aussi pour chacun l'occasion de jouir d'excellentes conditions matérielles pour mener à bien ses propres travaux. L'escapade algérienne de Calet se prolonge par un voyage au Maroc, à caractère plus privé. Au cours de ce séjour, Calet prend des notes, écrit ses impressions, rend compte de ce qu'il voit. Réunis ici, les textes nord-africains de Calet, même sous leur aspect inachevé, sont représentatifs au premier chef de son style, de son humour, de sa faculté aiguë d'observation et, plus encore peut-être, de son inclination, qui sera de plus en plus forte au fil des années, à la notation brève et à l'écriture impressionniste
    Note: French
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  • 17
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    Lyon : Presses universitaires de Lyon
    ISBN: 9782729712013 , 9782729709525
    Language: Undetermined
    Pages: 1 Online-Ressource (592 p.)
    Series Statement: Autofictions, etc
    Keywords: Literature: history & criticism
    Abstract: Depuis son invention par Serge Doubrovsky en 1977, le concept d'autofiction n'a cessé d'évoluer et de stimuler la réflexion sur la production romanesque. Depuis quelques années, le phénomène littéraire semble gagner le monde arabe. Certains écrivains s'en réclament, d'autres s'en accommodent et d'autres encore préfèrent employer divers concepts pour définir leur pratique romanesque. Cette nouvelle terminologie peut-elle attester l'émergence d'un « nouveau genre » dans la littérature arabe ? Dans cette première étude consacrée à l'autofiction dans la littérature de langue arabe, Darouèche Hilali Bacar se propose de reconstruire une histoire du roman et de l'autobiographie qui montre la pertinence et la fécondité de l'hybridation générique. Du récit de voyage (rihla) aux autobiographies romancées, en passant par la néo-maqâma, le roman de formation et l'autobiographie altérisée ou déguisée, on suit, pas à pas, la genèse de l'écriture autofictionnelle en langue arabe. L'analyse des textes de Mohamed Choukri, Sonallah Ibrahim et Rachid El-Daïf permet au lecteur d'observer au plus près la pratique autofictionnelle, d'en comprendre les mécanismes et les motivations. À partir de ces trois exemples, Darouèche Hilali Bacar propose d'établir un modèle d'autofiction arabe et de définir les thèmes qui pourraient s'appliquer à de nombreux textes modernes et contemporains
    Note: French
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  • 18
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    Clermont-Ferrand : Presses universitaires Blaise-Pascal
    ISBN: 9782383770282 , 9782845168527
    Language: Undetermined
    Pages: 1 Online-Ressource (384 p.)
    Series Statement: Littératures
    Keywords: Literature: history & criticism
    Abstract: Genres littéraires et gender dans les Amériques présente une série de dix-huit articles qui explorent l'inscription des rapports de genre dans le champ littéraire dans la lignée des travaux de Christine Planté. Au-delà de l'idée qui associe les genres littéraires à une classification et à une hiérarchisation dans le champ littéraire, c'est à l'aune de la généricité que nous avons souhaité approcher la littérature contemporaine écrite par les femmes des Amériques. Il s'agit de savoir comment les écrivaines négocient les paradigmes patriarcaux autour du pouvoir et du savoir (dont le système des genres et le gender sont des supports structurels) pour donner à lire des œuvres littéraires plurielles, dynamiques, dégagées des carcans de la classification au profit de l'intergénéricité comme force structurante de l'écriture
    Note: French
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  • 19
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    Besançon : Presses universitaires de Franche-Comté
    ISBN: 9782848678849 , 9782848676487
    Language: Undetermined
    Pages: 1 Online-Ressource (256 p.)
    Series Statement: Annales littéraires
    Keywords: Literature: history & criticism
    Abstract: Ce volume rassemble dix-sept communications prononcées lors du colloque international de janvier 2013, organisé par les Universités de Franche-Comté et de Lausanne. L'intérêt de ce colloque avait été de mettre en valeur cet objet d'étude rarement observé par les chercheurs : le péritexte de l'œuvre, ici analysé d'un point de vue strictement génétique, à partir des travaux de Gérard Genette. Le gai savoir cher au penseur s'y allie à une taxinomie rigoureuse des différentes formes de paratextes. Un tel volume présente l'intérêt de placer la question de la rédaction des paratextes, observés exclusivement et de manière parfaitement neuve sur des manuscrits d'écrivains, au cœur l'auto-représentation auctoriale. L'étude des archives ouvre aussi le champ d'un domaine d'études encore très peu exploré, celui de la « génétique éditoriale », pour mesurer l'existence d'une paradoxale auctorialité éditoriale
    Note: French
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  • 20
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421430263
    Language: Undetermined
    Pages: 1 Online-Ressource (282 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1985. Beasts of the Modern Imagination explores a specific tradition in modern thought and art: the critique of anthropocentrism at the hands of "beasts"-writers whose works constitute animal gestures or acts of fatality. It is not a study of animal imagery, although the works that Margot Norris explores present us with apes, horses, bulls, and mice who appear in the foreground of fiction, not as the tropes of allegory or fable, but as narrators and protagonists appropriating their animality amid an anthropocentric universe. These beasts are finally the masks of the human animals who create them, and the textual strategies that bring them into being constitute another version of their struggle. The focus of this study is a small group of thinkers, writers, and artists who create as the animal-not like the animal, in imitation of the animal-but with their animality speaking. The author treats Charles Darwin as the founder of this tradition, as the naturalist whose shattering conclusions inevitably turned back on him and subordinated him, the rational man, to the very Nature he studied. Friedrich Nietzsche heeded the advice implicit in his criticism of David Strauss and used Darwinian ideas as critical tools to interrogate the status of man as a natural being. He also responded to the implications of his own animality for his writing by transforming his work into bestial acts and gestures. The third, and last, generation of these creative animals includes Franz Kafka, the Surrealist artist Max Ernst, and D. H. Lawrence. In exploring these modern philosophers of the animal and its instinctual life, the author inevitably rebiologizes them even against efforts to debiologize thinkers whose works can be studied profitably for their models of signification
    Note: English
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    Besançon : Presses universitaires de Franche-Comté
    ISBN: 9782848678863 , 9782848676463
    Language: Undetermined
    Pages: 1 Online-Ressource (203 p.)
    Series Statement: Annales littéraires
    Keywords: Literature: history & criticism
    Abstract: Le présent recueil s'attache à évoquer les différentes manières, contrastées, paradoxales, ambiguës parfois, mais toujours intenses, qu'André Beucler a eu de décliner le motif de « l'affiche », au propre comme au figuré, dans ses romans comme dans ses articles ou ses émissions de radio, que ce soit sur le ton de l'éloge ou du sarcasme. André Beucler (1898-1985) est en effet aujourd'hui plus connu du grand public pour avoir partagé l'affiche avec Jean Gabin (en tenue de spahi) dans le film de Jean Grémillon, adapté de son roman Gueule d'amour, que comme romancier-phare des Années folles. Entré en littérature en 1925 par la grande porte des Éditions Gallimard avec La Ville anonyme, ce jeune auteur du groupe des « moins de trente ans » enchaîne alors nouvelles et romans. Habité depuis toujours par la passion du cinéma, il cède bientôt aux séductions du journalisme et s'éprend au passage de la « fée Publicité ». Dès le début des années trente, son nom côtoie celui des stars de l'époque (Pierre Brasseur, Charles Boyer, Brigitte Helm...) sur les affiches des films auxquels il participe en tant que scénariste, dialoguiste ou coréalisateur, tandis que, dans les colonnes de Marianne ou même de Paris-Soir, il se fait un nom comme grand reporter
    Note: French
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  • 22
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421435329
    Language: Undetermined
    Pages: 1 Online-Ressource (282 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1979. Sylvia Plath is one of the most controversial poets of our time. For some readers, she is the symbol of women oppressed. For others, she is the triumphant victim of her own intensity-the poet pursuing sensation to the ultimate uncertainty, death. For still others, she is a doomed innocent whose sensibilities were too acute for the coarseness of our world. The new essays of this edited collection (with a single exception, all were written for this book) broaden the perspective of Plath criticism by going beyond the images of Plath as a cult figure to discuss Plath the poet. The contributors-among them Calvin Bedient, Hugh Kenner, J. D. O'Hara, and Marjorie Perloff-draw on material that most previous commentators lacked: a substantial body of Plath's poetry and prose, a moderately detailed biographical record, and an important selection of the poet's correspondence. The result is an important and provocative volume, one in which major critics offer an abundance of insights into the poet's mind and creative process. It offers insightful and original readings of many poems-some, like "Berck-Plage," scarcely mentioned in previous criticism-and fosters new understandings of such matters as Plath's comedy, the development of her poetic voice, and her relation to poetic traditions. The serious reader, whatever his or her initial opinion of Sylvia Plath, is sure to find that opinion challenged, changed, or deepened. These essays offer insights into a violently interesting poet, one who despite, or perhaps because of, her suicide at age thirty continues to fascinate and trouble us
    Note: English
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  • 23
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421433844
    Language: Undetermined
    Pages: 1 Online-Ressource (270 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1968. The main purpose of this book is to demonstrate that George Herbert is one of the great masters of lyric poetry. Stein discusses Herbert's diction, imagery, syntax, and rhythm in light of his organization of the imaginative materials of time and self-consciousness and in light of his development of a rhetoric through which he could master the intimacies of personal failure and (what is far more difficult) express in language convincingly sincere states of positive religious achievement
    Note: English
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  • 24
    ISBN: 9788864539768 , 9788892730205
    Language: Undetermined
    Pages: 1 Online-Ressource (444 p.)
    Series Statement: Biblioteca di Studi di Filologia Moderna
    Keywords: Literature & literary studies ; Literature: history & criticism
    Abstract: Granito e arcobaleno. Forme e modi della scrittura auto/biografica collects essays on issues regarding relationships and their fragile balances, between reality and fiction, experience and memory, private and public, autonomy and relatedness, referential truth and subjective truth, between the self and the other. The contributions also involve concepts such as the social, cultural, geopolitical or even rhetorical space, where the auto/biographical subject is situated; the 'materiality' of the body, which perceives and internalizes the images, sensations and experiences of the external world; the agency and the linguistic, discursive, social and cultural constraints to which it is subjected. After a theoretical introduction, this volume explores individual case studies that can be traced back to different and sometimes distant cultural realities, then concludes with an artist's reflection on art and life
    Note: Italian
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  • 25
    ISBN: 9788864539225 , 9788864539218 , 9788892730243
    Language: Undetermined
    Pages: 1 Online-Ressource (714 p.)
    Series Statement: Biblioteca di Studi Slavistici
    Keywords: linguistics ; Literature: history & criticism
    Abstract: This volume contains the critical edition of the Latin elegies written by the most important poet of the Polish Renaissance, as well as a philological commentary . The comment, in particular, does not only refer to the collection of similia, but also analyses Jan Kochanowski's ways of "imitatio" (imitation), underlining his extraordinary poetic skills as well as his vibrant and lively relationship with classical texts, which he reuses cleverly to satisfy his own needs for meaning
    Note: Italian
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  • 26
    ISBN: 9788021094246 , 9788021094239
    Language: Undetermined
    Pages: 1 Online-Ressource (76 p.)
    Series Statement: Sborník prací Pedagogické fakulty Masarykovy univerzity 275
    Keywords: Literature: history & criticism
    Abstract: Title in English: XI. Student Scientific Conference of the Czech Language and Literature Department This collection presents the contributions of the students of Master's and doctoral study programmes to the Student Scientific Conference held on 14/03/2019. Kateřina Žvaková deals with conversation analysis in Communication strategy tools used by the guests in GEN (documentary series), application of didactics is presented in Pavlína Zouharová's Commercials in Czech Language Teaching of sixth-through-ninth graders in primary schools. Radim Ošmera focuses on the teaching of non-native Czech speakers in his Czech phonetics/phonology principles applied by non-native speakers of the Czech language, Veronika Tinková presents Worksheet design for Czech language for bilingual sixth-through-ninth graders and Věra Šimková presents Adapted reading exercises in the Czech-speaking environment. Miroslav Jindra deals with Methodology of research into children's theatre audiences through a case study of a production of Vinnetou. The collection is concluded by literary scientific contributions from Kateřina Tesařová with her Death motifs found in the early poetic works of Jiří Karásek ze Lvovic and J.H. Krchovský and Ondřej Pechník's Reflection of the Israeli-Palestinian conflict in Tomáš Kolský's work
    Note: Czech
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  • 27
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    Saint-Étienne : Presses universitaires de Saint-Étienne
    ISBN: 9782862727639 , 9782862727134
    Language: Undetermined
    Pages: 1 Online-Ressource (228 p.)
    Series Statement: Le XIXe siècle en représentation(s)
    Keywords: Literature: history & criticism
    Abstract: Doué d’une parole précise et cinglante, Benjamin Constant a été un journaliste et un homme politique de premier plan, depuis les dernières années de la Révolution jusqu’à la fin de la Restauration. Ses écrits politiques constituent un jalon essentiel de la réflexion sur les fondements de la société démocratique et de la vie parlementaire, en France comme dans le monde. Dans le domaine de la création littéraire, le cursif Adolphe s’est imposé comme une oeuvre majeure du roman à la première personne, et ses journaux sont un des chefs-d’oeuvre de l’écriture intime. Ouvrant une perspective nouvelle à la connaissance de Constant par la largeur du corpus envisagé, cet ouvrage analyse l’écriture, le style, la manière, tout ce qui fait la spécificité de l’esprit d’une oeuvre qui ne ressemble à aucune autre : de la fiction littéraire aux essais politiques, de l’histoire de la religion à la réflexion sur le théâtre, c’est un art exemplaire de l’analyse et de l’argumentation, un style singulier qui nous est révélé
    Note: French
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  • 28
    ISBN: 9782728809653 , 9782728806782
    Language: Undetermined
    Pages: 1 Online-Ressource (178 p.)
    Series Statement: Actes de la recherche à l'ENS
    Keywords: Literature: history & criticism ; Anthropology
    Abstract: Bien qu'il soit surtout connu pour son œuvre fondatrice d'écrivain, J.R.R. Tolkien était également un universitaire réputé, spécialiste d'anglais médiéval, philologue, polyglotte. Son légendaire, autant que ses travaux académiques, n'ont de cesse de toucher au cœur du langage et du récit - qu'ils considèrent comme inextricablement liés - et en dévoilent des aspects multiples et divers, qu'il serait impossible d'épuiser. Si, dans l'imaginaire collectif, l'affiliation bien réelle de l'œuvre tolkienienne au genre littéraire de la fantasy paraît en exclure une approche plus académique, de nombreux travaux (thèses, ouvrages, articles, colloques...) ne lui en ont pas moins été consacrés depuis plus d'une vingtaine d'années
    Note: French
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    [Erscheinungsort nicht ermittelbar] : A. Francke Verlag
    ISBN: 9783772056611
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism
    Abstract: Das Werk der schwedischen Buchkünstlerin Elsa Beskow (1874-1953) wird erstmals auf seine materiellen Aspekte (wie Papier, Formate, Paratexte und Farbe) hin untersucht. Dabei wird - aufgrund der Gestaltung der Bücher - nach einer eigenen Lese- und Schreibpädagogik der Künstlerin gefragt. Das Thema des Lesens und Schreibens wird in einen (kunst)-historischen Kontext eingebettet und mit internationalen Bildungsbestrebungen verglichen. Im Fokus der Untersuchung stehen ausgewählte Bilder- sowie ihre Lesebücher, die für die schwedische Volksschule gestaltet wurden. Die Studie richtet sich an Fachpersonen (Skandinavistinnen und Kunsthistoriker), aber auch an pädagogische Fachpersonen, welche die Bilderbücher für den Unterricht anwenden (Kindergarten/Unterstufe). Allgemein zeigt die Untersuchung auf, dass der Gestaltung/Materialität von Büchern sowohl beim Lesen und Schreiben Lernen wie auch in einer ästhetischen Auffassung eine bedeutende Rolle zukommt
    Note: German
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  • 30
    ISBN: 9783772056796
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism
    Abstract: Im Jahr 1968 richteten die Universitäten Basel und Zürich ein gemeinsames Ordinariat für Nordische Philologie ein. Themen der nordischen Sprachen und Literaturen hatten zwar bereits früher an Schweizer Universitäten im Rahmen der Germanistik und Anglistik zum Lehrplan gehört. Aber erst mit der Schaffung eines Lehrstuhls und zweier nordistischer Abteilungen wurde es möglich, Nordistik bzw. Skandinavistik als Fach zu studieren. Die vorliegende Publikation stellt die für kleine Fächer paradigmatische Geschichte der Schweizer Nordistik der letzten fünfzig Jahre in den Grundzügen dar. Beschrieben werden in knapper Form die Vorgeschichte seit dem 19. Jahrhundert und die Hintergründe, die zur Errichtung der beiden Abteilungen führten, sowie schwerpunktmäßig der Verlauf nordischer Studien von räumlich beengten und personell bescheidenen Anfängen bis zu den neuesten, dynamischen Aktivitäten in Forschung und Lehre. Kürzere Texte von ehemaligen Studierenden und Mitarbeitenden und zahlreiche Abbildungen ergänzen die Darstellung
    Note: German
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421434025
    Language: Undetermined
    Pages: 1 Online-Ressource (162 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1980. The first section of The Novel-Machine consists of five short chapters that rewrite Autobiography as an undisguised theory of realistic fiction, exploring its paradoxes while placing it in the context of mid-Victorian criticism. Chapters 6 and 7 survey the manifestations in Trollope's novels of what his theory sets down as the primary difference of realism: its way of telling its readers how to read. Chapter 8 is a close reading of He Knew He Was Right, a neglected novel that, in Kendrick's estimation, deserves to stand in much higher critical esteem than it does. Kendrick shows how deeply woven into the texture of Trollope's writing the rhetoric of realism is. Kendrick's reading is a departure from the usual method of criticizing Trollope-surveying the whole of his work a novel at a time, saying a little about every novel and always too little about each
    Note: English
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    [Erscheinungsort nicht ermittelbar] : A. Francke Verlag
    ISBN: 9783772056550
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism
    Abstract: Die finnlandschwedische Künstlerin Tove Jansson (1914-2010) war Autorin, Malerin und Karikaturistin zugleich. Dieses künstlerische Spannungsfeld aus der Fusion unterschiedlicher Talente und der Experimentierfreudigkeit mit Materialität und Medium wird in der vorliegenden Studie fruchtbar gemacht, um Fragen zum Buch als Artefakt, zur Reflexion von Literatur als Kunstform, betreffend kreativer Strategien und künstlerischem Selbstverständnis zu erörtern. Mit anderen Worten, es werden unterschiedliche Konzepte von Materialität behandelt, die sowohl stoffliche wie auch poetologische Aspekte beinhalten. Dabei handelt es sich um Themen, die in der Jansson-Forschung bis anhin vergleichsweise wenig Beachtung fanden. Dies erstaunt vor allem in Anbetracht des viel beschworenen material turn, dessen Fokus auf Aspekte der Materialität in zahlreichen Disziplinen Einzug gehalten hat. Diese unterschiedlichen Konzepte von Materialität lassen sich letztlich zu einem materiellen Ethos ausweiten, welches Janssons Handeln als Künstlerin genuin zugrunde liegt und ihre herausragende Stellung auf eine neue Art zementiert
    Note: German
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    Nanterre : Presses universitaires de Paris Nanterre
    ISBN: 9782840164135 , 9782840163527
    Language: Undetermined
    Pages: 1 Online-Ressource (180 p.)
    Series Statement: Ritm
    Keywords: Literature: history & criticism
    Abstract: Reclus dans sa cuisine d'Aix-en-Provence, emmitouflé dans sa bure d'hiver, portant béret et lunettes, son éternelle cigarette au bec, il pose sous l'objectif de Robert Doisneau à côté de la machine à écrire d'où sont sorties les pages de L'Homme foudroyé, qui vient de paraître chez Denoël. Tel est le visage de Blaise Cendrars qu'ont pu découvrir, en octobre 1945, les lecteurs du Figaro-Illustré : celui de l'auteur d'« un grand livre, un de ces livres comme il n'y en a pas un en dix ans [...] qui nous transporte, par la maitrise d'un art littéraire entièrement personnel, hors de tout art, par-delà toute littérature ». Ainsi Maximilien Vox saluait-il la parution de ce premier volume des « Mémoires sans être des Mémoires ». À ce livre foudroyant, les Cahiers de sémiotique textuelle de l'université Paris Nanterre avaient consacré en 1989, sous la direction de Claude Leroy, son quinzième numéro, rassemblant des études critiques, des inédits et des documents. Premier et unique ouvrage jusqu'à ce jour entièrement consacré à L'Homme foudroyé, ce volume est ici republié à l'occasion du programme de l'agrégation de lettres 2020
    Note: French
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421429946
    Language: Undetermined
    Pages: 1 Online-Ressource (186 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1966. In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well.Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421435671
    Language: Undetermined
    Pages: 1 Online-Ressource (225 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1960. In E. E. Cummings: The Art of His Poetry, Norman Friedman argues that critics who have focused on what Cummings's poetry lacks have failed to judge Cummings on his strengths. Friedman identifies a main strength of Cummings as his being a "sensual mystic." The book unpacks Cummings's subject matter, devices, and symbolism, ultimately helping readers develop a deeper understanding and appreciation of Cummings's work
    Note: English
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  • 36
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421433127
    Language: Undetermined
    Pages: 1 Online-Ressource (306 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1964. The book presents a commentary on Le Morte d'Arthur that illuminates Malory's literary aims and techniques. The author brings to bear several hitherto unused source materials on Malory's work and offers new analyses of his authorial purposes. Lumiansky argues that Malory wrote a single unified book rather than eight separate tales. The source of Malory's story is an Old French romance known as the Suite du Merlin. Lumiansky traces Malory's originality through Malory's treatment of the main generic features of the Suite du Merlin
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421434582
    Language: Undetermined
    Pages: 1 Online-Ressource (322 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have
    Note: English
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  • 38
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421430126
    Language: Undetermined
    Pages: 1 Online-Ressource (242 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1967. In this study of the English Augustan satirists, and the Roman and subsequent authors who were their models, Professor Paulson shows how rhetoric relates to imitation, persuasion to presentation, and the imitation of the satirist to the imitation of the satiric object. He illustrates the tendency of the satirist to invade his own fiction and imitate not the prime object of his satire but the satiric persona, which consequently takes on a life of its own. By analyzing the satiric fictions of the precursors of the Augustans, the author reveals the elements they bequeathed to those who rode the high crest of the satiric wave in England, before the art of satire became submerged in the deepening trough of sentimental romanticism.Paulson shows the Tories Dryden, Pope, and Swift and the Whigs Addison and Steele to be the heirs of a long line of satirists ancient and modern, from Horace, Juvenal, Lucian, Apuleius, and Petronius to Rabelais, Cervantes and the English Elizabethan and Civil War poets. Taking Swift as his main example, Paulson examines the dualism of satire in its most interesting and ambiguous modes, and as the embodiment of rhetorical devices that are as complex mimetically as they are rhetorically
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421436166
    Language: Undetermined
    Pages: 1 Online-Ressource (242 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1976. In The Romantic Sublime Thomas Weiskel investigates the concept of the sublime in the poetry of English Romantic writers. His work infuses elements of structuralism and psychological thought in his attempt to describe and demystify the sublime experience-or, in his words, to "desublimate the sublime." In doing so, he demonstrates that the sublime is largely mystified, and he contrasts those with faith in the awesomeness of sublimation and those who remain skeptical of the sublime's mystifying power. In working to demystify the sublime, Weiskel emphasizes the task of intelligence by assigning morality and intellect the value of mistrust in sublimation
    Note: English
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  • 40
    ISBN: 9788864539713 , 9788892730236
    Language: Undetermined
    Pages: 1 Online-Ressource (316 p.)
    Series Statement: Biblioteca di Studi di Filologia Moderna
    Keywords: linguistics ; Translation & interpretation ; Literature & literary studies ; Literature: history & criticism
    Abstract: "Still Blundering into Sense". Maria Edgeworth, her context, her legacy. This collection of international contributions, as well as celebrating Maria Edgeworth's 250th anniversary, proposes some further investigation on two fundamental aspects of her thought and legacy, still little examined in depth: her interest in the education of the young (and of the adults supposed to educate them) in an empirical perspective, explicitly scientific, open to different religious confessions and addressed to all social classes; and the urge for a wider and shared tolerance for alterity. The various essays in the collection offer some insight on the multi-layered relationships between the universe of education and its relationship with the development of knowledge, literature - particularly children's literature - and pedagogy, as well as between women's emancipation and the development of both individual and social identity. Their common ground is a dialogic perspective aiming to connect areas of scholarship, which the academia generally classifies into separate research fields
    Note: English
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  • 41
    ISBN: 9788864539195 , 9788864539188 , 9788864539201 , 9788892730250
    Language: Undetermined
    Pages: 1 Online-Ressource (114 p.)
    Series Statement: Fonti storiche e letterarie - Edizioni cartacee e digitali
    Keywords: Historical & comparative linguistics ; Literature: history & criticism
    Abstract: The murder of Emanuele Notarbartolo, former director of the Banco di Palermo, at the hands of the Sicilian Mafia in 1893 represents a controversial and obscure event in Italian history. There were three trials (Milan, Bologna, Florence), which also involved a Sicilian deputy: Raffaele Palizzolo. Anna Franchi's documentation work takes place in the Assize court of Florence: she attended every hearing, and observed relentlessly both the 'Mafia' phenomenon and the actual theatre of testimonies, confessions, retractions and false tracks characterising the trial in Florence (1903-1904). It was possible to widely integrate Franchi's account after the discovery of the entire folder relating to the process in the State Archives of Florence: about 1500 handwritten pages by the various chancellors dealing with the trial. The trial ended in a general acquittal for principals and executors for lack of evidence. For some, Sicily's honour was safe, but for many others, the truth was forever covered up
    Note: Italian
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421429984
    Language: Undetermined
    Pages: 1 Online-Ressource (274 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1988. Edgar Dryden challenges recent criticism that has tended to discredit-or at least devalue-the importance of "romance" as a thematic and generic category of American fiction. In The Form of American Romance, he examines its evolution and meaning through readings of five exemplary texts: Hawthorne's Marble Faun, Melville's Pierre, James's Portrait of a Lady, Faulkner's Absalom, Absalom!, and Barth's Letters. Each of these novels treats the problems of reading and writing in a self-referential way that reflects on the questions they dramatize, and Dryden has chosen each with the others in mind. Taken together, they chart a line of development with representative examples of what literary history calls romanticism, realism, modernism, and postmodernism, and thus they suggest a certain story about the continuity of the American novel
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421429991
    Language: Undetermined
    Pages: 1 Online-Ressource (242 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1968. Professor Dryden sees Melville's novels both as metaphysical processes and as technical forms. The novelist is not a reporter but a creator, and what he creates from his experience is his vision of truth. Herman Melville saw the function of the novelist in terms of his ability to expose the reader to truth while simultaneously protecting him from it or, in other words, to enable the reader to experience reality indirectly and, therefore, safely. In Melville's own writing, however, this function became more difficult as his nihilism deepened. He became increasingly sensitive to his own involvement in the world of lies, and when he could no longer protect himself from the truth, he could no longer transform it into fiction. Melville's struggle to maintain the distinction between art and truth was reflected in the changing forms of his novels.Dryden traces Melville's evolving metaphysical views and studies their impact on the craftsmanship of this acutely self-conscious artist from his early novels-Typee, Redburn, and White Jacket-through Moby-Dick, Pierre, Israel Potter, and The Confidence-Man to the posthumously published Billy Budd and the closely related Benito Cereno, and he concludes that "all of Melville's narrators are in some way portraits of the artist at work." Dryden's study is a unique contribution to Melville scholarship and an important journey through the world of the novelist's vision. As such, it has significant implications for the novel as a genre and for understanding its development in America
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421430508
    Language: Undetermined
    Pages: 1 Online-Ressource (362 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1989. In Prosody and Purpose in the English Renaissance the eminent scholar O. B. Hardison Jr. sets out "to recover the special kinds of music inherent in English Renaissance poetry." The book begins with a thorough and wide-ranging survey of the development of prosodic theory from the ancient ars metrica tradition to the sixteenth century, with special emphasis on such issues as the relation of verse form and genre, the relation of syntax to prosody, and the role of language reform in shaping Renaissance prosody. The second part of the book considers the impact of prosodic traditions on specific literary works and verse forms, among them Surrey's Aeneid, Heywood's translation of Seneca's Thyestes, Sackville and Norton's Gorboduc, and the dramatic and epic verse of Marlowe, Shakespeare, Spenser, and Milton. Throughout, Hardison examines not only how poets crafted their verse but why. He explores authorial purposes ranging from technical attempts to match sound and genre to the lofty aims of improving the vernacular or ennobling culture, from the dramatist's practical search for verse forms suited to the stage to Milton's quest for a meter fit to convey divine relation
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421435657
    Language: Undetermined
    Pages: 1 Online-Ressource (476 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1956. In Ishmael, Professor James Baird responds to the increasing secularization of Western civilization and the creation of what he calls "authentic primitivism." For Baird, the aesthetic austerity of Protestantism undermined the structure of symbols created by Catholicism. In the absence of a meaningful structure of cultural authority in Western civilization, "primary art" took on a quasi-religious role by connecting humans to a transcendent being. Ishmael describes a new system of art, beginning around 1850, that supplanted Christian symbolism. Baird examines writers who helped to create a modern authentic primitivism, with emphasis on Herman Melville, whom Baird sees as a locus of change for the cultural significance of primary art. Baird provides a social history and biography of writers who participated in the primary art movement from 1850 to 1950
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421435862
    Language: Undetermined
    Pages: 1 Online-Ressource (290 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1965. Despite his prolificacy, Washington Irving remained an underexamined figure among literary scholars at the time William L. Hedges published his definitive study of the author in 1965. Most contemporary scholars believed that Irving's central contribution to the American literary tradition was that his work was "polished" and "suave." These scholars maintained that Irving's aristocratic sensibilities defined the stylistic choices of his literary works. To assume this, Hedges contends, is to "both let the man and the work slip beyond one's grasp." Hedges demonstrates that much of Irving's work can be understood in the context of his conflict between federalist and conservative politics. Irving, in other words, found himself incapable of committing to a coherent set of beliefs or attitudes, and this cultural uneasiness manifested itself in his early work. Washington Irving: An American Study, 1802-1832 tries to correct some of the misapprehension about Irving's place in nineteenth-century American literature
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421430478
    Language: Undetermined
    Pages: 1 Online-Ressource (349 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis-the earliest of all medieval dramas-is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays
    Note: English
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    [Erscheinungsort nicht ermittelbar] : University College London
    ISBN: 9781787354418
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism
    Abstract: Georges Perec, novelist, filmmaker and essayist, was one of the most inventive and original writers of the twentieth century. A fascinating aspect of his work is its intrinsically geographical nature. With major projects on space and place, Perec's writing speaks to a variety of geographical, urban and architectural concerns, both in a substantive way, including a focus on cities, streets, homes and apartments, and in a methodological way, experimenting with methods of urban exploration and observation, classification, enumeration and taxonomy. Georges Perec's Geographies is the first book to offer a rounded picture of Perec's geographical interests. Divided into two parts, Part I, Perec's Geographies, explores the geographies within Perec's work in film, literature and radio, from descriptions of streets to the spaces of his texts, while Part II, Perecquian Geographies, explores geographies in a range of material and metaphorical forms, including photographic essays, soundscapes, theatre, dance and writing, created by those directly inspired by Perec. Georges Perec's Geographies extends the body of Perec criticism beyond Literary and French Studies to disciplines including Geography, Urban Studies, Planning and Architecture to offer a complete and systematic examination of Georges Perec's geographies. The diversity of readings and approaches will be of interest not only to Perec readers and fans but to students and researchers across these subjects
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421430157
    Language: Undetermined
    Pages: 1 Online-Ressource (238 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1979. Eric Sundquist takes four representative writers-James Fenimore Cooper, Henry David Thoreau, Nathaniel Hawthorne, and Herman Melville-and considers the way in which each grapples with the crucial issues of genealogy and authority in his works. From all four a common pattern emerges: the desire to revolt against the past is countered by the need to invoke or even repeat it. Sundquist's approach to the texts is psychoanalytic, but he does not attempt a clinical dissection of each writer; rather, he determines how personal crisis became material for engaging with larger questions of social and literary crisis
    Note: English
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    [Erscheinungsort nicht ermittelbar] : University College London
    ISBN: 9781787356245
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism
    Abstract: Context in Literary and Cultural Studies is an interdisciplinary volume that deals with the challenges of studying works of art and literature in their historical context today. The relationship between artworks and context has long been a central concern for aesthetic and cultural disciplines, and the question of context has been asked anew in all eras. Developments in contemporary culture and technology, as well as new theoretical and methodological orientations in the humanities, once again prompt us to rethink context in literary and cultural studies. This volume takes up that challenge. Introducing readers to new developments in literary and cultural theory, Context in Literary and Cultural Studies connects all disciplines related to these areas to provide an interdisciplinary overview of the challenges different scholarly fields today meet in their studies of artworks in context. Spanning a number of countries, and covering subjects from nineteenth-century novels to rave culture, the chapters together constitute an informed, diverse and wide-ranging discussion. The volume is written for scholarly readers at all levels in the fields of Literary Studies, Comparative Literature, Cultural Studies, Art History, Film, Theatre Studies and Digital Humanities
    Note: English
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    [Erscheinungsort nicht ermittelbar] : The Ohio State University Press
    ISBN: 9780814214107
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism ; Literature: history & criticism ; Literature: history & criticism
    Abstract: Examines the underlying precarity in twenty-first-century immigrant fiction and reveals the contradictions inherent in neoliberalism as an ideology
    Note: English
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    ISBN: 9788864539102 , 9788864539096 , 9788864539119 , 9788892730397
    Language: Undetermined
    Pages: 1 Online-Ressource (368 p.)
    Series Statement: Biblioteca di Studi Slavistici
    Keywords: linguistics ; Literature: history & criticism
    Abstract: This volume, organised in thirty-two essays written by thirty-five among the most successful Italian scholars in the field of Slavic Studies, offers an extensive overview of the studies which have been conducted in Italy on Slavic literature, philology, linguistics, history and culture in recent years. Overall, the work highlights the great variety of paths and lines of research which shaped Italian Slavic Studies, and which are still being used for this field. This volume shows several realities of the Slavic countries in their multifaceted relations with other European cultures, and is addressed to researchers focusing only on Slavic Studies as well as to specialists from other fields who are interested in further investigating topics related to the close net of relationships between the Slavic world and the rest of Europe in the past and present
    Note: Italian
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  • 53
    ISBN: 9788833120089
    Language: Undetermined
    Pages: 1 Online-Ressource (200 p.)
    Series Statement: Tertulias
    Keywords: Translation & interpretation ; Literature: history & criticism
    Abstract: Divided into three sections, the volume combines contributions about translation, literature and language in Latin America. "Literature and Translation" is built around the post-1960 generation of authors with forays into the children's genre, "microcuento" and the revision process. "Translation and Culture" delves into literary and publishing history through different translation strategies and in an axis linking Cuba and Italy, while "Language and Dissemination" refers to the dissemination of specialized information and the hybrid discursive genre of digital reviews
    Abstract: Articolato in tre sezioni, combina contributi circa traduzione, letteratura e lingua in America Latina. "Letteratura e traduzione" è costruita attorno alla generazione di autori post 1960 con incursioni nel genere per ragazzi, "microcuento" e processo di revisione. "Traduzione e cultura" approfondisce la storia letteraria ed editoriale attraverso diverse strategie traduttive e in un asse che vincola Cuba e Italia, mentre "Lingua e divulgazione" si riferisce alla diffusione di informazioni specialistiche e al genere discorsivo ibrido delle recensioni digitali
    Note: Italian
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421434315
    Language: Undetermined
    Pages: 1 Online-Ressource (280 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1982. The Poetics of Jacobean Drama argues for a rediscovered approach to the study of Renaissance drama. Coburn Freer observes that most modern criticism of this drama treats the plays as if they were written in prose, thus overlooking whole areas of dramatic meaning that were understood in the past. Such an understanding, he asserts, was common among writers, actors, audiences, and readers of the Elizabethan and Jacobean eras, and a knowledge of it is essential to a full appreciation of the characterization and dramatic structures in these plays. Freer explores the evolution of the modern reluctance to approach Renaissance drama as one would dramatic poetry-from the standpoint of a listener. Blank verse, the author shows, provided Jacobean dramatists with a poetic form against which they could work the pressures of experience within their characters. The writers' ability to work with and against this form provided infinite resources for delineating character and creating significant coherences in the structure of a play. The Poetics of Jacobean Drama offers insights into what the Renaissance writer, actor, and playgoer would have regarded as the domain of poetry in drama. Topics discussed include the conditions of stage performance and the style of acting, Elizabethan education, the rise of printed texts and collected editions, and the comments of Elizabethan audiences and readers. Freer's commentary and theoretical explanations suggest both why and how we should pay closer attention to the poetry of Renaissance drama
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421433875
    Language: Undetermined
    Pages: 1 Online-Ressource (254 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1951. Kemp Malone provides a guide to reading Chaucer's work that is intended for readers who are familiar with Chaucer's work but who are not Chaucerians. The first chapter places Chaucer in the historical and literary context of the fourteenth century. The other essays focus on Chaucer's poetry by providing historicized interpretations of Chaucer's work and methods for each poem
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421434490
    Language: Undetermined
    Pages: 1 Online-Ressource (218 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1966. This book is primarily a literary study of Rousseau's account of his diplomatic experiences in Venice, contained in book 7 of the Confessions and written in 1769. The author analyzes Rousseau's methods of achieving an artistic rendering of psychological truth in autobiography, as exemplified in his treatment of the events of 1742-1749. Professor Madeleine Ellis contributes to an understanding of Rousseau as a creative artist and positions him vis-à-vis the classical and romantic movements. Ellis collates the text of the Confessions with contemporary correspondence and other documents to show how discrepancies between the two have artistic implications. These implications lead her to define Rousseau's principles and methods as a man of letters and the interrelations of art and truth in his memoirs. In revealing that Rousseau, the memorialist, gives an artistic rendering of psychological truth, Ellis shows Rousseau's attitude toward truth. She does this by following a path of analysis unexplored by previous critics but indicated by Rousseau himself when he says, "It is the story of my soul that I have promised . . . I record not so much the events of my life as the state of my soul as they happened." Ultimately, the objective of this study is to illustrate the artistic means-literary and rhetorical-employed by Rousseau and their implications for the truth he proposed
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421433479
    Language: Undetermined
    Pages: 1 Online-Ressource (258 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1992. In an age when genteel women wrote little more than personal letters, how did Jane Austen manage to become a novelist? Was she an isolated genius who rose to fame through sheer talent? Did she draw strength from the support of her family or from women writers who went before her? In Jane Austen among Women, Deborah Kaplan argues that these explanations are either misleading or insufficient. Austen, Kaplan contends, participated actively in a women's culture that promoted female authority and achievement-a culture that not only helped her become a novelist but also influenced her fiction
    Note: English
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    [Erscheinungsort nicht ermittelbar] : A. Francke Verlag
    ISBN: 9783772056802
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism
    Abstract: Karl der Große gehört zu den dynamischsten literarischen Gestalten des europäischen Mittelalters. Die altfranzösische Karlsdichtung wurde dabei in kompilierter Form auch im Norden rezipiert: Als Karlamagnús saga liegt sie im Altwestnordischen vor, als Karl Magnus im Altschwedischen und Karl Magnus Krønike im Altdänischen. Durch Kontextualisierung der Karlsdichtung in den fünf überlieferten ostnordischen Handschriften aus dem 15. Jahrhundert werden intertextuelle Bezüge sichtbar, die zur Klärung der Frage beitragen, warum Karl der Große im Norden einerseits als aristokratischer Held, andererseits als Heiliger rezipiert wurde. Neben der philologischen Lektüre der altschwedischen, altdänischen und altfranzösischen Texte tragen vor allem kulturwissenschaftliche Ansätze aus den Feldern Memory Studies, Gender Studies sowie aus der Alteritätsforschung dazu bei, den Transfer scheinbar stabiler Konzepte wie Identität, Geschlecht und Alterität in der mittelalterlichen Literatur des Nordens nachzuvollziehen
    Note: German
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    Nanterre : Presses universitaires de Paris Nanterre
    ISBN: 9782840164197 , 9782840163138
    Language: Undetermined
    Pages: 1 Online-Ressource (340 p.)
    Series Statement: Résonances de Maurice Blanchot
    Keywords: Literature: history & criticism
    Abstract: « Klossowski, Bataille, Blanchot, ont été pour moi très importants. Et je crains bien de n'avoir pas fait dans ce que j'ai écrit la part suffisante à l'influence qu'ils ont dû avoir sur moi » : c'est en ces termes que Foucault reconnaît sa dette à l'égard de ces trois auteurs qui ont profondément pesé sur sa philosophie. Mais cette dette ne s'arrête pas à Foucault évidemment. On la retrouve chez Deleuze et Derrida, et bien d'autres intellectuels plus contemporains. L'intention de cet ouvrage est de proposer un débat autour de l'importance de ces trois essayistes, eux-mêmes marqués par les séminaires d'Alexandre Kojève sur Hegel de 1933 à 1939, sur la pensée contemporaine. Leur lecture critique de la filiation Hegel-Marx-Kojève sera à l'origine d'une pensée autre de la discontinuité, de la dissymétrie, de l'irréversibilité, de l'inconnu, de l'indétermination, autrement dit une façon différente de réfléchir sur la puissance d'une « écriture hors langage » pour reprendre l'expression de Blanchot
    Note: French
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    ISBN: 9788864539034 , 9788892730229
    Language: Undetermined
    Pages: 1 Online-Ressource (523 p.)
    Series Statement: Biblioteca di Studi di Filologia Moderna
    Keywords: Literature: history & criticism
    Abstract: «Si risponde lavorando». Letters between 1941 and 1992. In 1941, Macrí was a notorious scholar, while Spagnoletti only a debutant poet, but their knowledge of books and magazines brought them to an intense exchange of letters, which would be interrupted in 1956 due to profound disagreements on poetry and on the assessment of Hermeticism. This correspondence, fully transcribed and carefully enriched by Andrea Giusti's notes, retraces that intellectual relationship in some decisive years of Italian history. With Fascism, war and reconstruction as a background, there is the rise of the ferment underlying cultural collaborations, of Spagnoletti's anthologist activity and of Macrí's studies on comparative literature and Spanish, which led him to become more sensitive and open towards European culture
    Note: Italian
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    Florence : Firenze University Press
    ISBN: 9788864539799 , 9788864539782 , 9788892730045
    Language: Undetermined
    Pages: 1 Online-Ressource (140 p.)
    Series Statement: Biblioteca di Studi Slavistici
    Keywords: linguistics ; Literature: history & criticism
    Abstract: Gerasim Zelic (1752-1828) is one of the most emblematic figures of the Serbian cultural scene between the 18th and 19th century. He as an archimandrite of the Serbian Orthodox monastery of Krupa, a diplomat and a writer. From 1794 to 1811, Zelic held the position of Vicar-General of the Serbs in Dalmatia and, as such, was one of the main actors of the events related to the confessional controversy that stirred the region at the time. His autobiography, entitled Žitije and published in Budapest in 1823, also places him among the protagonists of a crucial period for the birth of the new Serbian literature. Following a multidisciplinary approach, the essays collected in the volume Gerasim Zelic e il suo tempo analyse Gerasim Zelic's story, his involvement in the events related to the confessional controversy in Dalmatia and his literary activity, bringing the discussion to the era in which the Serbian archimandrite lived. Particular attention is paid to the context in which Zelic worked, namely the Balkan peninsula, as well as to the cultural history of the Serbs of Hungary between the 18th and 19th century
    Note: Italian
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    ISBN: 9788864539331 , 9788864539324 , 9788864539348 , 9788892730366
    Language: Undetermined
    Pages: 1 Online-Ressource (312 p.)
    Series Statement: Moderna/Comparata
    Keywords: Literature: history & criticism
    Abstract: This book is dedicated to the poetics in the Italian language that have spread around Italy over the last thirty years, also as a consequence of the migratory waves from the South-East to the North-West of the world. After years of research, the authors have selected a sample of twelve poets, who for different reasons have adopted Italian as the language of their literary expression. These authors come from the Balkans (Bosnia and Herzegovina, Albania), from Eastern Europe (Romania, Poland), from central-northern Europe (Austria, Germany), but also from Latin American countries (Brazil, Argentina , Chile), the Middle East (Iran and Iraq), and the Africa (Senegal). This volume features a long critical introduction and an updated bibliography, and studies the issue of migration from a cultural, literary and linguistic perspective, further investigating the work of individual poets in relation to their culture of origin and their use of the language (or languages), touching current and complex notions and issues such as otherness, interculturality, evolution of identity, migration and relationship between the multicultural and multilingual writing and the contemporary Italian poetic tradition and its canon. The unpublished interviews concluding the volume were made at the authors' places of residence and reconstruct their biographical and artistic path and their idea of language, translation, literature, home country and nationality
    Note: Italian
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421435411
    Language: Undetermined
    Pages: 1 Online-Ressource (146 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1967. Professor Sachs shows the inner coherence of Samuel Johnson's thought by pointing out the interconnectedness of his remarks on religious, moral, aesthetic, political, and psychological subjects. Reason and imagination, the central concepts in the Johnsonian ethos, are elucidated with reference to "vacuity," "attention," "novelty," "diversity," and other words to which Johnson attached special significance. Johnson emerges as an original thinker of the English Christian-humanist heritage; he "is to be read in the same spirit as Pascal." Primarily concerned with the relation between Johnson's ideas and the long tradition of which they are the culmination, Sachs also emphasizes the relevance of Johnson's thought to the twentieth century
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421430119
    Language: Undetermined
    Pages: 1 Online-Ressource (394 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1995. In The Beautiful, Novel, and Strange, Ronald Paulson fills a lacuna in studies of aesthetics at its point of origin in England in the 1700s. He shows how aesthetics took off not only from British empiricism but also from such forms of religious heterodoxy as deism. The third earl of Shaftesbury, the founder of aesthetics, replaced the Christian God of rewards and punishments with beauty-worship of God, with a taste for a work of art. William Hogarth, reacting against Shaftesbury's "disinterestedness," replaced his Platonic abstractions with an aesthetics centered on the human body, gendered female, and based on an epistemology of curiosity, pursuit, and seduction. Paulson shows Hogarth creating, first in practice and then in theory, a middle area between the Beautiful and the Sublime by adapting Joseph Addison's category (in the Spectator) of the Novel, Uncommon, and Strange.Paulson retrieves an aesthetics that had strong support during the eighteenth century but has been obscured both by the more dominant academic discourse of Shaftesbury (and later Sir Joshua Reynolds) and by current trends in art and literary history. Arguing that the two traditions comprised not only painterly but also literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421430140
    Language: Undetermined
    Pages: 1 Online-Ressource (286 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1969. Alan Roper studies the degree to which Arnold achieved a unity of human significance and literal landscape. If landscape poetry is to rise above the level of what Roper calls "country contentments in verse," the poet cannot think and describe alternately; his thinking and describing must be a part of one another. That Matthew Arnold was aware of the difficulty in achieving the necessary unity becomes clear in his own criticism, which Roper examines along with a large and representative number of Arnold's poems. Considering the latter roughly in the order they were published-except for a fuller analysis of Empedocles on Etna, "The Scholar-Gipsy," and "Thyrsis"-Roper follows important changes in Arnold's view of the function and nature of poetry as it emerged in the poems themselves. Basic to the author's critical method is a distinction between geographical sites and poetic landscapes. Focusing on the ways that Arnold and, to a lesser extent, the Augustan and Romantic poets before him untied thought and description, Roper adds a critical dimension to Arnold scholarship. Concerned not with the development of Arnold's ideas nor with their sources in classical antiquity and the Romantic period, he considers Arnold a self-conscious poet who, though sometimes successful, became increasingly unsuccessful in his efforts to imbue a landscape with meaning for individual or social man
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Cornell University Press
    ISBN: 9781501746710
    Language: Undetermined
    Pages: 1 Online-Ressource (390 p.)
    Keywords: Literature: history & criticism
    Abstract: This generous selection of published essays by the distinguished classicist Charles Segal represents over twenty years of critical inquiry into the questions of what Greek tragedy is and what it means for modern-day readers. Taken together, the essays reflect profound changes in the study of Greek tragedy in the United States during this period-in particular, the increasing emphasis on myth, psychoanalytic interpretation, structuralism, and semiotics.This generous selection of published essays by the distinguished classicist Charles Segal represents over twenty years of critical inquiry into the questions of what Greek tragedy is and what it means for modern-day readers. Taken together, the essays reflect profound changes in the study of Greek tragedy in the United States during this period-in particular, the increasing emphasis on myth, psychoanalytic interpretation, structuralism, and semiotics
    Note: English
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  • 67
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    [Erscheinungsort nicht ermittelbar] : The Ohio State University Press
    ISBN: 9780814213971
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism ; Literature: history & criticism ; Literature: history & criticism
    Abstract: Examines the ways in which religion was constructed as a category and region of experience in nineteenth-century literature and culture
    Note: English
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  • 68
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    [Erscheinungsort nicht ermittelbar] : Johns Hopkins University Press
    ISBN: 9781421430256
    Language: Undetermined
    Pages: 1 Online-Ressource (162 p.)
    Keywords: Literature: history & criticism
    Abstract: Originally published in 1977. The pioneer critics of Finnegans Wake hailed the work as a radical critique of language and civilization. Resuming their position, Margot Norris explains the book's most intractable uncertainties not as puzzles to be solved by a clever reader but as manifestations of a "chaosmos," a Freudian dream world of sexual transgression and social dissolution, of inauthentic being and empty words. Conventional moralities and restraints are under siege in this chaosmos, where precisely those desires and forbidden wishes that are barred in waking thought strive to make themselves felt. Norris demonstrates convincingly that the protean characters of Finnegans Wake are the creatures of a dreaming mind. The teleology of their universe is freedom, and in the enduring struggle between the individual's anarchic psyche and the laws that make civilization possible, it is only in dream that the psyche is triumphant. It is as dream rather than as novel that Norris reads Finnegans Wake. The lexical deviance and semantic density of the book, Norris argues, are not due to Joyce's malice, mischief, or megalomania but are essential and intrinsic to his concern to portray man's inner state of being. Because meanings are dislocated-hidden in unexpected places, multiplied and split, given over to ambiguity, plurality, and uncertainty-the Wake, Norris claims, represents a decentered universe. Its formal elements of plot, character, discourse, and language are not anchored to any single point of reference; they do not refer back to center. Only by abandoning conventional frames of reference can readers allow the work to disclose its own meanings, which are lodged in the differences and similarities of its multitudinous elements.Eschewing the close explication of much Wake criticism, the author provides a conceptual framework for the work's large structures with the help of theories and methods borrowed from Freud, Heidegger, Lacan, Levi-Strauss, and Derrida. Looking at the work without novelistic expectations of the illusion of some "key" to unlock the mystery, Norris explores Joyce's rationale for committing his last human panorama-a bit sadder than Ulysses in its concern with aging, killing, and dying-to a form and language belonging to the deconstructive forces of the twentieth century
    Note: English
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  • 69
    ISBN: 9788864539133 , 9788864539126 , 9788864539140 , 9788892730403
    Language: Undetermined
    Pages: 1 Online-Ressource (336 p.)
    Series Statement: Biblioteca di storia
    Keywords: Literature: history & criticism ; History: earliest times to present day
    Abstract: Giovanni di Pagolo Morelli's Ricordi, long known to historians, are published here for the first time in an integral version which is also linguistically faithful to the original manuscript. This new critical edition is accompanied by a long introductory essay on the author, the intentions of his work and the results it had by the heirs to whom it was addressed. The 74 years of Giovanni Morelli's life, from the 1370s to the mid 1440s, are placed in a decisive time span for the history of Florence, and they are marked by a strong social mobility of which the Morellis, a family with humble origins, were the protagonists. Reading the Ricordi, and combining them with the analysis of the substantial remaining documentation borne by the author and his family, help understand the strong push to social rise which animated Morelli, and the reasons for his descendants' position among Florence's prominent family scene of the late 15th century
    Note: Italian
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  • 70
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism
    Abstract: Sprachliche Zweifelsfälle begegnen uns auf allen Sprachebenen und laden zur Sprachreflexion ein. Aus diesem Grund bieten sie die Möglichkeit des Austausches zwischen Sprachwissenschaft, Sprachdidaktik und Laienlinguistik. Dieser Sammelband widmet sich daher gleichermaßen der linguistischen und sprachdidaktischen Perspektive auf Zweifelsfälle sowie dem Umgang mit Zweifelsfällen in der breiten Öffentlichkeit
    Note: German
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  • 71
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism
    Abstract: Die Dialektforschung hat in ihrer Methodik starken Wandel durchlaufen. Digitale Ressourcen ermöglichen neue Herangehensweisen und die Zusammenführung von Erkenntnissen, perzeptive Ansätze ergänzen die frühere Fokussierung auf die Sprachproduktion. Solch unterschiedliche Perspektiven werden anhand von Untersuchungen zu bairischen, ostfränkischen und alemannischen Dialekten in diesem Band zusammengeführt
    Note: German
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  • 72
    ISBN: 9781351244350 , 9781351244343 , 9780367585662 , 9780815373025 , 9781351244329 , 9781351244336
    Language: Undetermined
    Pages: 1 Online-Ressource (242 p.)
    Keywords: Humanities ; Literature: history & criticism ; Bilingualism & multilingualism ; Sociolinguistics ; Cultural studies ; Social & cultural anthropology, ethnography ; Hoe Gaan Dit ; Linguistic Landscape ; Gregory Richardson ; Local Linguistic Landscape ; Xuan Wang ; Transcarpathian Oblast ; Massimiliano Spotti ; Dutch Caribbean Island ; Thayse Figueira Guimarães ; Smart Phones ; Branca Falabella Fabrício ; Sami Language ; Luiz Paulo Moita-Lopes ; Center Periphery Dynamics ; Paja Foudree ; Young Men ; Fie Velghe ; Language Ideologies ; Hirut Woldemariam ; Finnish Lapland ; Elizabeth Lanza ; Bongo Flava ; Binyam Sisay Mendisu ; Calypso Music ; Eleni Mariou ; Main Characters ; Zane Goebel ; Standard Ukrainian
    Abstract: This collection of thirteen essays examines sociolinguistic phenomena in a wide variety of marginal environments, providing both an overview of globalizaiton on the margins and a foundation for an expanded understanding of the processes of linguistic and cultural changes at work in these settings. Taking an expansive conceptual view of margins, the volume is organized in three parts, looking at examples of marginal spaces in the nation-state, in online environments, and in the peripheries of urban locations, globally to call attention to new and changing discursive genres, patterns, practices, and identities emerging in these spaces as a result of contemporary mobilities, the evolving global economy, and socio-political changes. With previous research previously confined to the study of globalization in urban areas, this volume opens the door for further research on the complex sociolinguistic processes resulting from globalization on the margins, making this an ideal resource for students and scholars in sociolinguistics, globalization and heritage studies, new media, anthropology, and cultural studies. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY)
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Vanderbilt University Press
    ISBN: 9780826504265
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism ; Literary studies: from c 1900 - ; Literature: history & criticism
    Abstract: PROSE Awards Literature Subject Category Winner, 2020〈br〉〈br〉In the politically volatile period from the 1960s through the end of the twentieth century, Latin American authors were in direct dialogue with the violent realities of their time and place. 〈em〉Writing Revolution in Latin America〈/em〉 is a chronological study of the way revolution and revolutionary thinking is depicted in the fiction composed from the eye of the storm.〈br〉〈br〉From Mexico to Chile, the gradual ideological evolution from a revolutionary to a neoliberal mainstream was a consequence of, on the one hand, the political hardening of the Cuban Revolution beginning in the late 1960s, and, on the other, the repression, dictatorships, and economic crises of the 1970s and beyond. Not only was socialist revolution far from the utopia many believed, but the notion that guerrilla uprisings would lead to an easy socialism proved to be unfounded. Similarly, the repressive Pinochet dictatorship in Chile led to unfathomable tragedy and social mutation.〈br〉〈br〉This double-edged phenomenon of revolutionary disillusionment became highly personal for Latin American authors inside and outside Castro's and Pinochet's dominion. Revolution was more than a foreign affair, it was the stuff of everyday life and, therefore, of fiction.〈br〉〈br〉Juan De Castro's expansive study begins ahead of the century with José Martí in Cuba and continues through the likes of Mario Vargas Llosa in Peru, Gabriel García Márquez in Colombia, and Roberto Bolaño in Mexico (by way of Chile). The various, often contradictory ways the authors convey this precarious historical moment speaks in equal measure to the social circumstances into which these authors were thrust and to the fundamental differences in the ways they themselves witnessed history
    Note: English
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  • 74
    ISBN: 9783830938200
    Language: Undetermined
    Pages: 1 Online-Ressource (442 p.)
    Series Statement: Studien zur Geschichte und Kultur Nordwesteuropas 29
    Keywords: Literature: history & criticism ; Historical & comparative linguistics
    Abstract: Zwischen dem deutschen und niederländischen Sprachraum existieren seit jeher umfassende kulturelle Wechselbeziehungen. Insbesondere sprachliche und literarische Einflüsse sowie der Austausch von Wissen auf zahlreichen Gebieten belegen den intensiven Kulturtransfer. Dieser beschränkt sich jedoch nicht auf das Grenzgebiet zwischen Deutschland, den Niederlanden und Flandern/Belgien, sondern zieht weite Kreise über Hamburg, Frankfurt oder Paris bis nach Indonesien und in den Süden Afrikas. Literatur-, Sprach- und Übersetzungswissenschaftler, Historiker und Übersetzer aus den genannten Ländern beleuchten ausgewählte Aspekte dieses Transfers in ihrer eigenen Sprache. Auf diese Weise eröffnet der Band transdisziplinäre Untersuchungsperspektiven auf die ausgeprägten Wechselbeziehungen im niederländischen, deutschen und afrikaansen Sprachgebiet vom Mittelalter bis zur Gegenwart
    Note: German
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  • 75
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    [Erscheinungsort nicht ermittelbar] : Edinburgh University Press
    ISBN: 9781474416238 , 9781474416252
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism
    Abstract: Modernism in mathematics – this unusual notion turns out to provide a new perspective on central questions in and beyond literary modernism. Contrasting ‘mathematical fictions’ from and about the heyday of mathematical modernism, this book relates literary engagements with mathematical modernism to the wider context of modernist critiques of Enlightenment values and postmodern reassessments of modernist patterns. The analysis of canonical works by Thomas Pynchon, Hermann Broch, and Robert Musil demonstrates how mathematics is accorded a central role as a particularly telling indicator of modernist transformations, and how imaginative illustrations contribute to establishing mathematics as part of modernist culture. In its interdisciplinary exploration of modernist interrelations between the surprisingly closely related fields of mathematics and literature, the book draws on prose works by mathematicians, research in the history and philosophy of mathematics, and literary scholarship
    Note: English
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  • 76
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    Paris : Éditions Rue d’Ulm
    ISBN: 9782728806515 , 9782728805952
    Language: Undetermined
    Pages: 1 Online-Ressource (384 p.)
    Series Statement: Æsthetica
    Keywords: Literature: history & criticism
    Abstract: Comme Don Quichotte ou Robinson Crusoé, Shylock est l’une des grandes figures de la littérature mondiale, que l’on ait lu ou pas, vu représenter ou non le Marchand de Venise. C’est aussi l’un des personnages les plus complexes et les plus controversés du répertoire théâtral : acteurs, metteurs en scène, critiques et spectateurs s’y sont confrontés depuis plus de quatre cents ans. Bourreau ou victime ? Tragique ou comique ? Comment Shakespeare le concevait-il, comment le percevons-nous depuis ? Interprété par des acteurs de légende (Charles Macklin, Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier…), Shylock a inspiré Hazlitt, Heine, Proust ou Henry James, non sans les troubler. Symbole économique convoqué par Marx ou Ruskin, il a aussi fait la joie des psychanalystes. Surtout, il a une place à part dans l’histoire de l’antisémitisme. Devenu un archétype, il permet une analyse passionnante des rapports entre la littérature et la vie. Après ce qu’a connu l’Europe au XXe siècle, nul ne peut voir Shylock sur scène sans frissonner
    Note: French
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  • 77
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    Seattle : University of Washington Press
    ISBN: 9780295741970 , 9780295741505
    Language: Undetermined
    Pages: 1 Online-Ressource (256 p.)
    Keywords: Asian history ; Literature: history & criticism
    Abstract: Symptoms of an Unruly Age compares the writings of Li Zhi (1527–1602) and his late-Ming compatriots to texts composed by their European contemporaries, including Montaigne, Shakespeare, and Cervantes. Emphasizing aesthetic patterns that transcend national boundaries, Rivi Handler-Spitz explores these works as culturally distinct responses to similar social and economic tensions affecting early modern cultures on both ends of Eurasia. The paradoxes, ironies, and self-contradictions that pervade these works are symptomatic of the hypocrisy, social posturing, and counterfeiting that afflicted both Chinese and European societies at the turn of the seventeenth century. Symptoms of an Unruly Age shows us that these texts, produced thousands of miles away from one another, each constitute cultural manifestations of early modernity. The open access publication of this book was made possible by a grant from the James P. Geiss and Margaret Y. Hsu Foundation
    Note: English
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  • 78
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    [Erscheinungsort nicht ermittelbar] : Punctum Books
    ISBN: 9781947447943 , 9781947447936
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism ; Literary studies: classical, early & medieval
    Abstract: Queer Ancient Ways advocates a profound unlearning of colonial/modern categories as a pathway to the discovery of new forms and theories of queerness in the most ancient of sources. In this radically unconventional work, Zairong Xiang investigates scholarly receptions of mythological figures in Babylonian and Nahua creation myths, exposing the ways they have consistently been gendered as feminine in a manner that is not supported, and in some cases actively discouraged, by the texts themselves. An exercise in decolonial learning-to-learn from non-Western and non-modern cosmologies, Xiang’s work uncovers a rich queer imaginary that had been all-but-lost to modern thought, in the process critically revealing the operations of modern/colonial systems of gender/sexuality and knowledge-formation that have functioned, from the Conquista de America in the sixteenth century to the present, to keep these systems in obscurity. At the heart of Xiang’s argument is an account of the way the unfounded feminization of figures such as the Babylonian (co)creatrix Tiamat, and the Nahua creator-figures Tlaltecuhtli and Coatlicue, is complicit with their monstrification. This complicity tells us less about the mythologies themselves than about the dualistic system of gender and sexuality within which they have been studied, underpinned by a consistent tendency in modern/colonial thought to insist on unbridgeable categorical differences. By contextualizing these deities in their respective mythological, linguistic, and cultural environments, through a unique combination of methodologies and critical traditions in English, Spanish, French, Chinese, and Nahuatl, Xiang departs from the over-reliance of much contemporary queer theory on European (post)modern thought. Much more than a queering of the non-Western and non-modern, Queer Ancient Ways thus constitutes a decolonial and transdisciplinary engagement with ancient cosmologies and ways of thought which are in the process themselves revealed as theoretical sources of and for the queer imagination
    Note: English
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  • 79
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    [Erscheinungsort nicht ermittelbar] : Liverpool University Press
    ISBN: 9781786949493 , 9781786941497
    Language: Undetermined
    Pages: 1 Online-Ressource
    Series Statement: Contemporary French and Francophone Cultures
    Keywords: Literature: history & criticism ; Literary studies: general ; African history ; European history
    Abstract: An Open Access edition of this work is available on Modern Languages Open (https://www.modernlanguagesopen.org/). On 12 March 2018, Mauritius celebrated fifty years as an independent nation amidst much fanfare. Yet behind the nation's official image of multicultural 'unity in diversity' lurk deep socio-economic inequalities and inter-ethnic tensions that are insistently critiqued in its literature. Against this backdrop, this book analyses how the idea of belonging - a sense of attachment to, and identification with, a place or people - is problematised in a range of contemporary francophone Mauritian novels. The island-nation's complex history and the multi-ethnic composition of its modern-day population mean that belonging is a central but fraught issue in both reality and fiction. Waters explores how diverse forms of affirmative, affective belonging intersect with, and are frequently inhibited by, exclusionary 'politics of belonging' at communal, national or international levels. Using an eclectic theoretical approach to the central concept of belonging, Waters offers in-depth textual analyses of novels by leading Mauritian writers Nathacha Appanah, Ananda Devi, Shenaz Patel, Bertrand de Robillard, Amal Sewtohul and Carl de Souza. Despite their thematic and formal diversity, these novels are shown to be characterised by a common rejection of dominant discourses of ethnic, diasporic affiliation and by a common commitment to the ongoing, future-orientated project of Mauritian nationhood. As such, this book offers an original insight into the dynamics of belonging and exclusion in diverse, multi-ethnic societies
    Note: English
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  • 80
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    Strasbourg : Presses universitaires de Strasbourg
    ISBN: 9791034404100 , 9782868209986
    Language: Undetermined
    Pages: 1 Online-Ressource (146 p.)
    Series Statement: Classiques d’ailleurs / Commentaire
    Keywords: Literature: history & criticism ; Philosophy
    Abstract: Adam Smith, Jean-Sébastien Bach, Paracelse, Mikhaïl Glinka, Johann Goethe et Martinès de Pasqually sont tous convoqués par Odoïevski dans Les Nuits russes pour répondre à la question qui agitait les jeunes idéalistes dans les années 1820 : comment expliquer que le monde civilisé connaisse encore le malheur ? Dans cette encyclopédie alternative des savoirs, Odoïevski propose un vaste programme de refondation de la science, de la religion et de la politique qui trouve un écho dans la critique du matérialisme occidental aussi bien des théories slavophiles que de notre XXIe siècle. Testament des recherches intellectuelles de toute une génération, Les Nuits russes recourent à de multiples genres afin d'embrasser toutes les sphères de l'activité de l’esprit humain et d’inviter le lecteur à construire sa propre démarche philosophique à l’écart des sentiers battus. Ce commentaire est destiné à guider les lecteurs dans le labyrinthe de cette œuvre-monde. Il éclaire les influences, met au jour les structures cachées en s’appuyant sur les derniers résultats de la recherche
    Note: French
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  • 81
    ISBN: 9782367813172 , 9782367812502
    Language: Undetermined
    Pages: 1 Online-Ressource (222 p.)
    Series Statement: Voix des Suds
    Keywords: Literature: history & criticism ; European history ; 20th century history: c 1900 to c 2000
    Abstract: Les articles rassemblés dans cet ouvrage par Nathalie Sagnes-Alem et Odette Martinez-Maler questionnent les modalités d’écriture des blancs de l’histoire, à partir d’oeuvres romanesques, poétiques et cinématographiques. Ils montrent comment ces dernières sont habitées par une tension entre visée documentaire et conscience des limites de la représentation. Ils analysent comment certaines d’entre elles affrontent ces blancs de l’histoire par des dispositifs narratifs et des motifs qui cherchent à les compenser pour créer une forme de complétude tandis que d’autres recourent à des stratégies d’énonciation qui rendent visibles le manque ou l’absence. Les auteur-e-s proposent ici une vision dynamique et dialectique de la question des blancs de l’histoire compris comme des traces de conflits de mots et d’images dans un champ de forces toujours ouvert. L’apport de l’ouvrage est aussi de confronter les analyses de spécialistes de littérature, de civilisation et de culture hispaniques au point de vue de créateurs en incluant un texte inédit de l’écrivain Alfons Cervera et un entretien avec le cinéaste David Yon à propos de son film Les oiseaux d’Arabie, fragments d’une correspondance
    Note: French
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  • 82
    ISBN: 9782374962009 , 9782374960630
    Language: Undetermined
    Pages: 1 Online-Ressource (274 p.)
    Series Statement: Approches interdisciplinaires de la lecture
    Keywords: Theatre management ; Literature: history & criticism
    Abstract: Après la « langue du lecteur », les contributions rassemblées dans ce nouveau volume du séminaire Approches Interdisciplinaires de la Lecture (12e session) s'interrogent sur la lecture comme performance, sur des « paroles de lecteurs ». Le pluriel semble de mise : si la parole engage un sujet, en-deçà de son discours, elle ne saurait s'abstraire de l’ensemble des déterminants, reconnus ou plus ou moins occultés, qui contribuent à en forger le tour particulier, oral ou écrit. Parmi les jeux de rôle subsumés sous la catégorie du lecteur mais socialement codés, on retrouve les fonctions de traducteur, d’éditeur, de critique ou de lecteur ordinaire, mais aussi d’auteur, fonction devenue depuis le siècle dernier hautement problématique. Acte de langage, la parole de lecteur se trouve en effet face au texte écrit confrontée au paradoxe d’un sujet-auteur absent, absenté, hypothèse devenue inutile depuis la proclamation de la « disparition élocutoire du poète ». Dès lors faut-il n’admettre que des paroles de lecteurs et faire l’économie d’une « parole d’auteur », renvoyée au néant de son insignifiance ou de son éloignement irrémédiable, de sa mort symbolique ? Doit-on au contraire, sous le signe de la parole, rendue au jeu interlocutif et au processus langagier de contre-interpellation, faire une place dans la pensée littéraire, à « l’incompréhensible pluralité des individus dans l’espèce » ?
    Note: French
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  • 83
    ISBN: 9791096982257 , 9791096982004
    Language: Undetermined
    Pages: 1 Online-Ressource (432 p.)
    Series Statement: Texte(s)
    Keywords: Literature: history & criticism
    Abstract: Quel rôle la pratique du journal personnel peut-elle jouer dans l’existence de son auteur et comment saisir la circulation de l’autobiographique et du fictionnel dans une œuvre, dans une vie ? La mise en parallèle de l’écriture de soi dans l’œuvre de trois écrivains centre-européens, trois citoyens de l’Autriche-Hongrie du début du XXe siècle, permet d’explorer le labyrinthe de leurs constructions identitaires, une modernité autre : multilingue, entrouverte, étendue entre théorie et pratique du texte. Une analyse convergente du corps du texte et du texte du corps dans les écrits du Polonais Karol Irzykowski (1873-1944), du Tchèque Ladislav Klíma (1878-1928) et du Hongrois Géza Csáth (1887-1919) dévoile la généalogie de leurs premiers gestes d’écriture, intimes, bien souvent survenus en crise, mais poursuivis pendant un moment, ou toute une vie. Les traces du vécu derrière les lignes de l’œuvre
    Note: French
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  • 84
    Language: Undetermined
    Pages: 1 Online-Ressource (268 p.)
    Series Statement: SEL
    Keywords: Literature: history & criticism
    Abstract: Jacq Vogelaar was the most radical champion of experimental form in post-war Dutch literature. After his debut in 1965, he published a series of novels in which he progressively pushed the dismantling of the traditional narrative form. Jacq Vogelaar was not only an innovator of literary form, but also a leading and often critical voice in the public debate on Dutch literature. By showing Vogelaar’s multifaceted literary activity from diverse perspectives, Woekering en weigering offers a representation of this underrated author that is refreshing and rich in nuance. It is a well-deserved tribute to a literary monument
    Note: Dutch
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  • 85
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    Strasbourg : Presses universitaires de Strasbourg
    ISBN: 9791034404087 , 9791034400102
    Language: Undetermined
    Pages: 1 Online-Ressource (158 p.)
    Series Statement: Classiques d’ailleurs / Commentaire
    Keywords: Literature: history & criticism ; History
    Abstract: Le Lalitavistara sūtra ou Sūtra du développement des jeux du Bodhisattva représente l'une des biographies traditionnelles du Buddha historique. Connu en Asie dès les premiers siècles de l'ère chrétienne, puis en Europe à partir du XIXe siècle, ce classique de la littérature bouddhique fut traduit plusieurs fois en chinois sous les dynasties Jin et Tang et inspira les artistes du Gandhāra (Pakistan) comme ceux de Borobudur (Indonésie). Basé sur la lecture du texte sanskrit et de ses traductions chinoises, le commentaire proposé dans ce volume permet de se familiariser avec cette œuvre unique issue de la doctrine nouvelle du mahāyāna, ou grand véhicule, tout en perpétuant des épisodes biographiques du Buddha des écoles anciennes. Sont ainsi abordés les différents genres littéraires, la structure du sūtra, les sources textuelles et mythologiques qui ont inspiré son auteur, ainsi que les thèmes de la souffrance, de l’impermanence, des jeux du Bodhisattva, etc. Ce parcours d’ensemble invite à mieux comprendre la manière dont la vie du Buddha a été écrite
    Note: French
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    [Erscheinungsort nicht ermittelbar] : Cornell University Press
    ISBN: 9781501723209
    Language: Undetermined
    Pages: 1 Online-Ressource (416 p.)
    Keywords: Literature: history & criticism
    Abstract: Timothy J. Reiss perceives a new mode of discourse emerging in early seventeenth-century Europe; he believes that this form of thought, still our own, may itself soon be giving way. In The Discourse of Modernism, Reiss sets up a theoretical model to describe the process by which one dominant class of discourse is replaced by another. He seeks to demonstrate that each new mode does not constitute a radical break from the past but in fact develops directly from its predecessor
    Note: English
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    [Erscheinungsort nicht ermittelbar] : Cornell University Press
    ISBN: 9781501723186
    Language: Undetermined
    Pages: 1 Online-Ressource (240 p.)
    Keywords: Literature: history & criticism
    Abstract: Marc Redfield maintains that the literary genre of the Bildungsroman brings into sharp focus the contradictions of aesthetics, and also that aesthetics exemplifies what is called ideology. He combines a wide-ranging account of the history and theory of aesthetics with close readings of novels by Goethe, George Eliot, and Gustave Flaubert. For Redfield, these fictions of character formation demonstrate the paradoxical relation between aesthetics and literature: the notion of the Bildungsroman may be expanded to apply to any text that can be figured as a subject producing itself in history, which is to say any text whatsoever. At the same time, the category may be contracted to include only a handful of novels, (or even none at all), a paradox that has led critics to denigrate the Bildungsroman as a phantom genre
    Note: English
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  • 88
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    [Erscheinungsort nicht ermittelbar] : Cornell University Press
    ISBN: 9781501722707
    Language: Undetermined
    Pages: 1 Online-Ressource (294 p.)
    Keywords: Literature: history & criticism
    Abstract: Shoes, gloves, umbrellas, cigars that are not just objects-the topic of fetishism seems both bizarre and inevitable. In this venturesome and provocative book, Emily Apter offers a fresh account of the complex relationship between representation and sexual obsession in turn-of-the-century French culture. Analyzing works by authors in the naturalist and realist traditions as well as making use of documents from a contemporary medical archive, she considers fetishism as a cultural artifact and as a subgenre of realist fiction. Apter traces the web of connections among fin-de-siècle representations of perversion, the fiction of pathology, and the literary case history. She explores in particular the theme of "female fetishism" in the context of the feminine culture of mourning, collecting, and dressing
    Note: English
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  • 89
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    [Erscheinungsort nicht ermittelbar] : Cornell University Press
    ISBN: 9781501726323
    Language: Undetermined
    Pages: 1 Online-Ressource (186 p.)
    Keywords: Literature: history & criticism
    Abstract: According to Molly Hite, a number of influential contemporary women novelists-notably Jean Rhys, Doris Lessing, Alice Walker, and Margaret Atwood-attempt innovations in narrative form that are more radical in their implications than the dominant modes of fictional experimentation characterized as postmodernist. In The Other Side of the Story, Hite makes the point that these innovations, which distinguish the genre she calls contemporary feminist narrative, are more radical precisely because their context is the critique of a culture and a literary tradition apprehended as profoundly masculinist
    Note: English
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  • 90
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    [Erscheinungsort nicht ermittelbar] : Cornell University Press
    ISBN: 9781501723285
    Language: Undetermined
    Pages: 1 Online-Ressource (256 p.)
    Keywords: Literature: history & criticism
    Abstract: Harry Shaw's aim is to promote a fuller understanding of nineteenth-century historical fiction by revealing its formal possibilities and limitations. His wide-ranging book establishes a typology of the ways in which history was used in prose fiction during the nineteenth century, examining major works by Sir Walter Scott-the first modern historical novelist-and by Balzac, Hugo, Anatole France, Eliot, Thackeray, Dickens, and Tolstoy
    Note: English
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  • 91
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    Florence : Firenze University Press
    ISBN: 9788864537702 , 9788864537696 , 9788864537719 , 9788892731134
    Language: Undetermined
    Pages: 1 Online-Ressource (150 p.)
    Series Statement: Moderna/Comparata
    Keywords: Literature: history & criticism
    Abstract: Thanks to Gioia Benedetti's careful philological work, a short, narrative and hitherto unknown text brings back the voice of one of the most original and brilliant Italian critics of the 20th century. After the trip to Brazil in his youth, in his single finished novel set in Rio de Janeiro in the Fifties, Notti di Copacabana, Ruggero Jacobbi conveyed not only the climate and atmosphere of a distant and in some ways mythical world such as Brazil, but also a significant track of the readings, meetings and influences of the great texts of Portuguese and South American literature, at the time mostly unknown in Italy. Jacobbi had an extraordinary talent at catching and interpreting the changes in the narrative code, and in this book, the author offers an incredibly intriguing experimental story with alternating voices and characters and intertwining events, contributing to the creation of a suspenseful atmosphere
    Note: Italian
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  • 92
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    Florence : Firenze University Press
    ISBN: 9788864537344 , 9788892731349
    Language: Undetermined
    Pages: 1 Online-Ressource (252 p.)
    Series Statement: Biblioteca di Studi di Filologia Moderna
    Keywords: Literature & literary studies ; Literature: history & criticism
    Abstract: Inquietudine spettrale. Gli uccelli nella concezione poetica di Jacob Grimm covers a peculiar aspect of Jacob Grimm's poetry: in the framework of a nature pervaded with spirituality, whose hard-to-reach secrets inspire fascination, birds, as inhabitants of the air, are perceived as ghostly creatures, capable of infusing the observer with a sense of restlessness. The individual references to the theme found in essays, letters and works all confirm a strong interest in these animals, and constitute analysis material in the context of Grimm's vast production. Particular recognition is given to the famous collection entitled Kinder- und Hausmärchen (in its first and mostly unknown version), the capital book of the Romantic current in Germany, where the liminal role of birds can be attributed to archaic myths and popular beliefs
    Note: Italian
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  • 93
    ISBN: 9782753591462 , 9782753574021
    Language: Undetermined
    Pages: 1 Online-Ressource (230 p.)
    Series Statement: La Licorne
    Keywords: Literature: history & criticism
    Abstract: De l’engouement né des volumes de Perrault ou des Grimm à aujourd’hui, l’attrait pour le conte ne s’est jamais démenti : parce que celui-ci invite à l’émerveillement, il a donné lieu à réécritures enjouées, adaptations admiratives, mais aussi interrogations et subversions démystifiantes. Toutefois, la critique, le déplacement dans un autre genre – récit filmique, photographie, notamment – ne sont pas déliaison mais réaffirmation du lien qui nous attache à cette énigme toujours renouvelée qu’est le conte – et avec lui le plaisir que nous y trouvons. Ce volume, généreusement illustré par la photographe Dina Goldstein et dirigé par Florence Fix (université Rouen- Normandie) et Hermeline Pernoud (université Paris 3-Sorbonne Nouvelle), réunit quinze textes analysant la permanence du conte dans la modernité : un conte dans tous ses états, malmené, adapté, raillé, déplacé, mais toujours vivace et propice à un réenchantement de la lecture
    Note: French
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  • 94
    ISBN: 9782753591448 , 9782753574014
    Language: Undetermined
    Pages: 1 Online-Ressource (286 p.)
    Series Statement: La Licorne
    Keywords: The arts ; Literature: history & criticism ; Philosophy
    Abstract: Depuis deux cents ans, la littérature, la philosophie et le cinéma s’intéressent toujours davantage à l’apocalypse et aux catastrophes. Est-ce céder à un certain nihilisme ou au contraire chercher une ouverture politique quand l’horizon semble fermé ? Explorant la force et les limites de cet imaginaire politique ambivalent, les contributions rassemblées dans ce volume tentent d’expliquer pourquoi le scénario apocalyptique fait retour dans une civilisation qui n’est plus soudée ni par la croyance religieuse ni par l’espoir révolutionnaire. Qu’est-ce qui distingue l’apocalyptisme contemporain de l’apocalyptisme biblique et de ses avatars ? Comment distinguer un apocalyptisme laïc, qui affronte avec lucidité la perspective d’une destruction par l’homme des conditions nécessaires à la poursuite de son existence et les lubies des marchands d’apocalypse, qui mobilisent et galvaudent à leur profit le scénario religieux ? Enfin, comment restaurer une perspective politique dans ce climat de destruction générale ? En réunissant des contributions d’historiens, de philosophes, de spécialistes de littérature, d’études théâtrales et de cinéma, ce volume de La Licorne entreprend d’approcher de façon critique un art de désespérer avec espoir caractéristique de l’époque contemporaine
    Note: French
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  • 95
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    [Erscheinungsort nicht ermittelbar] : Georg Olms Verlag
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Literature: history & criticism
    Abstract: Ziel des Bandes ist es, die Erscheinungsformen des Deutschen in alten sogenannten Sprachinseldialekten (Walserdeutsch, Zimbrisch, Fersentalerisch, Plodarisch, Sauranisch, Tischelwangerisch) und als regionale Mehrheitssprache in Südtirol auf den wesentlichen linguistischen Systemebenen (Phonetik/Phonologie, Morphologie, Syntax, Lexikon) herauszuarbeiten
    Note: German
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  • 96
    ISBN: 9783110617580 , 9783110617573 , 9783110617665
    Language: Undetermined
    Pages: 1 Online-Ressource (256 p.)
    Series Statement: Latin American Literatures in the World / Literaturas Latinoamericanas en el Mundo
    Keywords: Literature: history & criticism ; Literary studies: from c 1900 - ; Literary studies: fiction, novelists & prose writers
    Abstract: Drawing from diverse critical traditions from Latin-America and Europe, this work posits the landscape as the pathway to the hidden, dark depths of Robert Walser's and Bernardo Carvalho's literary projects. Behind the deceivingly idyllic or exotic sceneries lies a fictional stage riddled with irony and failure, with anti-heroes and outcasts who, with their dying breaths, narrate a world that is slowly undoing itself
    Note: English
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  • 97
    ISBN: 9783110586374 , 9783110586343 , 9783110709728 , 9783110630879
    Language: Undetermined
    Pages: 1 Online-Ressource (293 p.)
    Series Statement: The Dynamics of Wordplay
    Keywords: Language ; linguistics ; Discourse analysis ; Literature: history & criticism
    Abstract: This volume focuses on realisations of wordplay in different cultures and social and historical contexts, and brings together various research traditions of approaching wordplay. Together with the volume DWP 7, it assembles selected papers presented at the interdisciplinary conference The Dynamics of Wordplay / La dynamique du jeu de mots (Trier, 2016) and stresses the inherent dynamicity of wordplay and wordplay research
    Note: English
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  • 98
    ISBN: 9783110584172 , 9783110582635 , 9783110584110
    Language: Undetermined
    Pages: 1 Online-Ressource (205 p.)
    Series Statement: Deutsche Literatur. Studien und Quellen
    Keywords: Literature: history & criticism ; Literary theory ; Literary studies: from c 1900 -
    Abstract: What is "naïve narrative" and to what extent should we regard it as obsolete? This study examines the poetological effects of the modern crisis in narration on German literature at the turn of the century based on the example of several novels by Helmut Krausser
    Note: German
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  • 99
    ISBN: 9783110519884 , 9783110517927 , 9783110709476 , 9783110518016
    Language: Undetermined
    Pages: 1 Online-Ressource (287 p.)
    Series Statement: The Dynamics of Wordplay
    Keywords: Language ; linguistics ; Literature: history & criticism ; Literary studies: general
    Abstract: This volume seeks to shed light on the interdependencies between wordplay and language creativity. Contributions explore the most diverse genres and discourses throughout History -anagrams, medieval fatrasies, the works of Rabelais, children books, slam, riddles, and contemporary constrained writing-, trying to understand their theoretical, didactic and historical impact
    Note: French
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  • 100
    ISBN: 9783110585421 , 9783110585414 , 9783110585551
    Language: Undetermined
    Pages: 1 Online-Ressource (259 p.)
    Keywords: Literature: history & criticism ; Literary studies: classical, early & medieval ; History: theory & methods ; Medieval history
    Abstract: The contributions gathered in this volume show how digital technologies can be applied to Medieval Studies (Philology, Art, and History) in order to improve our understanding of medieval societies and cultures
    Note: Spanish , Portuguese
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