ISBN:
9789401510592
Language:
English
Pages:
Online-Ressource (228p)
,
online resource
Edition:
Springer eBook Collection. Humanities, Social Sciences and Law
Parallel Title:
Erscheint auch als
Parallel Title:
Erscheint auch als
Keywords:
Humanities
;
Music.
Abstract:
One / Thoughts and Methods -- I. Preliminaries -- II. The advent of the ethnomusicologist -- III. The ethnomusicologist’s workshop -- IV. The question of origin -- Two / Early Music -- V. The oldest music: tumbling strains -- VI. The oldest music: one-step melodies -- VII. Conservatism and magic -- VIII. Vocal mannerisms -- IX. Instruments -- X. Rhythm and form III -- Three / On the Way -- Growth, personality, art -- Four / The Fate of Secondal and Tertial Patterns -- The widening nucleus — “ triadic and fanfare melodies” — tonal anatomy and physiology — chains — double, triple, quadruple, quintuple and sextuple thirds — skeletons and infixes — pentatonism and heptatonism — German chorale dialect — Landino third — four-line notation — six-five patterns — triadic octaves -- Five / The Fate of Quartal and Quintal Patterns -- Disjunction and conjunction — quartal chains — chains of fifths — hybrids — modulation — culture chance once more -- Six / Centric Melodies Gregorian tenor melodies — the concept of mesè -- Seven / Polyphony -- Vertical and horizontal — distribution — isochronous conductus — parallels — drones — grounds — alternation and canon — Stimmtausch- heterophony -- Eight / Cross- or Polyrhythm -- Independent accompaniment — hemiola — “ syncopation ” Afro-Indian concordances -- Nine / Professional Music and Musical Systems -- Semi-professionals and professionals — bards — minstrelsy — segregation and discrimination — professional waiters — musical vocabularies — pitch syllables — concomitant method of learning -- Ten / ‘Progress’? -- The fading theory of evolution — culture graft — progress — evidences against progress — our gain is our loss -- A note on Bibliography -- Index of Names.
Description / Table of Contents:
One / Thoughts and MethodsI. Preliminaries -- II. The advent of the ethnomusicologist -- III. The ethnomusicologist’s workshop -- IV. The question of origin -- Two / Early Music -- V. The oldest music: tumbling strains -- VI. The oldest music: one-step melodies -- VII. Conservatism and magic -- VIII. Vocal mannerisms -- IX. Instruments -- X. Rhythm and form III -- Three / On the Way -- Growth, personality, art -- Four / The Fate of Secondal and Tertial Patterns -- The widening nucleus - “ triadic and fanfare melodies” - tonal anatomy and physiology - chains - double, triple, quadruple, quintuple and sextuple thirds - skeletons and infixes - pentatonism and heptatonism - German chorale dialect - Landino third - four-line notation - six-five patterns - triadic octaves -- Five / The Fate of Quartal and Quintal Patterns -- Disjunction and conjunction - quartal chains - chains of fifths - hybrids - modulation - culture chance once more -- Six / Centric Melodies Gregorian tenor melodies - the concept of mesè -- Seven / Polyphony -- Vertical and horizontal - distribution - isochronous conductus - parallels - drones - grounds - alternation and canon - Stimmtausch- heterophony -- Eight / Cross- or Polyrhythm -- Independent accompaniment - hemiola - “ syncopation ” Afro-Indian concordances -- Nine / Professional Music and Musical Systems -- Semi-professionals and professionals - bards - minstrelsy - segregation and discrimination - professional waiters - musical vocabularies - pitch syllables - concomitant method of learning -- Ten / ‘Progress’? -- The fading theory of evolution - culture graft - progress - evidences against progress - our gain is our loss -- A note on Bibliography -- Index of Names.
DOI:
10.1007/978-94-015-1059-2
URL:
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