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  • MPI Ethno. Forsch.  (11)
  • MARKK
  • Liverpool : Liverpool University Press  (11)
  • English Studies  (11)
  • Computer Science
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  • 1
    ISBN: 9781802076943 , 9781789621723
    Language: English
    Pages: 248 Seiten
    Edition: Paperback edition
    Series Statement: Liverpool science fiction texts and studies 63
    Series Statement: Liverpool science fiction texts and studies
    DDC: 809.387620936
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    Keywords: Science fiction History and criticism ; Climatic changes in literature ; Science-Fiction-Literatur ; Klimaänderung ; Klima ; Ecocriticism ; Science-Fiction
    Abstract: Despite the occasional upsurge of climate change scepticism amongst Anglophone conservative politicians and journalists, there is still a near-consensus amongst climate scientists that current levels of atmospheric greenhouse gas are sufficient to alter global weather patterns to disastrous effect. The resultant climate crisis is simultaneously both a natural and a socio-cultural phenomenon and in this book Milner and Burgmann argue that science fiction occupies a critical location within this nature/culture nexus. Science Fiction and Climate Change takes as its subject matter what Daniel Bloom famously dubbed 'cli-fi'. It does not, however, attempt to impose a prescriptively environmentalist aesthetic on this sub-genre. Rather, it seeks to explain how a genre defined in relation to science finds itself obliged to produce fictional responses to the problems actually thrown up by contemporary scientific research. Milner and Burgmann adopt a historically and geographically comparatist framework, analysing print and audio-visual texts drawn from a number of different contexts, especially Australia, Britain, Canada, China, Finland, France, Germany, Japan and the United States. Inspired by Williams's cultural materialism, Bourdieu's sociology of culture and Moretti's version of world systems theory, the book builds on Milner's own Locating Science Fiction to produce a powerfully persuasive study in the sociology of literature.
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  • 2
    Language: English
    Pages: 1 Online-Ressource (xiii, 283 Seiten)
    Series Statement: Liverpool English texts and studies 85
    Parallel Title: Erscheint auch als Revision, Revival, Rediscovery: The "Re" Word in British Women's Writing 1930 to 1960 (Veranstaltung : 2016 : Hull) British women's writing, 1930 to 1960
    DDC: 820.992870904
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    Keywords: English literature Women authors ; History and cricitism ; English literature History and cricitism 20th century ; Aufsatzsammlung ; Konferenzschrift 2016 ; Englisch ; Frauenliteratur ; Geschichte 1930-1960
    Abstract: "This volume contributes to the vibrant, ongoing recuperative work on women’s writing by shedding new light on a group of authors commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The neologism ‘interfeminism’ – coined to partner Kristin Bluemel’s ‘intermodernism’ – locates this group chronologically and ideologically between two ‘waves’ of feminism, whilst also forging connections between the political and cultural monoliths that have traditionally overshadowed them. Drawing attention to the strengths of this ‘out-of-category’ writing in its own right, this volume also highlights how intersecting discourses of gender, class and society in the interwar and postwar periods pave the way for the bold reassessments of female subjectivity that characterise second and third wave feminism." --
    Note: Literaturangaben , "The impetus for this volume arose from the enthusiasm generated by the conference "Revision, Revival, Rediscovery: The "Re" Word in British Women's Writing 1930 to 1960" at Hull University on 24 June 2016" (acknowledgements)
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  • 3
    Language: English
    Pages: 1 Online-Ressource (ix, 231 Seiten) , Diagramme
    Series Statement: Liverpool science fiction texts and studies 63
    Parallel Title: Erscheint auch als Milner, Andrew, 1950 - Science fiction and climate change
    DDC: 809.387620936
    RVK:
    Keywords: Science fiction History and criticism ; Climatic changes in literature ; Science-Fiction-Literatur ; Klimaänderung ; Klima ; Ecocriticism ; Science-Fiction
    Abstract: Despite the occasional upsurge of climate change scepticism amongst Anglophone conservative politicians and journalists, there is still a near-consensus amongst climate scientists that current levels of atmospheric greenhouse gas are sufficient to alter global weather patterns to disastrous effect. The resultant climate crisis is simultaneously both a natural and a socio-cultural phenomenon and in this book Milner and Burgmann argue that science fiction occupies a critical location within this nature/culture nexus. Science Fiction and Climate Change takes as its subject matter what Daniel Bloom famously dubbed 'cli-fi'. It does not, however, attempt to impose a prescriptively environmentalist aesthetic on this sub-genre. Rather, it seeks to explain how a genre defined in relation to science finds itself obliged to produce fictional responses to the problems actually thrown up by contemporary scientific research. Milner and Burgmann adopt a historically and geographically comparatist framework, analysing print and audio-visual texts drawn from a number of different contexts, especially Australia, Britain, Canada, China, Finland, France, Germany, Japan and the United States. Inspired by Williams's cultural materialism, Bourdieu's sociology of culture and Moretti's version of world systems theory, the book builds on Milner's own Locating Science Fiction to produce a powerfully persuasive study in the sociology of literature.
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  • 4
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press | Berlin : Knowledge Unlatched
    ISBN: 9781789624892
    Language: English
    Pages: 1 Online-Ressource (x, 202 Seiten)
    Series Statement: Representations: Health, Disability, Culture and Society
    Parallel Title: Erscheint auch als Cheyne, Ria Disability, literature, genre
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    Keywords: Literature History and criticism ; Literary Criticism / Modern ; Electronic books ; Behinderung ; Literaturgattung
    Abstract: Examining the intersection of disability and genre in popular works of horror, crime, science fiction, fantasy, and romance published since the late 1960s, Disability, Literature, Genre is a major contribution to both cultural disability studies and genre fiction studies. Drawing on recent work on affect and emotion, the book explores how disability makes us feel, and how those feelings shape interpersonal and fictional encounters. Written in a clear and accessible style, Disability, Literature, Genre offers a timely reflection on the rapidly growing body of scholarship on disability representation, as well as an innovative new theorisation of genre. By reconceptualising genre reading as an affective process, Ria Cheyne establishes genre fiction as a key site of investigation for disability studies. She argues that genre fiction's unique combination of affectivity and reflexivity makes it ideally suited to the production of reflexive representations of disability: representations which encourage the reader to reflect upon what they understand about disability, and potentially to rethink it. Examining the affective-and effective-power of disability representations in a wide range of popular genre fiction, this book will be essential reading for academics in disability studies, literary studies, popular culture studies, and the medical humanities
    URL: Cover  (Thumbnail cover image)
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  • 5
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press
    ISBN: 9781781384541
    Language: English
    Pages: 1 Online-Ressource (X, 250 Seiten)
    Series Statement: Liverpool Science Fiction Texts and Studies 55
    DDC: 809.38762
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    Keywords: Environmentalism in literature. ; Planets; Environmental engineering. ; Science and state. ; Science fiction; History and criticism. ; Space colonies in literature. ; Science-Fiction-Literatur ; Kolonisation ; Terraforming ; Planet ; Umweltbewusstsein
    Note: Die Zählung der Reihe wurde auf der Internetseite des Verlages recherchiert , Der Titel ist Teil des Projekts Knowledge Unlatched, Round2 Pre-Unlatch
    URL: Volltext  (kostenfrei)
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  • 6
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press | Berlin : Knowledge Unlatched
    ISBN: 9781781384398
    Language: English
    Pages: 1 Online-Ressource (xvi, 334 Seiten)
    DDC: 809.3/8762
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    Keywords: Science fiction History and criticism
    Abstract: An exploration of politics and the role of the 'soft sciences' in Science Fiction.
    Abstract: The fifteen essays collected in Hard Reading argue, first, that science fiction has its own internal rhetoric, relying on devices such as neologism, dialogism, semantic shifts, the use of unreliable narrators. It is a "high-information" genre which does not follow the Flaubertian ideal of le mot juste, "the right word", preferring le mot imprevisible, "the unpredictable word". Both ideals shun the facilior lectio, the "easy reading", but for different reasons and with different effects. The essays argue further that science fiction derives much of its energy from engagement with vital intellectual issues in the "soft sciences", especially history, anthropology, the study of different cultures, with a strong bearing on politics. Both the rhetoric and the issues deserve to be taken much more seriously than they have been in academia, and in the wider world. Each essay is further prefaced by an autobiographical introduction. These explain how the essays came to be written and in what ways they (often) proved controversial. They, and the autobiographical introduction to the whole book, create between them a memoir of what it was like to be a committed fan, from teenage years, and also an academic struggling to find a place, at a time when a declared interest in science fiction and fantasy was the kiss of death for a career in the humanities.
    Note: Literaturverzeichnis: Seite 311-319
    URL: Volltext  (kostenfrei)
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  • 7
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press | Berlin : Knowledge Unlatched
    ISBN: 9781781383322 , 1786944111 , 9781786944115
    Language: English
    Pages: 1 Online-Ressource (viii, 272 Seiten) , illustrations, figures, tables
    Series Statement: Liverpool science fiction texts and studies
    Parallel Title: Print version Biopunk Dystopias, Genetic Engineering, Society and Science Fiction
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    Keywords: Science fiction History and criticism ; Science fiction ; Biotechnology in literature ; Electronic books ; Science-Fiction-Literatur ; Genetik
    Abstract: 'Biopunk Dystopias' contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. The analysis deals with dystopian science fiction artifacts of different media from the year 2000 onwards that project a posthuman intervention into contemporary socio-political discourse based in liquid modernity in the cultural formation of biopunk. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet. As Rosi Braidotti argues, "there is a posthuman agreement that contemporary science and biotechnologies affect the very fibre and structure of the living and have altered dramatically our understanding of what counts as the basic frame of reference for the human today" (40). The proposed book analyzes this alteration as directors, creators, authors, and artists from the field of science fiction extrapolate it from current trends
    Note: eng
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  • 8
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press | Berlin : Knowledge Unlatched
    ISBN: 9781781384695
    Language: English
    Pages: 1 Online-Ressource (xiii, 248 Seiten)
    Series Statement: Liverpool English texts and studies [66]
    Series Statement: Liverpool English texts and studies
    DDC: 821.009928709415
    RVK:
    Keywords: English poetry Women authors ; History and criticism ; English poetry Irish authors ; History and criticism ; Irland ; Frauenlyrik
    URL: Volltext  (kostenfrei)
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  • 9
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press
    ISBN: 9781781380895 , 1781380899 , 9781781385524 , 1781385521 , 9781846319587 , 1781386072 , 1846319587 , 9781781386071
    Language: English
    Pages: 1 Online-Ressource (x, 225 pages)
    Series Statement: Liverpool English texts and studies 63
    Parallel Title: Print version Youngs, Tim, 1961- Beastly journeys
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    Keywords: English literature History and criticism 19th century ; Shapeshifting ; Travel in literature ; Animals in literature ; Literature and society History 19th century ; English literature ; Shapeshifting ; Travel in literature ; Animals in literature ; Literature and society ; Literary studies: general ; Literature and literary studies ; Literature: history and criticism ; LITERARY CRITICISM ; Comparative Literature ; Animals in literature ; English literature ; Literature and society ; Shapeshifting ; Travel in literature ; English ; Languages & Literatures ; English Literature ; Great Britain ; Literary studies: c 1800 to c 1900 ; Criticism, interpretation, etc ; History ; Electronic books ; Electronic books
    Abstract: A critical exploration of travel, animals and shape-changing in fin de siècle literature. Bats, beetles, wolves, butterflies, bulls, panthers, apes, leopards and spiders are among the countless creatures that crowd the pages of literature of the late nineteenth century. Whether in Gothic novels, science fiction, fantasy, fairy tales, journalism, political discourse, realism or naturalism, the line between the human and the animal becomes blurred. Beastly Journeys examines these bestial transformations across a range of well-known and less familiar texts and shows how they are provoked not only by the mutations of Darwinism but by social and economic shifts that have been lost in retellings and readings of them. The physical alterations described by George Gissing, George MacDonald, Arthur Machen, Arthur Morrison, W.T. Stead, Bram Stoker, H.G. Wells, Oscar Wilde, and many of their contemporaries, are responses to changes in the social body as Britain underwent a series of social and economic crises. Metaphors of travel - social, spatial, temporal, mythical and psychological - keep these stories on the move, confusing literary genres along with the indeterminacy of physical shape that they relate. Beastly Journeys will appeal to anyone interested in the relationship between nineteenth-century literature and its contexts and especially to those interested in the fin de siècle and in metaphors of travel, animals and shape-changing
    Description / Table of Contents: Introduction: The Unchaining of the Beast -- 1. City Creatures -- 2. The Bat and the Beetle -- 3. Morlocks, Martians, and Beast-People -- 4. 'Beast and man so mixty': The Fairy Tales of George MacDonald -- 5. Oscar Wilde: 'an unclean beast' -- Conclusion.
    Note: Includes bibliographical references (pages 211-219) and index
    URL: Volltext  (kostenfrei)
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  • 10
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press | Berlin : Knowledge Unlatched
    Language: English
    Pages: 1 Online-Ressource (vi, 339 Seiten)
    Series Statement: Liverpool English texts and studies 44
    Series Statement: Liverpool English texts and studies
    DDC: 820.9008
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    Keywords: English literature 19th century ; History and criticism ; Identity (Philosophical concept) in literature ; Identity (Psychology) ; Literature and society Great Britain ; History ; 19th century ; Social problems in literature ; Großbritannien ; Literatur ; Gesellschaft ; Identitätskrise ; Geschichte 1800-1900
    URL: Volltext  (kostenfrei)
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  • 11
    Online Resource
    Online Resource
    Liverpool : Liverpool University Press
    ISBN: 9780853238393 , 1846314186 , 0853238391 , 9781846314186
    Language: English
    Pages: 1 Online-Ressource (182 pages)
    Edition: [S.l.] HathiTrust Digital Library 2010 Electronic reproduction
    Series Statement: Liverpool English texts and studies 46
    Parallel Title: Print version Pedlar, Valerie Most dreadful visitation
    DDC: 823.8093561
    RVK:
    Keywords: Mental illness in literature ; Men in literature ; Men Mental health ; English fiction History and criticism 19th century ; Mental illness in literature ; Men in literature ; Men ; English fiction ; History, 19th Century ; Medicine in Literature ; Men psychology ; Mental Disorders history ; History ; Named Groups ; Humanities ; Psychiatry and Psychology ; Literature ; Persons ; History, Modern 1601- ; Fiction and related items ; Crime and mystery ; Historical mysteries ; Medicine ; Other branches of medicine ; Clinical psychology ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; English fiction ; Men in literature ; Men ; Mental health ; Mental illness in literature ; Criticism, interpretation, etc ; Great Britain ; Electronic books
    Abstract: "Victorian literature is rife with scenes of madness, with mental disorder functioning as everything from a simple plot device to a commentary on the foundations of Victorian society. But while madness in Victorian fiction has been much studied, most scholarship has focused on the portrayal of madness in women; male mental disorder in the period has suffered comparative neglect. This book corrects this imbalance by exploring a wide range of Victorian writings to consider the relationship between the portrayal of mental illness in literary works and the portrayal of similar disorders in the writings of doctors and psychologists. The book presents in-depth studies of Dickens' Barnaby Rudge, Tennyson's Maud, Wilkie Collins' Basil and Trollope's He Knew He Was Right, considering each work in the context of Victorian understandings -- and fears -- of mental degeneracy."--Publisher's description
    Description / Table of Contents: Insurrection and imagination : idiocy and Barnaby Rudge -- Thwarted lovers : Basil and Maud -- Wrongful confinement, sensationalism and Hard cash -- Madness and marriage -- The zoophagus maniac : madness and degeneracy in Dracula.
    Note: Includes bibliographical references (pages 163-177) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
    URL: Volltext  (kostenfrei)
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