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  • MPI-MMG  (2)
  • Falola, Toyin
  • Cham : Palgrave Macmillan  (1)
  • Cham : Springer International Publishing AG  (1)
  • Cham : Springer International Publishing
Datasource
Material
Language
Years
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing AG
    ISBN: 9783030555177
    Language: English
    Pages: 1 online resource (1041 pages)
    Parallel Title: Erscheint auch als
    DDC: 398.2096
    Keywords: Oral tradition-Africa ; Folk literature, African-History and criticism ; Folklore-Africa ; Electronic books ; Afrika ; Mündliche Überlieferung ; Volkserzählung ; Traditionale Kultur ; Kulturerbe ; diaspora ; Immaterielles Kulturerbe ; Neue Medien ; Performance
    Abstract: Intro -- Introduction: New Perspectives on African Oral Traditions and Folklore -- Contents -- Editors and Contributors -- List of Figures -- List of Tables -- Part IContexts and Practicalities -- 1 Creativity and Performance in Oral Poetry -- Introduction -- The Provenance of Creativity and Performance -- Creativity and Performance in Song-Poetry Traditions -- Udje Song-Poetry of the Urhobo of Nigeria -- The Creative Process in Udje Song-Poetry -- Song Review Workshops -- From Composition to Public Performance -- Udje Festival Performance -- Rites to Uhanghwa Muse -- Presentation at the Udje Theater -- Entry of the Queen of the Performance -- Oral Poetry of the Yoruba, Nigeria -- The Tiv Poetic Experience in Central Nigeria -- Oral Composition and Improvisation in Performance -- Theorizing the Composition-Performance Praxis in Africa -- Creativity and Performance: The Igbo Singer of Tales -- The Formulaic Method in Southern African Oral Poetry -- The Song-Poetry Tradition of the Dinka of South Sudan -- Music and Oral Poetry: The Bala of the Congo -- Musical Activity Among the Hausa of Nigeria -- Music and Oral Poetry Among the Akan of Ghana -- Creativity, Performance, and the New Media -- References -- 2 Concept and Components of Performance -- Introduction -- What Is Performance? -- The Conception of Performance in Ps -- Pinning Performance Down -- Isolating Performance, Theater, Drama, and Literature -- Drama and/as Theater -- Drama and/as Literature -- Conclusion -- References -- 3 The Role of the Audience in Oral Performance -- Introduction -- Overview of Oral Performance -- Characteristics of Oral Performance -- Audience -- Audience of Oral Performance -- Role of Audience -- Conclusion -- References -- 4 Orality, History and Historical Reconstruction -- Introduction -- Orality and History in Africa.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 3319749048 , 9783319749044
    Language: English
    Pages: xi, 258 Seiten , 21 cm x 14.8 cm
    Series Statement: African histories and modernities
    Parallel Title: Erscheint auch als Africa and Globalization
    Parallel Title: Elektronische Reproduktion
    RVK:
    Keywords: Globalization ; Globalization ; BUSINESS & ECONOMICS ; Globalization ; Industries ; POLITICAL SCIENCE ; Africa ; Africa ; Africa ; Electronic books ; General ; Public Policy ; Economic integration ; Economic Policy ; Globalization ; Politics and government ; Electronic books ; Africa Politics and government ; Africa Globalization ; Africa Economic integration ; Africa Politics and government ; Africa Globalization ; Africa Economic integration ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Afrika ; Globalisierung ; Afrika ; Globalisierung
    Abstract: 1. Introduction: Africa in a Globalized World -- I. Africa's Adaptation to Globalization -- 2. The Rediscovery of Africa -- 3. Globalization and the Creative Space in Africa: Implications for Governance and Development -- 4. Postcolonial Africa's Development Trajectories -- 5. Collective Social Action: Enlightenment Ethic and the Rise of Modern Individualism -- 6. Same Migrants, Two Business Models: Culture-centered and Non-traditional Businesses Established by Ethiopians and Eritreans in Washington D.C -- 7. Making Sense of South Africa's Soft Power: Projections, Prospects, and Possibilities -- II. Governance and Creativity -- 8. Developmental Strategies and Cultural Dynamics in Rural Nigeria -- 9. The Impossible Craft of Nation-Building in Postcolonial Cameroon -- 10. Creativity and New Technologies: Piracy, Politics, and the Business of Cultural Production in Nigeria -- 11. Igbo Community Policing and its Relevance for Contemporary Nigeria -- 12. "Come and Chop": Representations of the Parliamentarian in Ola Rotimi's If and Emeka Nwabueze's A Parliament of Vultures
    Abstract: 1. Introduction: Africa in a Globalized World -- I. Africa's Adaptation to Globalization -- 2. The Rediscovery of Africa -- 3. Globalization and the Creative Space in Africa: Implications for Governance and Development -- 4. Postcolonial Africa's Development Trajectories -- 5. Collective Social Action: Enlightenment Ethic and the Rise of Modern Individualism -- 6. Same Migrants, Two Business Models: Culture-centered and Non-traditional Businesses Established by Ethiopians and Eritreans in Washington D.C -- 7. Making Sense of South Africa's Soft Power: Projections, Prospects, and Possibilities -- II. Governance and Creativity -- 8. Developmental Strategies and Cultural Dynamics in Rural Nigeria -- 9. The Impossible Craft of Nation-Building in Postcolonial Cameroon -- 10. Creativity and New Technologies: Piracy, Politics, and the Business of Cultural Production in Nigeria -- 11. Igbo Community Policing and its Relevance for Contemporary Nigeria -- 12. "Come and Chop": Representations of the Parliamentarian in Ola Rotimi's If and Emeka Nwabueze's A Parliament of Vultures
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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