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  • 1
    Online Resource
    Online Resource
    [s.l.] : Firenze University Press
    ISBN: 9788884539618
    Language: Italian
    Pages: 1 Online-Ressource
    RVK:
    Keywords: linguistics ; Literary essays ; Social & cultural history
    Abstract: This book offers a portrait of Leningrad in the 1960s, of its cultural life in those years permeated by a great hope for change. Leningrad, now St. Petersburg, is the heir and witness of the rise and fall of the 'Soviet hope' for an authentic change, its evolution and its inevitable decline. Through an analysis of the poems of Iosif Brodskij, Stefania Pavan maps out the process that led the intelligencija of Leningrad to disclose their claims, to give shape to the intellectual conscience of the city, and that subsequently constrained them to adopt the opposite approach, concealing – in a semi-visible space and in the myriad modes of the 'samizdat' – the values, names and images of the hope of change. Through an analysis of the linguistic peculiarities of The dregs , one of the 'classic' short stories of Boris Ivanov, Simonetta Signorini proposes a micro-history of the Russian language in the 60s, to which the study carried out by Ljudmila Zubova on the poems of Viktor Sosnora makes a useful contribution. The essay by Irina Dvizova highlights an aspect of the culture of Leningrad that can be considered extremely topical, in terms both of argument and as a method of reading literary history: the relation between the city and the Dostoevskij museum
    Note: http://creativecommons.org/licenses/by-nc-nd/2.5 , Italian
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  • 2
    Online Resource
    Online Resource
    [s.l.] : Firenze University Press
    ISBN: 9788884539731
    Language: Italian
    Pages: 1 Online-Ressource
    RVK:
    Keywords: Poetry ; Literary essays
    Abstract: W. B. Yeats e la cultura italiana examines the "Italianism" of William Butler Yeats and the popularity of the Irish poet in Italian poetry and criticism. Appraising the presence and evocative influence of "learned Italian things" on the work of the Irish poet, through the study of his letters and as illustrated by the library conserved by his daughter Anne, and with constant references to the texts themselves, the Italian influences most evidently present in the work of the Irish Nobel winner are analysed and discussed. This first section of the book presents in its entirety the largely unpublished correspondence between Years and the philosopher Mario Manlio Rossi. Subsequently, observing the influence and the fascination exerted by the work of Yeats on Italian poets such as Montale, Solmi and Giudici, who even translated some of Yeats' poems, and Lucio Piccolo, who also had a brief epistolary exchange with the Irish poet, this too still partially unpublished, we arrive at a critical examination of the Italian reception of Yeats' works. W. B. Yeats e la cultura italiana is rounded off by an annotated bibliography of the translations and works of criticism which represents an important overview of the penetration of Yeats' work in Italy (1905-2005)
    Note: http://creativecommons.org/licenses/by-nc-nd/2.5 , Italian
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  • 3
    Language: Italian
    Pages: Online-Ressource
    Series Statement: Biblioteca di studi di filologia moderna 8
    Series Statement: Biblioteca di studi di filologia moderna
    Parallel Title: Druckausg. Carnevale, Roberta "In carne e ossa": il corpo nelle opere di Georg Büchner
    Keywords: Literary essays ; Philosophy ; Büchner, Georg 1813-1837 ; Rousseau, Jean-Jacques 1712-1778 ; Frankreich ; Materialismus ; Philosophie ; Geschichte 1700-1850 ; Büchner, Georg 1813-1837 ; Körper
    Abstract: In the critical literature on Georg Büchner this monograph represents the first organic work devoted to the subject of the body – a pivotal issue for an understanding of his writings. The book investigates the significance assumed by the human body in three spheres of analysis: the political, the erotic and the scientific-philosophical. In the latter area the analysis hinges on the relations between Büchner's work and the writings of the three principal French materialist philosophers of the eighteenth century: La Mettrie, d'Holbach and Helvétius. The appraisal of this relation illustrates not only Büchner's appropriation of the legacy of ideas of French materialism, but also moments in which he satirises, sarcastically criticises or outrightly rejects certain central aspects of this vision of man and nature. From this analysis and the study of the political significance of the body and the erotic aspect, it emerges that the body, understood as Leib – human body, lived and living, the hub of subjective perception and experience – not only has a crucial function in the figurative layout of the literary works, but is also the focal point of Büchner's view of man, thus assuming a central importance both in the three areas examined and in the more strictly aesthetic sphere. This book won the Premio Associazione Sigismondo Malatesta "Opera Critica" - Letteratura, Teatro e Arti dello spettacolo - Edizione 2009
    Note: Italian
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar]
    Language: Italian
    Pages: 1 Online-Ressource
    Series Statement: Biblioteca di Studi di Filologia Moderna
    Keywords: linguistics ; Literary essays ; Social & cultural history
    Abstract: This book offers a portrait of Leningrad in the 1960s, of its cultural life in those years permeated by a great hope for change. Leningrad, now St. Petersburg, is the heir and witness of the rise and fall of the 'Soviet hope' for an authentic change, its evolution and its inevitable decline. Through an analysis of the poems of Iosif Brodskij, Stefania Pavan maps out the process that led the intelligencija of Leningrad to disclose their claims, to give shape to the intellectual conscience of the city, and that subsequently constrained them to adopt the opposite approach, concealing – in a semi-visible space and in the myriad modes of the 'samizdat' – the values, names and images of the hope of change. Through an analysis of the linguistic peculiarities of The dregs , one of the 'classic' short stories of Boris Ivanov, Simonetta Signorini proposes a micro-history of the Russian language in the 60s, to which the study carried out by Ljudmila Zubova on the poems of Viktor Sosnora makes a useful contribution. The essay by Irina Dvizova highlights an aspect of the culture of Leningrad that can be considered extremely topical, in terms both of argument and as a method of reading literary history: the relation between the city and the Dostoevskij museum
    Abstract: Il volume propone un ritratto di Leningrado degli anni Sessanta, della sua vita culturale nell'Unione Sovietica, in quegli anni attraversata da una forte speranza di cambiamento. Leningrado, oggi San Pietroburgo, è erede e testimone della parabola della 'speranza sovietica' di un mutamento autentico, del suo evolversi e inevitabile esaurirsi. Stefania Pavan, attraverso l'analisi dei versi di Iosif Brodskij, disegna il percorso che ha condotto l'intelligencija di Leningrado nel 'disvelare' le proprie istanze, nel dare forma alla coscienza intellettuale della Città, e che l'ha vista costretta ad adottare successivamente la via inversa, a 'celare' in uno spazio semivisibile e tramite infinite modalità del 'samizdat', i valori, i nomi e le immagini della speranza del cambiamento. Con l'analisi delle particolarità linguistiche di La feccia, uno dei racconti 'classici' di Boris Ivanov, Simonetta Signorini propone una micro-storia della lingua russa negli anni Sessanta, alla quale lo studio di Ljudmila Zubova condotto sui versi di Viktor Sosnora dà un utile contributo. Il saggio di Irina Dvizova mette in evidenza un aspetto della cultura di Leningrado che è da considerare molto attuale sia come argomento che come metodo di lettura della storia letteraria: il rapporto fra la città e il Museo Dostoevskij
    Note: Italian
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  • 5
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar]
    Language: Italian
    Pages: 1 Online-Ressource
    Series Statement: Biblioteca di Studi di Filologia Moderna
    Keywords: Poetry ; Literary essays
    Abstract: W. B. Yeats e la cultura italiana examines the "Italianism" of William Butler Yeats and the popularity of the Irish poet in Italian poetry and criticism. Appraising the presence and evocative influence of "learned Italian things" on the work of the Irish poet, through the study of his letters and as illustrated by the library conserved by his daughter Anne, and with constant references to the texts themselves, the Italian influences most evidently present in the work of the Irish Nobel winner are analysed and discussed. This first section of the book presents in its entirety the largely unpublished correspondence between Years and the philosopher Mario Manlio Rossi. Subsequently, observing the influence and the fascination exerted by the work of Yeats on Italian poets such as Montale, Solmi and Giudici, who even translated some of Yeats' poems, and Lucio Piccolo, who also had a brief epistolary exchange with the Irish poet, this too still partially unpublished, we arrive at a critical examination of the Italian reception of Yeats' works. W. B. Yeats e la cultura italiana is rounded off by an annotated bibliography of the translations and works of criticism which represents an important overview of the penetration of Yeats' work in Italy (1905-2005)
    Abstract: W. B. Yeats e la cultura italiana prende in esame l''italianismo' di William Butler Yeats e la fortuna del poeta irlandese nella poesia e nella critica italiana. Verificando la presenza, l'influenza e la suggestione delle «learned Italian things» sull'opera del poeta irlandese, attraverso la ricognizione delle sue letture così come si evince dalla biblioteca custodita dalla figlia Anne, e grazie a un costante riferimento ai testi, vengono analizzati e discussi gli influssi italiani più marcatamente presenti nella produzione del Nobel irlandese. Questa prima parte del volume presenta, nella sua interezza, il carteggio in gran parte inedito tra Yeats e il filosofo Mario Manlio Rossi. Osservando successivamente l'influenza e la fascinazione esercitata dall'opera yeatsiana sui poeti italiani Montale, Solmi e Giudici, che di Yeats tradussero alcune poesie, e Lucio Piccolo, che con il poeta irlandese intrattenne un breve scambio epistolare, anch'esso ancora parzialmente inedito, si giunge ad una disamina critica della ricezione italiana dell'opera di Yeats. W. B. Yeats e la cultura italiana si chiude con una bibliografia ragionata delle traduzioni e dei contributi critici che costituisce un importante quadro di riferimento della penetrazione dell'opera di Yeats in Italia (1905-2005)
    Note: Italian
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  • 6
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar]
    Language: Italian
    Pages: 1 Online-Ressource
    Series Statement: Biblioteca di Studi di Filologia Moderna
    Keywords: Literary essays ; Philosophy
    Abstract: In the critical literature on Georg Büchner this monograph represents the first organic work devoted to the subject of the body – a pivotal issue for an understanding of his writings. The book investigates the significance assumed by the human body in three spheres of analysis: the political, the erotic and the scientific-philosophical. In the latter area the analysis hinges on the relations between Büchner's work and the writings of the three principal French materialist philosophers of the eighteenth century: La Mettrie, d'Holbach and Helvétius. The appraisal of this relation illustrates not only Büchner's appropriation of the legacy of ideas of French materialism, but also moments in which he satirises, sarcastically criticises or outrightly rejects certain central aspects of this vision of man and nature. From this analysis and the study of the political significance of the body and the erotic aspect, it emerges that the body, understood as Leib – human body, lived and living, the hub of subjective perception and experience – not only has a crucial function in the figurative layout of the literary works, but is also the focal point of Büchner's view of man, thus assuming a central importance both in the three areas examined and in the more strictly aesthetic sphere. This book won the Premio Associazione Sigismondo Malatesta "Opera Critica" - Letteratura, Teatro e Arti dello spettacolo - Edizione 2009
    Abstract: Nella letteratura critica su Georg Büchner questa monografia rappresenta il primo lavoro organico dedicato alla tematica del corpo – tematica centrale per la comprensione degli scritti büchneriani. Il volume indaga la valenza assunta dal corpo umano in tre ambiti di analisi: quello politico, quello erotico e quello scientifico-filosofico. In quest'ultimo ambito, l'analisi verte sul rapporto tra l'opera büchneriana e gli scritti dei tre principali filosofi materialisti del Settecento francese: La Mettrie, d'Holbach e Helvétius. L'indagine di tale rapporto evidenzia non solo momenti di appropriazione del patrimonio di idee del materialismo francese, da parte di Büchner, ma anche momenti di satira, critica sarcastica o aperto rifiuto di alcuni aspetti centrali di quella visione dell'uomo e della natura. Da tale analisi e dallo studio della valenza politica del corpo e della tematica erotica emerge come il corpo, inteso come Leib – corpo umano, vissuto e vivente, centro di percezione ed esperienza soggettiva – non abbia solo una funzione centrale nell'impianto figurativo delle opere letterarie, ma costituisca anche il punto focale dello sguardo büchneriano sull'uomo, assumendo così un'importanza centrale sia nei tre ambiti esaminati che in quello prettamente estetico. Questo volume ha vinto il Premio Associazione Sigismondo Malatesta "Opera Critica" - Letteratura, Teatro e Arti dello spettacolo - Edizione 2009
    Note: Italian
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  • 7
    Online Resource
    Online Resource
    Firenze : Firenze University Press
    ISBN: 9788884537263
    Language: Italian
    Pages: 1 Online-Ressource
    RVK:
    Keywords: Jelinek, Elfriede 〈1946-〉 Criticism and interpretation ; Theatre studies ; Literary essays ; Jelinek, Elfriede 1946-
    Abstract: This volume consists of a collection of essays by five German scholars from various Italian universities – R. Calabrese, R. Caruzzi, M. Fancelli, L. Perrone Capano, R. Svandrlik (editor) – and N. Šlibar from the University of Lubiana, that meld formal research and musical pace and structure with the pitiless radicalism and the consistency of the issues addressed, first and foremost the oppression inherent to power relations. In the commitment to reveal the mechanisms of manipulation, from the most obvious to the most subtle, the author herself becomes a manipulator of language of exceptional creativity and daring, with the guiding thread of the gender perspective. The volume is completed by the translation of the speech made by the Austrian writer when she was awarded the Nobel prize in 2004, and by a bibliography (edited by Claudia Vitale), focused in particular on the reception in Italy and on the scarcity of Italian scientific studies
    Note: Free of charge , Contains bibliography, abstracts and 1 speech by E. Jelinek (1946-) , Collected essays , Italian
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  • 8
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar]
    Language: Italian
    Pages: 1 Online-Ressource
    Series Statement: Biblioteca di Studi di Filologia Moderna
    Keywords: Theatre studies ; Literary essays
    Abstract: This volume consists of a collection of essays by five German scholars from various Italian universities – R. Calabrese, R. Caruzzi, M. Fancelli, L. Perrone Capano, R. Svandrlik (editor) – and N. Šlibar from the University of Lubiana, that meld formal research and musical pace and structure with the pitiless radicalism and the consistency of the issues addressed, first and foremost the oppression inherent to power relations. In the commitment to reveal the mechanisms of manipulation, from the most obvious to the most subtle, the author herself becomes a manipulator of language of exceptional creativity and daring, with the guiding thread of the gender perspective. The volume is completed by the translation of the speech made by the Austrian writer when she was awarded the Nobel prize in 2004, and by a bibliography (edited by Claudia Vitale), focused in particular on the reception in Italy and on the scarcity of Italian scientific studies
    Abstract: Elfriede Jelinek. Una prosa altra, un altro teatro è una raccolta di saggi, di cinque germaniste di varie università italiane, R. Calabrese, R. Caruzzi, M. Fancelli, L. Perrone Capano, R. Svandrlik (curatrice), e N. Šlibar dell'Università di Lubiana. Le autrici evidenziano come ricerca formale, struttura e andamento musicale si coniugano con la radicalità spietata e con la coerenza dei temi, in primo luogo con la denuncia della sopraffazione all'interno dei rapporti di potere. Nell'impegno a svelare i meccanismi manipolatori, da quelli più evidenti a quelli più sottili, l'autrice diventa essa stessa una manipolatrice di linguaggio dall'eccezionale creatività e audacia, con il filo conduttore del punto di vista di genere. Il volume si chiude con la traduzione del discorso che la scrittrice austriaca tenne in occasione del conferimento del Nobel nel 2004, e con una bibliografia (a cura di Claudia Vitale) che dà conto in particolare della ricezione in Italia e della scarsità di studi scientifici in ambito italiano
    Note: Italian
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  • 9
    Online Resource
    Online Resource
    s.l. : Firenze University Press
    ISBN: 8884534729
    Language: Italian
    Pages: 1 Online-Ressource
    Keywords: Poetry ; Literary essays
    Abstract: Lezioni di poesia mette in luce un aspetto finora poco indagato nella poetica di Iosif Brodskij, la ricca rete intertestuale che lega i suoi versi alle letterature classiche. L'intertesto brodskiano mai appare come "imitazione", piuttosto come "mimesis", come una mediazione, talvolta celata dalla presenza di culture diacronicamente più vicine, in primis quella russa ineludibile, fortemente impregnata di senso e insegnamento: «(Creando, ben poco la penna ha creato). / Ma quanta luce dà nella notte, / con il buio fondendosi, l'inchiostro!». Lezioni di poesia propone momenti di riflessioni sull'intenso e sfumato rapporto che lega poetica brodskiana e poetica aristotelica, e sui sottili ma altrettanto forti nessi dell'idea di democrazia in Brodskij con quella dell'organizzazione di governo nella Repubblica di Platone. Tramite un percorso storico il volume delinea i tratti di Brodskij, lettore dei classici e, contemporaneamente, persona intimamente coinvolta, sul piano individuale e collettivo, nelle vicende della cultura russa. Nel "porsi dialogico" di Brodskij, in particolare nei confronti dell'antica cultura classica, si fanno emergere chiari i lineamenti del poeta, che nel loro insieme evocano ispirazione, pensiero (profondo e fortemente impregnato di filosofia), rigore morale (ironico e autoironico), rinuncia all'esibizione dei sentimenti, tensione a una scrittura autobiografica "universalizzata" e "estraniata", forte e costante legame con la narrazione dei miti e, in maniera sempre più rimarcabile nel tempo dell'esistenza e dell'opera, un progressivo prevalere dei "segni" degli autori classici
    Abstract: This book focuses upon an aspect which has been little investigated to date in the poetics of Iosif Brodskij: the rich intertextual network that links his verses to classical literature. Brodskij's intertext never appears as imitation but rather as mimesis, like an inescapable mediation - at times concealed by the presence of cultures diachronically closer, the Russian in the first place - strongly impregnated with meaning and teaching: "(As for creation, the pen has created very little). / But how much light it casts in the night, / the ink, merging with the darkness!". This book proposes moments of reflection on the intense and nuanced relation that connects Brodskij's poetics with the poetics of Aristotle, and the subtle but equally strong links of Brodskij's idea of democracy with that of the organisation of government in Plato's Republic. Pursuing an historic approach, the book delineates the characteristics of Brodskij as a reader of the classics and, at the same time, as a person intimately involved, at an individual and collective level, in the events of Russian culture. In Brodskij's dialogical approach, in particular in relation to ancient classical culture, the lineaments of the poet emerge clearly. Considered in their globality, these reveal inspiration, thought (profound, and strongly impregnated with philosophy), moral rigour (ironic and self-ironising), the renunciation of the display of feelings, and the tension towards an autobiographical writing that is universalised and externalised, a strong and constant link with the narration of myths and, in a manner that is increasingly marked over the time of his life and work, a progressive prevalence of the signs of the classical authors
    Note: Italian
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  • 10
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar]
    ISBN: 9788864531052
    Language: Italian
    Pages: 1 Online-Ressource
    Series Statement: Biblioteca di Studi di Filologia Moderna
    Keywords: Poetry ; Literary essays
    Abstract: This book focuses upon an aspect which has been little investigated to date in the poetics of Iosif Brodskij: the rich intertextual network that links his verses to classical literature. Brodskij's intertext never appears as imitation but rather as mimesis, like an inescapable mediation - at times concealed by the presence of cultures diachronically closer, the Russian in the first place - strongly impregnated with meaning and teaching: "(As for creation, the pen has created very little). / But how much light it casts in the night, / the ink, merging with the darkness!". This book proposes moments of reflection on the intense and nuanced relation that connects Brodskij's poetics with the poetics of Aristotle, and the subtle but equally strong links of Brodskij's idea of democracy with that of the organisation of government in Plato's Republic. Pursuing an historic approach, the book delineates the characteristics of Brodskij as a reader of the classics and, at the same time, as a person intimately involved, at an individual and collective level, in the events of Russian culture. In Brodskij's dialogical approach, in particular in relation to ancient classical culture, the lineaments of the poet emerge clearly. Considered in their globality, these reveal inspiration, thought (profound, and strongly impregnated with philosophy), moral rigour (ironic and self-ironising), the renunciation of the display of feelings, and the tension towards an autobiographical writing that is universalised and externalised, a strong and constant link with the narration of myths and, in a manner that is increasingly marked over the time of his life and work, a progressive prevalence of the signs of the classical authors
    Abstract: Lezioni di poesia mette in luce un aspetto finora poco indagato nella poetica di Iosif Brodskij, la ricca rete intertestuale che lega i suoi versi alle letterature classiche. L'intertesto brodskiano mai appare come "imitazione", piuttosto come "mimesis", come una mediazione, talvolta celata dalla presenza di culture diacronicamente più vicine, in primis quella russa ineludibile, fortemente impregnata di senso e insegnamento: «(Creando, ben poco la penna ha creato). / Ma quanta luce dà nella notte, / con il buio fondendosi, l'inchiostro!». Lezioni di poesia propone momenti di riflessioni sull'intenso e sfumato rapporto che lega poetica brodskiana e poetica aristotelica, e sui sottili ma altrettanto forti nessi dell'idea di democrazia in Brodskij con quella dell'organizzazione di governo nella Repubblica di Platone. Tramite un percorso storico il volume delinea i tratti di Brodskij, lettore dei classici e, contemporaneamente, persona intimamente coinvolta, sul piano individuale e collettivo, nelle vicende della cultura russa. Nel "porsi dialogico" di Brodskij, in particolare nei confronti dell'antica cultura classica, si fanno emergere chiari i lineamenti del poeta, che nel loro insieme evocano ispirazione, pensiero (profondo e fortemente impregnato di filosofia), rigore morale (ironico e autoironico), rinuncia all'esibizione dei sentimenti, tensione a una scrittura autobiografica "universalizzata" e "estraniata", forte e costante legame con la narrazione dei miti e, in maniera sempre più rimarcabile nel tempo dell'esistenza e dell'opera, un progressivo prevalere dei "segni" degli autori classici
    Note: Italian
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